Salvador Dali – Creative Minds Art History Project

Yikes, it’s been a whole month since posting last! My blog isn’t the only thing I’ve neglected … I must tattle on myself and admit that I gave up on Inktober after week 15! A half marathon if you will … perhaps I should have only committed to every other day! I have kept up with doing art every day though, which was the entire goal of Inktober to begin with. I was finding myself in the sticky situation of having to de-prioritize commissions and actual projects with deadlines in order to get my Inktober illustration finished for each day, which seemed counterproductive in the end. I do have a lot of fun art history based projects queuing up to share with you, and today our inspiration is an artist from my favorite genre of art: surrealism … Salvador Dali!salvadore-dali-simpsons-persistence-of-memory

Dali is best known as “that melting clock guy” from his famous piece “The Persistence of Memory” that has now become a part of popular culture, parodied regularly. However, he also had a thing for tall and spindly creatures as evidenced from two more of his more well known works, “The Elephants” and “The Eye of Surrealist Time”.

tall frameMy students in the Artshop Program love drawing animals, and the idea of depicting real things in a distorted way by stretching out their features was a concept that would be easy for everyone to grasp, so this seemed like a great jumping off point for making Dali’s work accessible.
Every work of art looks better behind glass, from works created by a master to works created by someone who specializes in stick figures. Though not every drawing or painting has to be framed especially in a classroom/learning setting, it’s nice every once in awhile. Pro-tip! Frames are expensive, but often times nice frames with ugly artwork in them can be snagged for cheaper than so-so frames that are empty at your local art supply store. These long, framed pastel-dyed crinkly paper guys were clearanced out, because this dentist-office-esque art is really bland and kind of hideous, not something that people would be racing to put on their wall at home. So, we got some custom dimension frames perfect for this tall animals project for super cheap, and just discarded the mass produced “art” inside! This project could be executed with any drawing or painting materials, but I had my students use watercolor markers because it was a medium not all of them had the opportunity to try before,  and the markers would allow us to get bright, saturated, unnatural colors like the deep reds and golds behind Dali’s elephants.

They found a photographic reference of an animal they liked for their subject, and then were encouraged to sketch on scrap paper and brainstorm how they could distort the image. They then made a pencil drawing on watercolor paper pre-cut to size, and used a sharpie pen to outline over the pencil so they wouldn’t lose their guide as they added the ink. The images were filled in with color and water, and there you have it! A simple, yet beautiful and intriguing end result where students had to challenge themselves to distort reality in an effective way. All ages and abilities could take this project in their own direction.

Happy creating! Remember, you are the artist, so you get to determine how you portray your world. Don’t be afraid to play with reality a bit ;).

 

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I’m Back With Some New Art!

This first piece in a new series was a long time coming … I am obsessed with working small, and tend to work in 11×14 or maybe 16×20 max, and wanted to start doing pieces that were at least 18×24 or larger to allow me to include more detail and further develop the background in my pieces. My new series, Dwell, really taps into my background of interior design study. These pieces will contemplate how our environment affects us, but also how we interact with and affect it. The word dwell also has a double meaning, not just the physical space where we live but the places we create inside us that we allow our mind to dwell in. How are these psychological spaces affecting us, and how much control do we have over them or they over us?

“Dwell In Possibility” was a challenge for me because it involved a lot of brown, a color I literally never use in art. I tend to create pieces that are mostly grayscale tones with pops of bright color, and gray just would not have been right for the earthy feeling I wished to evoke. The other challenge to this piece was that I was creating an interior that was not very attractive or intricate … the remains of a decaying building, dirt floor, rough wood paneled walls, weathered plaster ceiling once grand but now stripped of any color or design … The only furnishing an abandoned, sun bleached chair frame.

dwell in possibility

I did a lot of layering of different media overtop one another, and used my clear prismacolor pencil blender for the first time in my entire life. I usually use a white pencil to blend, but this time I couldn’t use an opaque blender because I wanted to be able to still see the underlayer of watercolor through the blended pencil. I left the flowers and hair purely impressionistic watercolor as opposed to the detail in the background and the model’s face. I didn’t use as much dimensional mixed media as usual, not wanting to add too much clutter, and stuck to a lace fabric overlay on her dress and clusters of beads for the centers of the poppy flowers.

dwell in possibility progress

The closer you look, you will see there is a lot more going on than just a smiling woman holding a bouquet. She is already stationed in an odd setting, an old deteriorated building. She is surrounded by decay, including uprooted, dying plants. Even some of the flowers in her hands are dead or dying, but they are slowly coming back to life as she grasps onto them, holds them and nurtures them. Behind her through the door there is a cavern of light, where a grand tree has taken hold. There are no leaves yet, hardly any soil for his roots to grasp onto, yet he is still alive somehow. Robins circle around, a bird that symbolically means rebirth. Change and growth are always possible.

