Final Artprize 2017 Series: “Unlimited”

Last week I finally finished the last piece in my 12 part series for this year’s ArtPrize, titled “Unlimited”. For this series, I created 12 mixed media portraits in which the meaning is influenced by the use of pattern and color, one representing each month of the year. Women of all ages, races, and time periods are depicted, each communicating a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. I was able to connect with Founder’s Brewing Co. as a venue for my series. I love art, and I love beer so I must say it is sort of a match made in heaven ;).

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May: She Is A Dreamer

I really learned a lot from working on this project. I got experience in drawing portraits of a variety of ages and ethnicity, and with that different bone structures and proportions of features. I also furthered the skill of not choosing an arbitrary medium just because “this is what I want to use”, but choosing the medium that makes the most sense both aesthetically and functionally for a given part of a piece. All 12 in order can be seen below.

In the midst of all this Artprize excitement, life has been filled with a variety of other creative endeavors such as an art trade with former student turned instructor at the arts program I run, some fun summer painting workshops I’ve been teaching, and the purchase of a home which my boyfriend and I are aiming to completely renovate in one month with a combination of hopes, dreams, and elbow-grease ;). I knew that bachelor’s in interior design would come in handy one day!

But seriously, though I adore the unexpected job I found nearly by accident, I also love design. I have assisted friends and family with projects here and there, but I’ve never done something on this large of a scale, and best of all, the project is not for a client but for ME, so I get to tailor everything exactly to my tastes (Well, mine and my partner’s. My other half is so not one of those “whatever you say, honey” kind of guys when it comes to design, and actually wants to be a part of the process. This is equal parts amazing and frustrating depending on the moment ;).).

He didn’t put up a fight about keeping this trippy metallic wallpaper in the bathroom, so I guess we’re alright <3. Now, back to ripping down all the other wallpaper that is not so rad. See you in 10 million years -_-.

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New Art! 2 Down 2 To Go!

Struck by both some luckily timed inspiration and ever looming deadlines, I have buckled down on my series and completed 2 more pieces, which means only 2 more to go! I actually think these 2 new ones are among my favorites so far. Series-explanation-blurb time for those new readers! “Unlimited” is composed of 12 mixed media portraits in which the meaning is influenced by the use of pattern and color. Women of all ages, races, and time periods are depicted, each communicating a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. Pieces are primarily drawing and painting, accented with mixed media elements and metallic details.

october she is full of curiosity

For the above, titled “October: She Is Full of Curiosity”, I incorporated a lot more mixed media elements which I felt meshed well with the “vintage study” atmosphere of the background. I used quilting fabric for the wallpaper, leather upholstery samples for the book cover, decoupaged book pages for the inside pages and title, an art book clipping for the picture on the wall, ink for the woodwork, watercolor for the outdoor scene, lace overlay for the girl’s collar, metallic acrylic for her hair, and prismacolor pencil for most of the figure and clothing.

she is free

In this next piece, titled “July: She Is Free In Mind and Spirit”, I took almost the opposite approach, not using any fabric or found object materials and sticking solely to the traditional art materials of prismacolor pencil, watercolor, and acrylic paint. I’d had all the pieces for my series pre-planned as far as composition and subject matter since late 2015. However, this one took flight (haha, bad pun) on its own quite recently after I realized that I had a variety of ages and races represented in my planned artworks, but not a variety of abilities. Given that I work with an art program that serves individuals with disabilities, this oversight stopped me in my tracks. I’m always harping on inclusion and the lack of representation of people with disabilities in the public and entertainment sphere to anyone who will listen (and even those who don’t want to sometimes), and yet I realized they were not included in my project that was all about inclusion, unity, and representation. I was thus tasked with coming up with a visible disability that could be seen in just a head and shoulders portrait rather than a full body rendering. This lively young woman with down syndrome who exudes confidence, energy, and life evolved over the incredibly short course of two interrupted days with no pre-planning or sketching beforehand which is very uncommon for me. I don’t know that anyone else will see it, but this piece definitely holds the most emotional connection for me.

