Artists To Know: ArtPrize 2018 Edition!

I just made the last weekend of ArtPrize this year, and though to me it seemed like the venues had less art in them than usual, there were still some standout projects! Keep in mind I was only able to be in Grand Rapids for a day this year, so I by no means saw near everything. Of what I did see, the following were my favorites.

Rynita Shepherd, Sex Ability: Smashing Stereotypes With Sex Appeal

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In approaching this piece, I experienced firsthand why I always tell people that when visiting a gallery or museum you absolutely should not just breeze by the artwork, but actually take the time to stop in front of each piece for at least 3 minutes. Looking at this series from way across the room, I thought it was just a set of typical boudoir photos. I am tattling on myself right now and admitting I assumed they were photos taken by a man, probably with some cringey artist statement about “appreciating female beauty”, and proceeded to internally rolled my eyes a bit. Then I actually walked right up to it and looked, and realized that first of all these are NOT photos! These were drawings with a story. Shepherd has a rare condition called Arthrogryposis which causes her to have limited mobility in her arms and legs. Because of this, she uses her mouth to draw. All of the women in these portraits have the same condition. Shepherd says, that society expects so little of people with disabilities, and that, “We are completely discredited as sexy, capable women by society due to our physical differences. We have the same hopes, dreams, and desires. We are every woman.” What a powerful statement, as this artist places the unseen right in our faces, and smashes stereotypes about disability!

Mher Khachatryan, Jesus

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I remember this artist’s work from the 2 previous years he was featured at ArtPrize due to his trademark effect of having his images trail off into wisps of smoke and vapor. I’d encourage you to visit his artist profile and look at last year’s tribute to 9/11. Everyone remembers those paintings of a Jesus looking wistfully to the sky, with long eyelashes and glossy auburn hair that every Grandma had hanging in her dining room at one point … This is not that. Khachatryan is from Armenia though he now lives in the US, and wrote lovingly in his artist bio about being able to see one of the first churches ever built in his home country. I can actually see the emotional, spiritual, and cultural connection the artist had to this subject as I look at this piece. The light, airy, glowing feel he has achieved using oil paints and mainly dark black at that is no small feat. I saw many viewers stop and audibly gasp in wonder as they approached this large scale painting. For your art to have that kind of power is a beautiful thing.

John Gutoskey, PULSE Nightclub: 49 Elegies 

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I adore mixed media, and this series stopped me dead in my tracks. Each piece individually is intriguing and beautiful, but hung together the viewer feels immersed and transported. This series uses monoprints to commemorate each of the 49 people massacred at PULSE nightclub in Orlando, Florida in the summer of 2016. The series is rife with symbolism encompassing the themes of grief in the wake of a tragedy, and violence against LGBTQ individuals and people of color.

Daniel Robert Mattson, Sideshow

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I appreciate so many things about this piece, and would encourage you to click on the link to the artist’s ArtPrize profile to read all he has to say about it. This surreal allegory feels like such a release from the built up tension I know I have been experiencing in our current political environment. It is bipartisan, and Robert has made a piece rich with symbolism though even in his bio he will not divulge everything that was going through his mind, preferring to let the viewer think for themselves – a truly American sentiment. Robert said that “This particular piece has haunted me years”, and it does make a startling picture of our society, one that is not to be desired. However, if we can recognize it and call it what it is, then we can change it.

Kimberly Wolz, Rainbow Connection

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In this piece, Wolz created a ton of small, square pieces of art featuring quilled paper animals and plant life arranged in color order using Fibonacci’s golden ratio. It is meant to represent harmony, and I have heard that the paper quilling process itself can be quite calming, meditative, and harmonious. The detail is exquisite, especially to someone like me who couldn’t even make a paper crane during an origami craft lesson as a kid!

