Techniques and Tutorials

Mid-Century Modern Tea Party – Butterflies

I’m back with another mid-century modern spring illustrations tutorial! Moving on to my next teacup, today I’m doing butterflies. Similar to my last tutorial, you can create any of these designs the same way on paper with any drawing or painting materials you may have on hand. If painting on glass, keep in mind you will need multiple coats if you want solid coverage, but you may also like the transparency – it’s up to you. To keep your designs permanent, they need to be heated in a conventional oven. Put glass pieces in a cold oven, then set to 350 degrees for 30 minutes. Turn off the heat and LEAVE the glass in the oven until completely cooled down.

For this design, you are going to start with 4 teardrop shapes for your butterfly wings. The top 2 should be tilted at a downward diagonal, and the bottom 2 at an upward diagonal. Try to smooth out your paint as flat and even as possible, spreading out any “globs”. I used a flat brush rather than a round, pointed brush to achieve more even coverage. For the flowers, add some upward facing bell or “cup” shapes at different heights. Once the orange dried on my butterfly wings, I chose to streak some yellow over as well with a smaller round brush.

Next, I added some accents over my solid shapes in white. I painted a smaller identical teardrop shape inside each of my wings. I also added an elongated almond shape to the top of each of my bells which will be the opening of each flower.

I also added the leaves by painting green teardrop shapes tilting diagonally upward centered under each of my flower heads. I dipped the opposite end of my paintbrush in paint and stamped dots down the center of each leaf as an added decoration.

The last addition after the leaves was a small orange diamond in between the bottom butterfly wings. This will start the body. The rest of the body will be added with line work.

Next, I added one more set of teardrop shapes inside the white on the wings in yellow. I also used a fine detail brush to add yellow stripes across the small diamond shape in between my wings.

Last is the line work that brings everything together and makes it pop. For this part, you can either use a black paint marker or a small detail brush with a pointed tip. Outline Your outer bell shape, white flower opening, and leaves.  Add a line connecting the flower head to the leaves. To finish the flower, I then used the tip of my brush and a light touch, hardly pressing on the surface, to add 4 streaks radiating up from the base of the flower head. I also added 5-6 short lines inside each flower opening, and then used the opposite end of my brush to stamp tiny dots on the end of each of these lines on the inside of the flower.  For the butterfly, I outlined each teardrop shape that make up the wings, as well as the small diamond shape.

The last detail was adding a line down the center of the wings, with two curved antennae branching off at the top. 

It’s amazing what you can do with simple shapes! I will be doing 4 designs in all with different flowers and insects, check back for more! The final set will be available for sale in Express Yourself Artshop’s Virtual Gallery, an ongoing fundraiser for the arts and wellness program I direct.

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Techniques and Tutorials

Mid-Century Modern Tea Party – Ladybug

The Mid-Century modern design style has been having a moment for awhile now, and while I’m not usually one to latch onto trends I have always liked the geometric, retro aesthetic of this period.

Illustrations from this period are colorful and based on combinations of simple shapes and lines, which make them accessible to even those who don’t consider themselves “artists”. In this series, I am going to show you how to create some cute mid-century modern inspired bugs and flowers in honor of Spring. I will be painting on glassware (I’ve been dying to do something with these clear tea mugs!), but you can create any of these designs the same way on paper with any drawing or painting materials you may have on hand.

Start with a red vertical oval for your ladybug, and scatter some different large polka dots around it for our flower heads. Paint goes onto glass differently than on paper because it can’t absorb into the surface, so you will need to let your shapes dry and add another coat or two for solid coverage. Try to smooth out your paint as flat and even as possible, spreading out any “globs”.

Once we have our red oval, we are done with our ladybug for awhile. Focusing on the flowers, I added two sets of concentric circles to the bottom of my large dots in different colors, letting the paint dry in between each addition.

After that, it’s time for the leaves! Our leaves will just be simple teardrop shapes, placed next to each other at an angle centered underneath our flower heads. Once the green was dry, I added some white dots down the center of my leaves for some extra decoration. You can add a dotted pattern by dipping the end of your paint brush in paint, and touching it to your glass (or paper) using the paint brush end like a stamp.

