Techniques and Tutorials

Mixed Media Movie Stills – The Wizard Of Oz

I’ve started making a series of “mini” 5×7 mixed media works on canvas board that recreate stills from my favorite movies using a variety of materials. This is purely a “for fun” project and a way for me to do some whimsical, low-pressure creating in between my larger projects. I will likely have them available for sale in my Facebook Shop so if you use that platform, give me a like. I’m starting with childhood favorites, and the first one I have for you is Wizard of Oz. Using a printout as inspiration, I am able to do a simple graphite transfer onto the art paper of my choice. In this case, I used watercolor paper. Finding printed fabric or paper for the background that is already similar to the pattern you are seeking adds ease to the art making process.

In each of these videos, I will be using completely different materials, and I hope you will be inspired to try your own mixed media projects at home. Don’t draw or paint and the idea of trying stresses you out? You could do this same thing all collage style and just cut and paste the figure from the photo! There is always a solution, just have fun with it and as always I’m just a message or comment away with questions :). Materials used for this project are: Viviva Colorsheets Watercolors (love the portability and zero cleanup!), watercolor paper, detail paint brushes, cotton printed fabric, a 5×7 canvas board, and Weldbond glue (used because it is a strong hold for all materials since we are using thicker paper and also fabric). Let me know what you think!

What are some of the prettiest movies you remember?

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Artist Bio

Who’s In Your Way? /Or/ I Guess I’ve Grown Up Now.

I came across a post from an old friend on facebook a couple weeks ago that read “The phrase I hear most from weak people is ‘You’re holding me back’.” It’s one of those things you read that stops you in your tracks mentally for a moment. Being me, my first thought was “Ouch! That’s kind of mean … and can’t that be true sometimes?”

I’ve been through this scenario in a workplace situation. Far back yonder, I put someone in charge of a project they wanted to lead, and spent copious amounts of my time and energy making sure they had what they needed to be supported and thrive. I was alongside the whole way, being sure to ask probing questions to get them thinking and planning while still empowering them to take the lead. I made myself available for any and all help needed, even for troubleshooting and brainstorming outside of work that I would not be compensated for. Long story short, even with all this they continued to sit on their hands until after much pleading and prompting, I was forced to take over because others were depending on the end result of this undertaking by a certain due date. The other helped about 20%, and a lot of what they did I had to improve upon or fix because full effort wasn’t put in. Afterwards, both our names ended up on the project and they were PISSED. The attitude was that they had done most of the work, and I was just in the way but everyone always wants to give me all the credit and attention because of favoritism. Not to get into my life and/or work history, but the idea of me ever getting superfluous credit or “favoritism” is laughable. Oftentimes it’s honestly been almost the polar opposite. I never had asked for my name to be on the project or even told anyone I’d done most of the work because I hadn’t wanted to make the other look bad, and I had actually been planning to let them take the credit which was why their reaction especially upset me. Yes, that’s dumb and unhealthy but as I said this was years and years ago. The truth has a way of being noticed regardless, and so someone had deemed fit to add my name in the final credits. At the end of their rant was when I was treated to the above statement, when I was told all I do is stand in the way of their success, and I was rendered quite speechless. They are lucky I was speechless, because I had entered full volcano mode at this point.

I’ve also run into this accusation in my social life outside of work, usually when I won’t drop everything to completely manage the events of someone else’s life.

However, I certainly can’t sit here and point the finger as if I’ve never had a similar attitude during some struggle points in my own existence. I remember countless frustrated, tearful conversations with family as a teen and young adult asserting that I would never find my success because of where I lived, and it was their fault I’d never find a job in my field because they didn’t pay for me to go to college out of state, and wouldn’t drive me across the country and get me an apartment in California, and how I would never have any real friends because they chose to start a family in such a boring place where no one likes me … Yikes, I’m super embarrassed now at how rotten that sounds but it’s the truth.

I have struggled to find my place in this world, and at times still do. Only now, I’m not convinced location has a ton to do with it. Maybe a small percentage, but I also think I may just always be that way and that’s ok, we all have things.

Not quite what she had in mind…

It’s always easier to point at someone else as the reason you’re floundering. It takes strength to look at yourself and say hey, I’ve got to step it up and make some changes. The moment I stopped being so narrowly focused and started being open to doing things with my art career outside of a very specific, internally special to me, niche subject I started reaching people, which in turn drew them into all that special interest stuff too. In the past, I never would have created a mixed media landscape because, “Allise only does a, b, and c” (Freshman year of college, a friend asked me to paint a girl holding a cat for her dorm bedroom and I did but put dragon wings on the cat because I was on a dragon kick! – This reminds me now of something some of my Artshop students would do. Ok, maybe I have found one place I feel at home most of the time 😉 ). I expanded my scope to add a broad letter d, I also do art that may not be my special subject of interest but helps improve others’ lives and makes people happy, especially those groups that may not have access to fine art on a daily basis.

Sorry for the language, but it’s funny. Oscar Wilde once said, “If you want to tell people the truth, make them laugh. Otherwise they’ll kill you”.

