Art Discussion, Exhibitions and Other News

Women’s Centennial Celebration Exhibit At Art Reach

Amidst a lot of bad news on a worldwide scale lately, I was blessed to receive some good news: One of my pieces shown in Art Reach’s Women’s Centennial Celebration Exhibit, July: She Is Free In Mind and Spirit, was awarded Best Of Show. This piece received a 2nd place award previously in 2018’s Midland Artists Guild Annual Juried Exhibition, and was a part of my Unlimited series shown in ArtPrize 9 in Grand Rapids. I wanted to use this as an opportunity to delve into this work deeper.

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July: She Is Free

A vital part of my Unlimited series was being sure I represented a variety of ages, races, and also abilities in my portraits. Though varying abilities can mean many things and a lot of disabilities are invisible, I wanted to represent an easily recognizable visible disability that is not often seen represented in art. I chose to depict a young woman with down syndrome.

When people think of the lives of individuals with disabilities, often all they can see is the struggles. Yes, we need to be aware of the struggles and be sure that we stand up for the rights of individuals with disabilities, make sure they have access to the healthcare they need and tools to help them live as independently as possible in their communities. But, like all people, individuals with disabilities are multifaceted beings. People with disabilities are rarely seen depicted in art, and are seldom shown in any media as empowered beings with their own unique personality beyond having a disability. I wanted to depict a woman who was confident in her own skin, and believed in her own unlimited potential.

The symbolism in this piece can mean different things to different viewers, and I love the fact that art is open to interpretation. That being said, I wanted to share what I was thinking when I created this piece. But remember, even as the artist, my interpretation is by no means the only interpretation :). I drew the face in prismacolor pencil. I wanted a scene around the head(mind) that exuded peace, so I filled in the hair with a watercolor landscape scene. Along with inner peace I wanted to depict the idea of freedom, of this woman not being limited by anything despite what others may assume. Birds taking flight have always been one of the biggest symbols of freedom to me, so I used prismacolor markers to draw birds in the same colors as the landscape circling around her. I reinforced the bird imagery with metallic gold prismacolor pencil in a radial flying bird pattern on her shirt, with an empty birdcage in the center of her chest. I wanted the figure and background to be seamless and flow into each other, but also wanted something to set off the figure so that she was the main focus. I wanted her face especially with its welcoming, content, confident expression to stand out. Using a black base created contrast, and I filled in this galaxy background with stars in the same pastel colors used throughout the rest of the piece. In most of my portraits I use the background to speak to the content of the figure’s mind and soul, and a galaxy fit perfectly to me as something vast and unlimited. 

“July” is very close to my heart, and the meaning behind it signifies why I am involved in the arts to begin with. In running an arts program for adults with disabilities, I feel I have found my purpose. I am excited to continue using art to form connections between all different types of people, help others tap into their unexplored potential, give a voice to those that often go unseen, and challenge ideas of what beauty is in art.

Art prints are available in my ebay shop!

There will be virtual tours of the show available through Art Reach soon. I can’t wait to see all the other work up close!

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Techniques and Tutorials

Mixed Media In Fine Art

Mixed media has become very popular in art over the last couple of years, and there is no question as to why … It is wonderful to be able to sit down and work on a project and not be limited to only one or two materials despite what may convey your idea best.  It is also a way to make 2D art more tactile, introducing elements of 3D art and design onto a 2D surface.

I’ve found that introducing mixed media to my drawings has given my pieces a new life. There is nothing at all wrong with using one material, and I enjoy a lot of artists’ work that create art that is all ink, or all watercolor, or all acrylic. However, for my own art working with multiple mediums has enabled me to break through the possibility of my work becoming repetitive or stagnant, and has helped me develop my own unique style.

It’s easy to be intimidated by mixed media art because it involves a lot of choices, but using multiple mediums can actually make the artistic process easier by removing the limitations of using one material at a time so that for each part of our piece we can use the medium that will lend itself best to creating the visual effect we desire. It can also allow us to be more efficient with our work; for example, yes I could find a fabric I like and copy it by hand onto the dress of a figure in my drawing, or I could add something tactile and interesting and adhere the actual fabric to my drawing as the figure’s dress.

