Being a lifelong lover of reptiles, I was always drawn to the figure of Medusa. Back in 1992 when Matchbox put out these fun little mini monster figures aptly titled “Pocket Monsters” that you could get inside cereal boxes, the Medusa figure was always my personal favorite.
Unfortunately, it wasn’t so fun being the real Medusa, cursed by Athena because Athena’s husband couldn’t keep it in his pants. I’ve always had an affinity for those fantastical beings that can’t be understood by a story told only in black and white.
In the pose I chose for her, she is attempting to shield others from that dangerous part of herself, but only halfway. Butterflies turned to stone hang in her chamber. Is it easier to be surrounded by lovely, inanimate things after what had happened to her than real living beings? Is there a hesitation before punishing others in her misery?
Over the last couple of months, I’ve been thinking a lot about anger. Do we ever have a right to be angry? Can anger be constructive? When we unleash said anger, where is the line? Does the motive behind our expression matter? These thoughts as well as another unrelated project prompted me to finally dig out this piece that I started a little over 2 years ago that almost ended up in the garbage. I had the background done which I loved, and also had shaded in the figure. The page was filled with color and the piece was supposedly “almost done”, but for such a powerful subject there was no feeling coming out of it, none of that indescribable “spark” that makes me love art. So, in my portfolio it sat.
Over this summer I was chosen to participate in an art exhibit titled “The Chair Project” for my local United Way. Each artist was given a subject for their piece that fell into one of the major areas United Way services, with a real story from a community member. I was assigned mental health, and ended up using a lot of this similar reptilian imagery in the final project. For more details on my process and the thoughts behind my design, please check out the short video.
I spent a lot of hours outlining tiny, detailed little scales in metallic paint marker and the process became quite meditative honestly. This prompted me to give my Medusa a second look, and at least finish out her hair. The metallic accents had done so much to bring my chair design to life, that I knew it would do the same for the Medusa. Enter, silver foil and jewelry findings to the rescue!
There can be a wisdom to knowing when to let go of projects that just aren’t working, but as I always tell my art students, you have to push through that ugly phase. Every piece of art has a period in the dead center or even late middle – almost complete where it looks like a complete failure. However, sometimes even the smallest adjustment can fulfill your original vision or even surprise you with a new one. In my case, this at times can happen years later. Perseverance and faith are huge parts of creativity. So, I implore you, keep that ugly art! – At least for a little while longer.
It’s been awhile since I’ve done a series … since Unlimited from way back in 2017 to be exact. This new one is going to be on 22×28″ canvases and will be completely multimedia. I love mixed media because it allows the artist to use the best tool for each component of their composition. I draw people better than I paint them still at this point, so figures will be in colored pencil. Interesting silhouettes or clothing … fabric it is! Skies and birds? Acrylics of course, and why not palette knife paint the birds ;).
This series is going to be a way different theme than I’ve explored before. I always like to include deeper messages in my work, but have never done an explicitly spiritual message because it is important to me that my art is able to speak to viewers coming from all different places. Each work in this series will represent one of the fruit of the spirit, and though this idea comes from the Christian tradition, these principles are positive to cultivate in everyone’s life.
I started with Peace, maybe because this is something I have been desperately needing to grow in my own life over the last couple of years.
Peace is active. Peace is a verb, it is not simply the absence of noise. Peace takes work, and it involves risk and often involves stepping out and becoming uncomfortable. Making the changes necessary to grow peace are often painful. To truly be at peace our view of life’s value cannot be determined solely by circumstance, because external circumstances will undulate up and down completely out of our control, leaving us to be in emotional chaos, completely sucked beneath the waves.
Being a bringer of peace in others’ lives and in society as a whole is equally difficult. It means listening when we would rather shout over someone, it means sticking your neck out to protect or defend someone else even at personal risk of how others may view you or treat you afterwards, it means setting strong boundaries.
In this image, a woman is guarding a crowd of people that are behind her, blocking them from the shadows of chaos. These shadows have tried to grab her and drag her down, her arm is marked. However, the shadows cannot penetrate. Doves circle around her head which symbolize an inner strength and calm within her spirit, and can also symbolize her halo of protection that shields her just as she is protecting others.
