New Work

New Art! 2 Down 2 To Go!

Struck by both some luckily timed inspiration and ever looming deadlines, I have buckled down on my series and completed 2 more pieces, which means only 2 more to go! I actually think these 2 new ones are among my favorites so far. Series-explanation-blurb time for those new readers! “Unlimited” is composed of 12 mixed media portraits in which the meaning is influenced by the use of pattern and color. Women of all ages, races, and time periods are depicted, each communicating a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. Pieces are primarily drawing and painting, accented with mixed media elements and metallic details.

october she is full of curiosity

For the above, titled “October: She Is Full of Curiosity”, I incorporated a lot more mixed media elements which I felt meshed well with the “vintage study” atmosphere of the background. I used quilting fabric for the wallpaper, leather upholstery samples for the book cover, decoupaged book pages for the inside pages and title, an art book clipping for the picture on the wall, ink for the woodwork, watercolor for the outdoor scene, lace overlay for the girl’s collar, metallic acrylic for her hair, and prismacolor pencil for most of the figure and clothing.

she is free

In this next piece, titled “July: She Is Free In Mind and Spirit”, I took almost the opposite approach, not using any fabric or found object materials and sticking solely to the traditional art materials of prismacolor pencil, watercolor, and acrylic paint. I’d had all the pieces for my series pre-planned as far as composition and subject matter since late 2015. However, this one took flight (haha, bad pun) on its own quite recently after I realized that I had a variety of ages and races represented in my planned artworks, but not a variety of abilities. Given that I work with an art program that serves individuals with disabilities, this oversight stopped me in my tracks. I’m always harping on inclusion and the lack of representation of people with disabilities in the public and entertainment sphere to anyone who will listen (and even those who don’t want to sometimes), and yet I realized they were not included in my project that was all about inclusion, unity, and representation. I was thus tasked with coming up with a visible disability that could be seen in just a head and shoulders portrait rather than a full body rendering. This lively young woman with down syndrome who exudes confidence, energy, and life evolved over the incredibly short course of two interrupted days with no pre-planning or sketching beforehand which is very uncommon for me. I don’t know that anyone else will see it, but this piece definitely holds the most emotional connection for me.

For more deeply personal and unconventional portraits, check out self-taught contemporary artist Stephen Martyn Welch’s “Everyone Deserves A Portrait” series inspired by his son who was born with Kabuki Syndrome. Keep checking for the last two! I’m on a roll ;)!

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Art Discussion, New Work

New Work: She is Sheltered By Faith

Organized religion has always had an interesting relationship with women. While many of the ways in which various religions are practiced (notice I say practiced, because often how one chooses to express their religion and how they are kind of supposed to practice it based on the basic tenants of their religion’s teachings can be quite different) have not been too kind to the ladies, even in this day and age, women on the whole are practicing their faith in greater numbers than their male counterparts. This is especially true in Christianity, the faith I will be discussing as it is the one I practice, and the one I am most familiar with.

Interested in this dichotomy, I knew I had to do a piece on women and faith for my current series surrounding women and the various themes that intertwine their lives. Thus, this art nouveau inspired piece was born, titled “April: She Is Sheltered By Faith”. The lush flowers and vines radiate in growth around the central figure, sheltering her from the rains of darkness. She is surrounded by a metallic gold halo of light, and smiling calmly and assuredly through the storm.

april she is sheltered by faith

As one who strives for equality for all, including between different genders, I often find myself in an awkward space where it comes to my Christian faith. Though Jesus himself surely stood for equality, churches don’t always do the best job carrying this message through in our everyday life today. One need look no further than the recent trending hashtag on twitter, #ThingsOnlyChristianWomenHear, to read statements that range from laughable in their utter lunacy to those that are absolutely heart wrenching.

