Books, Music and Film

Escape the Mundane: Supernatural Reading List

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As we’re on day ??? of quarantine and a big day out consists of going to the grocery store, there has never been a better time to let a book take you on a journey to fantastical realms. I have subsequently been streaming a lot of scary movies lately ;). Why I love taking a break from Netflix and enjoying a good book is because it allows me to engage the creative part of my brain even while relaxing to imagine what is being described in my own way. If reading just doesn’t work for you, remember there are always audiobooks too! Below are some of my all time favorite supernatural stories to get you started.

The Ghost Bride by Yangsze Choo

Speaking of Netflix, I was excited to learn this book had been made into a series earlier this year, and will definitely be checking it out soon. A young girl with no inclinations of settling down (definitely a pretty strong feminist before feminism was a thing) has a chance to save herself and her struggling father who was cheated in business from crippling poverty when a strange proposition is made … That she marry a wealthy family’s dead son to placate his restless spirit after he dies of questionable circumstances. She is pulled into a series of surreal adventures in the parallel world of the afterlife that are rich with history and Chinese lore. The vivid descriptions of ghost cities and the spirits she meets along the way are absolutely fascinating. This is one of my favorite books that I’ve read within the last year.

The Hummingbird’s Daughter by Luis Alberto Urrea

This is another interesting story that though fantastical is rooted in real history and spiritual beliefs. It is based on the real life person Teresa Urrea, who was the great aunt of the author and allegedly got sick and passed away temporarily, then came back to life, after which she obtained the power to heal. Urrea spent 20 years writing this novel and researching the life of this Teresa, who was and is revered as the “Saint of Cabora” but was never recognized by the church, who instead referred to her as “the most dangerous woman in Mexico”. Taking place in the late 19th century during the beginnings of Mexico’s civil war, there is a lot of history woven throughout the supernatural facets that add to the realism and make you question what actually happened back then …

Eleanor by Jason Gurley

This novel meditates on a lot of heavy themes: familial dysfunction, mental health, guilt, loss, grief … All through the connection between female family members, and parallel worlds and time travel. This is one of the most unique books I’ve ever read and really defies a specific genre. When I found this novel at a used book sale, the teaser synopsis didn’t really tell me much about what the story was actually going to be about. I ended up giving it a try due to being sucked into the cover art, a gorgeous, bleeding watercolor and ink illustration of crying eyes on a stark white background. I guess sometimes you can judge a book by its cover ;).

House of Leaves by Mark Z. Danielewski

This is another book that really defies description and you just have to check it out for yourself. It is an experience. I will be honest, you will probably either love it or hate it. The pages sometimes look like this …

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There are stories on top of stories in a way, but the main story focuses on a family living in an ever shifting house that seems to be impossibly larger on the inside, the text often shifting visually with us as we read. Love it or hate it, it definitely will leave you feeling odd and maybe questioning reality a bit.

The Book Of Strange New Things by Michael Faber

This book is quite literally about an outer space missionary. A man of faith is called by a mysterious corporation to minister to an alien race looking for answers. As he is celebrated and thrives among them, he finds things are crumbling at home as his wife and he communicate back and forth. Natural and governmental disasters abound on earth, and his sense of responsibility is understandably torn. Both an odd sci-fi tale and a drama, I found this novel itself to be quite strange, but also incredibly moving and thought provoking. The focus really isn’t so much on purely religious faith, but the idea of how we determine the hierarchy between our passions and the people who depend on us.

The Hearing Trumpet by Leonora Carrington

First off, this novel was penned by a well known artist that was a part of the surrealist movement, even more remarkable that she was a woman in a time when people still thought women couldn’t possibly be good painters. Insert eye-roll here. Her work shown above was used as the cover for this story. The main character of this tale is a hilarious nonagenarian with a good bit of attitude who is about to be sent to an institution for the elderly. She is understandably displeased, but all is not as it seems … Her new home has apartments shaped like cupcakes and igloos, and some lively leaders. It’s like Alice In Wonderland but in a nursing home, and is one wild ride with some interesting occult spiritualism thrown in at the end.