For more deeply personal and unconventional portraits, check out self-taught contemporary artist Stephen Martyn Welch’s “Everyone Deserves A Portrait” series inspired by his son who was born with Kabuki Syndrome. Keep checking for the last two! I’m on a roll ;)!

Collaborative Art, Or, I Guess I Do Work

A couple of months ago, something of a milestone in my artistic journey happened, and I cannot believe it has taken me this long to get around to sharing it. I completed a collaborative piece with another artist. Whoa, am I right?

I don’t always like working closely with others. I was the kid that dreaded group projects growing up. In college, for my huge final project I actually chose to do 4x the work of everyone else simply to avoid working with a group (Let’s be real, I always ended up doing all of the work anyway.). I like control, I like all the responsibility for either my own success or failure falling entirely on me. I have distinct memories of 5th grade in which we were tasked, in groups of 3, to build this big house out of cardboard, decorate it inside, and wire in actual working lighting with those fun little battery circuit kits you get to play around with in grade school.One of my group members was dancing around the room singing “Oops, I Did It Again” using her pencil as a fake microphone, I do not jest. The other group member  was insisting on wiring everything in such a way that none of our little ceiling bulbs would light up, and she would not take instruction. I finally couldn’t take it, and quiet mouse me who never made a peep all day told her bluntly that all her ideas were stupid. A temper tantrum by the accused ensued. I actually didn’t get into trouble because I was such a quiet kid, I think the teacher was just glad I finally spoke up and said something, anything, even if it was to berate a fellow student’s ineptitude.

Art is so personal too, to alter your vision, to compromise to allow room for someone else’s vision as well is super hard.

I first met my artist-in-crime, Heather, about 3 years ago when she took one of my Artshop classes at Creative 360. We felt a connection right away due to our similar artistic leanings and interests, and have been sharing our art and our journeys with each other ever since. There were certainly some rough patches along the way, but we’re still friends and have this adorable, girly, sad, disturbing masterpiece to show for it. So much metallic watercolor was used in the making of this art, that my sink is still sparkly.

This piece explores the idea of being taken advantage of, and seeing the best parts of you ripped away by the other’s abuse. It also conveys the idea of the sympathetic but complicit observer, who is silent as they witness harm and injustice.

Our styles meshed super well, which I honestly wasn’t expecting. Though we favor similar subject matter at times, we have totally different approaches to drawing. Who did what, can you guess?

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Icing On The Cake, by Allise Noble (left) and Heather Deogracia (right).

Without the urging of a “Dynamic Duos” curated show at Studio 23 Gallery in which you were required to submit only art made in tandem with a fellow artist, I don’t think Heather or I would have attempted such a harrowing feat. Now that we’ve done it once, we may just try a second go around in the future… only time will tell.

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Art Discussion: To Suffer In Your Arms

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Happy February! This art discussion seems appropriate given that February has been appointed the month of all things lovey dovey. This drawing is one of my older ones, from about 8 years ago. Still, I’ve remained attached to it even though I can see spots where my pen and ink skills have certainly improved. It’s just the right mix of elegant and morbid, and I used an interesting process to come up with the concept. I had an assignment in my college drawing class in which we had to create a collage first, and then draw from that image we created. I used to be big into collaging (This collage actually won a contest in Deviantart’s collage club, of which I used to be quite the active member.), so this technique was right up my alley. I liked how collaging helped me come up with new image pairings I may not have thought of through sketching only. The loving couple used to be a cheesy perfume ad – major upgrade.

Outdoors, people are rioting and attacking each other. The couple are “safe” inside, shut out from all the cares of the outside world. But, even though they seem deeply in love, they too have wounds that they have imparted on each other. The woman is so enthralled with the picture in her mind of that perfect embrace, that oneness, that sense of not being alone that she ignores her own suffering. A dead dove lies shot and bleeding on the table, his blood bright red like the cuts and bruises on the woman, and the morbid image of the smiling, bleeding woman on canvas hung on the wall.

Love and peace are two words that are often spoke of together, as if married. What is odd is that despite all this, love is often in fact a destroyer of peace. People do all sorts of things in the name of a feeling they call love. In favor of love, common human decencies are thrown out the window without a look backward. People ruthlessly force their own ideas on others, sometimes to that others’ demise, all the while saying and wholeheartedly believing that this behavior is only because they love them and want good things for them.