The source from which we draw our peace protects us. The source can be sturdy and formidable, or … not so much. I am reminded of a speech one of my favorite authors, David Foster Wallace (who was actually an atheist), gave that really had an impact on me when I was floundering in the waves. “Everybody worships. The only choice we get is what to worship”. I’d encourage you to check out the entire speech discussed here. Another author that probably has about as opposite a personality from me as you can get but has really made me think, Mark Manson, writes in his self help book perfect for people who hate self help books, “True happiness occurs only when you find the problems you enjoy having and enjoy solving”. Much of life is composed of struggle, which is why if we wait for the perfect external circumstances to be at peace, we will never have it. Similarly, he discusses the importance of choosing the right metrics to determine what makes us and our life “good”. Faulty metrics used to define our life’s success and value are anything we don’t have control over, such as money, social standing, etc. which DFW also cited in his speech as destructive forces to worship. He calls worshiping these forces slipping into our “default mode”. They are the things we chase after and value when we are living without reflection, consideration, or deeper evaluation. They represent our base human nature, so to speak, and we all slip into this mode from time to time especially when under considerable strain.
Where does your peace spring from? What creates your circle of protection as you brave life’s trials? Are you more often a bringer of peace or of chaos to the people whose paths you cross in your day to day life? These are all questions I considered while creating this work. I strongly believe this series is going to be true art therapy for me as I work, and that my eyes will be opened throughout the process. I truly hope I am able to impart something of value to viewers as well.
There are layers of meaning, as I am a big believer in the fact that art should make people think. I’d love to hear what others see in this image, so please share if you are so inclined!
PS … I am so honored this first installment won an Award of Excellence at the Midland Artists Guild’s Annual Juried Exhibition last night, especially amongst such a fabulous collection works! Click here to view the entire show virtually. And yes, I made my jacket and paintbrush necklace! More on the inspiration for my wearable art creating spree soon.
Timely as May is getting closer and closer, I recently after long last finished my mermaid painting that I started at the beginning of 2020. This poor little lady kept getting brushed aside for more urgent projects over the years. It is also the first human figure I’d ever started with acrylics when my preferred mediums are colored pencil, ink, or watercolor, so there was definitely a self education process.
I’ve described this project as really giving the proverbial finger to gatekeepers who believe certain supplies can’t be used in fine art. Working at an arts non-profit, I am a big fan of use everything, and actually one of my favorite pieces I’ve seen at a museum in awhile was a giant panther in the jungle that was composed entirely out of flatback rhinestones and pony beads!
I first sketched the basic outline of my mermaid on the canvas base. I then used gesso to apply a variety of textured materials where I wanted a 3-dimensional surface: netting from avocado bags, tissue paper, and yarn. After I acrylic painted the main imagery, I dry brushed over certain areas I wanted to have an iridescent sheen with metallic craft paints which are also perfect for highlighting the texture. I glued tiny shells to the tail and the edges of the rock, brushing over with a watered down coat of black metallic to help them fade into the rest of the design.
She certainly exceeded my expectations! This is why you see projects through to the end past that “ugly phase” in the middle.
While we are on the subject of beautiful mermaids, check out this mermaid themed merchandise created by my Artshop Students! All designs were created by artists with disabilities. Show them some support by checking out our Redbubble Shop! Happy (early) MerMay 😉 …
I have not been making as regular and in-depth posts as usual over the last year as I’ve gotten busier and have been devoting more time to youtube, but I wanted to share about a very special show I am a part of this month running through February 20 called “Breaking The Stigma“.
I was beyond thrilled with both the priviledge and responsibility of being invited to be part of a show centering around using art as both a personal therapy and a way to communicate inner experiences in a way that makes them accessible and understandable to people from all walks of life. I’ve written often on this site on what an important communication tool art always was to me as someone with anxiety, especially social anxiety. In a recent Throwback Thursday post (Yes, I promise I will be getting back to those!), I talked about how even as a young kid I was prone to using art to tackle darker themes or difficult emotions. Art allows for a method of transparency and vulnerability that can often be easier for others to understand and embrace than by using words alone. Aside from the end result, the process itself of art making has the power to manifest a sense of purpose and peace no matter what else may be going on around the creator. Creativity allows people to unlock their untapped potential. I see this firsthand in the classes I teach where many of my students are beginning artists or artists with disabilities
You can read the article announcing the show opening which introduces the other artists involved in this show and shows photos of some of their work. I wanted to also share some of my personal thoughts about their art.