The Golem and The Jinni By Helene Wecker

This book is based in Middle Eastern and Jewish mythology and features two mythical creatures that form an unlikely bond. A golem, made of clay and brought to life through occult magic, is created to be the devoted and unquestioning wife of a lonely (and let’s face it, lazy) man who ends up dying on the oversea voyage they take together to their new life. Golems traditionally have a master whom they are bound to forever obey, and without she is quite adrift. A fire-born Jinni, created and encased in a flask in Syria and released in the middle of New York city, crosses her path and these now unbound entities form a strong bond as they try to navigate together a life in which they do not belong. Similar to many of these other stories, history and myth are pivotal which makes this book all the more interesting.

The King In Yellow and Other Horror Stories by Robert W. Chambers

This book of short stories stuck with me long after finishing. They aren’t really scary in the traditional sense, just very odd leaving the reader with both a sense of subtle discontent but also fantastical inspiration. Though less well known perhaps, I actually enjoy this author far more than H.P. Lovecraft.

Are there any supernatural books you love? Please please please leave a comment! I am in desperate need of new suggestions. Happy adventuring (in your mind)!

 

 

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Techniques and Tutorials

Happy Mermay!

So, I just learned that Mermay was a thing in the online arts community. Ironically enough, I’ve jumped on the Disney Plus bandwagon over quarantine and just finished watching The Little Mermaid for the first time in probably over a decade :). Though I have too many projects going right now to fully participate in the daily mermaid art prompts, I did create a fun demo that will show you how to paint a simple, adorable mermaid with watercolors. No art experience necessary! This is a fun and quick project for all ages and skill levels. You will need: Watercolors, watercolor paper or a heavier paper that can survive getting wet, and a variety of sizes of round brushes.

Despite my being late to the Mermay party, I must have still had mermaids on the brain because I also recently adapted my original human girl plush doll pattern to create some stylish mermaids!

These new mermaid friends along with a huge selection of original art and other goodies will be shown in a Virtual Live Art Show on facebook tomorrow at 6 pm. Be sure to mark yourself as going or interested in the event to get a reminder when I go live! This show will benefit Express Yourself Artshop, the inclusive program geared towards adults with disabilities and mental health issues that I lead. Help us ensure we are ready to rock once we are able to safely open again, and get your hands on some original works at way discounted prices.

If you enjoyed this demo, I am still doing watercolor and ink paintings live each afternoon from my Artist Facebook Page, so you can check that out as well. As always, if you end up with questions after trying this demo feel free to ask, I’d love to help. Hope to find you visiting the show tomorrow!

 

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Exhibitions and Other News

Quarantine Art Update

So, the first half of 2020 may be cancelled but art is not! I wanted to give you guys an update on what I have going on for the next couple weeks, as well as what I’ve been working on aside from the tutorials I’ve been sharing :).

Once per afternoon I am streaming live ink wash paintings of all different animals from my Allise Nicole Noble Artist Facebook Page. Below are what’s been shown so far …

The pieces are created on 5×7″ watercolor paper, and are available for sale at $15 each plus shipping. The finished illustrations are also posted in an album on facebook, so let me know if one strikes your fancy! I take requests so don’t be shy!

In general I’ve been on a watercolor kick, and have also been using this down time to finish up abandoned started projects. Also available for sale are some departures from the norm for me as far as subject, a watercolor landscape of the gardens in the Japanese Cultural Center located in my home city of Saginaw MI, a favorite location, as well as a still life watercolor painting titled “Anenome and Anatomy”. I’ve enjoyed expanding my usual subject matter while still maintaining my overall style and continuing to depict the things I love that I hope will spark inspiration and joy in others as well.

