Retro Tile Bathrooms Before and After

Even though I studied interior design in college and ended up going in a different direction afterward, I still love it. From time to time, I do still assist friends/family/acquaintances with their designing woes, and I’ve had a couple of fun opportunities over the last year or two to work with my parents in updating my childhood home. I worked with them to choose fixtures, finishes, and furnishings for the home’s guest and master bath, and they used a kitchen and bath design business and a remodeling contractor from the local Midland area to bring the project to completion.

My parents and I have pretty different design styles. They can be a little uneasy at times about bold colors, and favor timelessness. My mother definitely has a traditional style, and is not one of those people who wants to change a design up every other year (or even every 5). She especially wants more “permanent” aspects such as tile and cabinetry to be something neutral so that the space can be updated in the future if need be with not much more than a different color of paint on the walls.

The house’s original bathrooms were done up in (now vintage) tile, as were many in the neighborhood when originally built. My best friend down the street actually had an identical guest bathroom to ours, only accented in white instead of grey and sans crazy wallpaper. We decided to pay homage to the origins and stay with the idea of retro, bold, fun tile, but this time in black and white.

wp-1472597936784.jpg

Before: I may have mentioned the original guest bathroom was pink. In fact, this bathroom was just so into being pink that even the door and the window molding is pink. This is basically Dolores Umbridge‘s dream bathroom. It’s so odd and distinctly vintage, however, that it did have a certain charm and I was a little bummed to see it go. Yes, the ceiling is wallpapered – pretty trippy.

blue-bath-montage.jpg.jpg

After: Saying bye-bye to the original vintage was so worth it, however, for the end result. Since we didn’t have to worry about the guest bathroom transitioning into a bedroom like we did for the master bath, we could go with a fun color not present anywhere else in the house, and chose a cheerful pool blue. Being the only color present that isn’t a neutral, the room is pleasant even for those who don’t like to be surrounded by rainbows 24/7. The white is broken up by pops of black in the striping and the textile accents. The ceiling is still kind of fun, though certainly not wallpapered! I chose a paler shade of blue rather than just going with a stark white to balance the already ever present, high contrast, bold blue- to – bright white transitions. My parents also love antiques, and there is a variety of vintage glassware and decor scattered throughout. We also chose some unique vintage inspired hardware that further adds to the little air of whimsy in this room. The artwork on the wall is a print of one of my watercolor and ink pieces, The Idealist.

wp-1472597943538.jpg

Before: The master bath had already been through one soft redo in the 90s due to some cabinetry that was not faring too well. It had mainly been done for utilitarian reasons, and had pretty much the opposite problem of the guest bathroom … it was very, very bland.

gold-bath-montage.jpg.jpg

After: Hello, gold! Black and gold play off of each other so well, so a lot more black was incorporated into this bathroom. The cabinetry and shower are opposite each other, so to balance all the white tile with the dark counters we outlined the shower itself and the inset shelf in black tile, and used a more concentrated floor tile. The photography on the walls are photos of birds my dad took, one of his hobbies being hiking and “collecting” birds on his journeys via snapshots. And, of course, more vintage glassware (I have an addiction! Luckily, they love it too).

Another fun project completed! Next, my parents will be picking my brain about the living room. Maybe I can talk them into more brightly colored walls … maybe even purple! Only time will tell ;). (Mom, if you are reading this, I promise I’m joking).

Artists To Know! Installment 6

Susan Saladino

In her bio on her webpage, Susan Saladino states that her work revolves around her belief that “we as humans have a kinship with all life”. In her series of sculptural figures, the series that first hooked me onto her work, they are made using materials from nature, and are often blindfolded. To Saladino, the blindfolds symbolizes humanity’s turning away from realities they find uncomfortable and would rather not face. She believes that the blindfolds must be removed to make the required changes, and that change must occur, especially as it comes to environmental conservation and animal cruelty. I am completely enamored with tree forms, which is why this series featuring the gowns made of branches caught my eye. This blindfolded woman looking up and away from the red bird she cradles could symbolize a variety of different things to different people, but to me, knowing the artist’s symbolic intent further increases my appreciation for her detailed and ethereal work.