David Feingold’s art was exciting for me to see because a lot of it I would consider surreal portraiture which is the subject I myself enjoy creating most, but it was digital rather than traditional. His narratives were very personal, and spoke directly to the title of the show as they addressed the idea of mental health stigma head on. I found myself inspired to once and for all fully explore creating art digitally this year.
2 of Rebecca Allen’s pieces have been familiar to me since before I knew they belonged to her, as they take up residence in our elevator lobby display where I also maintain a showcase for my students with their work for sale. I loved the surreal nature of her figures. They are raw and honest, and the pain they feel is visually represented in the sharp, rough textures of her sculpture. They invite you to step into another’s shoes and imagine yourself in their situation and struggles.
Cynthia Keefe’s art dolls were very … approachable and trustworthy to me, though that may seem odd to say. They felt alive. Many of them have serious or even near faceless expressions and some in contrast are reaching outward, with mouths contorted in anguish or extreme emotion. Still, they seem like beings I would come to for reassurance or counsel in the important act of seeking the perspective of an older and wiser female. They have seen and experienced much, their story woven into their skin and intricate clothing.
For those in the area, we will be having a discussion panel on February 3. Follow the Creative 360 website and get on the mailing list for regular updates :).
Welcome to the next part in my series using the past to delve into why I create what I do… I hope others find this interesting and entertaining, and I hope it helps readers reconnect with their past selves and realize how all of those different “us-es” had a part in creating who we are today, even those versions of us we don’t like to spend too much time with.
Though you wouldn’t know it from my own childhood attire, fashion was always a large part of my artwork and I loved imagining my own clothing designs (Note me designing Barbie clothes in our home office on Windows95. Note also, I was wearing unnecessary glasses with the lenses popped out for fashion far before mid-2000s hipsters existed.) I adored designing extravagant imaginary partywear, but was also awkward and uncomfortable in my own skin. It took me awhile to ever give a thought to actually trying to look cool myself ;). Once I got into upper elementary school, I idolized the girls in Disney channel movies who rode dirt bikes and skateboards and never seemed to be afraid of what other people thought of them. I really just wanted to be a cool tomboy but I had no athletic ability whatsoever, and I did actually care a lot at that time about what other people were thinking about me, so … I wasn’t too sure what to do with that. It didn’t stop me from rocking a soccer uniform at Disney despite the fact I’d never touched a soccer ball in my life.
My parents always encouraged art and creativity, and come to find I created my first “mixed media” project with my mom, using cutouts from scrap fabric for dresses at age 4. As I got older, my designs became a bit more sophisticated and I even began naming the pieces in my collection with such enticing titles as “Wide Country Gown”, among others.
Around 15, I finally got a clue and started developing my own personal style which also filtered its way into my artwork. I got hooked on loud, unique, alternative fashion that had a retro flair, and even became a bit interested in the whole club kid aesthetic though by happenstance of my birth year I kind of missed the whole raver trend. Below on the left is what I imagined it was probably like.
I’ve been told my interest in both fashion and interior design stand out in my work, and as I mentioned in my first throwback post people have always played a central role in my art. The way individuals choose to decorate both themselves and their external environment are central to telling part of the story of who they are.
Over this year, my passion for wearable art has jumped off the page and into reality as I began designing my own upcycled clothing. This was at first dove into as a project to help my art students with disabilities lead their own fashion show, and then for myself as I realized this is something I really enjoy.
This is also the first year I had the confidence to participate in some local modeling projects for art friends, and it was an absolute blast. Expression via how I visually adorn myself has been another way I have used art as a tool for communication over the years as someone who is an unwilling introvert due to social anxiety. People are all living sculptures, for the most part wonderful and fascinating (and yes, also challenging at times), and the ability to use how we visually present ourselves to show who we are to others before even speaking is an intriguing tool.