The moment I stopped thinking I deserved more than where I was and cut the entitlement, I saw doors where before I’d thought there was only a brick wall. Am I rich and famous now – hell no. But am I pretty happy most of the time, and do I generally like my life? I’d say, sure, I think so.

No one can stop you unless you let them, and no one is obligated to prop you up. Show gratitude to those who do anyway, and do your own work.

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Exhibitions and Other News, New Work

New Art Series : Peace

It’s been awhile since I’ve done a series … since Unlimited from way back in 2017 to be exact. This new one is going to be on 22×28″ canvases and will be completely multimedia. I love mixed media because it allows the artist to use the best tool for each component of their composition. I draw people better than I paint them still at this point, so figures will be in colored pencil. Interesting silhouettes or clothing … fabric it is! Skies and birds? Acrylics of course, and why not palette knife paint the birds ;).

This series is going to be a way different theme than I’ve explored before. I always like to include deeper messages in my work, but have never done an explicitly spiritual message because it is important to me that my art is able to speak to viewers coming from all different places. Each work in this series will represent one of the fruit of the spirit, and though this idea comes from the Christian tradition, these principles are positive to cultivate in everyone’s life.

I started with Peace, maybe because this is something I have been desperately needing to grow in my own life over the last couple of years.

Peace is active. Peace is a verb, it is not simply the absence of noise. Peace takes work, and it involves risk and often involves stepping out and becoming uncomfortable. Making the changes necessary to grow peace are often painful. To truly be at peace our view of life’s value cannot be determined solely by circumstance, because external circumstances will undulate up and down completely out of our control, leaving us to be in emotional chaos, completely sucked beneath the waves.

Being a bringer of peace in others’ lives and in society as a whole is equally difficult. It means listening when we would rather shout over someone, it means sticking your neck out to protect or defend someone else even at personal risk of how others may view you or treat you afterwards, it means setting strong boundaries.

In this image, a woman is guarding a crowd of people that are behind her, blocking them from the shadows of chaos. These shadows have tried to grab her and drag her down, her arm is marked. However, the shadows cannot penetrate. Doves circle around her head which symbolize an inner strength and calm within her spirit, and can also symbolize her halo of protection that shields her just as she is protecting others.

The source from which we draw our peace protects us. The source can be sturdy and formidable, or … not so much. I am reminded of a speech one of my favorite authors, David Foster Wallace (who was actually an atheist), gave that really had an impact on me when I was floundering in the waves. “Everybody worships. The only choice we get is what to worship”. I’d encourage you to check out the entire speech discussed here. Another author that probably has about as opposite a personality from me as you can get but has really made me think, Mark Manson, writes in his self help book perfect for people who hate self help books, “True happiness occurs only when you find the problems you enjoy having and enjoy solving”. Much of life is composed of struggle, which is why if we wait for the perfect external circumstances to be at peace, we will never have it. Similarly, he discusses the importance of choosing the right metrics to determine what makes us and our life “good”. Faulty metrics used to define our life’s success and value are anything we don’t have control over, such as money, social standing, etc. which DFW also cited in his speech as destructive forces to worship. He calls worshiping these forces slipping into our “default mode”. They are the things we chase after and value when we are living without reflection, consideration, or deeper evaluation. They represent our base human nature, so to speak, and we all slip into this mode from time to time especially when under considerable strain.

Where does your peace spring from? What creates your circle of protection as you brave life’s trials? Are you more often a bringer of peace or of chaos to the people whose paths you cross in your day to day life? These are all questions I considered while creating this work. I strongly believe this series is going to be true art therapy for me as I work, and that my eyes will be opened throughout the process. I truly hope I am able to impart something of value to viewers as well.

There are layers of meaning, as I am a big believer in the fact that art should make people think. I’d love to hear what others see in this image, so please share if you are so inclined!

PS … I am so honored this first installment won an Award of Excellence at the Midland Artists Guild’s Annual Juried Exhibition last night, especially amongst such a fabulous collection works! Click here to view the entire show virtually. And yes, I made my jacket and paintbrush necklace! More on the inspiration for my wearable art creating spree soon.

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New Work

An Early MerMay Surprise!

Timely as May is getting closer and closer, I recently after long last finished my mermaid painting that I started at the beginning of 2020. This poor little lady kept getting brushed aside for more urgent projects over the years. It is also the first human figure I’d ever started with acrylics when my preferred mediums are colored pencil, ink, or watercolor, so there was definitely a self education process.

I’ve described this project as really giving the proverbial finger to gatekeepers who believe certain supplies can’t be used in fine art. Working at an arts non-profit, I am a big fan of use everything, and actually one of my favorite pieces I’ve seen at a museum in awhile was a giant panther in the jungle that was composed entirely out of flatback rhinestones and pony beads!

I first sketched the basic outline of my mermaid on the canvas base. I then used gesso to apply a variety of textured materials where I wanted a 3-dimensional surface: netting from avocado bags, tissue paper, and yarn. After I acrylic painted the main imagery, I dry brushed over certain areas I wanted to have an iridescent sheen with metallic craft paints which are also perfect for highlighting the texture. I glued tiny shells to the tail and the edges of the rock, brushing over with a watered down coat of black metallic to help them fade into the rest of the design.