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…And, there are many, many more. These are not made up stories or exaggerations. As thankful as I am that I grew up in the same church I attend now that I feel comfortable in for the most part, many of these messages are familiar through the stories of friends of mine and through articles and advice in Christian teen books or magazines I remember from my youth. We need to do better, and it starts with listening to others’ stories, speaking up when you do hear any of these toxic messages spoken, and knowing the truth. I used to feel so uncomfortable about being the very antithesis of what both mainstream and religious conservative media would have you believe a practicing Christian is “supposed to” be, but nowadays I kind of embrace it. I feel like I’ve finally found a lot of my purpose in life, and besides, aren’t we supposed to stay true to what’s right and not worry about “fitting in” with everyone else? Maybe, this sometimes even means not fitting in with those within our own little group.

So what draws women to faith based lives despite the challenges of organized religion? I’d say it is because the Person they follow advocated for equality way ahead of His time, and that in the stories of His teachings and examples of how He treated others, justice and love have always been at the forefront.

I didn’t want this post to turn into a theology lesson so I kept the background brief, but here are some resources concerning women and Christianity that I think are worth a read, and that definitely challenge the status quo of what Christian women are hearing from society:

On Being A Christian and Being A Feminist … and Belonging Nowhere / Sarah Bessey / (Pst! This cool lady actually started the #ThingsOnlyChristianWomenHear thread.)

15 Christian Women Get Real About The Role Of Women In The Church / Huffington Post

Women’s Faith and Power / ReThinkChurch / “We believe advocacy for the equality between women and men results in positive change that improves the world.” – Yeah!

Jesus and Women / Christianity Today / “In His treatment of women, as in many other areas, Jesus of Nazareth was a radical contrast to the standards of His times”

The Case For Women In Ministry / ReKnew

On Being ‘Divisive’ / Rachel Held Evans

10 Ways Male Privilege Shows Up In The Church / The Junia Project

 

 

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Art Discussion, New Work

In A Black and White World, Be A Rainbow! New Work.

november she is entirely her own

I am still plugging along on my series that needs to be finished by mid-late Summer so that I can enter it into ArtPrize! 4 more pieces of 12 to go, wish me luck! This particular piece titled, “November: She Is Entirely Her Own” was a lot of fun, with lots of dramatic color and pattern – a true ode to creativity, independence, and expression. As it turns out, rainbow hair is as challenging to draw as it can be to create on an actual person’s head!

My series will eventually include 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods. Each will communicate a different theme, titled for each month of the year. I aim for the pieces to speak to women’s collective experiences beyond their differences. Though many of the pieces deal with difficult emotions, the overall feedback I’ve received is that viewers found the works in this series inspiring and encouraging. Over the last couple of years, I have really come into my own style as an artist. For the longest time, I thought in order for art to speak it couldn’t really be enjoyable to look at, and was so wary of my art slipping away from true art and into the category of “decoration”. However, honesty doesn’t have to mean horror and darkness, although there is certainly a time and place for that kind of art, too. You really have to just let yourself speak what naturally flows out of you as an artist, without trying to force a certain aesthetic or viewpoint just because you feel like that is what you “should” be making.

One of my all time favorite authors, David Foster Wallace, said this about creation, “In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction (or art) could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.” If this doesn’t just sum up my definite art goals, I don’t know what does.

Lastly, I will leave you with some of my recent wedding photos. Oh, you didn’t know I got married by the most highly respected robotic priest in all of Michigan on the 30th of March, my 29th birthday?

Ok, April Fool’s. I don’t think this particular marriage ceremony held at Marvin’s Marvelous Mechanical Museum is technically legally binding, and the flimsy aluminum rings we exchanged couldn’t even fit properly on our gigantic sausage fingers. But nevertheless, spending a day at the arcade followed by delicious Italian food was a good enough birthday adventure for me. Perks, now everyone can stop asking us when we’re getting married, because we kind of already did, fools ^_^.