Like with my other art, with my wearables I hope to inspire, make people smile, and help them feel confident and comfortable in who they are. My pieces are available for purchase via ebay, etsy, and facebook so pick your poison ;). Let me know what types of colors, patterns, or images make you feel the most inspired and powerful!
Happy early throwback Thursday, since I likely won’t have time to post on Thanksgiving as I’ll be enjoying family festivities :). Today I’ll be continuing my series using the past to delve into why I create what I do… I hope others find this interesting and entertaining, and I hope it helps readers reconnect with their past selves and realize how all of those different “us-es” had a part in creating who we are today, even those versions of us we don’t like to spend too much time with.
These early drawings from age 1 and 2 respectively cracked me up when I discovered them (Yes, I have a drawing from one year old … in my previous post I mentioned my mother’s expert level archival skills.). The first is of a sad girl who lost her helium balloon she’d been holding to the skies – It seems I had a pretty good grasp on the fact that life is full of disappointments and setbacks after only 16 months of hanging around on this planet. The second drawing is of a reoccurring nightmare I had that actually continued into my teens where my regular, awesome mom would be replaced with an evil, distorted, imposter mom that would often try to kill me or something equally unpleasant. I had terrible nightmares as a kid and what I later learned is called sleep paralysis, and I still don’t logically understand where it came from, my only explanation being our brains are weird sometimes. Thankfully, I eventually grew out of these and started sleeping better.
I’m fascinated by the fact that I was using art as a tool to deal with troubling thoughts even in my pre-K years. This is a testament to the healing power of art that is the driving force behind why I am passionate about sharing art with others not just through showing my own works but through teaching as well.
In a very early blog post, I discussed how art has always been an important tool for communication and self expression as someone who struggled (and still does to a lesser degree) with social anxiety. When I would create art as a teen, I didn’t plan out a concept or specific symbolism as I do now. I just sat down and drew whatever came out basically. Even if I didn’t fully realize it at the time, I see now many of my drawings were communicating my specific anxieties and feelings of isolation or entrapment. In the leftmost drawing, my anxieties and meditations on long term relationships. On the right, titled “Timebound”, my fears of being behind my own personal timeline I had set and my impatience and frustration at being held back from the experiences I yearned for in life (I am still learning that life has its own timeline and good luck trying to force my own timing!). In the mixed media work below, titled “Actually, It Is This World That Is Too Small”, I put to paper my thoughts on confining gender roles, stereotypes, and expectations and feelings of isolation, of just not being the right “fit” for the world around me.
I appreciate artists that lay themselves bare and aren’t afraid to communicate uncomfortable emotions in their work, not for shock value or to be negative for the sake of being negative, but to let others know that they are not alone in their difficult emotions and personal struggles. It’s why my last big concert experience at the end of 2019 was so impactful. I have a deep love for fine artists, musicians, writers, actors, all creatives who are willing to risk transparency and forming a true connection akin to friendship with their clients and fans. It is a risk, and I’ll be honest it doesn’t always work out, but to me it will always be worth it.
In my most recent work that has an underlying darker feel to it, viewers have told me that even in the darkness, they still see that I have left a thread of hope in the narrative. That is another one of those unconscious things that sometimes happen in the art making process, and something to truly celebrate. For more information on some of these works, you can visit the links below.
When people ask me when I first got into art and my answer is shortly after birth, I inevitably end up mentioning my mother’s astonishing archival skills. I have drawings from every year of my life starting at 1.5 years old. After mentioning this, the response is usually that they sure wish I would share some of these older drawings on my website. As I was going through my past sketches and choosing some to post, I realized though my style over the years has changed quite a bit, there are common themes and purposes behind my work, including within my childhood scribbles. So begins the first part of a series using the past to delve into why I create what I do… I hope others find this interesting and entertaining, and I hope it helps readers reconnect with their past selves and realize how all of those different “us-es” had a part in creating who we are today, even those versions of us we don’t like to spend too much time with.