My current big project is another watercolor piece; a super detailed, costumed, Venetian Carnivale woman. I’ve always had a thing for Venetian masks and actually based my capstone project for my interior design degree around that theme back in the day, but had never made it the subject of my art. I’m excited about how it is coming, and proud of my own patience as I have never painted so much lace in my entire life. It’s something else, guys.

If you’ve been enjoying the art and demos I share here, I’d also like to encourage you to check out one more new thing and visit my Patreon page. Myself and my frequent fellow artist collaborator Emiliano Vega have joined forces in this creative community, and have a lot of cool opportunities planned for supporters including exclusive in-depth virtual lessons, behind-the-scenes work-in-progress videos and interviews, fun downloadables, and free art and prints. I’ve already posted footage of my Venetian Mask watercolor process, and our first print giveaway will be May 15.

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I’m also working on a series of Patreon portrait drawing demos for both people and animals that break the process down into individual features and skills such as eyes, nose, lips, hair, etc. to make drawing people and pets accessible and understandable for all skill levels. Art should be fun not stressful! Don’t miss out!

I’m about to go paint some more ;), but I hope everyone is staying safe out there and remember, if you want to check out my daily live ink wash paintings go ahead and give my page a follow! Love and hugs!

*<3* Allise

 

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Artists To Know

Artists To Know: Art About Resilience

As this strange year has progressed and people are adjusting to more and more temporary lifestyle changes each day, I have seen the role creation and the arts are playing in people’s mental and emotional survival. More and more people are turning to creativity as a release from stress, uncertainty, news, disappointment, grief, and longing. Art also has the power to remind us of things, like the fact that we as a society are more resilient than we think. Today I’m going to share some art with you that conveys hope and resilience, something we should be sharing more about right now.

Yoriyuki Ikegami

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Ikegami is an illustrator from Tokyo, Japan. I discovered Ikegami’s illustrations during some mindless Instagram surfing on a not-too-cheery quarantine day, and they truly did have an effect on my disposition. I left my screen time feeling at least a bit more cheerful, inspired, and in an unexplainable way kind of hopeful. That’s the power of art! To me, these illustrations speak to hope as their characters see what might be in the colorful reflections of their landscapes. So often when we imagine futures we go towards the worst case scenario, but what if things turn out alright in the end? What if we aren’t as alone as we think?

Brooke Smart

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Smart is a successful illustrator with clients including : Random House Kids, Penguin Workshop, andThe New York Times. Her bright watercolor style illustrations made with a sketchbook appeal resonate with both kids and adults alike. This illustration in particular caught my eye with the strong symbolism of pictures and scenes drawn on band-aids. Each experience adds to our story. We don’t always need to regret or curse difficult circumstances or wounds, because these occurrences add to our story and what type of character we will become in our own life. Oftentimes, as shown by the hands carefully applying a bandage, there will be someone there to share our story with – don’t be afraid to accept that support.

Abby Aceves

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Aceves is a fine artist with a BA in fashion design from The Advanced Center In Fashion And Styling in Mexico. She is now based in California, and had her own fashion label for 7 years before transitioning full time into fine arts. Her paintings celebrate women’s narratives and unique personalities, their place in the world, and within Mexican culture. This both jarring and elegant piece speaks to me about the pain of growth, and the contrast between beauty and pain. There can be no transformation without discomfort. I have always been a highly sensitive human that experiences strong emotions. I’ve often wondered if I’d be happier a different way, but came to the conclusion that if I had to give up the brilliant highs I experience; the way I can get lost in the detail on a piece of bark while walking outside to get the mail, the childlike joy and excitement I get out of seeing a sunset or an interestingly shaped cloud, the way my brain can turn something pretty basic into a fun adventure … it wouldn’t be worth it. I would never want to give that up even though sometimes the negative emotions I experience are intensified too. When we experience struggle as we all are collectively right now, we can choose to grow from it so that nothing is wasted, not even time. We can as a society and individually choose what we want to learn from this, and what we want to carry into the future.

