One More Series Reveal + More On Redbubble!

december she is connected to everything

Say hello to December – She Is Connected To Everything. What can I say, I’ve been on a roll lately. I don’t think I’ve ever finished so many different pieces 2 days at a time in my life … Granted, I haven’t been doing much of anything else in my free time, as the pile of dishes in the sink will tell onlookers ;). Though all the pieces in my current series I’ve been working on are similar in style and use of medium, I wanted to keep them different enough that each could stand alone as well. I went a lot softer and less graphic, high contrast with this piece. I even used some leftover dried moss I had purchased for a felt floral arrangement commission earlier this year in the girl’s woodland crown. There is something I never thought in a million years I’d ever use in one of my drawings!

rbpromounlimited

I have been getting all my series posted to my Redbubble Shop as well, available for print on a variety of gorgeous items. My series also finally has a name … Unlimited. Each individual piece has it’s own title and the works cover a variety of different themes, so coming up with one title to encompass the whole was a struggle. At it’s heart though, this series is about the best of humanity, and about the strength, curiosity, compassion, and vibrancy of women across time, nationality, and ability. It is about the common ground that unites us, and when people come together, they truly become unlimited.

New Progress On My Current Series!

august-she-is-an-earthshaker-blgr

Hello all! I recently finished another addition to my 12 part series I’ve been working on since late 2015. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”.

This piece is titled July: She Is An Earthshaker. I love mermaids, and really got into aquatic art after following the required theme for the Tall Ships curated exhibition at Studio 23 last summer. This was a fun piece to create, and perhaps my favorite in the series thus far. As a child I don’t know how many times I watched The Little Mermaid, and was absolutely transfixed by King Tritan’s trident (Which of course I later learned came from the myth of Poseidon). I became inspired to make a powerful Lady Poseidon if you will. Earthshaker is another way Poseidon has been referenced, but the name can also apply to those of us in the real world, ordinary people who create waves to change what needs to be changed. She wears a pretty seashell and floral crown, and her facial expression is not one of anger or even one that would imply intense power. Her strength is a quiet strength. If in her head, she can see herself like this, the waves and lightening crashing behind her as she stands firm, perhaps she can believe that she can do anything even if others may doubt her.

img_20170226_161143_661

This design is available for print on a variety of cool items in my Redbubble Shop, and art prints on matte photo paper may also be purchased from me Ebay Store.

Check out the other pieces I’ve finished so far! January February March June 

 

Exciting News From the MAG Annual Exhibition!

Friday was the opening reception for the Midland Artists Guild’s Annual Juried Exhibition. What’s awesome about this year is that the show actually took place at the gallery I work at as Coordinator for one of their major programs, Creative 360. The piece that was accepted into the show was “She Is Everything At Once“, the 3rd installment in my new series I’ve been working on since late 2015. There was so much amazing work this year, I truly was just excited to get into the show and did not go in expecting any further recognition… and then my name got called for an Award of Excellence. No matter how many years I spend involved in art, I don’t think I will ever lose that factor of complete surprise when something like this happens.

 

For those of you who may have missed previous posts on my new series, I will be creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year, the one featured in the MAG show being March. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected.

My goal is to get this series into this year’s ArtPrize in Grand Rapids. With the positive responses I’ve been seeing to images from this series thus far including an award for my January piece at the Greater Michigan Art Exhibition last Fall, I’m certainly feeling hopeful!

Collaborative Art, Or, I Guess I Do Work

A couple of months ago, something of a milestone in my artistic journey happened, and I cannot believe it has taken me this long to get around to sharing it. I completed a collaborative piece with another artist. Whoa, am I right?

I don’t always like working closely with others. I was the kid that dreaded group projects growing up. In college, for my huge final project I actually chose to do 4x the work of everyone else simply to avoid working with a group (Let’s be real, I always ended up doing all of the work anyway.). I like control, I like all the responsibility for either my own success or failure falling entirely on me. I have distinct memories of 5th grade in which we were tasked, in groups of 3, to build this big house out of cardboard, decorate it inside, and wire in actual working lighting with those fun little battery circuit kits you get to play around with in grade school.One of my group members was dancing around the room singing “Oops, I Did It Again” using her pencil as a fake microphone, I do not jest. The other group member  was insisting on wiring everything in such a way that none of our little ceiling bulbs would light up, and she would not take instruction. I finally couldn’t take it, and quiet mouse me who never made a peep all day told her bluntly that all her ideas were stupid. A temper tantrum by the accused ensued. I actually didn’t get into trouble because I was such a quiet kid, I think the teacher was just glad I finally spoke up and said something, anything, even if it was to berate a fellow student’s ineptitude.

