New Art + Forced Inspiration

So, awhile back I did a post on artist block, something I had been lucky to never really experience too much until very recently. It’s not that I didn’t have a ton of ideas, I quite simply wasn’t enthused about any of them for whatever reason and the execution just wasn’t flowing. I’m sure this had a lot to do with the crazy amount of stress I’ve been under this year for various reasons, but nevertheless I really desperately wanted to make some art I was actually excited about. I remembered how when I used to write poems and short stories back in college to unwind, if I felt the urge to write but had no clue what to write about I would put my iPod (HA, who has those anymore?) on shuffle and use the first song title that came up as inspiration for my short story, or else I’d use a random word generator and the word that came up had to be the title.

I decided to revisit this old, rather silly process of chance to see if it would jumpstart my creative but very stressed and exhausted brain. I did 4 trios of word generations, wrote them down in my sketchbook, and started drawing. It worked! I instantly came up with 4 ideas that I could easily relate to thoughts that had been jumbling around in my brain anyway, but that I just didn’t know how to access and release.

For this first one, inspiration was to be drawn from the words lung, tie, and morning.

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I ended up being so happy with how it turned out that I’m keeping it! I have the perfect spot in my living room, and actually only realized after I’d hung it up that the fabric I collaged for her jacket matches a swatch on my fabric scrap pillow I made about a decade ago that is now sitting on my accent chair ^_^.

“Breathe” was drawn using prismacolor pencil for the figure, and ink for the background. I used fabric for the jacket, old book pages for the wall art, hand marbled paper for the exposed lungs, and embroidery thread for the vein detailing that trails up to her neck and tangles around her fingers. The figure is a mix of multiple references I gathered to match the image I had in my head of what I wanted her to look like.

As I mentioned before, this year has been rough. I’d been experiencing sensations of feeling trapped, confined, constricted, suffocated … Even simple acts such as breathing, eating, sleeping were in a way loaded issues, made more complicated by both external and internal factors. This was some of what was on my mind while creating this piece, but as always it is not without elements of hope and promise of a future through the oxygen giving plants and botanical imagery throughout, and sunlight pouring in through the open window.

I’m sure others may even see something totally different in the story as viewed by their own thoughts and experiences, and if anyone wants to share what they saw going on I always love to hear others’ interpretations – Feel free to send a comment or message! Love to you all, and remember, you always hear that you don’t want to force inspiration but … sometimes you have to to get anything done and that’s okay ;).

Though I’m not letting go of the original as of right now, prints will soon be available so check out my eBay shop to snag one!

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Artists To Know: Discovered On Instagram

It’s been awhile since I’ve done an Artists To Know Segment, and inspiration is everywhere. Despite being a completely visual based person, I resisted getting an instagram for longer than most just because the idea of yet one more social media account to manage filled me with a sense of intense existential dread if I’m honest ;). Finally, I realized as an artist trying to showcase and sell work I needed one for the business aspect alone and relented. Now I don’t know how I lived without it! I have discovered so many new and inspiring artists from all over the globe, but if I had to narrow it down to just 5 for right now, here are my tops.

Joram Roukes

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Roukes is a painter from the Netherlands whose work has been exhibited worldwide, and he is one of the only artists that work in more “chaotic” scenes whose pieces I’ve ever been deeply attracted to. In my own work I am so orderly and controlled, repeating a select amount of the same visual tropes within one piece with balanced space for the eye to rest … I’ve always tended to get stressed out by work filled with conflicting styles and a ton of disparate elements bundled all together, but I have loved every single piece of Roukes’s work that I have seen. The vibrant, unique color schemes and photo-realistic detail  that combine classical influences with modern experiences and street art are unlike anything else I’ve seen, and the thoughtful composition makes combinations of visuals that shouldn’t work together somehow work perfectly. Beginning as a graffiti artist, he now focuses on large-scale murals that combine his own experiences, global politics, and pop culture in a dark but also surprising and often comical way.

