New Work

New Art + Forced Inspiration

So, awhile back I did a post on artist block, something I had been lucky to never really experience too much until very recently. It’s not that I didn’t have a ton of ideas, I quite simply wasn’t enthused about any of them for whatever reason and the execution just wasn’t flowing. I’m sure this had a lot to do with the crazy amount of stress I’ve been under this year for various reasons, but nevertheless I really desperately wanted to make some art I was actually excited about. I remembered how when I used to write poems and short stories back in college to unwind, if I felt the urge to write but had no clue what to write about I would put my iPod (HA, who has those anymore?) on shuffle and use the first song title that came up as inspiration for my short story, or else I’d use a random word generator and the word that came up had to be the title.

I decided to revisit this old, rather silly process of chance to see if it would jumpstart my creative but very stressed and exhausted brain. I did 4 trios of word generations, wrote them down in my sketchbook, and started drawing. It worked! I instantly came up with 4 ideas that I could easily relate to thoughts that had been jumbling around in my brain anyway, but that I just didn’t know how to access and release.

For this first one, inspiration was to be drawn from the words lung, tie, and morning.

Constrict

I ended up being so happy with how it turned out that I’m keeping it! I have the perfect spot in my living room, and actually only realized after I’d hung it up that the fabric I collaged for her jacket matches a swatch on my fabric scrap pillow I made about a decade ago that is now sitting on my accent chair ^_^.

“Breathe” was drawn using prismacolor pencil for the figure, and ink for the background. I used fabric for the jacket, old book pages for the wall art, hand marbled paper for the exposed lungs, and embroidery thread for the vein detailing that trails up to her neck and tangles around her fingers. The figure is a mix of multiple references I gathered to match the image I had in my head of what I wanted her to look like.

As I mentioned before, this year has been rough. I’d been experiencing sensations of feeling trapped, confined, constricted, suffocated … Even simple acts such as breathing, eating, sleeping were in a way loaded issues, made more complicated by both external and internal factors. This was some of what was on my mind while creating this piece, but as always it is not without elements of hope and promise of a future through the oxygen giving plants and botanical imagery throughout, and sunlight pouring in through the open window.

I’m sure others may even see something totally different in the story as viewed by their own thoughts and experiences, and if anyone wants to share what they saw going on I always love to hear others’ interpretations – Feel free to send a comment or message! Love to you all, and remember, you always hear that you don’t want to force inspiration but … sometimes you have to to get anything done and that’s okay ;).

Though I’m not letting go of the original as of right now, prints will soon be available so check out my eBay shop to snag one!

Advertisement
Standard
New Work

New Work Inspired By Spring (and Stress)

I’ve taken a short break from my new series to work on a stand alone project for a competition coming up. I always have a couple sketchbooks going filled with any ideas for art projects that I’ve thought up over the past 10+ years, some I’ve gotten to and some I haven’t. I think it’s the fact that I live in Michigan and the winter has been never ending that made me want to work on something inspired by plants, insects, and basically signs of life. When I began this project, I had also been having a bit of a rough patch emotionally with some minor life trials, nothing vast on their own but when all occurring at the same time… yikes. I had done a watercolor sketch way back in 2008 of a crying woman with ladybugs crawling our of her eyes, but it ended up looking way too gross which took away from the original intent. Another previous piece (Seriously, check it out if you haven’t already – it has a fun story.) from more recently incorporating butterfly designs into the human form had been well received when showed at a curated exhibit and to my surprise actually ended up selling right away. With this in the back of my mind, I decided torn butterfly wings were the perfect vehicle for melancholia – not so creepy crawly.

From this creative soup came my newest piece, Torn, on 18×24 mixed media paper.

torn

One of the biggest challenges with this piece was maintaining a balance of light and dark and achieving the bold contrast I knew I wanted without the figure looking disjointed. The white outlined pattern taken from both the background’s ginkgo leaves and butterfly designs layered overtop the black watercolor drip of her torso helped to blend the dark areas into the light and remove some of the heaviness. I included pieces of stark black scattered throughout the piece to balance everything out, from the hair and parts of the wings to the thin branches in the background.

butterfly shirtAn additional challenge – my two loves are watercolor and colored pencil, and I especially love to utilize these two vastly different mediums together. What paper to use, though? Colored pencils just cannot blend on watercolor paper with the strongly textured, bumpy surface so I tend to opt for mixed media paper when using wet and dry mediums together. However, watercolor does not  act the same way on mixed media paper as on traditional watercolor paper. Doing wet-on-wet color application leads to some really blotchy, unpleasant results so I had to be patient and do a lot more light layering to build up to the look I wanted.