Polina Bright

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Bright is a watercolor artist from Sydney, Australia. Her main sources of inspiration are plants and animals, and she is a strong believer that there is “an unconditional bond between a Woman and Nature” because “Love, Beauty, Strength, Power and many others traits are shared between a Woman’s inner world and wildlife.” This piece of hers struck me the most, not only because of the dynamic composition but because it is one of the best representations of an internal mental battle that I’ve ever seen. It would be easy to become devoured by fear right now, but who would that help? Mental strength and developing healthy emotional habits has never been more important than now. I know creativity, keeping active, and making sure I enjoy the outdoors for at least a little each day has helped me stay focused.

I hope something here today has inspired you, and I will continue to regularly share art demos accessible to all ages and skill levels to try when you are feeling bored or anxious. We got this!

<3XO<3 Allise

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Techniques and Tutorials

Happy Heart Art Watercolor Demo

Hope you all are staying safe out there! This easy do-at-home illustration project is inspired by all the happy heart art I’ve been seeing in person as I walk through my neighborhood and in photos and videos online. It is a difficult, unfortunate situation we are experiencing across the globe, but we can always turn to creativity to make connections to others even when we cannot be in close proximity, and to create joy in our own life in uncertain times.

For this project, you will need only paper (obviously watercolor paper is ideal but if you don’t have any on hand, any heavier paper that will take water a little better can work), an assortment of brushes, a permanent fine liner pen (Sharpies will work), watercolor paints, and water soluble markers (classic washable crayolas work if you don’t have traditional watercolor or art markers).

This is a fun illustration to try for all ages, and you can really get creative and make it your own. You can even make it a self portrait to express how you are feeling! Give this simple project a go, and if you have kids in the house encourage them to join you :).

 

Sending love <3! As always, if you try this out at home and have any issues feel free to shoot me a comment or message, I’m here to help!

If you enjoyed this, check out my other watercolor tutorials:

Barn Owl

Jellyfish

Tiger

Stained Glass Tree Illustration

 

 

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Techniques and Tutorials

Ink and Water Tiger Illustration Tutorial

So, I promise I have been continuing to make entertaining quarantine content to keep hands and minds busy for those spending a lot of time at home, but have just gotten behind on posting it here. I’m excited to share a popular project that I often do with my watercolor class at Creative 360 Studio and Gallery.

For this project, you will need:

  • Watercolor paper (or a heavier paper that can take getting wet)
  • Water soluble markers (I use Tombo brush markers, but if you don’t have art markers on hand washable Crayola markers can work too)
  • Pencil
  • Round brushes in a variety of sizes

This tiger combines both drawing and painting techniques, and is fun for all skill levels, even those who never do art. Join the fun and give it a try!

If you find you have some questions or need advice, feel free to leave a comment. I’m always willing to help! 🙂

 

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Techniques and Tutorials

Stained Glass Tree Watercolor Tutorial

Hello all! I’m still keeping in the spirit of encouraging quarantine creativity since here in the US we are kind of locked down until this virus situation is under control. There is no better time to try something new because time is something a lot of us have an abundance of right now. I wanted to share one of my favorite watercolor lessons today.

This watercolor tree can be done in so many different shapes and color schemes, and is the perfect way to practice blending with watercolors.

Some tips for along the way:

  • You will want your paints to have a wash consistency for this project … which means you are adding a decent amount of water to your paint so that it is quite runny.
  • If you find yourself getting too much liquid on the paper at once to where it is creating a pool, after dipping your brush in paint tap it on a nearby rag or paper towel first. Also remember, you can always use a rag or paper towel to blot extra water off your paper and try again.
  • If you are still seeing a line in between your two colors as you blend, you can wash over the transition with a damp brush dipped in plain water to encourage the colors to bleed together more seamlessly.
  • Remember, if two colors are wet they will bleed into each other when they touch. This is great for blending, but not so great for different color sections located next to teach other in our tree. Don’t fill in shapes in your tree branches that are right next to each other one after the other. By jumping around, you will allow time for drying.
  • Any permanent pen or marker works for the outline – like a basic Sharpie.
  • HAVE FUN! Practice really does help. You will probably see that you like your blends that you do later in the game better than your first couple. That’s ok, you are learning! Don’t worry about perfection just enjoy the process.