I have always been drawn to art depicting people. Portraits and figures were typically the vehicle for my art’s story from early on. Growing up I loved studying the differences in faces, how some could look so similar but no two were exactly alike. I would sit for hours studying my elementary school yearbooks as a kid, just staring at the different faces, observing. From a very young age I found beauty in that which was different and unfamiliar to me. I grew up in a very non-diverse setting, and didn’t see many people of color in my day to day life. However, I loved watching movies and television shows. As I started to see people who looked completely different from me and my family on the screen, I was fascinated by the wide range of hues and textures that could be present within these other faces – beginning to see people as truly living, breathing sculptures. I went through a period in younger elementary school where much of my figures I would draw were actually POC, much to the amusement and at times confusion of those around me. I also drew plenty of scenes from my day to day life; illustrations of my family, of my friends and neighbors playing outside; but only creating art depicting my own day to day existence just seemed so boring to me. Though a very socially anxious kid, I loved learning about other people and what their life was like, and even enjoyed when friends would show me photos and video of trips their family went on and other important life events. As you can imagine, they were quite pleased to have a not only captive but eager audience.
I’ve been told I was always one to stand up for the underdog, and this extended into the realm of art and fantasy. Although of course I drew princesses, I was also interested in the stories of supposed villians, witches, and other outsiders despite being quite the kind hearted soul and a bit too much of a rule-following goody-two-shoes, at least outside of the home ;).
Once I got a bit older and started actually learning about art, I connected instantly with surrealism, especially as it relates to the human figure. In junior high one of my favorite shows to watch was Ripley’s Believe It Or Not. My favorite stories were the aesthetically bizarre tales of extreme body modification which are all over on youtube now, but back then such slices of life weren’t as readily available. There was the man who had turned himself into a human-tiger hybrid, the woman who got specialized dental implants so she could live out her dream of being a real life vampire, the one who got their tongue split into 3 independent forks that could all move on their own … Though I am in no way a big advocate for plastic surgery, there was something interesting to me about individuals “making the internal external”, a term I use often to describe the aim of my artwork. The idea of people crafting their external persona as a living sculpture to match who they are on the inside was captivating, and though these exact characters never made their way into my art, I did end up drawing a series of 4-legged ballerinas and people with animal heads.
As I continued to develop my surreal portraiture, I depicted facial expressions that wouldn’t typically be captured in a portrait drawing or be considered beautiful, such as negative emotions like fear, anger, or anguish. I also continued to blend human and animal physiology in some of my portrait and figure drawings under the observation that oftentimes, animals can be seen acting like people would and people can act more like we assume an animal would act and react. The lines blur more often than we’d like to think.
Today, uniqueness of spirit, self expression, and animal representations still play a large part in my art just in a different way. When I look at my aerialist mixed media works, I can’t help but be reminded of the dark, vintage circus aesthetic of my earlier 4-legged ladies. I have no tie to gymnastics or dance myself – I am horribly awkward and unskilled at anything requiring physical coordination and spent my time in gymnastics lessons as a kid climbing up to the highest possible spot at the recreation center and simply jumping into the foam pit over and over. I took a ballet class once as well and recall ending the day giggling with a friend as we rolled ourselves up in the dance mats and pretended to be burritos. I pretty much joined just for the outfits. But, again there is that attraction to the completely foreign, those characters that are completely different from myself. Animal imagery abounds, mainly in the form of birds, but it is no longer a bodily extension and more instead a physical representation of the figure’s soul.
I continue to celebrate beauty in all of its forms, especially that which is underrepresented. One of my favorite pieces to date that I’m sure I will cherish forever is the portrait in the center that was part of a 12 part series I created for ArtPrize on year depicting a young woman with down syndrome. She exudes joy, confidence, and freedom.