Wondering how to incorporate mixed media into your drawings or paintings?

  • Start with what you know. Create a base drawing or painting first, and then assess where you could add some 3-dimensional or tactile elements. In the image below titled “Artist At Work”, fellow artist and art friend Emiliano Vega painted the scene first with acrylics and a palette knife, and then I applied mixed media accents evenly dispersed throughout the scene to finish it off. Think about what the objects depicted in your drawing or painting are actually made of be it wood, metal, fabric, leather … and try to incorporate those materials. I used thin cutouts from sheets of wood samples for the wood of the window frame and easel. Real fabric and leather samples were used for the furniture, with paint applied overtop for shading. Prints of an actual sketchbook were used for the book on the table, as well as a a closeup section of an actual painting for the work on the canvas. the artist at work
  • Go gathering and narrow down your choices! Look for materials with a similar color scheme, pattern, style, or period look to the 2D image you are creating. Once you’ve accumulated a store of like elements, it will be a lot easier to decide what you want to place where to add to your piece. For “Lunar Fantasy”, I painted everything in watercolor first and then determined what to accent in mixed materials. I gathered fabrics in dusty, muted tones of black, ivory, gray, blue, and violet. I also collected some gold metal/metallic pieces that reinforced the vintage style. Everything I collected was pretty and feminine with a definite older feel to it (think Grandma’s craft drawer) but with a whimsical, luxe element to it as well. I gave myself a couple fabric choices, a couple edging choices, and a couple metal choices and narrowed it down from there. I used actual fabric and ribbon for the top curtain and her outfit, and accented any of the metal with gold cord. I also reinforced the vintage circus look by using scavenged vintage jewelry for decoration.

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  • Maintain your original style. There are literally no rules to mixed media art. When you google “mixed media art” or even watch youtube tutorials, a lot of what comes up are mixed media styles that are very “on trend” with a heavy art journaling influence. Much of it is very busy and colorful with all-over pattern and texture, visible paint strokes, and super stylized figures, flowers, or animals with a lot of elements of paper crafting and collage. If you’re a fine artist who likes sharp detail and realism you may feel like this is an area you aren’t able to dabble in but that isn’t true at all. I integrate mixed media into my pieces as an accent and an enhancement to the work I am already doing in either paint or pencil. The piece on the left is all colored pencil, and on the right colored pencil with the introduction of mixed media, both other 2D mediums as well as some 3D objects. In this piece on the right, I was able to use prismacolor pencil for the figure to achieve the sharp detail and realism that was desired, and watercolor for the background to create a softness and “fog” to the view through the window. I used prismacolor markers for the eye pattern undulating out from her line of vision because I wanted that to have a more hard-edged graphic print look with no visible pencil or paint strokes. I used actual fiber materials for the gold edging on her outfit and her dress as well as actual decorative gems for her jewelry because yes, you could imitate it by drawing, but using the real thing adds a surprise 3D element that makes viewers look twice and gives the piece depth. That is part of the fun of mixed media art – it draws viewers in encouraging them to investigate further, because it’s not just a painting or just a drawing – they are invited to try to figure out the artist’s process, and what they used for different parts of the piece. There are new discoveries the longer they take the piece in.
  • Start small. Try out different techniques and materials on a small surface. Bulk value packs of 8×10″ canvases or mixed media paper sketchbooks are great! Get out your paints, pencils, fabric, beads, odds and ends and play!

With many things being cancelled right now resulting in a lot of downtime, it’s not a bad idea to get creative and try something new! Fine art and crafting materials CAN coexist!

 

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Exhibitions and Other News

Pantone Color Of The Year + What’s New For 2020

As I mentioned last year around this time, being an art and design nerd one of the things I look forward to with the turning of each year is finding out what the new Pantone Color of the Year will be. This year did not disappoint, and I swear I must have had some sort of premonition because I had been using shades of deep blue in almost all my art in the latter part of 2019. New color, new experiences in art!