All in all, I am happy with the result and enjoyed turning one of my concepts in idea purgatory into a reality :). Prints of all types are available in both my Redbubble Shop and Ebay Store.

 

Standard
Art Discussion, Artist Bio

Year End Reflections And A New Project

As I mentioned earlier, after the completion of my “Unlimited”series I’d been experiencing a bit of artist’s block. I tried playing around with a couple new ideas, but nothing seemed to stick.

Design is pretty much my constant state of existence similar to, you know, breathing, so I stayed busy with commissions, crafting, my day job, and involvement in the Creative Team at my church. It was one of my projects for the team that would be the inspiration for my next piece. Upon the usual late December reflection, I discovered the themes explored in this piece really parallel what I’ve learned in this last year.

The series this image was designed for was titled Whole Heart, and though I hate being videotaped, I was somehow coerced into it so you can view this video explaining the concepts and thought behind the design. For a medium I chose a simplistic watercolor illustration with bold colors and sharp outlines. This would make the image clear and easy to read on a small app icon as well as in larger print form. The style would also appeal to any age from kids to older adults. I was surprised how even with a “story” that seemed so basic, people could strongly relate to it on multiple levels. Hearing how touched many were by image made me want to develop the concept into a more detailed piece in my usual surreal, mixed media style. Right now I just have the pencil outline, but keep checking back for in-progress shots!

whole heart orig brighten

The girl in this piece is doing something absolutely terrifying, and in no way should she be smiling or feeling any positive emotions such as liberation or elation, and yet …

I’ve always read things or heard speakers in inspirational youtube videos talk about the difference between joy and happiness, but for the most part it just sounded like a bunch of nonsense to me until this year. Suddenly – I get it. Happiness is about things that make you feel excited and content in the moment – it’s situational. Joy is about a balance of fulfilling what you need to be content, doing what you can to fulfill the needs of others or even the world or society as a whole, and learning how to deal with and process those desires that are not yet fulfilled, or those instances in your surroundings that are unjust, upsetting, or draining. Joy is about being your best self not just personally but in how you affect others.

Self care has been a huge buzz word this year, from making being comfortable into an art with lists of specific tenants required to reach maximum coziness level such as in the Danish hygge trend, to the increased conversation around kids needing “personal days” or “mental health days” in school just as adults get personal days off from work to reach their optimum ability and stay healthy. Articles about self care tend to revolve around taking it easy and giving yourself permission to indulge guilt free for the most part, but I read a really great article recently that discussed a far less popular part of self care. I suggest you read the entire thing for yourself, but the main highlighted, bold font point from this article reads as follows …

“True self-care is not salt baths and chocolate cake, it is making the choice to build a life you don’t need to regularly escape from. And that often takes doing the thing you least want to do.”

Self care could mean finally making that counseling appointment you’ve been putting off. It could mean finally seeking help for your alcohol or drug addiction you’ve been struggling with. It could mean having an uncomfortable, challenging conversation with a friend or family member. It could mean either temporarily or permanently cutting a toxic person out of your life. Doing the hard things will give you not the temporary happiness that comes from giving yourself a free day relaxing in front of Netflix with a fuzzy blanket and a bottle of wine (Because you’re still going to have to go back to that job you hate after the sun sets on your mental health day … I speak from direct experience.), but the joy of a life you don’t need to regularly escape from.

I have felt the most content and fulfilled this year than any to date in my adult life, despite the fact that I still experience bouts of anxiety from time to time, I still experience periodic stressers in both work and personal life at pretty regular intervals, and the fact that the news cycle and goings on in my home country of America have really, really done a fantastic job in 2017 of pushing the exact buttons that make my blood boil.

And that is definitely an awesome thing, but it is not even all about my own or your own personal well being or fulfillment. More and more, I don’t think the point in life is necessarily to be happy all the time; I don’t think happiness is the endgame.

Most moral people tend to think that the reason we shouldn’t do bad things is because though we may think those things will make us happy, there will be some deep, dark void inside of us that will eventually eat us alive or something. Unfortunately, I don’t think that is always the case. I think there are plenty of people who are perfectly happy celebrating greed, lying, assaulting and bullying, and causing great harm to others … until they get caught. Just turn on the news. That is why the level of our happiness does not always correlate to a good life lived. We may feel happier and more internally at peace living with our heads under the sand, ignoring all the problems and injustices going on in our world, accepting the unacceptable because “I can’t do anything about it, so why should I worry?” But … if every single one of us did that, how would anything ever change? Not that every person is called to be a world changer that will end up in the history books, but plenty throughout history have put themselves in some pretty miserable conditions in order to speak up for what is right – certainly not the road to happiness and internal zen – because the purpose of life is not simply achieving momentary happiness over and over and over again.