For a number of years I have worked with an inclusive arts program suited for young adult and adult artists of all abilities, including those with disabilities. I suppose looking back I was always meant to use my gifts to reach people of all abilities. I have a distinct memory from first grade. 2-3 students from special education would spend the first half of the day in the traditional classroom I was a part of, including recess and lunch though during lunch all of the kids from special education would sit at their own separate corner of the lunchroom. One of the girls who visited our class in the mornings wore a fantastic velvet dress with black and pink flower print on it one day, and though remember, I was severely socially anxious at this age and only ever spoke to my one neighborhood friend in class, I gathered my courage and told her I liked her dress because it was just too cool to not say something. From that point on we were kind of friends. She asked me to swing with her at recess, and eventually invited me to sit with her at lunch. Ridiculously enough, I accidentally caused quite a scandal by breaking social lines and sitting at (I will not repeat the name fellow classmates had for this particular table) with my new friend. Differences were never seen as anything for me to fear, but parts of another to appreciate and learn about.
Appreciation for all living beings that make up our wonderful world are a large part of the emotion that goes into my current work, and though sometimes I fail at this concept in practice as do we all, I hope the impulse to draw towards and not shrink away from diversity is a part of myself I always keep with me.
Mixed media has become very popular in art over the last couple of years, and there is no question as to why … It is wonderful to be able to sit down and work on a project and not be limited to only one or two materials despite what may convey your idea best. It is also a way to make 2D art more tactile, introducing elements of 3D art and design onto a 2D surface.
I’ve found that introducing mixed media to my drawings has given my pieces a new life. There is nothing at all wrong with using one material, and I enjoy a lot of artists’ work that create art that is all ink, or all watercolor, or all acrylic. However, for my own art working with multiple mediums has enabled me to break through the possibility of my work becoming repetitive or stagnant, and has helped me develop my own unique style.
It’s easy to be intimidated by mixed media art because it involves a lot of choices, but using multiple mediums can actually make the artistic process easier by removing the limitations of using one material at a time so that for each part of our piece we can use the medium that will lend itself best to creating the visual effect we desire. It can also allow us to be more efficient with our work; for example, yes I could find a fabric I like and copy it by hand onto the dress of a figure in my drawing, or I could add something tactile and interesting and adhere the actual fabric to my drawing as the figure’s dress.
Wondering how to incorporate mixed media into your drawings or paintings?
Start with what you know. Create a base drawing or painting first, and then assess where you could add some 3-dimensional or tactile elements. In the image below titled “Artist At Work”, fellow artist and art friend Emiliano Vega painted the scene first with acrylics and a palette knife, and then I applied mixed media accents evenly dispersed throughout the scene to finish it off. Think about what the objects depicted in your drawing or painting are actually made of be it wood, metal, fabric, leather … and try to incorporate those materials. I used thin cutouts from sheets of wood samples for the wood of the window frame and easel. Real fabric and leather samples were used for the furniture, with paint applied overtop for shading. Prints of an actual sketchbook were used for the book on the table, as well as a a closeup section of an actual painting for the work on the canvas.
Go gathering and narrow down your choices! Look for materials with a similar color scheme, pattern, style, or period look to the 2D image you are creating. Once you’ve accumulated a store of like elements, it will be a lot easier to decide what you want to place where to add to your piece. For “Lunar Fantasy”, I painted everything in watercolor first and then determined what to accent in mixed materials. I gathered fabrics in dusty, muted tones of black, ivory, gray, blue, and violet. I also collected some gold metal/metallic pieces that reinforced the vintage style. Everything I collected was pretty and feminine with a definite older feel to it (think Grandma’s craft drawer) but with a whimsical, luxe element to it as well. I gave myself a couple fabric choices, a couple edging choices, and a couple metal choices and narrowed it down from there. I used actual fabric and ribbon for the top curtain and her outfit, and accented any of the metal with gold cord. I also reinforced the vintage circus look by using scavenged vintage jewelry for decoration.