Natalia Berglund

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Berglund hails from Belarus, but received her arts education in the United States. Her focus is in portraiture. Unique takes on the portrait tend to be my favorite type of art, so I was intrigued by her work the moment I saw it. Berglund has equal parts Eastern and Western visual and ideological influence, which gives her a different perspective based on her experiences. Much of her work is also influenced by traditional religious portraiture, but at the same time aims to challenge religious iconography, and both Russia and the United State’s representation of what it means to be a woman. Though the work above was what first that grabbed my attention, if you visit her portfolio you can see the wide range of styles she works in, and the strength and story that is apparent in each portrait. Her mission through her work is similar to what I hope to achieve, and I find her a huge inspiration.

Cristian Blanxer

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Blanxer is from Barcelona, and actually graduated from university only 2 years before I did, so what have I been doing with my life -_- (I kid, mostly.). He works in both exterior murals, covering buildings in large-scale artworks, and on canvas. His canvases still integrate the cityscape as he seamlessly combines reflective urban scenes with traditional portraiture. What amazes me is how nothing gets lost in the merger. He strategically places the human elements and the architectural elements in such a way that the viewer’s brain can fill in the blanks and complete both scenes. This series appears to me like the viewer is seeing what the subject of the portrait is looking at through their eyes reflected back over them, as if we are being allowed to gaze into their mind, and that is what makes his art so powerful to me.

Yellena James

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James grew up in Bosnia, but moved to the US at 18. Her background is in both fine art and graphic design, but she says she has always preferred paint and ink to digital means of creation (yes!). In addition to her personal fine art she continues to design for well known brands like Anthropologie and Crate and Barrel among others, and has published an interactive art book about applying the geometry of nature to drawing practice. James creates imaginary ecosystems inspired by the natural geometry present in the world around us, and says the process of building details in each piece is a form of meditation for her. I find myself getting immersed in her colorful botanical illustrations, imagining myself as part of her magical worlds, and her work has an intensely calming effect on me. I’m calm about 5% of each day, so this is nice.

Ritchelly Oliveira

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Oliveira is from Brazil, and is also mainly a portrait artist. I have a draw, I can’t help it! His drawn portraits are photo-realistic but incorporate surreal elements from nature or at times unfinished boundaries. There is a strong, silent emotion that resonates from his figures’ calm, reserved facades that is so moving, relateable, and true to life.

I hope at least one of these artists have left you feeling inspired, and if you ever have ideas of artists or types of art you’d like to see featured let me know!

sign (1)As for what I’ve been up to in my own creative universe lately, I was chosen to be part of the 50 Artists of the Great Lakes Bay Region Exhibition, and will be showing my new piece Torn in Studio 23’s gallery in the Fall. A metal print of my prismacolor pencil and mixed media work Wonderland will also be on display along Bay City’s Riverwalk trail for the next 2 years. It’s a couple days from September, so I am also officially in production mode for my annual Halloween ACEOs, so look for those in my eBay shop with more still to come! Check back soon to see the collaborative projects I’ve been working on in the meantime alongside some portrait commissions and logo designs. I’m ready for a busy Fall <3.

 

 

 

 

I’m Not Dead, Here’s Some New Art!

noboringwalls2I’m back again! I’ve been pretty quiet on here and have been taking a bit of a project hiatus in general as I go through some life transitions and changes in a couple of areas, but have completed a few smaller stand alone projects. I talked about some of my anxiety struggles previously, so while dealing with that at a higher intensity especially over this Spring and Summer, I really needed to focus on art that was purely therapeutic; not a job or another task to complete or something with an intense deadline or something that was going to take months to complete. 

I am obsessed with raven imagery, and parted with one of my favorite pieces recently as a gift for my brother, a fellow creative who just bought a new home and is getting married this fall. I knew I wanted to do another similar piece, but with a bit more color this time. I lead an art therapy program for adults with varying disabilities, and see every day how creation can be a life saving force that reminds people that they are worthwhile if only because they have made something that day. Art can be a window in an otherwise dark room. Part of the art therapy aspect of my forcing myself to keep making art even when all I wanted to do was watch movies or go to sleep early after getting home for the day was to inject my own personal thoughts and feelings into the chosen aesthetic of what I was creating. In “Flight Response”, the subject’s face is deliberately calm and expressionless while the birds flying around her appear fast and chaotic. Both she and the birds are done entirely in high contrast black and white to appear connected as one entity. They could be physical manifestations, or projections of the woman’s psyche. The background being almost opposite the woman and birds, a more expressionistic landscape in bright, peaceful colors, is also deliberate. There is hope, and there can always be better things ahead. Though not always aware of it, she is in control.Flight Response