Last is the line work that brings everything together and makes it pop. For this part, you can either use a black paint marker or a small detail brush with a pointed tip. Outline all of the shapes that make up your flower in black. I added a teardrop shape to the very center of my flower, but you can also just outline the concentric circles and leave the center alone. I added a line connecting the head to the leaves to finish our flowers. For the ladybug, I put a line down the center of my oval and outlined around the entire shape. I then added a half circle in black sticking up from the top, with two short lines for antennae. I used the end of my paintbrush to add a dot to the end of each antennae. If you have some larger paintbrushes, you can also use the end to stamp the larger dots on the ladybug’s body. Otherwise, just use a round brush with a pointed tip to outline a circle shape in the size you want and then fill it in.

Voila! See, that wasn’t so hard :). You can make some beautiful Spring designs to cover anything your heart desires once you learn the basics of how to build forms with simple shapes. I will be doing 4 designs in all with different flowers and insects, check back for more!

 

 

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New Work

New Art + Forced Inspiration

So, awhile back I did a post on artist block, something I had been lucky to never really experience too much until very recently. It’s not that I didn’t have a ton of ideas, I quite simply wasn’t enthused about any of them for whatever reason and the execution just wasn’t flowing. I’m sure this had a lot to do with the crazy amount of stress I’ve been under this year for various reasons, but nevertheless I really desperately wanted to make some art I was actually excited about. I remembered how when I used to write poems and short stories back in college to unwind, if I felt the urge to write but had no clue what to write about I would put my iPod (HA, who has those anymore?) on shuffle and use the first song title that came up as inspiration for my short story, or else I’d use a random word generator and the word that came up had to be the title.

I decided to revisit this old, rather silly process of chance to see if it would jumpstart my creative but very stressed and exhausted brain. I did 4 trios of word generations, wrote them down in my sketchbook, and started drawing. It worked! I instantly came up with 4 ideas that I could easily relate to thoughts that had been jumbling around in my brain anyway, but that I just didn’t know how to access and release.

For this first one, inspiration was to be drawn from the words lung, tie, and morning.

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I ended up being so happy with how it turned out that I’m keeping it! I have the perfect spot in my living room, and actually only realized after I’d hung it up that the fabric I collaged for her jacket matches a swatch on my fabric scrap pillow I made about a decade ago that is now sitting on my accent chair ^_^.

“Breathe” was drawn using prismacolor pencil for the figure, and ink for the background. I used fabric for the jacket, old book pages for the wall art, hand marbled paper for the exposed lungs, and embroidery thread for the vein detailing that trails up to her neck and tangles around her fingers. The figure is a mix of multiple references I gathered to match the image I had in my head of what I wanted her to look like.

As I mentioned before, this year has been rough. I’d been experiencing sensations of feeling trapped, confined, constricted, suffocated … Even simple acts such as breathing, eating, sleeping were in a way loaded issues, made more complicated by both external and internal factors. This was some of what was on my mind while creating this piece, but as always it is not without elements of hope and promise of a future through the oxygen giving plants and botanical imagery throughout, and sunlight pouring in through the open window.

I’m sure others may even see something totally different in the story as viewed by their own thoughts and experiences, and if anyone wants to share what they saw going on I always love to hear others’ interpretations – Feel free to send a comment or message! Love to you all, and remember, you always hear that you don’t want to force inspiration but … sometimes you have to to get anything done and that’s okay ;).

Though I’m not letting go of the original as of right now, prints will soon be available so check out my eBay shop to snag one!

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Artists To Know

Artists To Know: Discovered On Instagram

It’s been awhile since I’ve done an Artists To Know Segment, and inspiration is everywhere. Despite being a completely visual based person, I resisted getting an instagram for longer than most just because the idea of yet one more social media account to manage filled me with a sense of intense existential dread if I’m honest ;). Finally, I realized as an artist trying to showcase and sell work I needed one for the business aspect alone and relented. Now I don’t know how I lived without it! I have discovered so many new and inspiring artists from all over the globe, but if I had to narrow it down to just 5 for right now, here are my tops.