My hope for this new year is that we all continue to grow into our best selves, and continue to flourish in awareness, in empathy, in bravery, and yes, in joy.

Come at us 2018, we’ve got this :).

Standard
Artists To Know

Art That Celebrates Life

Let’s be honest guys, the world is a mess right now. The world is not without hope, not without flashes of brightness, joy, and kindness, but we must admit situations could be better. Our world has a lot of problems; I would argue not any more problems than it has had in the past, just new and different problems that come with a changing world. It makes sense that with all the doom and gloom in the news day in and day out, it is easy for people to get overwhelmed. Unable to deal in their own mind with all the issues being plummeted towards them at once, they develop a sort of tunnel vision. With tunnel vision towards one particular issue, we get the culture wars, two sides so obsessed with one particular facet of our society that they are dissatisfied with that everything else, all the other big, important things that also need our help and attention, fall by the sidelines in favor of childish bickering. One of the worst examples of tunnel vision I’ve seen is the right to life debates.

Comedian and social critic George Carlin said of members of the pro-life movement in a well known monologue, Pro-Life, Abortion, and And The Sanctity of Life, “They’re all in favor of the unborn. They will do anything for the unborn. But once you’re born, you’re on your own. Pro-life conservatives are obsessed with the fetus from conception to nine months. After that, they don’t want to know about you. They don’t want to hear from you. No nothing. No neonatal care, no day care, no head start, no school lunch, no food stamps, no welfare, no nothing. If you’re pre-born, you’re fine; if you’re preschool, you’re f*****.” 

That may be hard to hear, and no, I’m sure it doesn’t ring true of every pro-life supporter out there. But unfortunately, most individuals that tout a pro-life belief are deeply lacking in a holistic advocacy for all of life. This can be seen clearly in this past election, which I know everyone is sick to death of hearing about, but it is important. The number one reason I have heard for why individuals didn’t vote for Hilary Clinton was her stance on abortion. Now, I am by no means a ride or die Hilary fan. Both candidates had issues, it is which had more that was a matter of personal opinion. However, think about this: people were saying they can’t vote for Hilary because she is a “murderer” based on her belief that the government should not outlaw abortion, though she personally believes it is a morally complicated issue. However, the alternative candidate’s first course of action that he just can’t wait to get started on as our new chief is to yank away the ACA, a provision that has allowed people with life threatening conditions and chronic or mental illness to be able to afford the care they need to, quite simply, not die. It was not perfect, but its impact was still not to be downplayed, as you can see from the many personal stories on Faces Of The ACA, a website started by a woman who credits surviving cancer to the Affordable Care Act.  As someone who works with individuals with disabilities and chronic illness, it is heartbreaking to see the people I care about fearing for their life and their future. Our new VP advocates for the psychological and at times even physical torture of LGBT youth in an effort to “change” them, often leading to eventual suicidal acts. But wait, with this option we were supposed to have “chosen life”. Many people knew of these concerns beforehand, and just couldn’t find it in themselves to care. This is the danger of tunnel vision.

Catholic nun Sister Joan Chittister‘s words have famously made their rounds in the media over this past year, “I do not believe that just because you’re opposed to abortion, that that makes you pro-life. In fact, I think in many cases, your morality is deeply lacking if all you want is a child born but not a child fed, not a child educated, not a child housed. And why would I think that you don’t? Because you don’t want any tax money to go there. That’s not pro-life. That’s pro-birth. We need a much broader conversation on what the morality of pro-life is.”

I wonder if we don’t focus on unborn babies because it is easier and less messy to care about someone who doesn’t exist yet, rather than the people who we already cross paths with in our day or hear about in the news, but who may be different from us, may be hard to understand, may make us uncomfortable, may have cultures or views or lifestyles that are different from ours.

Art speaks, so below, I would like to share a selection of impactful art that celebrates all life. I’m not telling anyone they have to stop caring about the things that they do; you have the right to your beliefs just as I do mine. However, I’d ask that you make an honest effort to open your scope and act on what you see, because there are so many who have already been thrust into life on this earth that need your help and support.

Illustrator Cloudy Thurstag – A beautiful visual reminder of the value of self care, important for everyone but especially relevant to those suffering with chronic or mental illness.

f9b7ad27493161-5790b93ccdc83

Model Yazemeenah Rossi –  Because beauty, confidence, and poise doesn’t have an age limit.