Art is so personal too, to alter your vision, to compromise to allow room for someone else’s vision as well is super hard.

I first met my artist-in-crime, Heather, about 3 years ago when she took one of my Artshop classes at Creative 360. We felt a connection right away due to our similar artistic leanings and interests, and have been sharing our art and our journeys with each other ever since. There were certainly some rough patches along the way, but we’re still friends and have this adorable, girly, sad, disturbing masterpiece to show for it. So much metallic watercolor was used in the making of this art, that my sink is still sparkly.

This piece explores the idea of being taken advantage of, and seeing the best parts of you ripped away by the other’s abuse. It also conveys the idea of the sympathetic but complicit observer, who is silent as they witness harm and injustice.

Our styles meshed super well, which I honestly wasn’t expecting. Though we favor similar subject matter at times, we have totally different approaches to drawing. Who did what, can you guess?

icing-on-the-cake

Icing On The Cake, by Allise Noble (left) and Heather Deogracia (right).

Without the urging of a “Dynamic Duos” curated show at Studio 23 Gallery in which you were required to submit only art made in tandem with a fellow artist, I don’t think Heather or I would have attempted such a harrowing feat. Now that we’ve done it once, we may just try a second go around in the future… only time will tell.

15936560_10154401298489895_2831040619909993195_o

Artists To Know: My Personal Influences

People are constantly asking and being asked the question, Who are your influences? Who do you consider your hero? Who are your role models? giphyI never know how to answer and end up feeling like I’m having some sort of Mindy Lahiri moment. It sounds totally pompous and terrible to be like … Hm, well I’d say myself probably? but that is how I feel sometimes! I love art, and have seen many pieces that have spoken to me in some way, but I’ve never had that “master artist” whom I felt informed my whole artistic style and way of doing things. I’ve always had this strong aversion to even remotely copying or being influenced by anything at all. I remember growing up in school, my parents would ask me what I was working on in class at the dinner table. I’d go on about some paper I had to write, and one of my parents (usually my dad) would pipe up with, “Oh, I know! You can write about _________!”. I’d get so mad and exclaim, “Great, now I can’t write about that even if I was going to because you said it first so it’s not my idea anymore!”A lot of times it truly was the idea I’d had in my head already, which was super problematic.

I am a very visually based person, and images have always stuck with me more than individual people anyway. As a way to maybe untangle some of my artistic influences, I have shared individual images that have struck me in my artistic journey, inspired me to create, and made me excited about being an artist. You may see similarities between some of these images and the work I aim to create, and some may be as different from my own work as night and day. You will not see any flowers or landscapes. Enjoy!

One of the first pieces of art that really impacted me once I was in high school and actually started developing an artistic style of my own wasn’t actually traditional art, but a fashion editorial from Elle Girl magazine. Elle Girl was infinitely better than it’s preppy, air-headed sister Cosmo Girl, or so I believed at the time – Elle Girl had Emma Watson on the cover (in a marching band themed shoot of all things), and also first introduced me to the band Tegan and Sara via a short article featuring lots of photos of them leaning against walls in cool clothes and an answer to the all important question, what IS that weird sauce that Canadians put on their french fries? Its slogan was “Dare to be Different”, and it did tend to feature more unique, out-of-the-box photo shoots than other magazines geared towards teens. I was super into photography at the time as well as drawing, and though I had never thought of myself as a super confident person, I loved dressing up in fun outfits and makeup and crazy jewelry with my friends and taking photos. I loved doing this because it allowed me to be far more bold and outgoing than my social anxiousness normally allowed me to be. All the outlandish clothes and hair and bright makeup is like a protective mask where you feel more like you are playing a character than anything else, and you don’t have to feel awkward or embarrassed about anything.

I came across these H.R. Geiger pieces at Barnes and Noble of all places, while looking at calendars for my new dorm my first year away at college. I was most struck by his more figurative work. His pieces are super creepy but they tell a story, and I was so impressed by the striking monochromatic contrast and seamless, almost obsessive detail. It was unlike anything I’d ever seen before. I didn’t end up buying the calendar because I had many more purchases to make and it was like 25 bucks. However, I took down his name to look up more of his work, and have been a fan ever since. Funny enough, I wouldn’t watch Alien, for which he did a significant amount of visuals, until about 3 years ago.