Take a look at the relationships of any number of people you know as well as your own: you will find that often times once romantic love infiltrates a bond, you can expect things to be anything but peaceful. Love adds two entirely new dimensions to the already multifaceted structure of a relationship between two people, each different person with their own separate ideas of what both giving and receiving love is supposed to look like. 7 years after I pondered the simplification of love as the solution to everyone’s problems, this fantastic article was posted to Observer; “When we believe that “all we need is love,” … we’re more likely to ignore fundamental values such as respect, humility and commitment towards the people we care about. After all, if love solves everything, then why bother with all the other stuff — all of the hard stuff?” Love, like any other experience, can be healthy or unhealthy and it would do us all well to remember that. 

Love of only one or few things can easily grow into an obsession. With obsession comes possessiveness, jealousy, and a loss of attention to all else causing any other parts of life to shrivel and decay. Our perceptions can be tricked into a sort of bubble of “only I and what I love matter in this world”, when guess what, a whole lot else matters. The world keeps turning, and we let things that will inevitably be missed later fall away. Similarly, an intense, burning, passionate love of too many separate entities can cause overwhelming anxiety and leave an individual asking,”How can I show love to all of THIS when I only have _______”. One can end up feeling like the only spring left in a world of thirsty travelers. It can be hard to forget you are not the center of all that you love. In the case of love that is unrequited, you may not even be on the edges of what it is you love. And inner peace further erodes.

I, however, am still quite a fan of love (and always have been) and believe it can
accomplish wondrous things. I guess what matters the most and what we must think about always is where our love is coming from. Does it come from our own fleeting wants and demands, is it forced or artificially manufactured out of a sense duty with no real
compassion behind it, or does it flow from a deeper source? Love should always be external, because of who other living beings are, not internal, because of what we long to own. Love that comes from selfish desires undoubtedly leads to brutality.

Art That Celebrates Life

Let’s be honest guys, the world is a mess right now. The world is not without hope, not without flashes of brightness, joy, and kindness, but we must admit situations could be better. Our world has a lot of problems; I would argue not any more problems than it has had in the past, just new and different problems that come with a changing world. It makes sense that with all the doom and gloom in the news day in and day out, it is easy for people to get overwhelmed. Unable to deal in their own mind with all the issues being plummeted towards them at once, they develop a sort of tunnel vision. With tunnel vision towards one particular issue, we get the culture wars, two sides so obsessed with one particular facet of our society that they are dissatisfied with that everything else, all the other big, important things that also need our help and attention, fall by the sidelines in favor of childish bickering. One of the worst examples of tunnel vision I’ve seen is the right to life debates.

Comedian and social critic George Carlin said of members of the pro-life movement in a well known monologue, Pro-Life, Abortion, and And The Sanctity of Life, “They’re all in favor of the unborn. They will do anything for the unborn. But once you’re born, you’re on your own. Pro-life conservatives are obsessed with the fetus from conception to nine months. After that, they don’t want to know about you. They don’t want to hear from you. No nothing. No neonatal care, no day care, no head start, no school lunch, no food stamps, no welfare, no nothing. If you’re pre-born, you’re fine; if you’re preschool, you’re f*****.” 

That may be hard to hear, and no, I’m sure it doesn’t ring true of every pro-life supporter out there. But unfortunately, most individuals that tout a pro-life belief are deeply lacking in a holistic advocacy for all of life. This can be seen clearly in this past election, which I know everyone is sick to death of hearing about, but it is important. The number one reason I have heard for why individuals didn’t vote for Hilary Clinton was her stance on abortion. Now, I am by no means a ride or die Hilary fan. Both candidates had issues, it is which had more that was a matter of personal opinion. However, think about this: people were saying they can’t vote for Hilary because she is a “murderer” based on her belief that the government should not outlaw abortion, though she personally believes it is a morally complicated issue. However, the alternative candidate’s first course of action that he just can’t wait to get started on as our new chief is to yank away the ACA, a provision that has allowed people with life threatening conditions and chronic or mental illness to be able to afford the care they need to, quite simply, not die. It was not perfect, but its impact was still not to be downplayed, as you can see from the many personal stories on Faces Of The ACA, a website started by a woman who credits surviving cancer to the Affordable Care Act.  As someone who works with individuals with disabilities and chronic illness, it is heartbreaking to see the people I care about fearing for their life and their future. Our new VP advocates for the psychological and at times even physical torture of LGBT youth in an effort to “change” them, often leading to eventual suicidal acts. But wait, with this option we were supposed to have “chosen life”. Many people knew of these concerns beforehand, and just couldn’t find it in themselves to care. This is the danger of tunnel vision.

