Year End Reflections And A New Project

As I mentioned earlier, after the completion of my “Unlimited”series I’d been experiencing a bit of artist’s block. I tried playing around with a couple new ideas, but nothing seemed to stick.

Design is pretty much my constant state of existence similar to, you know, breathing, so I stayed busy with commissions, crafting, my day job, and involvement in the Creative Team at my church. It was one of my projects for the team that would be the inspiration for my next piece. Upon the usual late December reflection, I discovered the themes explored in this piece really parallel what I’ve learned in this last year.

The series this image was designed for was titled Whole Heart, and though I hate being videotaped, I was somehow coerced into it so you can view this video explaining the concepts and thought behind the design. For a medium I chose a simplistic watercolor illustration with bold colors and sharp outlines. This would make the image clear and easy to read on a small app icon as well as in larger print form. The style would also appeal to any age from kids to older adults. I was surprised how even with a “story” that seemed so basic, people could strongly relate to it on multiple levels. Hearing how touched many were by image made me want to develop the concept into a more detailed piece in my usual surreal, mixed media style. Right now I just have the pencil outline, but keep checking back for in-progress shots!

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The girl in this piece is doing something absolutely terrifying, and in no way should she be smiling or feeling any positive emotions such as liberation or elation, and yet …

I’ve always read things or heard speakers in inspirational youtube videos talk about the difference between joy and happiness, but for the most part it just sounded like a bunch of nonsense to me until this year. Suddenly – I get it. Happiness is about things that make you feel excited and content in the moment – it’s situational. Joy is about a balance of fulfilling what you need to be content, doing what you can to fulfill the needs of others or even the world or society as a whole, and learning how to deal with and process those desires that are not yet fulfilled, or those instances in your surroundings that are unjust, upsetting, or draining. Joy is about being your best self not just personally but in how you affect others.

Self care has been a huge buzz word this year, from making being comfortable into an art with lists of specific tenants required to reach maximum coziness level such as in the Danish hygge trend, to the increased conversation around kids needing “personal days” or “mental health days” in school just as adults get personal days off from work to reach their optimum ability and stay healthy. Articles about self care tend to revolve around taking it easy and giving yourself permission to indulge guilt free for the most part, but I read a really great article recently that discussed a far less popular part of self care. I suggest you read the entire thing for yourself, but the main highlighted, bold font point from this article reads as follows …

“True self-care is not salt baths and chocolate cake, it is making the choice to build a life you don’t need to regularly escape from. And that often takes doing the thing you least want to do.”

Self care could mean finally making that counseling appointment you’ve been putting off. It could mean finally seeking help for your alcohol or drug addiction you’ve been struggling with. It could mean having an uncomfortable, challenging conversation with a friend or family member. It could mean either temporarily or permanently cutting a toxic person out of your life. Doing the hard things will give you not the temporary happiness that comes from giving yourself a free day relaxing in front of Netflix with a fuzzy blanket and a bottle of wine (Because you’re still going to have to go back to that job you hate after the sun sets on your mental health day … I speak from direct experience.), but the joy of a life you don’t need to regularly escape from.

I have felt the most content and fulfilled this year than any to date in my adult life, despite the fact that I still experience bouts of anxiety from time to time, I still experience periodic stressers in both work and personal life at pretty regular intervals, and the fact that the news cycle and goings on in my home country of America have really, really done a fantastic job in 2017 of pushing the exact buttons that make my blood boil.

And that is definitely an awesome thing, but it is not even all about my own or your own personal well being or fulfillment. More and more, I don’t think the point in life is necessarily to be happy all the time; I don’t think happiness is the endgame.

Most moral people tend to think that the reason we shouldn’t do bad things is because though we may think those things will make us happy, there will be some deep, dark void inside of us that will eventually eat us alive or something. Unfortunately, I don’t think that is always the case. I think there are plenty of people who are perfectly happy celebrating greed, lying, assaulting and bullying, and causing great harm to others … until they get caught. Just turn on the news. That is why the level of our happiness does not always correlate to a good life lived. We may feel happier and more internally at peace living with our heads under the sand, ignoring all the problems and injustices going on in our world, accepting the unacceptable because “I can’t do anything about it, so why should I worry?” But … if every single one of us did that, how would anything ever change? Not that every person is called to be a world changer that will end up in the history books, but plenty throughout history have put themselves in some pretty miserable conditions in order to speak up for what is right – certainly not the road to happiness and internal zen – because the purpose of life is not simply achieving momentary happiness over and over and over again.