I discovered these works from CC Askew and Camille Rose Garcia respectively in the art magazines I started to devour in late high and school early college. I hadn’t seen a lot of art from current working artists at that time, because art classes in school tend to be overly focused on the past. I understand the whole learn your foundations thing, and appreciating the history of art is important, but I remember being somewhat surprised to discover that there were actually well known artists that existed past the 19th century ;). These solidified my affinity towards pop surrealism, and I fell in love with their heavy use of twisted-storybook-esque illustration, a mix of imagery that can be both childlike and nostalgic yet also deeply dark.

Two works I also discovered in glorious outsider art, street art, and pop surrealism magazines are these by Lori Earley and Sylvia Ji. Both were artists who focus heavily on portraiture, as do I in my work. They used contrasting, unusual colors and their pieces were delicate and feminine but not without a dark, surreal edge.

These pieces by Ray Caesar and Ruben Ireland were the first digital art that ever peaked my interest. For the longest time, I had harbored such a grudge against digital artists (those bunch of cheaters!), mainly because the only digital art I’d seen was poorly executed fan art or digital manipulations that could be done in about 5 minutes with the right mouse clicks on Photoshop.  These artists, however, utilize the medium to do things that you can’t do traditionally. For example, Caesar actually creates entire 3D worlds which he then rotates the camera view within and crops to create his final pieces.  I have recently done some experimenting with digital art myself, and it is challenging, let me tell you!

Another one of my inspirations is always, always my students! One of my students who comes to Express Yourself Artshop from an area assisted living home just taught me last week how to make crochet necklaces!

img_20170212_144208_773

Fellow creatives out there, be it artists, designers, musicians, writers, actors, any part of the spectrum: who (or what works) inspire(s) you to create?

 

 

New Work! (In Which I Present Probably The Cheeriest Art I’ve Ever Done)

Hey all! I recently finished the 4th piece I’ve added to my current 12 part series. Each piece represents a month of the calendar, and this one is June so it would actually be installment 6 but I’ve skipped around a bit. To catch up new comers, I am working on a series of 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. I give you, June: She Is Constantly Evolving.

she-is-constantly-evolving

I think this is quite literally the happiest piece I’ve ever completed – There’s even a puppy … that is unreal. I mean, a couple years ago I actually was told by the manager of a local restaurant that I had to remove a couple of pieces from a show I’d hung there because they were afraid it might send patrons spiraling into depression. You’re not a real artist if your art has never been ousted from anywhere, or so I’m told. Not that everything I make is gloom and doom, but to have butterflies, puppies, flowers, smiling with teeth, and cotton candy clouds all together in one piece is not usually my jam. All of my work centers around people’s inner worlds, and sometimes confronts difficult or uncomfortable emotions. Even my pieces that convey overt happiness usually have some sort of edge or oddity to them.

I remember meeting my blindly assigned roommate in college for the first time. Once she found out I was an artist, she wanted me to do some large paintings for the common room, but “They have to be cute! Not scary!” Apparently she thought I was some sort of dark , twisted soul, which is quite funny as I had Sanrio posters all over my bedroom and Bart Simpson print pj’s for god’s sake. (I was to find out later that until we became friends she was afraid to put out any of her Hello Kitty themed toiletries in our shared bathroom, and also only watched America’s Next Top Model in secret when I wasn’t home for fear of my scorn.) To fulfill the cute requirement, I made a painting of a girl holding her kitten surrounded by retro, colorful power flowers. But … I gave the kitten purple dragon wings.

2006_0910art0037retouchnew

This is so Museum Of Bad Art worthy in the most hilarious way, that I’m actually saddened I tossed it. It’s one of those compositions that is so bad it goes right past bad and back to good again.

All this to say, this is a rare piece to be one that conveys nothing but pure, unadulterated joy and exhilaration. It’s ironic that I created this at a time when joy and exhilaration were about the two farthest things from my mind. As seems to be the general consensus, 2016 has been more than a little trying, and it sure decided to go out with a bang in November and December.

920x920

This piece is about transformation, as symbolized by the presence of butterflies, and maybe it was the idea that change is certainly most appealing during the most wearing of times, mixed with a bit of my love of holidays that makes it impossible for me to stay cranky around Christmastime. Either way, this piece speaks not to who we are right now but who we wish to be, and reminds us that nothing is permanent, and that sometimes that isn’t a bad thing.