Catholic nun Sister Joan Chittister‘s words have famously made their rounds in the media over this past year, “I do not believe that just because you’re opposed to abortion, that that makes you pro-life. In fact, I think in many cases, your morality is deeply lacking if all you want is a child born but not a child fed, not a child educated, not a child housed. And why would I think that you don’t? Because you don’t want any tax money to go there. That’s not pro-life. That’s pro-birth. We need a much broader conversation on what the morality of pro-life is.”

I wonder if we don’t focus on unborn babies because it is easier and less messy to care about someone who doesn’t exist yet, rather than the people who we already cross paths with in our day or hear about in the news, but who may be different from us, may be hard to understand, may make us uncomfortable, may have cultures or views or lifestyles that are different from ours.

Art speaks, so below, I would like to share a selection of impactful art that celebrates all life. I’m not telling anyone they have to stop caring about the things that they do; you have the right to your beliefs just as I do mine. However, I’d ask that you make an honest effort to open your scope and act on what you see, because there are so many who have already been thrust into life on this earth that need your help and support.

Illustrator Cloudy Thurstag – A beautiful visual reminder of the value of self care, important for everyone but especially relevant to those suffering with chronic or mental illness.

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Model Yazemeenah Rossi –  Because beauty, confidence, and poise doesn’t have an age limit.

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Stencil Artists Icy and Sot” using public art to envision a world freed from borders, war and gun violence.”

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Dancer Mary Verdi-Fletcher – There is more than one way to dance; innovation has no limits.

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Artist Joel Bergner in Collaboration With Syrian Refugee Children In The Za’Atari Camp In Jordan – Exploring conflict, dreams, fear, conservation, generosity, and hope together through art.

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If you have thoughts, feel free to share. Deep discussion can be quite a rush :D.

 

 

Art Discussion: New Year’s Resolutions

I have to admit, I never make New Year’s resolutions; partly because if you are truly dissatisfied with something, it seems silly to arbitrarily wait until the turning of the calendar to fix it. In part also because we all tend to set the same goals, those goals that we know everyone else is setting so we can easier relate to those around us as we share that we want to find our soulmate, get a promotion, or lose weight, and we can all laugh together about how we probably won’t actually do anything to work towards most of those things. But, what would happen if we committed to doing one thing that we were truly passionate about in this new year, one thing that we didn’t over analyze to death, asking ourselves, Should I want this? Is it too silly? Too shallow? Too lofty? Too weird? No one would understand anyway … 

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During my senior year of college 7 years ago (Whoa! 7 is a big number.), I entered an art book into the Annual Student Exhibition at Central Michigan University. I asked a sampling of the people I encountered in a day, some I knew well and some I did not, to think of a couple of experiences they would like to have before their life was over, and pick the most obscure one to share with me. I chose 35 different submissions to illustrate, and Underneath was  born. This was my first experiment with creating art based on collected personal stories, something I would use to create many more projects in the future. I also ended up winning the Grand Award for this piece, which was the first time I’d ever won anything for my art aside from a coloring contest in 4th grade, and not a bad way to exit my college career ;).


As annoying as it may be that the first thing anyone asks when meeting someone for the first time after “What’s your name?” is, “So what do you do?”, we kind of are what we do. This doesn’t have to mean our day jobs, or even be workplace related at all. What we do with each day is a choice, and it is these choices that reflect what we value and shape who we will become. True goals can give immense insight into each individual’s unique personality, drive, and psyche. That is why I so enjoyed sifting through the responses I received for this project.