My hope for this new year is that we all continue to grow into our best selves, and continue to flourish in awareness, in empathy, in bravery, and yes, in joy.

Come at us 2018, we’ve got this :).

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Thanksgiving Weekend

It is frightfully easy, especially when there are so many things going on in our world that are unjust, frustrating, or just plain scary, to only focus on the bad. I am a strong believer in the fact that without recognizing and giving due acknowledgment to that which is not so amazing, real change will never happen. We need to talk about hard things sometimes, and we need to care and allow ourselves to feel pain over events or situations that harm our own well being or the well being of others. However, sometimes the negative can consume us and cause us to forget, ignore, or just plain not notice all the good that still persists in our own life and worldwide. Thanksgiving is always a good time to step away from the frantic, stressful pace of everyday life and constant barrage of bad news to reflect on the moments of joy we’ve experienced throughout the year, because they do exist.

This year, I am beyond grateful for the now 2 full years I have spent as Program Coordinator for The Express Yourself Artshop program at Creative 360 in my hometown of Midland, MI. Artshop is an inclusive arts and wellness program open to students of all abilities, including those with physical, intellectual, or psychological disabilities. I am thankful I have a job that I can look forward to each day, which I know can be as rare as winning the lottery. I above all am thankful for the amazing people I have met, the new friends I have made, and the feelings of love, acceptance, and belonging I experience when I am with them even on the toughest days.

I learn so much that I take home to my own personal art just from experiencing so many different approaches to creating. The photos above are from our recent pre-Thanksgiving bash put on by our Cooking Class. Side note, I even learned that it is possible for me to like green bean casserole. Now that truly speaks to the skill of our Artshop chefs. 

Working with our watercolor class has lit a fire under me to get back into the medium myself in my free time and try some new approaches and styles that are less cautious and constrained.

I love seeing different creators’ takes on inspiration images. An artist’s work shows others how they see the world, which I get to experience firsthand.

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One of my former students’ pieces, obtained in an art trade (that gorgeous red tree lady up there), is the focal point in my newly renovated art studio in the new house. (Another thing to be thankful for this year – saying goodbye to apartment living and having a studio that isn’t my living room! Extensive before-and-afters will follow in a later post – it’s been a real trip.)

I would encourage everyone, whether creatives or not (though I’d argue that seriously, every one of us is creative in some way – it’s human nature.), to challenge themselves to spend more time with people who are different from them in some way. Ask them about themselves, get to know them on a personal level, have interesting chats … Though you are not going to get along with everyone, you will never regret opening up your world.

I’d also encourage you to remember that taking a different path than what you expected does not equate to failure. I graduated with a BAA in interior design, and wanted to work anywhere in the world except Midland, the same city I lived in from age 2 on. Unmet expectations for the future are such an intense fear for most people, myself included.  However, sometimes our expectations just aren’t all that great, and aren’t what we need to be happy.

Sometimes, there is something better waiting for us.
Happy Thanksgiving.

Art Prize 9 At Founders Brewing Co.

IMG_0372 (1)This past weekend I trekked to Grand Rapids to hang up my installation for this year’s ArtPrize, my Unlimited series. My parents came along for the ride to both help lug my 12 pieces to Founder’s Brewing Co. and ensure I didn’t get lost and miss my installation appointment all together, as I cannot do directions. I think this may also be the only time my mom has been in a bar, so we had to capture a photo for posterity.

If you can’t make it to ArtPrize this year, you can still see the whole series up close in my online portfolio. Prints are also available on eBay and Redbubble. I’ll be going to soak in all the amazing art next weekend. Life has been a little ball of stress lately, and with all the house renovation stuff going on I haven’t left town all summer, nor even donned on a bathing suit once so I need this. Counting down the days!

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Colors Aren’t Scary! Understanding The Color Wheel.

A new Artshop semester has started at Creative 360.  One of the biggest concerns my students bring to my attention in classes is “How do  I know which colors to use?” What colors can they mix together, and what colors basically turn to poo the moment they touch each other? Everyone probably has some vague memory of the color wheel from way back when in elementary school art class, but few remember what it actually is aside from a pretty rainbow circle.