See this design and more in my Redbubble Shop.

 

Updates On Art and Life – Babies, Cake Homicide, and The Fear Of Yellow

I know I’ve been terrible at keeping up this blog lately. I promise to do better! Honestly though, I’ve been working on a plethora of fun projects which is the main reason for my lapse (Also, it’s the holidays. No one has any spare time right now, do they???). This post will be kind of a hodgepodge of everything that’s been going down in the past couple weeks while my blog has been silent.

First and most importantly, a new year coming up can only mean one thing … The grand reveal of Pantone’s new Color of the Year! I’m a huge dork, and honestly do look forward to finding out what the new color is each year … I hate not knowing things!

pantone-color-of-the-year-2017-greenery-15-0343-leaves-2732x2048-1200x900

In my opinion, it’s ok. I was kind of scared while watching the reveal video where they add one by one the different pigments to stir together for the big reveal, because they were dumping a WHOLE LOT of freaking yellow onto the palette first off. I’m so glad it’s not yellow – I am not a fan of yellow. Gold, ochre, fine – but crayola crayon yellow? Yikes. I read an article awhile ago that featured a test gauging how many colors in the spectrum your eyes could detect. People who could detect the largest amount of colors possible tended to be irritated by yellow. I did decide I wanted a bright yellow sports car in 8th grade, but that was just because I wanted people to think I was cool and glaring, eye-offending color seemed the proper type of vehicle for a devil-may-care attitude. I ended up with a silver used car with sparkly blue “gothic flame” decals on the side and a hello kitty license plate holder once I got to high school, so I was still kind of a badass at least in my own mind. This pondering over the color reveal sent me down the internet rabbit hole, and of course I had to go back and check what year the Pantone Color had in fact been a yellow. It seems there was a shade of yellow in 2009. 2009 was quite a strange and tumultuous year filled with all manner of general awkwardness and unpleasantry now that I think about it. Perhaps the color was to blame.

I have also been working on a new piece for my ongoing series I hope to show in ArtPrize next Fall.

wp-1481763379522.jpg

I must have been crazy to do another piece with more damn butterflies. Detailing the wing patterns is all great fun … until it’s not. The process can get a bit tedious, though the end result is worth it.

My other butterfly piece that was shown at Studio 23 sold after the show! I’ve never had a piece go the first time it was exhibited. I was of course over the moon excited, but also felt a bit of sadness since I’d just finished it only just a month before. We were just getting to know each other … I suppose this is how parents must feel when their kids go off to college or something.

be-my-eyes.jpg.jpg

I also did something I never ever do … I worked all November on a collaboration with former art student and all around cool girl Heather-Dawn Deogracia. We got into the upcoming “Dynamic Duos” exhibition also at Studio 23. Look what happens when we put our minds together. We didn’t end up killing each other or getting into a fistfight, and we  didn’t even yell and rip our project in half, so I’d say it was a successful venture. How would you interpret the story in this piece? Feel free to comment! I’d honestly love to know everyone’s thoughts. This is a fun one for hearing others’ interpretations.

wp-1481763373920.jpg

I’d also been doing a lot of crafting for a holiday art fair I attended 2 weekends ago. I went crazy with inventory and have a ton of cool stuff still left, so be sure to visit my ebay store for last minute gifts! Everything is 20% off this week through Sunday at 12 am, so check it out.

I wasn’t kidding when I said a lot has been going on … in addition to all the art stuff, I had the pleasure of meeting the new baby of one of my best friends from high school last weekend! She is the first of my core group of friends to reproduce, so it’s still super surreal at this point. I never know what to do around kids. At my boyfriend’s family Thanksgiving, I was sitting next to him in the living room and his niece kept hovering around me, backing up against my knee. I hissed to him, “Why does she keep rubbing her butt on my leg?” He responded, “She’s trying to get onto your lap, pick her up.” I responded back in whispers, “How do I do that, will I break her?” I tend to be clumsy with inanimate objects like dishes, so I’m always scared of picking up tiny adorable children, though I’ve heard they’re far more resilient. When my friend passed her daughter, Darshini (Isn’t that an awesome name?), to me to hold she of course immediately started howling. She was hungry and had  a dirty diaper allegedly, so totally not my fault. I held her later and she was calm and didn’t think I was scary.

I hope you’ve all been well! I have a couple more projects to share, but some are Christmas gifts so they must remain a secret for now :). So long! Now that the craziness has died down, I solemnly swear I will be writing more often again.