George Cooley and Margaret Brostrom, Human Targets

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This collaborative series confronts the psychological affects of using human targets. seven pieces exploring the dehumanizing qualities of human targets. The artists believe that using human shaped targets desensitizes the shooter towards real violence, and go as far to say practicing on human targets is premeditation for murder – In weapons training and competitions using these targets, more points are awarded for shots that would “kill” a real human in the area the competitors are aiming to hit. I am so far removed from recreational or even protective gun use that I honestly hadn’t a clue that these were the targets most commonly used at shooting ranges … No one in my family hunts, and growing up no one in my household was ever the least bit interested in owning a firearm even for protective use. I have never been to a shooting range, and always pictured targets as the little red and white concentric circles like Katniss Everdeen may use to practice her bow and arrow. It’s a lot to think about, and this artwork starts an important conversation. The artists produced over 50 target artworks, and chose 7 for the final display. I do a lot of series myself, and am impressed by their commitment to put their strongest work forward for this important and relevant issue.

This post comes a bit late, but I hope you all enjoyed learning about some new art and artists. Have an inspiring evening!

 

 

 

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Gustav Klimt – Creative Minds Art History Project

I got a bit behind on sharing my projects, but have now caught the awful Fall cold that is going around, so no better time than the present to sit and type with a hot cup of tea at my side. Gustav Klimt’s work, like that of the earlier covered Van Gogh, is one of those bodies of historical work that is recognizable even by non-artists because of his unique style that has been made readily available in print form to this day, and is appropriated and referenced constantly in new art. Though I’ve never experienced an emotional connection to his work, I love the use of metallics and vivid, overwhelming detail of his pieces as well as the merging of both realistic and painterly elements.

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Klimt began as a decorative painter under the belief that art’s true purpose was to show viewers something beautiful, and got his start painting murals on the walls and stairways of lavish, wealthy homes. His personal work was charged with an eroticism that was not present in art at that time, and it earned him a good deal of disdain but he remained committed to depicting the beauty of the world as he saw it. His pieces have resonated and stood the test of time, enough that virtual immersive experiences of his work were made available this year in Paris and Austria.

Not all of his work is sensual in nature or contains nudity, and there are plenty of other examples to show as inspiration if you are doing this project with younger audiences.

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Klimt’s work incorporated figures and portraits, but learning how to draw faces and the human body properly is a whole semester of lessons within itself! To make a Klimt project that was accessible to all skill levels, fun, experimental, and stress free, we used collage. Some of Klimt’s portrait work does remind me of a very early form of fashion editorials, so we cut out models and celebrities from Elle and Vogue magazines to become the subjects in our Klimt inspired artworks.

Students were then encouraged to place their magazine cutout where they wanted it on the page, and trace around it with pencil to save the space. I recommend gluing the magazine cutout on last so it doesn’t accidentally get smeared with paint. After outlining, students could add on and sketch the outfit of their dreams with pencil. Once the basic outline was complete, students filled in the background and clothing in different shades of metallic paint first, and then could add detail overtop with pattern. As I’ve mentioned before, I work with a lot of adults with disabilities and seniors in my art program. Painting small patterns with a brush can be hard for some depending on their dexterity level so we made this project more accessible by also introducing the use of ink stamps for those who were struggling with fine motor skill. Innovation can lead to some simply amazing results, as can be seen by the work-in-progress above! Be sure to check back soon for more artist-inspired project ideas!

Henri Matisse – Creative Minds Art History Project

Another week, another artist! I shared my Van Gogh project last week. In week 2 we covered Henri Matisse. His personal story really resonated with the students, being a group of adults with varying disabilities.

Matisse spent the majority of his artistic career as a painter, being one of the leaders of the Fauvism movement in the early 1900s. Fauvism is characterized by a painterly, non-realistic representation of people and objects and a strong use of bold “crayola crayon” colors. Unblended strokes of pure color divide objects from their background rather than shading. He wanted his art to be calming and cheerful, an escape from the world’s troubles. In 1941, everything changed when Matisse was diagnosed with cancer and had to have surgery. His life was saved, but from that point forward he required the use of a wheelchair for mobility, and struggled with dexterity. Matisse famously said, “Creativity takes courage“, and at the age of 72 no matter how he had changed physically, he refused to give up on creating. He shifted gears to a cut paper collage format for his work as painting was harder to manage with his dexterity changes, creating yet another influential body of work. He ended up liking this new, modern style even better than what he had been working on before, and you can still see similar shapes, styles, and color schemes taken from his paintings and applied to his collage works, such as the organic leaf shapes. His final project was stained glass windows for the Chapelle du Rosaire de Vence as seen pictured above, designed in his iconic collage style.

