Artists To Know: In Dreams

I haven’t done an “Artists To Know” installment in quite awhile, and have bookmarks of inspiring artists piling up by the minute – The internet is wonderful ^_^! The artists I have picked today all create dreamlike worlds through their art, causing the viewer to get lost in detailed landscapes that could only exist in the artists’ imaginations, almost as if they are inviting viewers into their own inner fantasies. All are 2-dimensional works this time except the last, which is really something special, so be sure to look all the way to the end! This style of fantasy-like, surreal art is my absolute favorite. I hope you enjoy, or at least see something you’ve never seen before!

Lucy Hardie

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Lucy Hardie is an Australian artist who began her education at a Waldorf school built by her parents. With her parents’ encouragement, she studied art history and the Masters at an earlier age than most. This foundation was obvious to me right away in the style and subject matter of her work. Parts of it look like they are from another time… but then other parts resemble a time that has not yet existed, and this seamless meshing of the two along with the exquisite fine details are what make her work so captivating to me.

Hsaio Ron Cheng

 

Hsaio Ron Cheng hails from Taiwan, and is a digital artist and illustrator. The bio on her website says she was born in 1986, only 2 years before me which makes me feel like I’m slacking! Her portfolio encompasses a wide range of personal and commercial work, all in her signature palette of peachy, pastel, diluted colors. The unusual color choices are actually what first drew me to her work, and made her illustrations stand out.

Daria Hilazatova

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Daria Hilazatova describes herself as a “full-time artist, part-time elf” in the bio on her website, and sites her inspiration as “fairytales, theater, and nonsense”. Whimsical and fantastical theatrical elements abound in all of her drawings. Her illustrations are distinct and different from anything else I have ever seen, truly 100% from the artist’s imagination. The other element that differentiates her art from anything I’ve seen previously is the insane amount of detail! One has to squint to see all of the intricate patterns making up each image, and the longer one looks, the more they notice details they had originally missed.

Alexandra Levasseur

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The image above is what first prompted me to investigate more of Levasseur’s work, but she also has a ton of fantastic paintings in which the subjects are merging into painted landscapes which I’d encourage you to check out on her website. There is strong movement and emotion in each of her pieces, all of which are incredibly surreal. Her figures are realistic, but she mixes in a lot of more painterly or sketchy elements as well, making it look as if her subjects have jumped inside a delightful hand painted world and gotten lost there.

Benjamin Shine

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I told you the last one was a good one! I can’t even wrap my brain around how this works, but below is a video that shows artist Benjamin Shine in action as he creates his tulle “paintings”. Shine studied fashion design at The Surrey Institute of Art and Design and Central St Martins in London. I can’t even iron shirts properly, so conceiving of how these gorgeous, smokey portraits can be born out of an iron and some thread makes my head nearly explode. Who said there is nothing new under the sun? Shine has certainly discovered something that has never been done before.

I hope you’ve enjoyed your Sunday inspiration! Get out there and do something amazing with the rest of your weekend! ūüôā

 

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First Art Snacks Box, First Art Journal Entry!

artsnacks boxSo, I was having a really rough week y’all … and then I got this in the mail.

I had gotten an artsnacks subscription for Christmas, and being a virgin to subscription boxes in general, was excited to see what it was all about and hopefully discover some awesome new products for art making!

art snacks janThe January box came with:

  • A Uni-Posca PCF-350 Brush Tip Paint Marker
  • 2 Maribu Graphix Aqua Pens
  • A Tombow Fudenosuke Soft Tip Brush Pen
  • A Sakura SumoGrip Mechanical Pencil
  • And a cat joke: What do you call a painting by a cat?
  • A green Lifesaver

art journal artsnacks janI decided to do what a lot of artsnacks subscribers do after receiving their box, and join the fun of challenging myself to create a little picture using only the products in my box for the month. This is also a great way to test out the materials, especially if they are unfamiliar to you. Another fun thing about artnsnacks is the fact that the colors of the products you receive are totally random … The royal blue was lovely, but that olivey/sage green and bright orange? – maybe ok separate but kind of yikes together. So, here is my unique¬†green penguin, swimming beneath the chilly arctic waters.