I also wanted to take the opportunity to play around with some different techniques and combinations of materials with no pressure on achieving a specific result, another important aspect of art as therapy. In “Waiting”, I  tried watercolor painting on wrinkled lace, wire wrapped with yarn, embroidery, and weaving strips of hand marbled paper along with my traditional ink and prismacolor pencil drawing. Again, there is an aspect of sadness and isolation but not without a lingering hope. I aimed to craft a story based on what I was experiencing as a way to process my thoughts, but a story that is open ended so the viewer can create their own narrative as well.

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As the smoke is clearing, I’m still working on my series based around color psychology and looking forward to doing more teaching again in the Fall. Both of the above pieces are available for purchase, and I’m starting early on some small and affordable Halloween-time art that will soon be posted in my eBay shop, so keep an eye out! For a time lapse of some of the background illustration for “Flight Response”, check out my artist facebook page.

 

Betsy Youngquist – Creative Minds Art History Project

For my final Creative Minds class of this Artshop semester, I chose another current artist as the class inspiration that would also give us the opportunity to work with some summery materials (Based in MI, we are hoping it gets warmer someday!).

 

Betsy Youngquist is a surreal mosaic and sculpture artist who works with a lot of unique materials traditionally associated with crafting like beads and doll making supplies. On her website, she writes, “Children with their vast capacity for wonderment weave tales of gossamer, create magic kingdoms, and pass through invisible portals to lands of untold enchantment. As we follow the Yellow Brick Road in quest of Emerald Cities, those portals become hidden to us, removing our access to the wonderland within. Creating art is a means to return to the looking glass and reenter the garden where flowers whisper and birds can talk. As my beaded characters emerge they carry with them tales from the other side of the mirror. I am grateful for the joy and astonishment experienced through this journey.”

Since we only had one class to finish this project and student attention spans vary, I took inspiration from one of her smaller works, a bedazzled seashell! As mentioned before, this project was also perfect to get everyone in the mindset of warm weather vibes. It may only be a high of 45-50 degrees as of tomorrow but at least we didn’t get the snow that was projected to fall this weekend … Again, Michigan problems :(.

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Having an array of hobby tweezers with different angled ends is a must for this project to help in placing the beads, though there is no need to use teeny tiny seed beads as you can see from the finished projects! All of my Creative Minds students have a disability of some type, and many struggle with dexterity. The tools I’ve linked above helped them enjoy the process and experience success in creating their surreal, whimsical shells. It was easiest for them to apply a bit of glue inside the shell first, and then use the tweezers to just set the bead into the glue, just in case you want to try this at home! All you need is an array of different sized and shaped beads for creating patterns – glass, plastic, or whatever material is available to you works just fine. Though you could use specialty glues like E6000, we used tacky glue in class which adhered well and dries crystal clear. I also made sure to get some “oddities” as a nod to the surrealist quality of Youngquist’s work in the form of some realistic eye charms, though of course students will add their own creative edge to the inspiration project (Frozen, anyone? 😉 ). They were encouraged to start with a central focal point created either by a larger found object or a grouping of one color, and work radially out from that point.

I am so impressed with the results! They really rose to the challenge and created some gorgeous conversation pieces to display in their home. Beaded mosaics are another project that can be adapted to all ages and abilities, and something that anyone can enjoy even if they don’t feel they are “good at art”. The repetitive process of placing beads becomes calming and meditative as you work. A new semester starts in a week, and I am looking to learning about more artists from the present and past together with a new group!