As you can also see, I can’t seem to put down the metallic gold acrylic lately! At work, my students always want to cover everything they make in metallics and glitter, which often makes me shake my head, but I can understand the temptation ;). Speaking of which, I am starting a new class called Creative Minds where each week students will be learning about an accomplished artist of the past or present, and completing a small project based on that artist’s iconic style with a focus on artists with disabilities and mental health. I will be sharing my projects as well as some of the students’ interpretations, so be on the look out for a new project post each week! I am hoping some of you reading this will want to try it at home yourself. It’s always fun to play :D!

April Artsnacks Unboxing!

IMAG8922I am a bit late on my Artsnacks unboxing again, but better late than never after missing last month! In this box I received:

Tombow never disappoints me, and this brush pen with a dual tip – one side black, one side light grey, is no exception. Despite being a brush pen, it is still quite firm and allows for super thin lines which I appreciate. Being completely waterproof so I can use it in conjunction with watercolors is another bonus. I have no doubt in my mind why this was marked as a staff favorite!

I honestly never use watercolor pencils aside from in a classroom setting at work while teaching a watercolor class. In my own work, I prefer watercolor markers though lately I haven’t been using those either. As far as watercolor pencils go, I really enjoyed the variety included in the April box. The fact that it is lightfast is great since a huge problem with watercolor pencils and markers is their susceptibility to fading over time. I also preferred this brand over others I’d tried because of its softness – it blended completely without leaving any indications of the original pencil strokes behind.

I had always seen acrylic inks like this while out shopping at art supply stores and been intrigued, but never tried them for myself. As one who enjoys working with watercolors, I loved the acrylic ink included in this box and will definitely be purchasing some more colors in the future. It works similar to watercolor when blended with water, but the pigment is bold and once dry, it is resistant to water which is a quality that could certainly come in handy. Used without water, it layers on like a luminous, translucent acrylic and can be dry-brushed to create texture. Very versatile!

IMAG8926This was a very successful box for me – I loved the brush as well. The firmness and shape allows it to work well for both filling in tiny detail areas, and covering larger areas depending how you tilt the brush. It worked excellently for applying shading. Another success was the watercolor paper, which I expected since I already quite like the Canson brand :).

In other news, remember how I told you guys I was going to be painting a piano? It arrived this week! Yikes, it’s big. Wish me luck!

 

 

Artists To Know: In Dreams

I haven’t done an “Artists To Know” installment in quite awhile, and have bookmarks of inspiring artists piling up by the minute – The internet is wonderful ^_^! The artists I have picked today all create dreamlike worlds through their art, causing the viewer to get lost in detailed landscapes that could only exist in the artists’ imaginations, almost as if they are inviting viewers into their own inner fantasies. All are 2-dimensional works this time except the last, which is really something special, so be sure to look all the way to the end! This style of fantasy-like, surreal art is my absolute favorite. I hope you enjoy, or at least see something you’ve never seen before!

Lucy Hardie

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Lucy Hardie is an Australian artist who began her education at a Waldorf school built by her parents. With her parents’ encouragement, she studied art history and the Masters at an earlier age than most. This foundation was obvious to me right away in the style and subject matter of her work. Parts of it look like they are from another time… but then other parts resemble a time that has not yet existed, and this seamless meshing of the two along with the exquisite fine details are what make her work so captivating to me.

Hsaio Ron Cheng

 

Hsaio Ron Cheng hails from Taiwan, and is a digital artist and illustrator. The bio on her website says she was born in 1986, only 2 years before me which makes me feel like I’m slacking! Her portfolio encompasses a wide range of personal and commercial work, all in her signature palette of peachy, pastel, diluted colors. The unusual color choices are actually what first drew me to her work, and made her illustrations stand out.

Daria Hilazatova

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Daria Hilazatova describes herself as a “full-time artist, part-time elf” in the bio on her website, and sites her inspiration as “fairytales, theater, and nonsense”. Whimsical and fantastical theatrical elements abound in all of her drawings. Her illustrations are distinct and different from anything else I have ever seen, truly 100% from the artist’s imagination. The other element that differentiates her art from anything I’ve seen previously is the insane amount of detail! One has to squint to see all of the intricate patterns making up each image, and the longer one looks, the more they notice details they had originally missed.

Alexandra Levasseur

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The image above is what first prompted me to investigate more of Levasseur’s work, but she also has a ton of fantastic paintings in which the subjects are merging into painted landscapes which I’d encourage you to check out on her website. There is strong movement and emotion in each of her pieces, all of which are incredibly surreal. Her figures are realistic, but she mixes in a lot of more painterly or sketchy elements as well, making it look as if her subjects have jumped inside a delightful hand painted world and gotten lost there.