Continue to be the rainbow in a black and white world, dear readers. Until later …

 

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Art Discussion, New Work

New Work – September: She Is An Atlas

This was one of the most challenging pieces in my series thus far, because I was working with multiple layers of meaning and thoughts. It also is the most “mixed media” of all my series installments, utilizing not just mixed fine art mediums but fabric, metal chain, tiny rhinestones, and torn book pages. I have been so into metallic accents since the collaboration with my friend and student, Heather. I also blame her for the inclusion of rhinestones – she encourages me to be sparkly.

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I’ve mentioned in previous posts that when I feel, I feel BIG or not at all. There is no other way. The sketch that inspired this piece started as a way for me to process the weight of my own emotions and feelings of powerlessness. As  I began further conceptualizing this current series, I realized the idea could fit as one of the 12 pieces. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”. The figure in this piece quite literally has “the world on her shoulders” through the pattern on her clothing, much like the mythic Atlas. Atlas the physical object is also defined as a book of maps or charts, and can signify one feeling that they alone must have all the directions and answers to all of the world’s problems, a grand and impossible responsibility.

The exposed heart necklace represents empathy, an open heart waiting to be wounded , left unprotected and raw. She leans against a bulls-eye wall, surrounded by an outline of thrown knives, a target girl like in the well known circus act. With each act of injustice and malice directed at others, she feels as if she is standing in their place, each offense a knife thrown at her, just missing. Though fearful, her face is strong and even. I’ve written before about how compassion and empathy does not equal weakness. To stick one’s head in the sand and be ignorant of the world’s ills is weakness; foolish, avoidant, and selfish.

Another way the subject can be viewed is not as the empathizer but as the victim. Some people are born into situations that are so difficult, living day to day is much like standing against a target with knives being thrown at them. It can be their geographic location, their income, the people that surround them or lack thereof, and the list goes on. Though yes, our personal choices certainly can influence outcomes, isn’t so much of life like a gigantic, living lottery when you think about it? Yet we shake our heads and wag our fingers when we see people who are struggling both around us and abroad, because certainly they must have done something wrong or things would look different? This way of thinking frees us of the responsibility to help others, and gives us a false sense of power that by doing certain things we can be 100% sure we attain the exact sort of life that we want. It all goes back to empathy and control.

One of the things I love about art is the way people can discern completely different meanings from a piece based on their own thoughts and experiences. Did something different strike you as you looked at this piece, did it remind you of something? Please share, don’t be shy!

 

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New Work

New Progress On My Current Series!

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Hello all! I recently finished another addition to my 12 part series I’ve been working on since late 2015. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”.

This piece is titled July: She Is An Earthshaker. I love mermaids, and really got into aquatic art after following the required theme for the Tall Ships curated exhibition at Studio 23 last summer. This was a fun piece to create, and perhaps my favorite in the series thus far. As a child I don’t know how many times I watched The Little Mermaid, and was absolutely transfixed by King Tritan’s trident (Which of course I later learned came from the myth of Poseidon). I became inspired to make a powerful Lady Poseidon if you will. Earthshaker is another way Poseidon has been referenced, but the name can also apply to those of us in the real world, ordinary people who create waves to change what needs to be changed. She wears a pretty seashell and floral crown, and her facial expression is not one of anger or even one that would imply intense power. Her strength is a quiet strength. If in her head, she can see herself like this, the waves and lightening crashing behind her as she stands firm, perhaps she can believe that she can do anything even if others may doubt her.

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This design is available for print on a variety of cool items in my Redbubble Shop, and art prints on matte photo paper may also be purchased from me Ebay Store.

Check out the other pieces I’ve finished so far! January February March June 

 

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Uncategorized

Exciting News From the MAG Annual Exhibition!

Friday was the opening reception for the Midland Artists Guild’s Annual Juried Exhibition. What’s awesome about this year is that the show actually took place at the gallery I work at as Coordinator for one of their major programs, Creative 360. The piece that was accepted into the show was “She Is Everything At Once“, the 3rd installment in my new series I’ve been working on since late 2015. There was so much amazing work this year, I truly was just excited to get into the show and did not go in expecting any further recognition… and then my name got called for an Award of Excellence. No matter how many years I spend involved in art, I don’t think I will ever lose that factor of complete surprise when something like this happens.