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Primary colors are like the color gods and goddesses. They are colors you don’t mix anything to get, they just are, and they are used to create all other color life. See the starred sections above, red yellow and blue. In between the primary colors, the color wheel shows you what will happen if you mix two of them together. For example, in between the red and blue space are various shades of purple, depending on if you mix in more red or more blue. If you mix all 3 primaries together, you get a neutral color (brown or grey/black depending whether there is more warm red or yellow, or more cool blue present).

Contrasting colors are colors that are opposite each other on the color wheel, note the black connecting line. Contrasting colors as a rule look amazing together due to how boldly they play off of each other (There are a lot of sports teams I can think of whose colors are blue and orange for example, and I don’t even follow sports!). However, if you mix them to try to make a new color, they will completely neutralize each other into a grayish or brownish color. Remember how all 3 primaries mixed together make a neutral? Well, think of why this would happen when you mix orange and blue, contrasting colors, together… Orange is made with red and yellow, add the blue, and you have all 3 primaries mixing.

Complementary colors are colors that are right next to each other on the color wheel. Because they are very similar, these colors always look pleasing together as well.

Look familar? The artwork on the left uses a contrasting color scheme of red and seafoam green. On the right a complementary color scheme is used with all different shades of purple, and some pink and dark red accents.

These color pairings aren’t just for artwork, they work well in interiors and clothing as well. Below is an interior idea based on my watercolor painting “If The Ocean Dreamed” that I mocked up on Polyvore, which is a really fun interior and style designing website to play around on. All items you can add to your “set” include links where they can be purchased as well.

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Once you’ve got the gist of it, you can become a C O L O R  M A S T E R and even get tricky and combine both contrasting AND complementary color schemes in one, like below. This is another fun set I put together on Polyvore using clothing I am selling on zazzle covered in my original artwork. This tank top features my piece, “Be My Eyes”. In styling this outfit, I used the contrasting color scheme of yellow and purple with the gold and plum apparel, but also added in some pink with the accessories as pink is a reddish hue that would be next to purple on the color wheel.

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The last type of basic color scheme is triadic. A triadic color scheme uses three colors that are equidistant from each other on the color wheel. Using only the primary colors red, yellow, and blue would be a triadic scheme as they are spaced equally apart on the color wheel. Another triadic scheme is green, orange, and purple, which I’ve used in the interior below.

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Appropriate that I will be going on an adventure to Lowe’s to collect paint chips shortly after I post this as my boyfriend and I will be moving from an apartment into a new home by mid June, and this means …. I can paint the walls! 

I have to end this post like a proud art-parent with a selection of my Artshop students’ work from my watercolor class last semester. Looking forward to teaching another great class!

 

 

New Art! 2 Down 2 To Go!

Struck by both some luckily timed inspiration and ever looming deadlines, I have buckled down on my series and completed 2 more pieces, which means only 2 more to go! I actually think these 2 new ones are among my favorites so far. Series-explanation-blurb time for those new readers! “Unlimited” is composed of 12 mixed media portraits in which the meaning is influenced by the use of pattern and color. Women of all ages, races, and time periods are depicted, each communicating a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. Pieces are primarily drawing and painting, accented with mixed media elements and metallic details.

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For the above, titled “October: She Is Full of Curiosity”, I incorporated a lot more mixed media elements which I felt meshed well with the “vintage study” atmosphere of the background. I used quilting fabric for the wallpaper, leather upholstery samples for the book cover, decoupaged book pages for the inside pages and title, an art book clipping for the picture on the wall, ink for the woodwork, watercolor for the outdoor scene, lace overlay for the girl’s collar, metallic acrylic for her hair, and prismacolor pencil for most of the figure and clothing.

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In this next piece, titled “July: She Is Free In Mind and Spirit”, I took almost the opposite approach, not using any fabric or found object materials and sticking solely to the traditional art materials of prismacolor pencil, watercolor, and acrylic paint. I’d had all the pieces for my series pre-planned as far as composition and subject matter since late 2015. However, this one took flight (haha, bad pun) on its own quite recently after I realized that I had a variety of ages and races represented in my planned artworks, but not a variety of abilities. Given that I work with an art program that serves individuals with disabilities, this oversight stopped me in my tracks. I’m always harping on inclusion and the lack of representation of people with disabilities in the public and entertainment sphere to anyone who will listen (and even those who don’t want to sometimes), and yet I realized they were not included in my project that was all about inclusion, unity, and representation. I was thus tasked with coming up with a visible disability that could be seen in just a head and shoulders portrait rather than a full body rendering. This lively young woman with down syndrome who exudes confidence, energy, and life evolved over the incredibly short course of two interrupted days with no pre-planning or sketching beforehand which is very uncommon for me. I don’t know that anyone else will see it, but this piece definitely holds the most emotional connection for me.