Benjamin Shine

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I told you the last one was a good one! I can’t even wrap my brain around how this works, but below is a video that shows artist Benjamin Shine in action as he creates his tulle “paintings”. Shine studied fashion design at The Surrey Institute of Art and Design and Central St Martins in London. I can’t even iron shirts properly, so conceiving of how these gorgeous, smokey portraits can be born out of an iron and some thread makes my head nearly explode. Who said there is nothing new under the sun? Shine has certainly discovered something that has never been done before.

I hope you’ve enjoyed your Sunday inspiration! Get out there and do something amazing with the rest of your weekend! 🙂

 

Art Prize 9 At Founders Brewing Co.

IMG_0372 (1)This past weekend I trekked to Grand Rapids to hang up my installation for this year’s ArtPrize, my Unlimited series. My parents came along for the ride to both help lug my 12 pieces to Founder’s Brewing Co. and ensure I didn’t get lost and miss my installation appointment all together, as I cannot do directions. I think this may also be the only time my mom has been in a bar, so we had to capture a photo for posterity.

If you can’t make it to ArtPrize this year, you can still see the whole series up close in my online portfolio. Prints are also available on eBay and Redbubble. I’ll be going to soak in all the amazing art next weekend. Life has been a little ball of stress lately, and with all the house renovation stuff going on I haven’t left town all summer, nor even donned on a bathing suit once so I need this. Counting down the days!

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One More Series Reveal + More On Redbubble!

december she is connected to everything

Say hello to December – She Is Connected To Everything. What can I say, I’ve been on a roll lately. I don’t think I’ve ever finished so many different pieces 2 days at a time in my life … Granted, I haven’t been doing much of anything else in my free time, as the pile of dishes in the sink will tell onlookers ;). Though all the pieces in my current series I’ve been working on are similar in style and use of medium, I wanted to keep them different enough that each could stand alone as well. I went a lot softer and less graphic, high contrast with this piece. I even used some leftover dried moss I had purchased for a felt floral arrangement commission earlier this year in the girl’s woodland crown. There is something I never thought in a million years I’d ever use in one of my drawings!

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I have been getting all my series posted to my Redbubble Shop as well, available for print on a variety of gorgeous items. My series also finally has a name … Unlimited. Each individual piece has it’s own title and the works cover a variety of different themes, so coming up with one title to encompass the whole was a struggle. At it’s heart though, this series is about the best of humanity, and about the strength, curiosity, compassion, and vibrancy of women across time, nationality, and ability. It is about the common ground that unites us, and when people come together, they truly become unlimited.

New Art! 2 Down 2 To Go!

Struck by both some luckily timed inspiration and ever looming deadlines, I have buckled down on my series and completed 2 more pieces, which means only 2 more to go! I actually think these 2 new ones are among my favorites so far. Series-explanation-blurb time for those new readers! “Unlimited” is composed of 12 mixed media portraits in which the meaning is influenced by the use of pattern and color. Women of all ages, races, and time periods are depicted, each communicating a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. Pieces are primarily drawing and painting, accented with mixed media elements and metallic details.

october she is full of curiosity

For the above, titled “October: She Is Full of Curiosity”, I incorporated a lot more mixed media elements which I felt meshed well with the “vintage study” atmosphere of the background. I used quilting fabric for the wallpaper, leather upholstery samples for the book cover, decoupaged book pages for the inside pages and title, an art book clipping for the picture on the wall, ink for the woodwork, watercolor for the outdoor scene, lace overlay for the girl’s collar, metallic acrylic for her hair, and prismacolor pencil for most of the figure and clothing.

she is free

In this next piece, titled “July: She Is Free In Mind and Spirit”, I took almost the opposite approach, not using any fabric or found object materials and sticking solely to the traditional art materials of prismacolor pencil, watercolor, and acrylic paint. I’d had all the pieces for my series pre-planned as far as composition and subject matter since late 2015. However, this one took flight (haha, bad pun) on its own quite recently after I realized that I had a variety of ages and races represented in my planned artworks, but not a variety of abilities. Given that I work with an art program that serves individuals with disabilities, this oversight stopped me in my tracks. I’m always harping on inclusion and the lack of representation of people with disabilities in the public and entertainment sphere to anyone who will listen (and even those who don’t want to sometimes), and yet I realized they were not included in my project that was all about inclusion, unity, and representation. I was thus tasked with coming up with a visible disability that could be seen in just a head and shoulders portrait rather than a full body rendering. This lively young woman with down syndrome who exudes confidence, energy, and life evolved over the incredibly short course of two interrupted days with no pre-planning or sketching beforehand which is very uncommon for me. I don’t know that anyone else will see it, but this piece definitely holds the most emotional connection for me.

For more deeply personal and unconventional portraits, check out self-taught contemporary artist Stephen Martyn Welch’s “Everyone Deserves A Portrait” series inspired by his son who was born with Kabuki Syndrome. Keep checking for the last two! I’m on a roll ;)!