Joram Roukes

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Roukes is a painter from the Netherlands whose work has been exhibited worldwide, and he is one of the only artists that work in more “chaotic” scenes whose pieces I’ve ever been deeply attracted to. In my own work I am so orderly and controlled, repeating a select amount of the same visual tropes within one piece with balanced space for the eye to rest … I’ve always tended to get stressed out by work filled with conflicting styles and a ton of disparate elements bundled all together, but I have loved every single piece of Roukes’s work that I have seen. The vibrant, unique color schemes and photo-realistic detail  that combine classical influences with modern experiences and street art are unlike anything else I’ve seen, and the thoughtful composition makes combinations of visuals that shouldn’t work together somehow work perfectly. Beginning as a graffiti artist, he now focuses on large-scale murals that combine his own experiences, global politics, and pop culture in a dark but also surprising and often comical way.

Natalia Berglund

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Berglund hails from Belarus, but received her arts education in the United States. Her focus is in portraiture. Unique takes on the portrait tend to be my favorite type of art, so I was intrigued by her work the moment I saw it. Berglund has equal parts Eastern and Western visual and ideological influence, which gives her a different perspective based on her experiences. Much of her work is also influenced by traditional religious portraiture, but at the same time aims to challenge religious iconography, and both Russia and the United State’s representation of what it means to be a woman. Though the work above was what first that grabbed my attention, if you visit her portfolio you can see the wide range of styles she works in, and the strength and story that is apparent in each portrait. Her mission through her work is similar to what I hope to achieve, and I find her a huge inspiration.

Cristian Blanxer

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Blanxer is from Barcelona, and actually graduated from university only 2 years before I did, so what have I been doing with my life -_- (I kid, mostly.). He works in both exterior murals, covering buildings in large-scale artworks, and on canvas. His canvases still integrate the cityscape as he seamlessly combines reflective urban scenes with traditional portraiture. What amazes me is how nothing gets lost in the merger. He strategically places the human elements and the architectural elements in such a way that the viewer’s brain can fill in the blanks and complete both scenes. This series appears to me like the viewer is seeing what the subject of the portrait is looking at through their eyes reflected back over them, as if we are being allowed to gaze into their mind, and that is what makes his art so powerful to me.

Yellena James

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James grew up in Bosnia, but moved to the US at 18. Her background is in both fine art and graphic design, but she says she has always preferred paint and ink to digital means of creation (yes!). In addition to her personal fine art she continues to design for well known brands like Anthropologie and Crate and Barrel among others, and has published an interactive art book about applying the geometry of nature to drawing practice. James creates imaginary ecosystems inspired by the natural geometry present in the world around us, and says the process of building details in each piece is a form of meditation for her. I find myself getting immersed in her colorful botanical illustrations, imagining myself as part of her magical worlds, and her work has an intensely calming effect on me. I’m calm about 5% of each day, so this is nice.

Ritchelly Oliveira

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Oliveira is from Brazil, and is also mainly a portrait artist. I have a draw, I can’t help it! His drawn portraits are photo-realistic but incorporate surreal elements from nature or at times unfinished boundaries. There is a strong, silent emotion that resonates from his figures’ calm, reserved facades that is so moving, relateable, and true to life.

I hope at least one of these artists have left you feeling inspired, and if you ever have ideas of artists or types of art you’d like to see featured let me know!

sign (1)As for what I’ve been up to in my own creative universe lately, I was chosen to be part of the 50 Artists of the Great Lakes Bay Region Exhibition, and will be showing my new piece Torn in Studio 23’s gallery in the Fall. A metal print of my prismacolor pencil and mixed media work Wonderland will also be on display along Bay City’s Riverwalk trail for the next 2 years. It’s a couple days from September, so I am also officially in production mode for my annual Halloween ACEOs, so look for those in my eBay shop with more still to come! Check back soon to see the collaborative projects I’ve been working on in the meantime alongside some portrait commissions and logo designs. I’m ready for a busy Fall <3.

 

 

 

 

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Artists To Know, New Work

New Projects and Oddities

I feel like I’ve been sharing more class projects than studio projects lately, and wanted to update everyone on what I’ve been up to. I am still continuing to work on my series based on the symbolism of color, but have been trying to complete some smaller projects in between that are less about some complex visual metaphor and more focused on the interplay of pattern and things that I just plain find visually interesting. If I become to singularly focused on only one specific project I’ve found it makes me more susceptible to artist block, and I’ve also had a mentally and emotionally taxing last couple weeks that left me needing some of that creation therapy I’m always urging my students towards (nothing serious, never fear! This too shall pass and all that jazz…).

 

 

The amazing news is that all 3 of these projects from watercolor to mixed media to a doll repaint not only provided a bit of sunlight in my miniature storm, but also found good homes with art appreciators!

