In her bio on her webpage, Susan Saladino states that her work revolves around her belief that “we as humans have a kinship with all life”. In her series of sculptural figures, the series that first hooked me onto her work, they are made using materials from nature, and are often blindfolded. To Saladino, the blindfolds symbolizes humanity’s turning away from realities they find uncomfortable and would rather not face. She believes that the blindfolds must be removed to make the required changes, and that change must occur, especially as it comes to environmental conservation and animal cruelty. I am completely enamored with tree forms, which is why this series featuring the gowns made of branches caught my eye. This blindfolded woman looking up and away from the red bird she cradles could symbolize a variety of different things to different people, but to me, knowing the artist’s symbolic intent further increases my appreciation for her detailed and ethereal work.
Willy Verginer resides in Ortisei, Italy. He has been exhibiting his characteristic sculptures since the early 1990s. His exquisite figures carved out of lime tree wood are earmarked by solid color blocking against pale ivory, often with surreal touches. His sculptures interact, but their eyes never truly meet, and they can often be found with things growing from their hands, objects balanced on or connected to their bodies, or cut off at the torso or limbs and sinking into the floor as if it were made of liquid. The series the sculpture shown above is from is titled “a fior di pelle”, meaning “to flower of skin”. It is meant to describe hypersensitivity and to express the fragility of the youth and the ability to dream. Moving, calm, and eerily realistic, I would love to see some of his work in person someday.
I discovered this artist on pinterest, at first thinking her work was some really unique alternative fashion photography, and later learning oh my gosh, those aren’t photographs of real people but SCULPTURES! Is your mind as blown as mine was? Her gorgeous fantasy sculptures are made using polymer clay, and the perfect understanding of human form is apparent if you observe the perfected muscle tone down to the slight undulating in and out of the shape of the arm and the tiny indent in the elbow in the second photo above. As if the sculpting wasn’t amazing enough, each figure is adorned in luscious, detailed costuming including unique decorative jewelry and beyond fabulous hairstyles. Each has a dewy glow, so that it radiates human warmth and you’d be shocked to touch one and find it hard clay rather than soft, velvety skin.
I found Christina Robinson on etsy and was instantly intrigued by her whimsical, stylized figures that have a fun children’s book style cartoonishness to them but with a Tim Burton kind of twist. Really, no direct comparisons can be made though, because Robinson’s style is all her own. She paints as well, using the same playful colors and prominent faces with rather neutral expressiosn that still manage to say so much. Her bold, expressive style is certainly memorable.
I don’t remember how I first discovered Christy Kane, but it was sometime in late high school. I remember ordering her short story book, a play on children’s morality tales including detailed photographs of her dolls posed to enact the sordid turn of events. Shortly thereafter, this short film came out.
Her dolls make up the true island of misfit toys. I love how they are not meant to be conventionally perfect and beautiful and everything you normally think of when you think of dolls, and I love the attention that is paid to each doll’s individual “story”. Each of them has a life, memories, experiences, likes and dislikes. That is truly giving your art life.
I discovered Kirsten Stingle on pinterest also. Her sculptures are primarily porcelain, and she uses a straight pin to detail the tiny faces, hands, and feet. Stingle is focused on storytelling, and believes our stories are what connects us to one another and explains who we are. She aims to combat isolation by presenting stories common to the human experience. This is something I value as well, and aim to do with my own work, so I really connect to her concept. I know I can relate to her figures struggling towards figuring out an arch for their life and forming their own identity; I suspect we all can.
I was left completely in awe of these artists. After a failed foray into paper mache in a summer art class (My “princess” turning out none to regal…), followed by a lumpy, bubbled copper ice skater I churned out for a project in junior high (I got a B on it! The calamity! Yes, I was one of those kids, but only in art class ;)) , I kind of shied away from sculpture. Forced to revisit it in college, I thought it would be amusing to share some of my projects of the 3-dimensional variety.
Miniature of the Library of Celcus in Ephesus. I thought it would be fun because I love books … KILL ME NOW!
We were supposed to make an abstract sculpture out of these little blob guys (balloons filled with plaster) that portrayed a tension between beauty and repulsion. I called this “Sisters”. Alternate title, “A Very Angry Drag Queen” (note the feathers and nails).
Just remember guys, nobody’s perfect ;). Keep working at your art and trying new things and you will find your niche. Don’t let fear of failure stop you from experimenting, taking new classes, learning new things … Many of our projects will not be successes but hell, at least you can have a good laugh about it later, right?