All in all I thought this was an interesting first box, especially for someone like me who is primarily a drawing based artist but also holds a lot of love for watercolor. I’ll start with my favorite products, which were hands down the mechanical pencil and Tombow pen. I own a lot of black liner pens in a huge range of line weights, but I had never owned a pen whose line weight is dependent on the pressure you apply. This is a fantastic feature for adding more depth to outlines, and it is pretty intuitive. The brush tip is firm, and it is easy to control the weight you want. I.e. – it doesn’t suddenly “blob” out a big fat black line with the slightest pressure. The mechanical pencil has a fantastic eraser which is a huge plus – The quality of your eraser sometimes matters even more than the quality of the pencils you are using! The rubber grip, besides having a cute name, practically gives your fingers a massage as you are drawing – even for someone like me who holds their pencil wrong ;)!

Next, onto the Aqua Pens … The colors are super saturated and these are obviously artist grade. These were marked as a staff favorite. I have to say though, as far as pens that can be used with watercolors I still prefer Tombow’s Dual Brush Pens. The Aqua Pens seemed to not blend as well as with water as the Tombow ones I am used to – you could still see the original sketch marks though the color did spread with water. I noticed they washed better when I worked on smaller areas at a time without letting the ink dry as much in between. When you want more of an illustrative look with super BOLD color that doesn’t fade with the water, however, these would be perfect.

Lastly, the brush tip paint marker – marked on the product list as brand new to the market … I experienced a bit of sticker shock reading the retail price of these – 10 bucks for a SINGLE marker! But, they are unlike any paint pen I have ever seen given the fact that the brush tip is an actual bristled nylon brush. It is more rigid than a traditional painting brush and maintains it’s shape even when pressure is applied, so it is a true hybrid between marker and paint brush. I can see these being fantastic for the classes I manage with Express Yourself Artshop at Creative 360. The added control of using a paintbrush in pen form like this would be great for painters who have mild to severe dexterity issues or shaky hands due to age, injury, or disability, or anyone who struggles with fine motor skills but loves to paint. If it weren’t for that darn price tag … we are a non-profit after all. Donations, anyone? ūüėČ

My assistant at work /slash/ really cool art friend /slash/ art educator teaches an art journaling class and has been trying to get me into starting an art journal. Another surprise Christmas gift I received was lo and behold, a mixed media art journal! It’s a sign. I’m a big reader, so, in addition to my monthly artsnacks challenges, I am going to play around with journaling some of my favorite quotes from books I’ve compiled. With my first two, I kept them mainly illustrative with a lot of white space but I am going to do more with texture/mixed media backgrounds for my next one, whatever that may be.

Be sure to check back for more unboxings! ‚̧

P.S. The answer to the joke was a paw-trait.

P.P.S. I may be so opposed to the orange and green color combo due to new home renovation trauma. This was what our mud room looked like when we moved in.

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New Art! 2 Down 2 To Go!

Struck by both some luckily timed inspiration and ever looming deadlines, I have buckled down on my series and completed 2 more pieces, which means only 2 more to go! I actually think these 2 new ones are among my favorites so far. Series-explanation-blurb time for those new readers!¬†“Unlimited” is composed of 12 mixed media portraits in which the meaning is influenced by the use of pattern and color. Women of all ages, races, and time periods are depicted, each communicating a different theme. I aim for the pieces to speak to women‚Äôs collective experiences beyond their differences. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. Pieces are primarily drawing and painting, accented with mixed media elements and metallic details.

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For the above, titled “October: She Is Full of Curiosity”, I incorporated a lot more mixed media elements which I felt meshed well with the “vintage study” atmosphere of the background. I used quilting fabric for the wallpaper, leather upholstery samples for the book cover, decoupaged book pages for the inside pages and title, an art book clipping for the picture on the wall, ink for the woodwork, watercolor for the outdoor scene, lace overlay for the girl’s collar, metallic acrylic for her hair, and prismacolor pencil for most of the figure and clothing.

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In this next piece, titled “July: She Is Free In Mind and Spirit”, I took almost the opposite approach, not using any fabric or found object materials and sticking solely to the traditional art materials of prismacolor pencil, watercolor, and acrylic paint. I’d had all the pieces for my series pre-planned as far as composition and subject matter since late 2015. However, this one took flight (haha, bad pun) on its own quite recently after I realized that I had a variety of ages and races represented in my planned artworks, but not a variety of abilities. Given that I work with an art program that serves individuals with disabilities, this oversight stopped me in my tracks. I’m always harping on inclusion and the lack of representation of people with disabilities in the public and entertainment sphere to anyone who will listen (and even those who don’t want to sometimes), and yet I realized they were not included in my project that was all about inclusion, unity, and representation. I was thus tasked with coming up with a visible disability that could be seen in just a head and shoulders portrait rather than a full body rendering. This lively young woman with down syndrome who exudes confidence, energy, and life evolved over the incredibly short course of two interrupted days with no pre-planning or sketching beforehand which is very uncommon for me. I don’t know that anyone else will see it, but this piece definitely holds the most emotional connection for me.