In my personal art business, I’ve always worked alone and though it may be surprising given the fact that I’m employed at a gallery and on the board for a local artist guild, I don’t really know many working artists on a close personal level. Volunteering for a kids’ art event this past Summer, I had the opportunity to make friends with an artist whose vision and style compliment my own and vice versa (The koi fish and ballerina are his, the jellyfish a collaboration). Emiliano Vega creates fine art paintings and drawings but has also succeeded as a muralist and tattoo artist. He has been a part of a number of progressive collectives in Detroit and Saginaw earning him mainstream sponsors including Redbull, Sony and Ubisoft for his contributions to non-profit and volunteer work. I’d encourage you to visit his personal portfolio. I will also be representing his work in my eBay Shop, and you can visit his artist section for prints and original ACEOs.

As far as what’s next for 2020, we are preparing for a number of local dual shows beginning at Red Eye in January and Oracle in February for those in and around the Saginaw, MI area. We have plans to seek out opportunities outside the local radius later in the year. Those who are near enough to visit I hope will come out and see our art in person and get their hands on some original art or prints, and for everyone else, thank god for the internet ;).

I will also be setting aside time to do more teaching with Express Yourself Artshop, the inclusive arts and wellness program I direct. I will be continuing to teach my Creative Minds Art History class, and will also be working with a group to enter ArtPrize and collaborating with a fellow instructor on a Wearable Art class. As always, I will be sharing lessons here so readers can get inspired and try doing some creating at home :). Looking forward to all things new, Happy 2020 everyone!

 

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Art Education, Project Ideas

Caravaggio: Creative Minds Art History Project

Hello all!

I took a break from teaching my Creative Minds class with my Express Yourself Artshop crew over the summer since we had a bunch of other specialized activities going on, but am excited to be back! We started our new semester with a classic artist from the past, Michelangelo Merisi da Carravagio. Entertaining the masses through stories of epic violence before there were action movies, many of Carravagio’s paintings centered around religious and mythic themes and involved a lot of beheadings … Allegedly he also had to move around a lot to avoid getting his door knocked down due to a habit of “excessive brawling” – Life imitates art.

 

Though he also did the traditional commissions and practice of portraits, still life, etc., these intense and poignant scenes are what he became most well known for. One particular commission completed around the year 1597 for Cardinal Francesco Maria Del Monte, the Medici family’s agent in Rome, is what we drew inspiration from for our project. This ceremonial shield was painted with an image of Medusa just as she has been tricked into looking into a mirror, thus freezing and leaving herself open to guess what, another beheading! Students each picked a character from Greek Mythology to study images from, and drew from this to create their own image, blood and guts optional ;).

 

To achieve the atmosphere of strong shadows characteristic of Caravaggio’s work, we used black drawing paper as a base. Pastels show up bold and opaque on top of black, as do colored pencils if they are oil or wax based like Prismacolor colored pencils. This choice of black paper had a dual purpose; not only did it help us pay homage to Caravaggio’s high contrast style but it was a mental challenge in that students had to think about the process of shading in reverse. They had to think differently than with traditional drawing on white paper, adding shading with their colors to lighten an area and leaving spaces alone or coloring more lightly with their materials to “darken” them.

As always, feel free to share, steal, or try this at home for fun! Keep checking back as I will be posting more projects soon!

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New Work

New Art + Forced Inspiration

So, awhile back I did a post on artist block, something I had been lucky to never really experience too much until very recently. It’s not that I didn’t have a ton of ideas, I quite simply wasn’t enthused about any of them for whatever reason and the execution just wasn’t flowing. I’m sure this had a lot to do with the crazy amount of stress I’ve been under this year for various reasons, but nevertheless I really desperately wanted to make some art I was actually excited about. I remembered how when I used to write poems and short stories back in college to unwind, if I felt the urge to write but had no clue what to write about I would put my iPod (HA, who has those anymore?) on shuffle and use the first song title that came up as inspiration for my short story, or else I’d use a random word generator and the word that came up had to be the title.