She certainly exceeded my expectations! This is why you see projects through to the end past that “ugly phase” in the middle.

While we are on the subject of beautiful mermaids, check out this mermaid themed merchandise created by my Artshop Students! All designs were created by artists with disabilities. Show them some support by checking out our Redbubble Shop! Happy (early) MerMay 😉 …

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New Work

Surviving Winter In MI, Or Unleashing My Inner Bob Ross

I am like a plant. If I don’t stand in the sun every day I wilt. Unfortunately, I also live in Michigan and I am more wimpy about the cold with each year that passes. Incidentally, I have not been outside as much as I should over the last 2 months. I am always a big fan of if you can’t be outside, bring the outside in so I recently started doing something I never thought I would do after university classes … Painting landscapes!

Though I feel most at peace during a walk in the woods, I always shied away from nature paintings because I tend to lose interest creating something that one could easily just look out their window or at a photo to see. But then I remembered Eyvind Earle, who did the breathtaking background illustrations for Disney’s Sleeping Beauty. He was able to capture a dreamlike quality in his landscapes that still showed us a world that was comforting and familiar, but that we couldn’t quite access in our waking hours.

Growing up in Midland, MI one of our local landmarks is Dow Gardens, a Japanese style garden that celebrates color and geometry. I chose this place as the subject for my first largescale landscape, replacing the blues and greens with purples, yellow ochres, teal, black, and burgundy. I embellished with abstract patterned upholstery fabric for some of the trees, floral cutouts and lily pads for the foreground, and accented some of the rocks and branches with metallic acrylic.

I actually just finished the above piece this past weekend though I started it before my triptych below. Just as I was starting my landscape, I was contacted by King’s Daughters Assisted Living, also in Midland (I live only a city over now but still work in Midland!), to come up with a piece of art for a blank wall they had that would tie together their newly renovated space. I was excited to not only put my painting brain, but my interior design brain as well, to use for this project. The new upholstery and decor was all in blues and greens, but much of the carpet in this mid-century-modern building was a brilliant fire engine red, and that was staying. I immediately thought of the red bridge at Dow Gardens, and suggested this nature scene as a way to tie together the carpet and the new furnishings. Many of the residents at King’s Daughters lived in Midland for decades, and being surrounded by images of familiar places brings joy and comfort, especially for those struggling with memory.

I’m inspired to capture more locations from my own past as I continue to develop my acrylic painting, a relatively new focus for me. Maybe some architecture will be next!

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Exhibitions and Other News

Now Showing : Breaking The Stigma

I have not been making as regular and in-depth posts as usual over the last year as I’ve gotten busier and have been devoting more time to youtube, but I wanted to share about a very special show I am a part of this month running through February 20 called “Breaking The Stigma“.

I was beyond thrilled with both the priviledge and responsibility of being invited to be part of a show centering around using art as both a personal therapy and a way to communicate inner experiences in a way that makes them accessible and understandable to people from all walks of life. I’ve written often on this site on what an important communication tool art always was to me as someone with anxiety, especially social anxiety. In a recent Throwback Thursday post (Yes, I promise I will be getting back to those!), I talked about how even as a young kid I was prone to using art to tackle darker themes or difficult emotions. Art allows for a method of transparency and vulnerability that can often be easier for others to understand and embrace than by using words alone. Aside from the end result, the process itself of art making has the power to manifest a sense of purpose and peace no matter what else may be going on around the creator.  Creativity allows people to unlock their untapped potential. I see this firsthand in the classes I teach where many of my students are beginning artists or artists with disabilities

You can read the article announcing the show opening which introduces the other artists involved in this show and shows photos of some of their work. I wanted to also share some of my personal thoughts about their art.

David Feingold’s art was exciting for me to see because a lot of it I would consider surreal portraiture which is the subject I myself enjoy creating most, but it was digital rather than traditional. His narratives were very personal, and spoke directly to the title of the show as they addressed the idea of mental health stigma head on. I found myself inspired to once and for all fully explore creating art digitally this year.

2 of Rebecca Allen’s pieces have been familiar to me since before I knew they belonged to her, as they take up residence in our elevator lobby display where I also maintain a showcase for my students with their work for sale. I loved the surreal nature of her figures. They are raw and honest, and the pain they feel is visually represented in the sharp, rough textures of her sculpture. They invite you to step into another’s shoes and imagine yourself in their situation and struggles.

Cynthia Keefe’s art dolls were very … approachable and trustworthy to me, though that may seem odd to say. They felt alive. Many of them have serious or even near faceless expressions and some in contrast are reaching outward, with mouths contorted in anguish or extreme emotion. Still, they seem like beings I would come to for reassurance or counsel in the important act of seeking the perspective of an older and wiser female. They have seen and experienced much, their story woven into their skin and intricate clothing.

For those in the area, we will be having a discussion panel on February 3. Follow the Creative 360 website and get on the mailing list for regular updates :).

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