If you try this, feel free to share a picture in the comments! Enjoy a creative Sunday!

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Techniques and Tutorials

Jellyfish Watercolor Tutorial

Another day, another tutorial! I’m making my way through my favorite animals first, with yesterday’s owl and now today a colorful jellyfish. Let’s paint!

You will need:

  • Watercolor paper (I used a 6×6″ piece, but you can work bigger if you’d like as well)
  • 3 Paint colors: A blue of your choice, and 2 accent colors. I chose magenta and lime green. You could also use 3 different shades of blue if you want. Jellyfish come in many colors!
  • A large (I used size 8), medium (I used size 5), and detail (I used size 0) round brush (The brushes that come to a point at the end).
  • A large flat brush (The brushes with rectangular bristles, flat on the end).

Start by adding a good amount of water to your main blue color choice to dilute it down to a light wash. Use your large flat brush to fill in the entire paper pale blue. Use long back and forth strokes, brushing in the same direction horizontally across your paper. There may be some streaks and this is ok as we are trying to create our water :). If you want to even anything out a bit more, you can brush over darker areas with plain water using the same brush to blend. Let this dry. Once the background is dry, grab your medium round brush. Dip the brush in some of the same blue color, but with less water so it goes on a bit darker. Outline a shape that looks like the top of a cupcake in the upper right corner.

Rinse off your brush, and with just water run your brush along the inside edge of that outline to blend it inward. Grab some more blue, and make 3 squiggly lines coming down from your cupcake shape. Curving them on the end makes it look more natural, like how they would be flowing as the jellyfish swims through the water. Using the same brush, grab some more of that same blue and add a paint streak along each side of your jellyfish top, and make some short strokes also along the bottom edge.

Rinse off your brush, then go over these blue streaks you just added with water to blend. Using the same brush, take your chosen accent color and make some squiggly lines over your blue ones in that new color. Next, we are going to use our small detail brush. Take your other accent color and make a curved bridge shape near the top of your jellyfish body. Streak some lines coming down from that bridge. Use your detail brush to make some thin tentacles flowing out from the body as well. Use the tip of your brush and drag it across with a light touch, hardly putting any pressure on the paper to get thin, flowing lines. If you are having trouble making a continuous stroke, just add more water. Your tentacles can flow in all different directions as they float through the water.

Rinse off your detail brush, and grab some of your first accent color that you used on the squiggly center tentacles. Make a broken scalloped outline along the bottom of the jellyfish body. You can also add an oval up top with some short, radial streaks coming down from the circle, like a simple sun shape. For a finishing touch, take your large round brush now and dip it in some watered down paint in the original color you used for the background – You don’t want this to be too dark. Make some bubbly, cloud-like texture in a portion of the blank space around your jellyfish by filling in the areas using a circular motion with your brush. Your brush should be laying at an angle as you do this.

These are so fun to make in different colors – You could create a whole jellyfish army!

Be sure to follow for more art fun to keep your mind and hands busy :).

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Techniques and Tutorials

Barn Owl Watercolor Tutorial

In light of social distancing precautions, we all are ending up with some unexpected downtime. It can certainly be discouraging and frustrating, but we can also use this time to our advantage to bring something positive out of a negative situation. I will be posting some simple tutorials on a regular basis over the next couple weeks. The best thing to do when things are uncertain is to occupy your mind, especially with something creative. Let’s have some fun!

To create this owl, you will need:

  • Watercolor paper (I used a 6×6″ piece, but you can work bigger if you’d like as well)
  • 3 Paint colors: Grey (or if using black add a lot more water to lighten it), Burnt Umber (or any dark brown), and Raw Sienna (or any bright, warm brown)
  • A large (I used size 8), medium (I used size 5), and detail (I used size 0) round brush (The brushes that come to a point at the end).
  • A medium size flat brush (The brushes with rectangular bristles, flat on the end).
  • A pencil
  • Optional: Black liner pen (Like a fine point Sharpie!)