I decided to revisit this old, rather silly process of chance to see if it would jumpstart my creative but very stressed and exhausted brain. I did 4 trios of word generations, wrote them down in my sketchbook, and started drawing. It worked! I instantly came up with 4 ideas that I could easily relate to thoughts that had been jumbling around in my brain anyway, but that I just didn’t know how to access and release.

For this first one, inspiration was to be drawn from the words lung, tie, and morning.

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I ended up being so happy with how it turned out that I’m keeping it! I have the perfect spot in my living room, and actually only realized after I’d hung it up that the fabric I collaged for her jacket matches a swatch on my fabric scrap pillow I made about a decade ago that is now sitting on my accent chair ^_^.

“Breathe” was drawn using prismacolor pencil for the figure, and ink for the background. I used fabric for the jacket, old book pages for the wall art, hand marbled paper for the exposed lungs, and embroidery thread for the vein detailing that trails up to her neck and tangles around her fingers. The figure is a mix of multiple references I gathered to match the image I had in my head of what I wanted her to look like.

As I mentioned before, this year has been rough. I’d been experiencing sensations of feeling trapped, confined, constricted, suffocated … Even simple acts such as breathing, eating, sleeping were in a way loaded issues, made more complicated by both external and internal factors. This was some of what was on my mind while creating this piece, but as always it is not without elements of hope and promise of a future through the oxygen giving plants and botanical imagery throughout, and sunlight pouring in through the open window.

I’m sure others may even see something totally different in the story as viewed by their own thoughts and experiences, and if anyone wants to share what they saw going on I always love to hear others’ interpretations – Feel free to send a comment or message! Love to you all, and remember, you always hear that you don’t want to force inspiration but … sometimes you have to to get anything done and that’s okay ;).

Though I’m not letting go of the original as of right now, prints will soon be available so check out my eBay shop to snag one!

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Artists To Know

Artists To Know: Discovered On Instagram

It’s been awhile since I’ve done an Artists To Know Segment, and inspiration is everywhere. Despite being a completely visual based person, I resisted getting an instagram for longer than most just because the idea of yet one more social media account to manage filled me with a sense of intense existential dread if I’m honest ;). Finally, I realized as an artist trying to showcase and sell work I needed one for the business aspect alone and relented. Now I don’t know how I lived without it! I have discovered so many new and inspiring artists from all over the globe, but if I had to narrow it down to just 5 for right now, here are my tops.

Joram Roukes

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Roukes is a painter from the Netherlands whose work has been exhibited worldwide, and he is one of the only artists that work in more “chaotic” scenes whose pieces I’ve ever been deeply attracted to. In my own work I am so orderly and controlled, repeating a select amount of the same visual tropes within one piece with balanced space for the eye to rest … I’ve always tended to get stressed out by work filled with conflicting styles and a ton of disparate elements bundled all together, but I have loved every single piece of Roukes’s work that I have seen. The vibrant, unique color schemes and photo-realistic detail  that combine classical influences with modern experiences and street art are unlike anything else I’ve seen, and the thoughtful composition makes combinations of visuals that shouldn’t work together somehow work perfectly. Beginning as a graffiti artist, he now focuses on large-scale murals that combine his own experiences, global politics, and pop culture in a dark but also surprising and often comical way.

Natalia Berglund

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Berglund hails from Belarus, but received her arts education in the United States. Her focus is in portraiture. Unique takes on the portrait tend to be my favorite type of art, so I was intrigued by her work the moment I saw it. Berglund has equal parts Eastern and Western visual and ideological influence, which gives her a different perspective based on her experiences. Much of her work is also influenced by traditional religious portraiture, but at the same time aims to challenge religious iconography, and both Russia and the United State’s representation of what it means to be a woman. Though the work above was what first that grabbed my attention, if you visit her portfolio you can see the wide range of styles she works in, and the strength and story that is apparent in each portrait. Her mission through her work is similar to what I hope to achieve, and I find her a huge inspiration.