Willy Verginer

Willy Verginer resides in Ortisei, Italy. He has been exhibiting his characteristic sculptures since the early 1990s. His exquisite figures carved out of lime tree wood are earmarked by solid color blocking against pale ivory, often with surreal touches. His sculptures interact, but their eyes never truly meet, and they can often be found with things growing from their hands, objects balanced on or connected to their bodies, or cut off at the torso or limbs and sinking into the floor as if it were made of liquid. The series the sculpture shown above is from is titled “a fior di pelle”, meaning “to flower of skin”. It is meant to describe hypersensitivity and to express the fragility of the youth and the ability to dream. Moving, calm, and eerily realistic, I would love to see some of his work in person someday.

Nicole West

I discovered this artist on pinterest, at first thinking her work was some really unique alternative fashion photography, and later learning oh my gosh, those aren’t photographs of real people but SCULPTURES! Is your mind as blown as mine was? Her gorgeous fantasy sculptures are made using polymer clay, and the perfect understanding of human form is apparent if you observe the perfected muscle tone down to the slight undulating in and out of the shape of the arm and the tiny indent in the elbow in the second photo above. As if the sculpting wasn’t amazing enough, each figure is adorned in luscious, detailed costuming including unique decorative jewelry and beyond fabulous hairstyles. Each has a dewy glow, so that it radiates human warmth and you’d be shocked to touch one and find it hard clay rather than soft, velvety skin.

Christina Robinson

I found Christina Robinson on etsy and was instantly intrigued by her whimsical, stylized figures that have a fun children’s book style cartoonishness to them but with a Tim Burton kind of twist. Really, no direct comparisons can be made though, because Robinson’s style is all her own. She paints as well, using the same playful colors and prominent faces with rather neutral expressiosn that still manage to say so much. Her bold, expressive style is certainly memorable.

Christy Kane

I don’t remember how I first discovered Christy Kane, but it was sometime in late high school. I remember ordering her short story book, a play on children’s morality tales including detailed photographs of her dolls posed to enact the sordid turn of events. Shortly thereafter, this short film came out.

Her dolls make up the true island of misfit toys. I love how they are not meant to be conventionally perfect and beautiful and everything you normally think of when you think of dolls, and I love the attention that is paid to each doll’s individual “story”. Each of them has a life, memories, experiences, likes and dislikes. That is truly giving your art life.

Kirsten Stingle

I discovered Kirsten Stingle on pinterest also. Her sculptures are primarily porcelain, and she uses a straight pin to detail the tiny faces, hands, and feet. Stingle is focused on storytelling, and believes our stories are what connects us to one another and explains who we are. She aims to combat isolation by presenting stories common to the human experience. This is something I value as well, and aim to do with my own work, so I really connect to her concept. I know I can relate to her figures struggling towards figuring out an arch for their life and forming their own identity; I suspect we all can.

I was left completely in awe of these artists. After a failed foray into paper mache in a summer art class (My “princess” turning out none to regal…), followed by a lumpy, bubbled copper ice skater I churned out for a project in junior high (I got a B on it! The calamity! Yes, I was one of those kids, but only in art class ;)) , I kind of shied away from sculpture. Forced to revisit it in college, I thought it would be amusing to share some of my projects of the 3-dimensional variety.

Miniature of the Library of Celcus in Ephesus. I thought it would be fun because I love books ... KILL ME NOW!

Miniature of the Library of Celcus in Ephesus. I thought it would be fun because I love books … KILL ME NOW!

We were supposed to make an abstract sculpture out of these little blob guys (balloons filled with plaster) that portrayed a tension between beauty and repulsion. I called this "Sisters". Alternate title, "A Very Angry Drag Queen" (note the feathers and nails).

We were supposed to make an abstract sculpture out of these little blob guys (balloons filled with plaster) that portrayed a tension between beauty and repulsion. I called this “Sisters”. Alternate title, “A Very Angry Drag Queen” (note the feathers and nails).

Just remember guys, nobody’s perfect ;). Keep working at your art and trying new things and you will find your niche. Don’t let fear of failure stop you from experimenting, taking new classes, learning new things … Many of our projects will not be successes but hell, at least you can have a good laugh about it later, right?