Maintain your original style. There are literally no rules to mixed media art. When you google “mixed media art” or even watch youtube tutorials, a lot of what comes up are mixed media styles that are very “on trend” with a heavy art journaling influence. Much of it is very busy and colorful with all-over pattern and texture, visible paint strokes, and super stylized figures, flowers, or animals with a lot of elements of paper crafting and collage. If you’re a fine artist who likes sharp detail and realism you may feel like this is an area you aren’t able to dabble in but that isn’t true at all. I integrate mixed media into my pieces as an accent and an enhancement to the work I am already doing in either paint or pencil. The piece on the left is all colored pencil, and on the right colored pencil with the introduction of mixed media, both other 2D mediums as well as some 3D objects. In this piece on the right, I was able to use prismacolor pencil for the figure to achieve the sharp detail and realism that was desired, and watercolor for the background to create a softness and “fog” to the view through the window. I used prismacolor markers for the eye pattern undulating out from her line of vision because I wanted that to have a more hard-edged graphic print look with no visible pencil or paint strokes. I used actual fiber materials for the gold edging on her outfit and her dress as well as actual decorative gems for her jewelry because yes, you could imitate it by drawing, but using the real thing adds a surprise 3D element that makes viewers look twice and gives the piece depth. That is part of the fun of mixed media art – it draws viewers in encouraging them to investigate further, because it’s not just a painting or just a drawing – they are invited to try to figure out the artist’s process, and what they used for different parts of the piece. There are new discoveries the longer they take the piece in.
May: She Is A Dreamer
Start small. Try out different techniques and materials on a small surface. Bulk value packs of 8×10″ canvases or mixed media paper sketchbooks are great! Get out your paints, pencils, fabric, beads, odds and ends and play!
8×10 Acrylic and Mixed Media
8×10″ Acrylic and Mixed Media
With many things being cancelled right now resulting in a lot of downtime, it’s not a bad idea to get creative and try something new! Fine art and crafting materials CAN coexist!
It’s been awhile since I’ve done an Artists To Know Segment, and inspiration is everywhere. Despite being a completely visual based person, I resisted getting an instagram for longer than most just because the idea of yet one more social media account to manage filled me with a sense of intense existential dread if I’m honest ;). Finally, I realized as an artist trying to showcase and sell work I needed one for the business aspect alone and relented. Now I don’t know how I lived without it! I have discovered so many new and inspiring artists from all over the globe, but if I had to narrow it down to just 5 for right now, here are my tops.
Roukes is a painter from the Netherlands whose work has been exhibited worldwide, and he is one of the only artists that work in more “chaotic” scenes whose pieces I’ve ever been deeply attracted to. In my own work I am so orderly and controlled, repeating a select amount of the same visual tropes within one piece with balanced space for the eye to rest … I’ve always tended to get stressed out by work filled with conflicting styles and a ton of disparate elements bundled all together, but I have loved every single piece of Roukes’s work that I have seen. The vibrant, unique color schemes and photo-realistic detail that combine classical influences with modern experiences and street art are unlike anything else I’ve seen, and the thoughtful composition makes combinations of visuals that shouldn’t work together somehow work perfectly. Beginning as a graffiti artist, he now focuses on large-scale murals that combine his own experiences, global politics, and pop culture in a dark but also surprising and often comical way.
Berglund hails from Belarus, but received her arts education in the United States. Her focus is in portraiture. Unique takes on the portrait tend to be my favorite type of art, so I was intrigued by her work the moment I saw it. Berglund has equal parts Eastern and Western visual and ideological influence, which gives her a different perspective based on her experiences. Much of her work is also influenced by traditional religious portraiture, but at the same time aims to challenge religious iconography, and both Russia and the United State’s representation of what it means to be a woman. Though the work above was what first that grabbed my attention, if you visit her portfolio you can see the wide range of styles she works in, and the strength and story that is apparent in each portrait. Her mission through her work is similar to what I hope to achieve, and I find her a huge inspiration.
Blanxer is from Barcelona, and actually graduated from university only 2 years before I did, so what have I been doing with my life -_- (I kid, mostly.). He works in both exterior murals, covering buildings in large-scale artworks, and on canvas. His canvases still integrate the cityscape as he seamlessly combines reflective urban scenes with traditional portraiture. What amazes me is how nothing gets lost in the merger. He strategically places the human elements and the architectural elements in such a way that the viewer’s brain can fill in the blanks and complete both scenes. This series appears to me like the viewer is seeing what the subject of the portrait is looking at through their eyes reflected back over them, as if we are being allowed to gaze into their mind, and that is what makes his art so powerful to me.