Start with a light pencil outline made from basic shapes to guide your painting. Draw a circle for the head, a teardrop shape coming diagonally out from that circle for the body, and another smaller teardrop shape sticking out from the bottom center of the body for the tail feathers.

Using your large round brush, water down your raw sienna paint – you do not want this first layer too dark. Following the shape of the body keeping all your brushstrokes in the same direction flowing downward, fill in the wings, leaving the head and the chest white for now.

Using your detail brush, make some jagged up-and-down strokes with a watered down grey along the front of the chest, underneath the head, and along the back of the neck.

Rinse off your detail brush, and using the same brush strokes go over your grey you just added to the chest and neck with water. This will help blend the grey so your transition from grey to white is more gradual, and you end up with a soft, feathery look. Next, using your detail brush and watered down grey, outline a pointed “U” shape in the center of the face. Make some radial brush strokes sticking out from the top of the U where the eyes will be using your detail brush.

Still using your detail brush, add some radial strokes along the outside edge of the head, including one ray down the center from the top pointing to the beak. Add some grey to fill in the end of the beak. Rinse off your brush, and lightly brush over what you just added with a damp brush to blend it.

Continuing to use your detail brush, add a border around the head with raw sienna using short, radial strokes pointing inwards towards the face. Don’t forget the widow’s peak up top :)! Water down your raw sienna a bit more, and add some of this pale warm brown to the area where the eyes will be, using radial brush strokes again pointing outward from the top of the U shape.

Next, we are going to start adding texture to the feathers. Dip your medium round brush in some raw sienna with a little less water so the coverage is a bit darker than the base underneath. Stamp up and down over the entire area to create blots of color (This is called stippling.).

Do the same thing overtop while the raw sienna is still wet with the burnt umber on the top section of the wings. Add a bit of water to your umber first, but you still want it to be pretty dark.

Then, use your detail brush to create some thin outlines in burnt umber. Hold your brush at a 90 degree angle to your paper and use a light touch, hardly pressing down at all as you drag your brush to create thin lines. Create a darker outline around the inner edge of the raw sienna outline around the face. Outline the wing, and add some lines to the bottom section of the wing and tail feathers following the direction of the shape.

Still using your detail brush and burnt umber, make some groupings of short, vertical brush strokes to create striping in the wing and tail feathers in between the lines. Make them jagged and uneven for a more realistic feathery look.

Next, using your flat brush add some more water to your burnt umber. Using the width of your brush, drag a diagonal line underneath the owl starting at the bottom of the chest.

Go back to your detail brush, and grab some burnt umber with a little less water mixed in so you get a darker color. Add some short streaks of this darker shade over the post while it is still wet. Then, using the very tip of your brush, lightly add some speckled dots over the chest. Less is more! You still want to see mostly white.

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Now for the finishing touches! Use your detail brush to create a hooked shape with the burnt umber for the talon. Use your medium round brush to add a dark burnt umber feather shape visible from behind, between the tail feathers and the post. The last step is the eyes. Create a downward slanted football shape in the area we shaded for the eyes. You may use your detail brush to fill in the eye in grey or black, but you can also use a black liner pen for a little extra control. Be sure to leave a small circle open near the top of each eye for the reflection – This is what really makes your owl look alive!

I hope you’ve enjoyed this tutorial! If it didn’t come out exactly how you expected the first time, remember it just takes practice and the goal is experimenting and fun. No matter the outcome, you know more than before you started!

You don’t have to use natural colors for this project either. I think it would be fun to try a whimsical, fantasy owl in wild colors like purples, oranges, magenta, lime green … There are no rules! If you feel like sharing, post a picture in the comments of how yours turned out and as always, if you have questions don’t hesitate to ask! Stay safe everyone!

 

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