I was reminded of Underneath recently for an unfortunate reason. The young woman who 7 years ago submitted the far right response above took her own life in a murder-suicide earlier this month. She attended my high school, but our school was so large growing up there were tons of people who walked in graduation with me that I felt like I’d never laid eyes on my whole four years there. I never knew her well, but our paths did cross and I remembered her submission deeply affecting me back then, as the news of what occurred deeply saddened me now. A couple of my good friends had had classes and clubs with her, some even keeping up over the years at least through texting and facebook, and the news hit them even harder.

This may not be a typical resolution, but something to be mindful of in the new year is this: we do not know everyone else’s story. We have no clue about everything the people we run into in our day to day life may be going through. People learn to adapt, and to act, and to portray themselves in person, at work, and in social media as how they want others to see them. I know I do it; I think we all do to a point. I have always been fascinated with the dichotomy between individual’s alone personas versus their public personas. It is a concept that is interesting to explore. It can also be a concept that is dangerous, because it can prevent people from reaching out who need help. If you make one resolution (aside from foregoing all convention and chasing your oddest dream / within reason and lawfulness, of course), resolve to be transparent and authentic, and resolve to be someone who is willing to make that reach when someone needs support either in the form of just a listening ear or otherwise. Christmas falling on a Sunday, I attended the Christmas morning church service at MFMC with my family this year. We spoke about how there is the whole Christmas story which most of us, churchgoers or not, have known since childhood. But, we all have stories, and our story, how we live and interact, can change someone else’s story for the better if we allow it to happen. We have nothing to lose for trying.

To see the rest of my art book in order, visit the album on my website.

New Work! (In Which I Present Probably The Cheeriest Art I’ve Ever Done)

Hey all! I recently finished the 4th piece I’ve added to my current 12 part series. Each piece represents a month of the calendar, and this one is June so it would actually be installment 6 but I’ve skipped around a bit. To catch up new comers, I am working on a series of 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. I give you, June: She Is Constantly Evolving.

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I think this is quite literally the happiest piece I’ve ever completed – There’s even a puppy … that is unreal. I mean, a couple years ago I actually was told by the manager of a local restaurant that I had to remove a couple of pieces from a show I’d hung there because they were afraid it might send patrons spiraling into depression. You’re not a real artist if your art has never been ousted from anywhere, or so I’m told. Not that everything I make is gloom and doom, but to have butterflies, puppies, flowers, smiling with teeth, and cotton candy clouds all together in one piece is not usually my jam. All of my work centers around people’s inner worlds, and sometimes confronts difficult or uncomfortable emotions. Even my pieces that convey overt happiness usually have some sort of edge or oddity to them.

I remember meeting my blindly assigned roommate in college for the first time. Once she found out I was an artist, she wanted me to do some large paintings for the common room, but “They have to be cute! Not scary!” Apparently she thought I was some sort of dark , twisted soul, which is quite funny as I had Sanrio posters all over my bedroom and Bart Simpson print pj’s for god’s sake. (I was to find out later that until we became friends she was afraid to put out any of her Hello Kitty themed toiletries in our shared bathroom, and also only watched America’s Next Top Model in secret when I wasn’t home for fear of my scorn.) To fulfill the cute requirement, I made a painting of a girl holding her kitten surrounded by retro, colorful power flowers. But … I gave the kitten purple dragon wings.

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This is so Museum Of Bad Art worthy in the most hilarious way, that I’m actually saddened I tossed it. It’s one of those compositions that is so bad it goes right past bad and back to good again.

All this to say, this is a rare piece to be one that conveys nothing but pure, unadulterated joy and exhilaration. It’s ironic that I created this at a time when joy and exhilaration were about the two farthest things from my mind. As seems to be the general consensus, 2016 has been more than a little trying, and it sure decided to go out with a bang in November and December.

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This piece is about transformation, as symbolized by the presence of butterflies, and maybe it was the idea that change is certainly most appealing during the most wearing of times, mixed with a bit of my love of holidays that makes it impossible for me to stay cranky around Christmastime. Either way, this piece speaks not to who we are right now but who we wish to be, and reminds us that nothing is permanent, and that sometimes that isn’t a bad thing.

See this design and more in my Redbubble Shop.