New Work Inspired By Spring (and Stress)

I’ve taken a short break from my new series to work on a stand alone project for a competition coming up. I always have a couple sketchbooks going filled with any ideas for art projects that I’ve thought up over the past 10+ years, some I’ve gotten to and some I haven’t. I think it’s the fact that I live in Michigan and the winter has been never ending that made me want to work on something inspired by plants, insects, and basically signs of life. When I began this project, I had also been having a bit of a rough patch emotionally with some minor life trials, nothing vast on their own but when all occurring at the same time… yikes. I had done a watercolor sketch way back in 2008 of a crying woman with ladybugs crawling our of her eyes, but it ended up looking way too gross which took away from the original intent. Another previous piece (Seriously, check it out if you haven’t already – it has a fun story.) from more recently incorporating butterfly designs into the human form had been well received when showed at a curated exhibit and to my surprise actually ended up selling right away. With this in the back of my mind, I decided torn butterfly wings were the perfect vehicle for melancholia – not so creepy crawly.

From this creative soup came my newest piece, Torn, on 18×24 mixed media paper.

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One of the biggest challenges with this piece was maintaining a balance of light and dark and achieving the bold contrast I knew I wanted without the figure looking disjointed. The white outlined pattern taken from both the background’s ginkgo leaves and butterfly designs layered overtop the black watercolor drip of her torso helped to blend the dark areas into the light and remove some of the heaviness. I included pieces of stark black scattered throughout the piece to balance everything out, from the hair and parts of the wings to the thin branches in the background.

butterfly shirtAn additional challenge – my two loves are watercolor and colored pencil, and I especially love to utilize these two vastly different mediums together. What paper to use, though? Colored pencils just cannot blend on watercolor paper with the strongly textured, bumpy surface so I tend to opt for mixed media paper when using wet and dry mediums together. However, watercolor does not  act the same way on mixed media paper as on traditional watercolor paper. Doing wet-on-wet color application leads to some really blotchy, unpleasant results so I had to be patient and do a lot more light layering to build up to the look I wanted.

All in all, I am happy with the result and enjoyed turning one of my concepts in idea purgatory into a reality :). Prints of all types are available in both my Redbubble Shop and Ebay Store.

 

New Series and The Symbolism of Color

I’ve always been interested in the social significance of color, both in cultural symbolism and in the psychology of how color can affect our emotions. Showing solidarity for a specific cause through a group of people all wearing the same color on a certain day or for the attendance of a specific event has become a common practice. My partner has a viscerally negative reaction to the color yellow, and will be caused agitation if surrounded by a bright yellow environment (so basically he just loves the bright yellow flower print wallpaper that was complimentary with the bathroom in our home upon move-in). I have received shocked reactions even from people in my own young-adult age bracket at the mention that if I ever get married at some point, I probably wouldn’t choose a white wedding dress. These are just a couple of examples of the strong reactions people have to color as a form of communication, tradition, and emotional influence in both our exterior environment and more personally in how we choose to adorn ourselves and present our bodies to the world.

Of course, I will be working on other separate projects in between but my main focus going forward will be on a new series exploring the symbolism of different colors worldwide, taking the significance of specific colors from regions all over the world and integrating these often opposing meanings into a single story about that color. I will be focusing on 5 main colors, the 3 primaries of red, yellow, and blue and then black and white. The first color I have represented is white.

Depending where you are, white can symbolize new beginnings and a clean slate, or endings and mourning making it very much a bookend sort of color. It symbolizes traits that are considered more docile like purity, innocence and virtue, but also more courageous sentiments like protection and sacrifice. White is also a color that across cultures is often associated with femininity.

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For “The End Is Also The Beginning” I used a mixed media approach, choosing the mediums that would lend themselves best to the look I wanted to achieve for different parts of the piece. I used watercolor for the ice figures, snow, clouds, and water. I used prismacolor pencil (including metallic silver accents) for the figure, rabbit, and areas of fine detail like the blossom trees and patterns in the sky. I used scrap fabric for the pattern on the dress (actually left over from the hemmed curtains hanging in my art room. This is why you never toss scraps!), and flat-back acrylic pearls and beads for the decoration on the neckline of her gown, and her earrings.

I have a couple of juried shows coming up, and this will be one of the pieces getting sent off, so wish me luck!

Artists To Know: Black History Month

It’s been awhile since I’ve done an Artists To Know post, and I wanted to take the opportunity for February to highlight some of my favorite black artists currently working – most new, some mentioned before. Enjoy, and be inspired!