Cristian Blanxer

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Blanxer is from Barcelona, and actually graduated from university only 2 years before I did, so what have I been doing with my life -_- (I kid, mostly.). He works in both exterior murals, covering buildings in large-scale artworks, and on canvas. His canvases still integrate the cityscape as he seamlessly combines reflective urban scenes with traditional portraiture. What amazes me is how nothing gets lost in the merger. He strategically places the human elements and the architectural elements in such a way that the viewer’s brain can fill in the blanks and complete both scenes. This series appears to me like the viewer is seeing what the subject of the portrait is looking at through their eyes reflected back over them, as if we are being allowed to gaze into their mind, and that is what makes his art so powerful to me.

Yellena James

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James grew up in Bosnia, but moved to the US at 18. Her background is in both fine art and graphic design, but she says she has always preferred paint and ink to digital means of creation (yes!). In addition to her personal fine art she continues to design for well known brands like Anthropologie and Crate and Barrel among others, and has published an interactive art book about applying the geometry of nature to drawing practice. James creates imaginary ecosystems inspired by the natural geometry present in the world around us, and says the process of building details in each piece is a form of meditation for her. I find myself getting immersed in her colorful botanical illustrations, imagining myself as part of her magical worlds, and her work has an intensely calming effect on me. I’m calm about 5% of each day, so this is nice.

Ritchelly Oliveira

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Oliveira is from Brazil, and is also mainly a portrait artist. I have a draw, I can’t help it! His drawn portraits are photo-realistic but incorporate surreal elements from nature or at times unfinished boundaries. There is a strong, silent emotion that resonates from his figures’ calm, reserved facades that is so moving, relateable, and true to life.

I hope at least one of these artists have left you feeling inspired, and if you ever have ideas of artists or types of art you’d like to see featured let me know!

sign (1)As for what I’ve been up to in my own creative universe lately, I was chosen to be part of the 50 Artists of the Great Lakes Bay Region Exhibition, and will be showing my new piece Torn in Studio 23’s gallery in the Fall. A metal print of my prismacolor pencil and mixed media work Wonderland will also be on display along Bay City’s Riverwalk trail for the next 2 years. It’s a couple days from September, so I am also officially in production mode for my annual Halloween ACEOs, so look for those in my eBay shop with more still to come! Check back soon to see the collaborative projects I’ve been working on in the meantime alongside some portrait commissions and logo designs. I’m ready for a busy Fall <3.

 

 

 

 

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New Work

I’m Not Dead, Here’s Some New Art!

noboringwalls2I’m back again! I’ve been pretty quiet on here and have been taking a bit of a project hiatus in general as I go through some life transitions and changes in a couple of areas, but have completed a few smaller stand alone projects. I talked about some of my anxiety struggles previously, so while dealing with that at a higher intensity especially over this Spring and Summer, I really needed to focus on art that was purely therapeutic; not a job or another task to complete or something with an intense deadline or something that was going to take months to complete. 

I am obsessed with raven imagery, and parted with one of my favorite pieces recently as a gift for my brother, a fellow creative who just bought a new home and is getting married this fall. I knew I wanted to do another similar piece, but with a bit more color this time. I lead an art therapy program for adults with varying disabilities, and see every day how creation can be a life saving force that reminds people that they are worthwhile if only because they have made something that day. Art can be a window in an otherwise dark room. Part of the art therapy aspect of my forcing myself to keep making art even when all I wanted to do was watch movies or go to sleep early after getting home for the day was to inject my own personal thoughts and feelings into the chosen aesthetic of what I was creating. In “Flight Response”, the subject’s face is deliberately calm and expressionless while the birds flying around her appear fast and chaotic. Both she and the birds are done entirely in high contrast black and white to appear connected as one entity. They could be physical manifestations, or projections of the woman’s psyche. The background being almost opposite the woman and birds, a more expressionistic landscape in bright, peaceful colors, is also deliberate. There is hope, and there can always be better things ahead. Though not always aware of it, she is in control.Flight Response

I also wanted to take the opportunity to play around with some different techniques and combinations of materials with no pressure on achieving a specific result, another important aspect of art as therapy. In “Waiting”, I  tried watercolor painting on wrinkled lace, wire wrapped with yarn, embroidery, and weaving strips of hand marbled paper along with my traditional ink and prismacolor pencil drawing. Again, there is an aspect of sadness and isolation but not without a lingering hope. I aimed to craft a story based on what I was experiencing as a way to process my thoughts, but a story that is open ended so the viewer can create their own narrative as well.