For more deeply personal and unconventional portraits, check out self-taught contemporary artist Stephen Martyn Welch’s “Everyone Deserves A Portrait” series inspired by his son who was born with Kabuki Syndrome. Keep checking for the last two! I’m on a roll ;)!

New Progress On My Current Series!

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Hello all! I recently finished another addition to my 12 part series I’ve been working on since late 2015. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”.

This piece is titled July: She Is An Earthshaker. I love mermaids, and really got into aquatic art after following the required theme for the Tall Ships curated exhibition at Studio 23 last summer. This was a fun piece to create, and perhaps my favorite in the series thus far. As a child I don’t know how many times I watched The Little Mermaid, and was absolutely transfixed by King Tritan’s trident (Which of course I later learned came from the myth of Poseidon). I became inspired to make a powerful Lady Poseidon if you will. Earthshaker is another way Poseidon has been referenced, but the name can also apply to those of us in the real world, ordinary people who create waves to change what needs to be changed. She wears a pretty seashell and floral crown, and her facial expression is not one of anger or even one that would imply intense power. Her strength is a quiet strength. If in her head, she can see herself like this, the waves and lightening crashing behind her as she stands firm, perhaps she can believe that she can do anything even if others may doubt her.

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This design is available for print on a variety of cool items in my Redbubble Shop, and art prints on matte photo paper may also be purchased from me Ebay Store.

Check out the other pieces I’ve finished so far! January February March June 

 

Collaborative Art, Or, I Guess I Do Work

A couple of months ago, something of a milestone in my artistic journey happened, and I cannot believe it has taken me this long to get around to sharing it. I completed a collaborative piece with another artist. Whoa, am I right?

I don’t always like working closely with others. I was the kid that dreaded group projects growing up. In college, for my huge final project I actually chose to do 4x the work of everyone else simply to avoid working with a group (Let’s be real, I always ended up doing all of the work anyway.). I like control, I like all the responsibility for either my own success or failure falling entirely on me. I have distinct memories of 5th grade in which we were tasked, in groups of 3, to build this big house out of cardboard, decorate it inside, and wire in actual working lighting with those fun little battery circuit kits you get to play around with in grade school.One of my group members was dancing around the room singing “Oops, I Did It Again” using her pencil as a fake microphone, I do not jest. The other group member  was insisting on wiring everything in such a way that none of our little ceiling bulbs would light up, and she would not take instruction. I finally couldn’t take it, and quiet mouse me who never made a peep all day told her bluntly that all her ideas were stupid. A temper tantrum by the accused ensued. I actually didn’t get into trouble because I was such a quiet kid, I think the teacher was just glad I finally spoke up and said something, anything, even if it was to berate a fellow student’s ineptitude.

Art is so personal too, to alter your vision, to compromise to allow room for someone else’s vision as well is super hard.

I first met my artist-in-crime, Heather, about 3 years ago when she took one of my Artshop classes at Creative 360. We felt a connection right away due to our similar artistic leanings and interests, and have been sharing our art and our journeys with each other ever since. There were certainly some rough patches along the way, but we’re still friends and have this adorable, girly, sad, disturbing masterpiece to show for it. So much metallic watercolor was used in the making of this art, that my sink is still sparkly.

This piece explores the idea of being taken advantage of, and seeing the best parts of you ripped away by the other’s abuse. It also conveys the idea of the sympathetic but complicit observer, who is silent as they witness harm and injustice.

Our styles meshed super well, which I honestly wasn’t expecting. Though we favor similar subject matter at times, we have totally different approaches to drawing. Who did what, can you guess?

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Icing On The Cake, by Allise Noble (left) and Heather Deogracia (right).

Without the urging of a “Dynamic Duos” curated show at Studio 23 Gallery in which you were required to submit only art made in tandem with a fellow artist, I don’t think Heather or I would have attempted such a harrowing feat. Now that we’ve done it once, we may just try a second go around in the future… only time will tell.

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