Lina Iris Viktor

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Viktor is a British – Liberian artist based in New York who creates “queenly self portraits with a futuristic edge”. Everyone knows I’m a sucker for surreal, fantasy-like portraiture and after coming across the image above, I had an instant new favorite! Viktor studied film, photography, and design and uses all of these backgrounds to create her unique fantasy worlds that combine elements of painting, sculpture, photography, and performance. What makes her art so compelling to me is the contrast of seemingly opposite elements … Her works are detailed with a lot of pattern and texture to look at but the colors are kept minimal; many of the scenes she creates are contemporary or futuristic in appearance, but still contain elements of the classical. As well as a diverse study of art, she also had a diverse upbringing as far as culture, being raised in London by Liberian parents and also spending time living in Johannesburg, South Africa. Viktor aims to use her immersive scenes to convey a philosophical commentary on both a social and historical “preconception of blackness”. Her work is a category all its own.

Woodrow Nash

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Nash is an artist from Akron, OH who works in stoneware, earthenware, terracotta, and porcelain. He is most well known for his unique bust sculptures that capture an expression, depth, and personality that I have never felt before in this type of art. He began as an illustrator, working as a fashion illustrator in New York in the mid 70s and then returning to the Midwest to do technical illustrations. Just as he uses multiple materials for his sculptures, he also employs various firing methods from pit firing, to electric, to raku (one of my personal favorites!). He calls his style “African nouveau”, because although it is influenced by African cultural aesthetic he blends in elements of art nouveau, and his sculptures tend to appeal to a wider audience beyond just those of African heritage. Each gorgeous figure he creates has a story, and they draw you in instantly.

Kehinde Wiley

If you can’t already tell, creative portraiture is my thing. I love portraits that transport the viewer to a new place of the artists’ making, where every pattern that is used is not only decorative, but an element that is used to speak to the subject’s unique psychology. I have been a fan of Wiley’s unique, powerful style of portraiture for a long time, and was excited when he was chosen to do Obama’s official portrait. Possessing a MFA from Yale, he combines contemporary figures with aesthetic elements from the past, giving his portraits a surreal, timeless feel. One of his most recent projects for the Saint Louis Art Museum featured oil paintings of black men and women dressed in their own clothing, styled for their usual everyday, posed in traditional poses from European and American art history to make a comment about under-representation. The photographic realism coupled with ornate pattern and creative approach make it no wonder his work has garnered the acclaim it has. His art is a testament to the fact that it is possible for an artist to stay true to themselves and not follow the crowd, and still be successful.

Tawny Chatmon

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A self proclaimed “army brat”, Chatmon did a lot of traveling as a kid and had resided in 3 different continents by the age of 12. Once settled in the US, she turned more in the creative direction of theater. She didn’t start getting into photography until her early 20s, when she was gifted a camera at 19 and through self teaching and experimentation saw an opportunity to make a living through the lens. After losing her father to a battle with cancer in 2010, Chatmon’s portrait photography became not only a career but a way to communicate and process emotions, an art. What first drew me to her work was the image above, part of her series titled “Deeply Embedded”. The composition and heavy use of pattern on the clothing reminded  me a bit of Gustav Klimt, one of my favorites from art history. Chatmon writes about this series on her website, “Deeply Embedded was created during a time where I continued to come across negativity centered around natural black hair & styles. Anger followed by frustration and sadness forced me to refocus that energy into creating work to speak for me as our words fell upon deaf ears.” There are many different forms of beauty in our world, and photography is the perfect medium to capture that fact.

Pierre Jean-Louis

 

I love art that plays with the merging of people and their environments, which is why I found this 26 year old artist’s work so inspiring. This self taught artist from New Jersey grew up in a deeply conservative religious household, but also a deeply creative one being the son of successful Haitian painter Bonaventure Jean-Louis. He moved beyond his roots with multimedia approaches, taking his inspiration from the beauty of the natural world that God has created, and with his series “Black Girl Magic”, explores specifically the beauty of natural hair. Models’ hair is transformed into forest, flowers, and galaxies, making a comment against exclusionary beauty standards.

I hope you will take the time to explore more of these artists’ amazing work. It was so hard to pick just one or two images to highlight!