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As the smoke is clearing, I’m still working on my series based around color psychology and looking forward to doing more teaching again in the Fall. Both of the above pieces are available for purchase, and I’m starting early on some small and affordable Halloween-time art that will soon be posted in my eBay shop, so keep an eye out! For a time lapse of some of the background illustration for “Flight Response”, check out my artist facebook page.

 

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Art Education, Project Ideas

Elizabeth Jameson – Creative Minds Art History Project

Hello all, it’s time for another artist based creative project! I have a great group of ladies in my Creative Minds class this semester at Artshop, and have loved seeing how they interpret the techniques of the masters and make their creations their own. Though often times the focus of my class is renowned artists from history, I also love sharing inspiring and accomplished artists from the present with my students. I work primarily with adults with disabilities so I especially enjoy the opportunity to share the stories of artists with disabilities with the class, and how the artist’s identity as a person with a disability influenced their art and legacy.

Elizabeth Jameson is a visionary artist who found her creativity through an unexpected MS diagnosis. Jameson is a Doctor of Law, and her lifelong passion and driving force for her career was to fight injustice and poverty through the law, striving to make a difference. In the late 70s and early 80s her health took a turn suddenly, and she was eventually diagnosed with Multiple Sclerosis. Due to the progressive nature of her illness she was unable to continue working, and she felt her purpose was lost. A caring friend pushed her into trying an art class just to get her out of the house, and this class ended up changing the way Jameson saw the world and her life. Art teaches us to look at the world through a creative lens, and upon receiving her usual MRI scans from a doctor’s appointment, she came up with  the idea to etch in the stark, clinical and emotionless black and white images with rainbow colors. Her work evolved from there. Today, Jameson is still living her dream of changing the world, and says the goal of her work is to encourage others to, “contemplate the beauty of the brain, discuss what it means to live in an imperfect body, and to stare directly at the imperfect brain’s beauty and complexity with curiosity”. She collaborates with Neuroscientists and a studio assistant to continue her work.

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Messages that can be learned from Jameson’s art and story are that with creativity it is never too late to begin, it doesn’t make you any less of an artist to ask for assistance, and individuals with disabilities have an unlimited potential to change the world for the better.

Obviously, we don’t have access to MRI machines ;), but to pay homage to Jameson’s art we did drawings with colored pencil on black paper. Students were asked to imagine a visual representation of the inside of their head, thinking about the emotions or memories different colors may symbolize, what straight, smooth lines versus wavy or jagged lines may say about what is going on inside their head, and to think of any representational forms that speak to who they are. Some students chose to indicate blocks of color for the different things that consume their thoughts, and some chose to do an all-over image or pattern. One student even dated hers in acknowledgement that one’s mental state changes over time.

I can see this project being an interesting activity for any age, and was pleased within my class on how a dialogue between the students about the meaning of their developing “artistic MRIs” grew as they worked.

As always, feel free to steal, share, or try it yourself at home :). I am hoping others will enjoy and become inspired by trying this project out.

 

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New Work

New Series and The Symbolism of Color

I’ve always been interested in the social significance of color, both in cultural symbolism and in the psychology of how color can affect our emotions. Showing solidarity for a specific cause through a group of people all wearing the same color on a certain day or for the attendance of a specific event has become a common practice. My partner has a viscerally negative reaction to the color yellow, and will be caused agitation if surrounded by a bright yellow environment (so basically he just loves the bright yellow flower print wallpaper that was complimentary with the bathroom in our home upon move-in). I have received shocked reactions even from people in my own young-adult age bracket at the mention that if I ever get married at some point, I probably wouldn’t choose a white wedding dress. These are just a couple of examples of the strong reactions people have to color as a form of communication, tradition, and emotional influence in both our exterior environment and more personally in how we choose to adorn ourselves and present our bodies to the world.