James grew up in Bosnia, but moved to the US at 18. Her background is in both fine art and graphic design, but she says she has always preferred paint and ink to digital means of creation (yes!). In addition to her personal fine art she continues to design for well known brands like Anthropologie and Crate and Barrel among others, and has published an interactive art book about applying the geometry of nature to drawing practice. James creates imaginary ecosystems inspired by the natural geometry present in the world around us, and says the process of building details in each piece is a form of meditation for her. I find myself getting immersed in her colorful botanical illustrations, imagining myself as part of her magical worlds, and her work has an intensely calming effect on me. I’m calm about 5% of each day, so this is nice.
Oliveira is from Brazil, and is also mainly a portrait artist. I have a draw, I can’t help it! His drawn portraits are photo-realistic but incorporate surreal elements from nature or at times unfinished boundaries. There is a strong, silent emotion that resonates from his figures’ calm, reserved facades that is so moving, relateable, and true to life.
I hope at least one of these artists have left you feeling inspired, and if you ever have ideas of artists or types of art you’d like to see featured let me know!
As for what I’ve been up to in my own creative universe lately, I was chosen to be part of the 50 Artists of the Great Lakes Bay Region Exhibition, and will be showing my new piece Tornin Studio 23’s gallery in the Fall. A metal print of my prismacolor pencil and mixed media work Wonderlandwill also be on display along Bay City’s Riverwalk trail for the next 2 years. It’s a couple days from September, so I am also officially in production mode for my annual Halloween ACEOs, so look for those in my eBay shop with more still to come! Check back soon to see the collaborative projects I’ve been working on in the meantime alongside some portrait commissions and logo designs. I’m ready for a busy Fall <3.
I’m back again! I’ve been pretty quiet on here and have been taking a bit of a project hiatus in general as I go through some life transitions and changes in a couple of areas, but have completed a few smaller stand alone projects. I talked about some of my anxiety struggles previously, so while dealing with that at a higher intensity especially over this Spring and Summer, I really needed to focus on art that was purely therapeutic; not a job or another task to complete or something with an intense deadline or something that was going to take months to complete.
I am obsessed with raven imagery, and parted with one of my favorite pieces recently as a gift for my brother, a fellow creative who just bought a new home and is getting married this fall. I knew I wanted to do another similar piece, but with a bit more color this time. I lead an art therapy program for adults with varying disabilities, and see every day how creation can be a life saving force that reminds people that they are worthwhile if only because they have made something that day. Art can be a window in an otherwise dark room. Part of the art therapy aspect of my forcing myself to keep making art even when all I wanted to do was watch movies or go to sleep early after getting home for the day was to inject my own personal thoughts and feelings into the chosen aesthetic of what I was creating. In “Flight Response”, the subject’s face is deliberately calm and expressionless while the birds flying around her appear fast and chaotic. Both she and the birds are done entirely in high contrast black and white to appear connected as one entity. They could be physical manifestations, or projections of the woman’s psyche. The background being almost opposite the woman and birds, a more expressionistic landscape in bright, peaceful colors, is also deliberate. There is hope, and there can always be better things ahead. Though not always aware of it, she is in control.
I also wanted to take the opportunity to play around with some different techniques and combinations of materials with no pressure on achieving a specific result, another important aspect of art as therapy. In “Waiting”, I tried watercolor painting on wrinkled lace, wire wrapped with yarn, embroidery, and weaving strips of hand marbled paper along with my traditional ink and prismacolor pencil drawing. Again, there is an aspect of sadness and isolation but not without a lingering hope. I aimed to craft a story based on what I was experiencing as a way to process my thoughts, but a story that is open ended so the viewer can create their own narrative as well.
As the smoke is clearing, I’m still working on my series based around color psychology and looking forward to doing more teaching again in the Fall. Both of the above pieces are available for purchase, and I’m starting early on some small and affordable Halloween-time art that will soon be posted in my eBay shop, so keep an eye out! For a time lapse of some of the background illustration for “Flight Response”, check out my artist facebook page.