 

For those of you who may have missed previous posts on my new series, I will be creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year, the one featured in the MAG show being March. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected.

My goal is to get this series into this year’s ArtPrize in Grand Rapids. With the positive responses I’ve been seeing to images from this series thus far including an award for my January piece at the Greater Michigan Art Exhibition last Fall, I’m certainly feeling hopeful!

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Exhibitions and Other News

Collaborative Art, Or, I Guess I Do Work

A couple of months ago, something of a milestone in my artistic journey happened, and I cannot believe it has taken me this long to get around to sharing it. I completed a collaborative piece with another artist. Whoa, am I right?

I don’t always like working closely with others. I was the kid that dreaded group projects growing up. In college, for my huge final project I actually chose to do 4x the work of everyone else simply to avoid working with a group (Let’s be real, I always ended up doing all of the work anyway.). I like control, I like all the responsibility for either my own success or failure falling entirely on me. I have distinct memories of 5th grade in which we were tasked, in groups of 3, to build this big house out of cardboard, decorate it inside, and wire in actual working lighting with those fun little battery circuit kits you get to play around with in grade school.One of my group members was dancing around the room singing “Oops, I Did It Again” using her pencil as a fake microphone, I do not jest. The other group member  was insisting on wiring everything in such a way that none of our little ceiling bulbs would light up, and she would not take instruction. I finally couldn’t take it, and quiet mouse me who never made a peep all day told her bluntly that all her ideas were stupid. A temper tantrum by the accused ensued. I actually didn’t get into trouble because I was such a quiet kid, I think the teacher was just glad I finally spoke up and said something, anything, even if it was to berate a fellow student’s ineptitude.

Art is so personal too, to alter your vision, to compromise to allow room for someone else’s vision as well is super hard.

I first met my artist-in-crime, Heather, about 3 years ago when she took one of my Artshop classes at Creative 360. We felt a connection right away due to our similar artistic leanings and interests, and have been sharing our art and our journeys with each other ever since. There were certainly some rough patches along the way, but we’re still friends and have this adorable, girly, sad, disturbing masterpiece to show for it. So much metallic watercolor was used in the making of this art, that my sink is still sparkly.

This piece explores the idea of being taken advantage of, and seeing the best parts of you ripped away by the other’s abuse. It also conveys the idea of the sympathetic but complicit observer, who is silent as they witness harm and injustice.

Our styles meshed super well, which I honestly wasn’t expecting. Though we favor similar subject matter at times, we have totally different approaches to drawing. Who did what, can you guess?

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Icing On The Cake, by Allise Noble (left) and Heather Deogracia (right).

Without the urging of a “Dynamic Duos” curated show at Studio 23 Gallery in which you were required to submit only art made in tandem with a fellow artist, I don’t think Heather or I would have attempted such a harrowing feat. Now that we’ve done it once, we may just try a second go around in the future… only time will tell.

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Art Discussion

Art Discussion: New Year’s Resolutions

I have to admit, I never make New Year’s resolutions; partly because if you are truly dissatisfied with something, it seems silly to arbitrarily wait until the turning of the calendar to fix it. In part also because we all tend to set the same goals, those goals that we know everyone else is setting so we can easier relate to those around us as we share that we want to find our soulmate, get a promotion, or lose weight, and we can all laugh together about how we probably won’t actually do anything to work towards most of those things. But, what would happen if we committed to doing one thing that we were truly passionate about in this new year, one thing that we didn’t over analyze to death, asking ourselves, Should I want this? Is it too silly? Too shallow? Too lofty? Too weird? No one would understand anyway … 

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During my senior year of college 7 years ago (Whoa! 7 is a big number.), I entered an art book into the Annual Student Exhibition at Central Michigan University. I asked a sampling of the people I encountered in a day, some I knew well and some I did not, to think of a couple of experiences they would like to have before their life was over, and pick the most obscure one to share with me. I chose 35 different submissions to illustrate, and Underneath was  born. This was my first experiment with creating art based on collected personal stories, something I would use to create many more projects in the future. I also ended up winning the Grand Award for this piece, which was the first time I’d ever won anything for my art aside from a coloring contest in 4th grade, and not a bad way to exit my college career ;).