Of course, I will be working on other separate projects in between but my main focus going forward will be on a new series exploring the symbolism of different colors worldwide, taking the significance of specific colors from regions all over the world and integrating these often opposing meanings into a single story about that color. I will be focusing on 5 main colors, the 3 primaries of red, yellow, and blue and then black and white. The first color I have represented is white.

Depending where you are, white can symbolize new beginnings and a clean slate, or endings and mourning making it very much a bookend sort of color. It symbolizes traits that are considered more docile like purity, innocence and virtue, but also more courageous sentiments like protection and sacrifice. White is also a color that across cultures is often associated with femininity.

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For “The End Is Also The Beginning” I used a mixed media approach, choosing the mediums that would lend themselves best to the look I wanted to achieve for different parts of the piece. I used watercolor for the ice figures, snow, clouds, and water. I used prismacolor pencil (including metallic silver accents) for the figure, rabbit, and areas of fine detail like the blossom trees and patterns in the sky. I used scrap fabric for the pattern on the dress (actually left over from the hemmed curtains hanging in my art room. This is why you never toss scraps!), and flat-back acrylic pearls and beads for the decoration on the neckline of her gown, and her earrings.

I have a couple of juried shows coming up, and this will be one of the pieces getting sent off, so wish me luck!

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Artsnacks Unboxing

March Artsnacks Unboxing

Hello all! Obviously I’m a little late, but it’s been a weird month. I told myself I had to at least have this posted before March was over, so here I am!

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In this box, I received:

The Artsnacks gods must really want me to start using more green in my artwork, because I overwhelmingly receive green products where random color selection is concerned … And to be honest, I can only think of one other green artwork I have done in the last 10 years! That’s what I love about Artsnacks though, it gets you out of your box!

Now, for reviews! As a watercolor enthusiast, I was interested to try Ecoline’s liquid watercolor. It’s so runny compared to what I am used to using that it was a little hard to get used to at first, but it is definitely a quality product with rich color, just a different experience with a bit of a learning curve. I would be interested to try darker colors which are usually what I gravitate towards with watercolor, and also to experiment with how multiple colors blend or layer. I found it more difficult to get as wide a range of values with this product as I can with tube watercolors. To me it seems like these watercolors would be better suited to filling in concept sketches or more graphic illustrations like comics. Prognosis: Good product, uncertain operator!

Now on to the brush pen! It was really great to get to try out multiple Ecoline products being that this was a line I’d never tried before. I cannot get enough brush pens. I’ve mentioned before how my favorite have been Tombow’s water soluble brush markers, but what is great about these Ecoline pens is that they can be used in conjunction with Ecoline’s other products. Their brush pens, like Tombow’s, are water soluble and can be re-wet to blend even after they’ve dried. These Ecoline brush pens can be dipped in Ecoline’s watercolors or inks to mix colors and produce ombre and other blended effects which is a fantastic bonus. These products do seem to focus on the more pastel/tropical/ultra neon color spectrum which is not at all the palette I usually work in, but it is great for projects that call for a bright pop of color.

As someone who really enjoys using watercolor and ink pens together, I’m glad this box came with a pen to try as well. Drawing will always be my first love, and the bright colors available from the KINGART fine liners pair well with the Ecoline watercolors for seamless outlines. With a super thin, smooth line quality and no bleeding, I am definitely considering getting some of these as right now the only liners I have are black. They are also waterproof which make them a perfect fit for watercolor work.

Lastly, I will talk about the incredibly aesthetically pleasing pencils. I didn’t really get the brown sugar scent from the wood that was described on the information card I got with these products, but I also have had a habitually stuffy nose for the past 3 weeks so you can’t go by me! From a design perspective, these pencils are obviously gorgeous, and I can see them sitting on a side table next to a moleskin notebook in my soon-to-be mid-century-modern /slash/ industrial basement library that is right now just grey cement and a pile of wood scraps, but hey, we’ll get there ;). I’m a mechanical pencil girl for the most part, but I do get commissions for solely graphite works fairly often in which I use traditional pencils. It makes me happy to work with materials that are pretty, so these get a vote from me!

Another month, another great box! Until next time!

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