 

 

For a lot of my teens and early-mid 20s I felt like I didn’t have a cohesive aesthetic because I appreciate so many different types of visuals. Even when I get dressed in the morning, am I going to be goth, street style, barbie, androgynous, hippie, stepford wife, some odd hybrid of them all … It entirely depends on my mood for the day. I feel like in the last 5 years I’ve finally been able to marry my inspirations of nature and living things, the fashion world, vintage and antique, graphic patterns, and eerie elegance into a specific style without getting repetitive and monotonous.

Though I am not a very techy person and resisted bothering with both instagram and pinterest for longer than most, I have to admit I am now completely addicted to both for the constant stream of visual inspiration. To me though, at least looking at art and design on social media is a positive force, so long as you aren’t using it to compare yourself negatively to the journey of other creators! Today I wanted to share the current visuals I am feeling connected to right now. All are photography and fashion, which is an idea I feel like I try to bring into my drawings. I had a huge interest in pursuing photography for the longest time in college, but one can only focus on so much and eventually drawing won out! I also would have loved to go into fashion design but alas, I hate sewing machines!

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Creepy Kids by Ukrainian fashion artist Dina Lynnyk.

Lynnyk collaborated with photographer Roma Pashkovskiy to make this aptly titled series of disconcerting fashion collages happen. The mainly monochromatic yet still surprising color palettes, detail in the wardrobe and accessorizing, and the incorporation of wildlife in the form of winged friends in many of the images drew me into this project right away (I’ve long been a fan of matching birds to clothing). Also, the pale stares! It makes you stop, and it is undoubtedly creepy but there is still such an elegance to it, like these children are some evolved form we have just discovered.

97d1ee4d4d8547cb3083b34a19013a47Gareth Pugh Spring and Summer 2015 Collection.

Gareth Pugh is an English fashion designer, and though my favorite image was from his Spring collection a couple of years ago, the inclusion of all-absorbing optic-art geometric prints are just as present in his current Spring collection for 2019. Many of his models are obscured in some way or completely covered by the designs, demonstrating garments’ power to quite literally transform the wearer into something or someone completely new. His hard edged, high contrast designs when photographed almost look like an ink drawing or painting, making the model a living work of art. 

 

ab830156054015.5609a2c8de3fcElisa Lazo de ValdezFrench Postcards Photography.

Elisa Lazo de Valdez is a portrait photographer who specializes in surreal, dreamlike, fairy-tale images. Many of her costumes, makeup, and props are detailed and elaborate. Though it was these images that drew me to her work in the first place, I was struck by how simple this incredibly creative photograph was as far as decoration, yet the strong impact that results. I’ve been including butterflies in a lot of my new art since Spring began, which is probably another reason why this particular piece attracted me.

 

9b514eda1ec08bca74b6f8bfb9466475Matières Fécales.

I saved the most out-there for last. Montreal-based couple Hannah Rose Dalton and Steven Raj Bhaskaran make up the design duo whose name translates in English to, well, Fecal Matter. Everything sounds more elegant in French …  The couple are their art, appearing in public with no hair or eyebrows and alien-like makeup on the regular. Their designs are futuristic and slightly painful looking, but then there are nods to Victorian fashion at times, and every so often surprising botanical motifs will show up like in this favorite image of mine. Of their name, the couple says it is a comment on the relationship humans have with material possessions, their disposable nature. They also claim the unpleasant brand name forces the buyer to purchase one of their garments because they actually like it, not because they just want to own or advertise a certain name-brand. To me, some of their work seems like it’s more focused on shock value than creating art, but nevertheless there have been creations of theirs that have intrigued and inspired me, and that is no small thing.

Be sure to check out my Pinterest if you want to see more curated images of bizarre fashion and surreal portraits, as well as some really killer pescatarian recipes ;).

 

 

 

 

 

 

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Art Education, Project Ideas

Elizabeth Jameson – Creative Minds Art History Project

Hello all, it’s time for another artist based creative project! I have a great group of ladies in my Creative Minds class this semester at Artshop, and have loved seeing how they interpret the techniques of the masters and make their creations their own. Though often times the focus of my class is renowned artists from history, I also love sharing inspiring and accomplished artists from the present with my students. I work primarily with adults with disabilities so I especially enjoy the opportunity to share the stories of artists with disabilities with the class, and how the artist’s identity as a person with a disability influenced their art and legacy.