For more deeply personal and unconventional portraits, check out self-taught contemporary artist Stephen Martyn Welch’s “Everyone Deserves A Portrait” series inspired by his son who was born with Kabuki Syndrome. Keep checking for the last two! I’m on a roll ;)!

New Progress On My Current Series!

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Hello all! I recently finished another addition to my 12 part series I’ve been working on since late 2015. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead ūüėČ ):¬†I am¬†creating¬†12¬†mixed media, surreal, conceptual portraits in which¬†the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to¬†speak to women‚Äôs collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”.

This piece is titled July: She Is An Earthshaker. I love mermaids, and really got into aquatic art after following the required theme for the Tall Ships curated exhibition at Studio 23 last summer. This was a fun piece to create, and perhaps my favorite in the series thus far. As a child I don’t know how many times I watched The Little Mermaid, and was absolutely transfixed by King Tritan’s trident (Which of course I later learned came from the myth of Poseidon). I became inspired to make a powerful Lady Poseidon if you will. Earthshaker is another way Poseidon has been referenced, but the name can also apply to those of us in the real world, ordinary people who create waves to change what needs to be changed. She wears a pretty seashell and floral crown, and her facial expression is not one of anger or even one that would imply intense power. Her strength is a quiet strength. If in her head, she can see¬†herself like this, the waves and lightening crashing behind her as she stands firm, perhaps she can believe that she can do anything even if others may doubt her.

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This design is available for print on a variety of cool items in my Redbubble Shop, and art prints on matte photo paper may also be purchased from me Ebay Store.

Check out the other pieces I’ve finished so far! January February March¬†June¬†

 

Art Discussion : Deliverance

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I have always thought of doing an art discussion post on this particular piece.¬†Whenever I show it, everyone wants to know the story behind it as the fact that¬†there is a symbolic visual narrative is clearer in this piece than¬†in many of my others. Still, I have been putting it off for quite some time because explaining the concept behind this piece is very personal and would involve being really freaking transparent, so hold onto your hats. (I’m actually a big fan of transparency, but it usually manifests itself in the form of out-bursting deeply personal information in a sort of accidental social vomit, not neatly typing my feelings out for the world to see.)

This painting is a prayer.


When I started this piece, I was newly graduated from college and had been back to living in my childhood home for awhile afterward, which was super uncomfortable. I’m sorry, no matter how much you love your family it just is, unless said family adopts a sort of chill, ¬†we are mutual adults living together almost like roommates sort of attitude, which nearly never happens.

I’d just finished training for a new job in sales that I already knew I was going to hate. Approaching tons of random people I don’t know all day and having to make forced conversation until they buy something? I might as well just get into the fetal position now for efficiency’s sake. The month long training involved driving 3 hours away and staying in a hotel with all the other trainees, and everyone was either horrifyingly mean and offensive or overtly sexually creepy. On more than one occasion, I finished a bottle of wine by myself sitting alone in my hotel room and I’m not a huge drinker. Not by any means advisable, but I honestly could not conceive of getting through this sordid affair without self medicating no matter how physically and mentally unhealthy. I’d had anxiety so bad 2 years before during my junior year of college that I had actually experienced¬†brief hallucinations brought on by stress. I was not looking to have that be a repeat experience.

Even before I had embarked on my ill-fated new job, my emotions had been cycling out of control. I felt like my body was constantly sending off fight or flight signals, releasing chemicals that triggered the feeling that I was about to be chased by a tiger, except nothing was actually wrong. I would be elated and laughing and feeling creative and motivated one minute, and then suddenly this deep sense of dread¬†like the sky was filled with pianos tied up on ropes that were about to all drop down on my head like I was in a Bugs Bunny cartoon would shake me to my core. I’d always been someone who felt BIG. When I feel joy, it’s intense and when I feel despair, it’s intense. I like to think it’s worth it for the times of joy, where the littlest thing can make me jump up and down like a little kid. A lot of people use that sense of celebration in the smallest details of life as they get older.