As annoying as it may be that the first thing anyone asks when meeting someone for the first time after “What’s your name?” is, “So what do you do?”, we kind of are what we do. This doesn’t have to mean our day jobs, or even be workplace related at all. What we do with each day is a choice, and it is these choices that reflect what we value and shape who we will become. True goals can give immense insight into each individual’s unique personality, drive, and psyche. That is why I so enjoyed sifting through the responses I received for this project.

I was reminded of Underneath recently for an unfortunate reason. The young woman who 7 years ago submitted the far right response above took her own life in a murder-suicide earlier this month. She attended my high school, but our school was so large growing up there were tons of people who walked in graduation with me that I felt like I’d never laid eyes on my whole four years there. I never knew her well, but our paths did cross and I remembered her submission deeply affecting me back then, as the news of what occurred deeply saddened me now. A couple of my good friends had had classes and clubs with her, some even keeping up over the years at least through texting and facebook, and the news hit them even harder.

This may not be a typical resolution, but something to be mindful of in the new year is this: we do not know everyone else’s story. We have no clue about everything the people we run into in our day to day life may be going through. People learn to adapt, and to act, and to portray themselves in person, at work, and in social media as how they want others to see them. I know I do it; I think we all do to a point. I have always been fascinated with the dichotomy between individual’s alone personas versus their public personas. It is a concept that is interesting to explore. It can also be a concept that is dangerous, because it can prevent people from reaching out who need help. If you make one resolution (aside from foregoing all convention and chasing your oddest dream / within reason and lawfulness, of course), resolve to be transparent and authentic, and resolve to be someone who is willing to make that reach when someone needs support either in the form of just a listening ear or otherwise. Christmas falling on a Sunday, I attended the Christmas morning church service at MFMC with my family this year. We spoke about how there is the whole Christmas story which most of us, churchgoers or not, have known since childhood. But, we all have stories, and our story, how we live and interact, can change someone else’s story for the better if we allow it to happen. We have nothing to lose for trying.

To see the rest of my art book in order, visit the album on my website.

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Exhibitions and Other News

Super Exciting News (No, I’m Not Engaged. But Read This Anyway.)

First, I must explain the title. It’s a bit of a joke because the last time I did a post in which I professed exciting news, like everyone thought I was engaged. When I was like ‘nope, even better, I won Best 2D at an art exhibition!’ they were like, ‘Oh well, I guess that’s pretty cool too.’ I think this face of epic disbelief from the 10th Doctor sums it up pretty well.

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But, back to my still super exciting news. I had mentioned earlier how thrilled I was about getting into the Greater Michigan Art Exhibition at Midland Center For The Arts because I had entered the 2 previous years as well and had yet to be chosen to exhibit. Well, first I found out that not just one but all three of my entered pieces would be hung in the show.

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Then, I found out that one of them had actually won an award! I feel so unbelievably honored to have one of my pieces receive a Juror’s Recognition Award.

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(I hate closeup pictures of me holding things  because I feel like I have freakishly short fingers. No wonder I could never play the piano well even after years of lessons. Well, that coupled with my total apathy towards the vocation and complete lack of practice, but thatis another sotry for another day. Despite finger length, I had to show off the snazzy brochure.)

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The fact that they chose the piece that is going to be one part of my 12 part series I am planning to enter into ArtPrize next year was a welcome sign that I am going in the right direction with this project, and creating something that will bring people joy, make them think, and spark their imagination. If you are in the general vicinity of Midland, I would suggest you make a trek over to see this show. It is a humongous exhibit, and there is so much awesome art to absorb.