Though the term disability pride wasn’t part of our vocabulary at the time Matisse was alive, I think his legacy perfectly embodies this concept. He did not look at disability as a barrier, but an opportunity to innovate.

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For our project, we created beautiful decoupage bowls inspired by Matisse’s paper cut works. I chose to focus specifically on shapes present in his chapel design, though if you do an image search of his collage work you could find many other ideas. I cut patterns out of some scrap matte board for the students to trace. We used colored printer paper for the cutouts – It is thin enough to be able to bend along the round shape of the bowl without popping back up or creating massive wrinkles, but thick enough that the color of the bowl won’t show through. We used matte Mod Podge to apply and seal the shapes onto the bowl, and the bowls themselves were picked up at the dollar store, making this a ridiculously inexpensive project with beautiful results.

This would be a fun project to do with all ages from kids to seniors, and makes for a great gift idea if planned closer to the holidays or Mother’s Day. Since Mod Podge is not food safe, obviously you do not want to try to eat cereal out of these or something ;), but they are a perfect catch all for jewelry, keys, pens pencils and paperclips, or change. Also a cute decoration when filled with decorative orbs, glass marbles, or stones. I love color, and may just have to make one of these for myself at home!

I’m Back With Some New Art!

This first piece in a new series was a long time coming … I am obsessed with working small, and tend to work in 11×14 or maybe 16×20 max, and wanted to start doing pieces that were at least 18×24 or larger to allow me to include more detail and further develop the background in my pieces. My new series, Dwell, really taps into my background of interior design study. These pieces will contemplate how our environment affects us, but also how we interact with and affect it. The word dwell also has a double meaning, not just the physical space where we live but the places we create inside us that we allow our mind to dwell in. How are these psychological spaces affecting us, and how much control do we have over them or they over us?

“Dwell In Possibility” was a challenge for me because it involved a lot of brown, a color I literally never use in art. I tend to create pieces that are mostly grayscale tones with pops of bright color, and gray just would not have been right for the earthy feeling I wished to evoke. The other challenge to this piece was that I was creating an interior that was not very attractive or intricate … the remains of a decaying building, dirt floor, rough wood paneled walls, weathered plaster ceiling once grand but now stripped of any color or design … The only furnishing an abandoned, sun bleached chair frame.

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I did a lot of layering of different media overtop one another, and used my clear prismacolor pencil blender for the first time in my entire life. I usually use a white pencil to blend, but this time I couldn’t use an opaque blender because I wanted to be able to still see the underlayer of watercolor through the blended pencil. I left the flowers and hair purely impressionistic watercolor as opposed to the detail in the background and the model’s face. I didn’t use as much dimensional mixed media as usual, not wanting to add too much clutter, and stuck to a lace fabric overlay on her dress and clusters of beads for the centers of the poppy flowers.

dwell in possibility progress

The closer you look, you will see there is a lot more going on than just a smiling woman holding a bouquet. She is already stationed in an odd setting, an old deteriorated building. She is surrounded by decay, including uprooted, dying plants. Even some of the flowers in her hands are dead or dying, but they are slowly coming back to life as she grasps onto them, holds them and nurtures them. Behind her through the door there is a cavern of light, where a grand tree has taken hold. There are no leaves yet, hardly any soil for his roots to grasp onto, yet he is still alive somehow. Robins circle around, a bird that symbolically means rebirth. Change and growth are always possible.

As you can also see, I can’t seem to put down the metallic gold acrylic lately! At work, my students always want to cover everything they make in metallics and glitter, which often makes me shake my head, but I can understand the temptation ;). Speaking of which, I am starting a new class called Creative Minds where each week students will be learning about an accomplished artist of the past or present, and completing a small project based on that artist’s iconic style with a focus on artists with disabilities and mental health. I will be sharing my projects as well as some of the students’ interpretations, so be on the look out for a new project post each week! I am hoping some of you reading this will want to try it at home yourself. It’s always fun to play :D!