The first time I heard this song by one of my favorite artists, these lyrics really resonated with me because I think one of my biggest fears is people who never express their emotions. It’s just so foreign to me.

…But I would kill to make you feel
I’d kill to move your face an inch
I see you staring into space
I wanna stick my fist into your mouth
And twist your Arctic heart

The rapid up and down thing¬†I was going through was something different, however. I’d always been in control of my mind and I felt like I wasn’t anymore. For someone who really likes to be in control of absolutely everything at all times, it was terrifying (I make itineraries for day trips even if I’m only traveling 20 minutes out of town. Excel spreadsheet lists are my best friends. Change plans on me at the last minute? Not unless you have a death wish. Just to give you a bit of insight…) It was also exhausting because the thing is, when your mind keeps sliding into that fight or flight state you actually¬†feel as if you’ve just been in an extremely stressful and dangerous situation whether anything has happened or not. The fatigue is the same.

Another thing you may or may not know about me is that I am a Christian, albeit a Christian who has never felt very at home in the ofttimes bizarre sort of bubble of Christian culture (I swear people must have been able to sense it, because youth group was terrible. Maybe they could smell it like dogs smell fear.). This is mainly because it has always felt very exclusive, and also because being a female¬†puts me in a sort of precarious situation with religion in general. It’s why the subject of “Women and Religion” actually has an entire college course of study devoted¬†to it. Organized religion of any belief system tends to not be too kind to the ladies. (If I actually behaved how those super conservative “complementarian” advice articles advised that I do to be a “Godly woman”, never expressing a damn thought without asking “What do you think honey?” first, my current boyfriend would toss me off of our balcony. Or have me committed, one or the other. I found a keeper ;).) Basically, they just don’t seem to leave a lot of room for people actually being created with variation, people’s brains, hearts, and minds each working a little differently from the other. Luckily, Jesus doesn’t need you to be a robot that copies what everyone else in his bandwagon thinks, and He doesn’t need you to join any super special cool kids club. Also, despite how people like to twist religious truths to allow them to control others, he actually validated and lifted women up in contrast to society at the time. Don’t believe me? Some discussions on this issue can be found on God’s Word to Women, Sojourners, and a great interview on Christianity Today with one of my favorite christian writers, Sarah Bessey.

This is the first overtly faith based piece I’ve ever created, though my faith, my beliefs, and my passions inadvertently end up in all of my work in bits and pieces. I was obviously at a breaking point, and I was reluctantly praying about my struggle. I really didn’t even want to, because to be honest, I was frustrated, and I was pissed off. This was not what adult life was supposed to be like. I wasn’t supposed to still be dealing with this crap; I wasn’t supposed to still feel anxious and lost and overwhelmed; I wasn’t supposed to still feel like an outsider no matter where I put myself. Since drawing helps me focus and communicate my thoughts, I decided to draw my prayer.

Dealing with intense anxiety cages you. You aren’t able to function as your normal self, or even interact with others in the same way because every ounce of your energy goes into self care and basically trying to not feel like garbage all the time. This painting is a right to left narrative. A death version of the theatrical comedy/tragedy masks are embedded into this girl’s torso near the location of where her heart would normally rest. Hands are coming up from behind her and touching her shoulder in an act of comfort, you are not alone. The hands represent God, but they are not passive like a pat on the back or a “there there, everything will be ok”. They are active and forceful, saying “No, I will not let you continue to suffer.” A suffocating darkness creeps up from below. In the next part of the narrative, those same hands are breaking the mask in two, and out of the center, though still tangled, falls the girl; her true inner self, out of the cage. She is holding a watering can. In the final part on the far right, she is fully escaped from the prison inside the mask and water flows from the watering can she is holding, while silhouettes of human figures with flowers at their hearts stand in it’s spray. She is “watering” their souls, symbolized by the flowers.

When we go through tough things, we can use our experiences to better connect with and support others. No, that doesn’t mean the trials we go through are “good” (Seriously, “everything happens for a reason” has to be my least favorite platitude, and I really,¬†really hate platitudes), but it means we can use something that was bad for good later on. Because of the struggles with anxiety I have experienced, I am able to better relate to a lot of my Artshop students and their mental health struggles which are oftentimes far more severe than what I have dealt with. I am better able to help them when they are going through a panic attack situation, better able to understand why on some days it bothers them to have a lot of noise during class when they are already on edge, better able to understand and empathize with the fact that they were fine an hour ago, and now are very upset even though nothing tangible has changed. I am able to be someone who says, “I hear you. Your feelings are legitimate. And you are not alone”.