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Artists To Know, Travel

Artists To Know: ArtPrize 2016 Edition

I almost thought I wasn’t going to make it to Artprize this year with everything going on, but in the end I knew I’d deeply regret it if I didn’t just make the time. I mean, even Donald Trump turned up for Artprize this year, albeit on different weekends. Apparently I went one week too early and missed him, oh darn ;).

Though my boyfriend and I missed meeting an actual candidate, the election still haunted us in the form of getting semi-lost by missing an exit due to a sociopolitical argument that escalated on the car ride over. I think election time makes all Americans go a little psycho. Otherwise, the day went off without a hitch…

Good food, good beer,

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silly photo ops,

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a sighting of my favorite Pantone color,

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and a chance to live as my favorite Peanuts character for a hot second (Lucy forever!!!).

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Granted, walking around town for one day you only end up seeing a fraction of the art that is available, but I wanted to share with you my favorites of what I was able to see.

Kathy WeaverWar Devours Us

Weaver’s intricate charcoal and mixed media pieces have so much detail, incorporating collage and  stitched elements as you zoom in closer. Weaver aims to show the strength and courage of the refugee community amidst horrifying circumstances, and often less than a warm welcome when they attempt to find peace and safety.

Saya WoofalkPose System

This piece, featuring collaged bodies and colorful details (and skulls, have to love skulls), grabbed my attention right away for it’s dynamic composition and unique style. It was so different from anything else I would see during the day, and there was so much visual movement in both the contortions of the figures and even the psychedelic dotted background.

Chadwick and SpectorMuseum Anatomy

These pieces are painted on human bodies – enough said. The concept statement said that the artists used female portraits from the Renaissance that had been either hidden, lost, or destroyed. To recreate these paintings on paper alone would be a challenge. Can you spot the eye in the second photo?

 Scott Leipski10 Thoughts On Tuesday

This artist challenged himself to create a new piece every Tuesday for 10 weeks, and this is the end result. I loved how different each piece was from the other, like an eccentric cast of characters. I had a soft spot for the Alice In Wonderland inspired piece, of course.

Joao Paulo Goncalves – Portraits of Light and Shadow

This artist created portraits of Martin Luther King Jr., Da Vinci’s Mona Lisa, and Vermeer’s Girl with the Pearl Earring using pixel art. But, this was no ordinary pixel art. The pixels are actually wooden blocks that protrude from the surface in varying degrees, and the different shades that you see are created by light and shadow from the light from the fixtures above hitting the blocks. I honestly can’t even quite wrap my head around how the artist figured all of this out to get such a rich gradation. It gives me a headache, so I think I will stop trying to figure it out and just enjoy the masterpiece :).

Zhao naIsomorphic Interpretation of the Four Seasons

These stunning paintings do one of my favorite things in art – merge living things in their environment. The detail is stunning, and the use of white space, absolutely perfect. These works incorporated a lot of symbolism, outlined by the artist on her Artprize profile, which I would encourage you to read for further insight.

Hope Network Neuro RehabilitationUnmasking Brain Injury

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I love love love the concept of this project. I work with a program that provides opportunities for expression through art for individuals with physical and mental challenges, so this was right up my alley. Using masks to create a visual representation of each artist’s personal story, 28 artists who attend the Hope Network’s rehabilitation program joined together to express how brain injury has affected them personally, and how they have triumphed. This project, featuring not only the mask itself but each individual’s accompanying personal story, was one of the most meaningful and powerful pieces I saw. I love art that visually represents personal stories. I have previously talked about the power of telling people’s stories through art, and also about shining light on the truth through telling your personal story. Stories are a powerful force for both recording history, erasing prejudices and misconceptions, and personal therapy, letting go of the burden of things you cannot change.

Has anyone else gone to Artprize this year? What were some of your favorites?

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