A Month In The Life of An (Almost) 30 Year Old Artist

Well, I missed posting this month’s Artsnacks unboxing, which is unfortunate as March is Artsnack’s birthday month as well as my own! I still did a very late Artsnacks challenge art journal entry (this morning, actually ;)), and I swear I had good reason! This month has been a busy one, and just kind of flew by in a blur.

Since the end of last year, I’ve had trouble getting any art really going. I started a handful of things, but then got stumped and had to put them away until who knows when. Artist’s block is common, but I have not experienced such a thing for a long time. It’s weird, and I don’t like it.

Since I don’t have any big personal projects that are going anywhere, I figured this was the perfect time to go out on a limb and try something new. When I saw a call for proposals on my local city, Saginaw MI’s Art and About facebook page for their Painted Piano Project, I knew I had to enter just to have a new art goal to work towards. Only 12 entries would be selected, so I didn’t go into this with any expectation of being chosen, and figured it would just be fun to give it a try. I was shocked to not only find out I was chosen, but that my entry won 3rd place for People’s Choice while they were displayed at the Saginaw Art Museum! Guys, I have never won people’s choice anything since the time I tried to run for student council secretary in 5th grade and got the least number of votes, despite my very impressive posters. Generally, popular opinion and I are not friends or even distant acquaintances, so, I will consider my life experience padded.

The project is exactly what it sounds like … I will be covering a piano with my artwork very soon! I may live to regret the level of detail I have committed myself to, but I don’t do simple. My instrument has yet to be delivered, but I will definitely keep everyone updated as I begin the process! The pianos will be scattered throughout the city all summer, available for people to play.

Some other adventures this month are the Midland Artists Guild Annual Juried Exhibition, which I look forward to every year.

This time around, I am so grateful to have been awarded 2nd place overall for my piece, “July: She Is Free”, one from my “Unlimited” series that is very close to my heart. I hope to continue to open minds and push the bounds of what beauty and empowerment look like through my art.

Another highlight of this month, my boyfriend and I finally got to see our favorite play live! This after going to a whimsical arcade bar and overdosing on 90s nostalgia with the X-Men Arcade game and some N64 Mario Kart, so basically the perfect early-birthday trip.

I know traditionally a lot of mourning goes on leading up to one’s 30th birthday, but I have to say this has been a pretty epic month so far, so bring it on!

 

 

 

Artsnacks February Unboxing!

art snacks box febTime for another Artsnacks unboxing!

This month I received:

art snacks febI used these materials to create a journal page I’d been planning to create in the future anyway, featuring a movie still of Maria from the classic film Metropolis and one of my favorite lines. Now for the reviews!

I was really excited to see watercolor supplies in this box. I thought I was being all fancy shmancy when I upgraded from Artist Loft liquid watercolors to Loew-Cornell, but OHMYGOD I can’t really explain the experience of using the Sennelier watercolors in any other way than PAINTGASM. No wonder it was marked as a staff favorite! The colors flowed from the brush like a dream, and I am now addicted and will have to budget for some of these $11.75 per tube watercolors “Formulated with honey from the Alps”. The watercolor paper was very nice as well. The quality was telltale as the paints soaked right in without laying on top of the paper, and it could hold up to a lot of layering without my having to let it dry in between – no paper pilling!

The Micron pen, a brand new product, was also phenomenal. The plastic nib drew far better on the watercolor paper than other pens I’ve used for lining watercolor art. It produced a smooth, even line and didn’t get “caught” in the bumps on the paper. It also dried significantly quicker, allowing me to get right to the painting.

The precision brush was another win! It worked great for washes, but also made perfect thin lines when fine detail was called for. The bristles didn’t fan out and the paint stayed in the brush until pressure was applied no matter how wet I had it – no unwelcome sploshes spreading out across the page. I will keep these in mind when I need to refresh my watercolor brush supply.

Rounding off this review with only gushing joy and zero complaints, we have the sketching pencil. I love how light this pencil draws, perfect for sketching an outline in watercolor artwork where you don’t want the lines to show through the paint. I also love the extra durability and break-resistant feature in its construction that was noted on my menu, as I am always breaking my freaking pencils!!! I must go into hulk mode when I get inspired or something, because it is just crazy.