Elizabeth Jameson is a visionary artist who found her creativity through an unexpected MS diagnosis. Jameson is a Doctor of Law, and her lifelong passion and driving force for her career was to fight injustice and poverty through the law, striving to make a difference. In the late 70s and early 80s her health took a turn suddenly, and she was eventually diagnosed with Multiple Sclerosis. Due to the progressive nature of her illness she was unable to continue working, and she felt her purpose was lost. A caring friend pushed her into trying an art class just to get her out of the house, and this class ended up changing the way Jameson saw the world and her life. Art teaches us to look at the world through a creative lens, and upon receiving her usual MRI scans from a doctor’s appointment, she came up with  the idea to etch in the stark, clinical and emotionless black and white images with rainbow colors. Her work evolved from there. Today, Jameson is still living her dream of changing the world, and says the goal of her work is to encourage others to, “contemplate the beauty of the brain, discuss what it means to live in an imperfect body, and to stare directly at the imperfect brain’s beauty and complexity with curiosity”. She collaborates with Neuroscientists and a studio assistant to continue her work.

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Messages that can be learned from Jameson’s art and story are that with creativity it is never too late to begin, it doesn’t make you any less of an artist to ask for assistance, and individuals with disabilities have an unlimited potential to change the world for the better.

Obviously, we don’t have access to MRI machines ;), but to pay homage to Jameson’s art we did drawings with colored pencil on black paper. Students were asked to imagine a visual representation of the inside of their head, thinking about the emotions or memories different colors may symbolize, what straight, smooth lines versus wavy or jagged lines may say about what is going on inside their head, and to think of any representational forms that speak to who they are. Some students chose to indicate blocks of color for the different things that consume their thoughts, and some chose to do an all-over image or pattern. One student even dated hers in acknowledgement that one’s mental state changes over time.

I can see this project being an interesting activity for any age, and was pleased within my class on how a dialogue between the students about the meaning of their developing “artistic MRIs” grew as they worked.

As always, feel free to steal, share, or try it yourself at home :). I am hoping others will enjoy and become inspired by trying this project out.

 

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New Work

New Series and The Symbolism of Color

I’ve always been interested in the social significance of color, both in cultural symbolism and in the psychology of how color can affect our emotions. Showing solidarity for a specific cause through a group of people all wearing the same color on a certain day or for the attendance of a specific event has become a common practice. My partner has a viscerally negative reaction to the color yellow, and will be caused agitation if surrounded by a bright yellow environment (so basically he just loves the bright yellow flower print wallpaper that was complimentary with the bathroom in our home upon move-in). I have received shocked reactions even from people in my own young-adult age bracket at the mention that if I ever get married at some point, I probably wouldn’t choose a white wedding dress. These are just a couple of examples of the strong reactions people have to color as a form of communication, tradition, and emotional influence in both our exterior environment and more personally in how we choose to adorn ourselves and present our bodies to the world.

Of course, I will be working on other separate projects in between but my main focus going forward will be on a new series exploring the symbolism of different colors worldwide, taking the significance of specific colors from regions all over the world and integrating these often opposing meanings into a single story about that color. I will be focusing on 5 main colors, the 3 primaries of red, yellow, and blue and then black and white. The first color I have represented is white.

Depending where you are, white can symbolize new beginnings and a clean slate, or endings and mourning making it very much a bookend sort of color. It symbolizes traits that are considered more docile like purity, innocence and virtue, but also more courageous sentiments like protection and sacrifice. White is also a color that across cultures is often associated with femininity.

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For “The End Is Also The Beginning” I used a mixed media approach, choosing the mediums that would lend themselves best to the look I wanted to achieve for different parts of the piece. I used watercolor for the ice figures, snow, clouds, and water. I used prismacolor pencil (including metallic silver accents) for the figure, rabbit, and areas of fine detail like the blossom trees and patterns in the sky. I used scrap fabric for the pattern on the dress (actually left over from the hemmed curtains hanging in my art room. This is why you never toss scraps!), and flat-back acrylic pearls and beads for the decoration on the neckline of her gown, and her earrings.

I have a couple of juried shows coming up, and this will be one of the pieces getting sent off, so wish me luck!

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