A week or so passed afterward, and I ceased experiencing the out of the ordinary, rapid ups and downs.

No, my anxiety has not magically “poof!” disappeared, but over time ¬†I have become far better at managing it and breaking out of its cage using a variety of learned techniques. For some, engaging in their faith and educating themselves on emotional management techniques isn’t enough and they may need to additionally seek counseling or medication. Everyone is different, and there should be no judgement.

Also, everyone should read this post about high functioning anxiety. I have never been able to articulate an experience so well, and it is a must read for all in my opinion, because I do not think this experience is uncommon. I think people just are apprehensive, like I was, to talk about it. I guarantee someone in your life right now needs you to know this.

What are some things you do to recenter yourself when everything around you feels out of control?

 

Art Clash 2016 – The Adventures of Allise and Heather

This past weekend I once again participated in Do-All‘s Art Clash with my PIC of 3 years Heather Deogracia. Art Clashes/Art Battles are getting increasingly popular. They are live art competitions where artists are given a limited time (usually 3 hours) to complete a work of art from start to finish. As you can imagine, it’s super nerve-wracking. We didn’t even take any photos together until after the relief of the competition’s end, because we were so nervous that we were white as ghosts! (Or, ok, we’re both pretty pale. Whiter than usual I guess ūüėČ ).

(In the second picture above, we were supposed to be making snooty faces but I still innately smiled the minute the photo timer got to 1 second … Damn you, social conditioning!)

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In addition to being my forever Art Clash companion, Heather is also in my Studio Art class at Artshop! This awesome lady came into class on the first day of spring semester and said, “I know what I want my project to be. I want to make a mermaid tale”. This is why she is one of my favorite people. I have not had my body traced on giant paper since elementary school. It was hilarious.

Back to the Art Clash, I really thought I was simplifying this year by doing a happy watercolor tree instead of trying to do something with people or portraits, my usual subject matter of choice. BUT THOSE BIRDS! The detailing was so much more time consuming than I expected, even using prismacolor markers rather than colored pencil. I truly thought I wasn’t going to finish, was cursing myself for drawing so many of them to begin with, and found myself chanting louder and louder inside my own head “The birds, the BIRDS, THE BIRDS!”

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I should have learned by now, it all works out in the end.

I present to you, “Color The World”, 18×24 Watercolor and Ink.

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I’ve posted this design to my Redbubble Shop,¬†which offers the print on a variety of fun products. Traditional photographic prints are also for sale in my Ebay Store. Wondering what I’ll do next year … one thing is for certain – no more birds.

 

 

New Piece Finished – “The Idealist”

“The Idealist” 18×24 Watercolor and Ink

The great thing about teaching art is that as I am demonstrating techniques with my students, I myself have periodic “Aha!
moments where I think of something that I just have to try in one of my own projects at home. I’ve been doing a lot of watercolor classes with all different ages lately, and really wanted to incorporate “wet on wet” watercolor application that allows for a free-flowing merging of colors in which the materials almost have a mind of their own. I tend to work more “exact” for the most part with every little bit planned out before I begin. I still didn’t want to have to lose the attention to tiny details that is something that is really fun for me in art. I’d been doing a lot of pieces lately that were inspired by concepts, and wanted this time to start by being inspired by color, plain and simple. I love drawing birds, and have become quite a pro at quick-sketching them because many of my Express Yourself Artshop students (a program for adult artists with disabilities that I work with) in my painting classes are very attracted to birds as a subject matter, but need some help with the pencil outline to guide their work. I set to work collecting images of colorful birds of all types. They almost look dressed up, don’t they? For this new series, I’m incorporating interesting birds and their natural environment with fashion and costumes inspired by the birds’ colors and forms. I did the detail work in the birds themselves and the branches with prismacolor markers, a new obsession of mine. Where have you been all my life? Yes, they are pricey, but well worth the investment. With art supplies, I have to say it really rings true that you get what you pay for.

The bird that inspired this piece is the Paradise Tanager. I have a bunch more bird/dress pairings saved in a folder on my desktop and am antsy to start with some of those (I’m saving my favorites for last), but I have some commissions to get to first so it may be awhile.

As always, prints are available in ACEO size, 8×10, and 11×14 in my Ebay Shop, and I’ve also uploaded it to Redbubble for T-shirts, stickers, phone cases, and more! Let me know what you think :).