I have adored this second box even more than the first, and am looking forward to more fun mail in march!

 

First Art Snacks Box, First Art Journal Entry!

artsnacks boxSo, I was having a really rough week y’all … and then I got this in the mail.

I had gotten an artsnacks subscription for Christmas, and being a virgin to subscription boxes in general, was excited to see what it was all about and hopefully discover some awesome new products for art making!

art snacks janThe January box came with:

  • A Uni-Posca PCF-350 Brush Tip Paint Marker
  • 2 Maribu Graphix Aqua Pens
  • A Tombow Fudenosuke Soft Tip Brush Pen
  • A Sakura SumoGrip Mechanical Pencil
  • And a cat joke: What do you call a painting by a cat?
  • A green Lifesaver

art journal artsnacks janI decided to do what a lot of artsnacks subscribers do after receiving their box, and join the fun of challenging myself to create a little picture using only the products in my box for the month. This is also a great way to test out the materials, especially if they are unfamiliar to you. Another fun thing about artnsnacks is the fact that the colors of the products you receive are totally random … The royal blue was lovely, but that olivey/sage green and bright orange? – maybe ok separate but kind of yikes together. So, here is my unique green penguin, swimming beneath the chilly arctic waters.

All in all I thought this was an interesting first box, especially for someone like me who is primarily a drawing based artist but also holds a lot of love for watercolor. I’ll start with my favorite products, which were hands down the mechanical pencil and Tombow pen. I own a lot of black liner pens in a huge range of line weights, but I had never owned a pen whose line weight is dependent on the pressure you apply. This is a fantastic feature for adding more depth to outlines, and it is pretty intuitive. The brush tip is firm, and it is easy to control the weight you want. I.e. – it doesn’t suddenly “blob” out a big fat black line with the slightest pressure. The mechanical pencil has a fantastic eraser which is a huge plus – The quality of your eraser sometimes matters even more than the quality of the pencils you are using! The rubber grip, besides having a cute name, practically gives your fingers a massage as you are drawing – even for someone like me who holds their pencil wrong ;)!

Next, onto the Aqua Pens … The colors are super saturated and these are obviously artist grade. These were marked as a staff favorite. I have to say though, as far as pens that can be used with watercolors I still prefer Tombow’s Dual Brush Pens. The Aqua Pens seemed to not blend as well as with water as the Tombow ones I am used to – you could still see the original sketch marks though the color did spread with water. I noticed they washed better when I worked on smaller areas at a time without letting the ink dry as much in between. When you want more of an illustrative look with super BOLD color that doesn’t fade with the water, however, these would be perfect.

Lastly, the brush tip paint marker – marked on the product list as brand new to the market … I experienced a bit of sticker shock reading the retail price of these – 10 bucks for a SINGLE marker! But, they are unlike any paint pen I have ever seen given the fact that the brush tip is an actual bristled nylon brush. It is more rigid than a traditional painting brush and maintains it’s shape even when pressure is applied, so it is a true hybrid between marker and paint brush. I can see these being fantastic for the classes I manage with Express Yourself Artshop at Creative 360. The added control of using a paintbrush in pen form like this would be great for painters who have mild to severe dexterity issues or shaky hands due to age, injury, or disability, or anyone who struggles with fine motor skills but loves to paint. If it weren’t for that darn price tag … we are a non-profit after all. Donations, anyone? 😉

My assistant at work /slash/ really cool art friend /slash/ art educator teaches an art journaling class and has been trying to get me into starting an art journal. Another surprise Christmas gift I received was lo and behold, a mixed media art journal! It’s a sign. I’m a big reader, so, in addition to my monthly artsnacks challenges, I am going to play around with journaling some of my favorite quotes from books I’ve compiled. With my first two, I kept them mainly illustrative with a lot of white space but I am going to do more with texture/mixed media backgrounds for my next one, whatever that may be.

Be sure to check back for more unboxings! ❤

P.S. The answer to the joke was a paw-trait.

P.P.S. I may be so opposed to the orange and green color combo due to new home renovation trauma. This was what our mud room looked like when we moved in.

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