56f2de891e0000b300705214

Stencil Artists Icy and Sot” using public art to envision a world freed from borders, war and gun violence.”

img_3894

Dancer Mary Verdi-Fletcher – There is more than one way to dance; innovation has no limits.

download

Artist Joel Bergner in Collaboration With Syrian Refugee Children In The Za’Atari Camp In Jordan – Exploring conflict, dreams, fear, conservation, generosity, and hope together through art.

zaatariwatermural

If you have thoughts, feel free to share. Deep discussion can be quite a rush :D.

 

 

Standard
Art Discussion

Art Discussion: New Year’s Resolutions

I have to admit, I never make New Year’s resolutions; partly because if you are truly dissatisfied with something, it seems silly to arbitrarily wait until the turning of the calendar to fix it. In part also because we all tend to set the same goals, those goals that we know everyone else is setting so we can easier relate to those around us as we share that we want to find our soulmate, get a promotion, or lose weight, and we can all laugh together about how we probably won’t actually do anything to work towards most of those things. But, what would happen if we committed to doing one thing that we were truly passionate about in this new year, one thing that we didn’t over analyze to death, asking ourselves, Should I want this? Is it too silly? Too shallow? Too lofty? Too weird? No one would understand anyway … 

1.jpg

During my senior year of college 7 years ago (Whoa! 7 is a big number.), I entered an art book into the Annual Student Exhibition at Central Michigan University. I asked a sampling of the people I encountered in a day, some I knew well and some I did not, to think of a couple of experiences they would like to have before their life was over, and pick the most obscure one to share with me. I chose 35 different submissions to illustrate, and Underneath was  born. This was my first experiment with creating art based on collected personal stories, something I would use to create many more projects in the future. I also ended up winning the Grand Award for this piece, which was the first time I’d ever won anything for my art aside from a coloring contest in 4th grade, and not a bad way to exit my college career ;).


As annoying as it may be that the first thing anyone asks when meeting someone for the first time after “What’s your name?” is, “So what do you do?”, we kind of are what we do. This doesn’t have to mean our day jobs, or even be workplace related at all. What we do with each day is a choice, and it is these choices that reflect what we value and shape who we will become. True goals can give immense insight into each individual’s unique personality, drive, and psyche. That is why I so enjoyed sifting through the responses I received for this project.

I was reminded of Underneath recently for an unfortunate reason. The young woman who 7 years ago submitted the far right response above took her own life in a murder-suicide earlier this month. She attended my high school, but our school was so large growing up there were tons of people who walked in graduation with me that I felt like I’d never laid eyes on my whole four years there. I never knew her well, but our paths did cross and I remembered her submission deeply affecting me back then, as the news of what occurred deeply saddened me now. A couple of my good friends had had classes and clubs with her, some even keeping up over the years at least through texting and facebook, and the news hit them even harder.

This may not be a typical resolution, but something to be mindful of in the new year is this: we do not know everyone else’s story. We have no clue about everything the people we run into in our day to day life may be going through. People learn to adapt, and to act, and to portray themselves in person, at work, and in social media as how they want others to see them. I know I do it; I think we all do to a point. I have always been fascinated with the dichotomy between individual’s alone personas versus their public personas. It is a concept that is interesting to explore. It can also be a concept that is dangerous, because it can prevent people from reaching out who need help. If you make one resolution (aside from foregoing all convention and chasing your oddest dream / within reason and lawfulness, of course), resolve to be transparent and authentic, and resolve to be someone who is willing to make that reach when someone needs support either in the form of just a listening ear or otherwise. Christmas falling on a Sunday, I attended the Christmas morning church service at MFMC with my family this year. We spoke about how there is the whole Christmas story which most of us, churchgoers or not, have known since childhood. But, we all have stories, and our story, how we live and interact, can change someone else’s story for the better if we allow it to happen. We have nothing to lose for trying.

To see the rest of my art book in order, visit the album on my website.

Standard
Art Discussion, New Work

March: She Is Everything At Once

Obviously, though I had a fun idea of doing the whole “a drawing a month” reveal for my new 12 part series, that didn’t happen as I am on March and it is now almost September. I would like to enter this series into Art Prize next year, and decided if I have until next Fall, why impose such a crazy impossible deadline on myself simply for the sake of themed blog posts and risk the quality of the work? Impossible self-imposed deadlines are this thing I like to do that I really need to ease up on. For those who haven’t read my previous posts, my new series involves 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color, one representing each month of the year. They will depict women of all ages, races, and time periods, and each will communicate a different theme and season. I aim for the pieces to speak to women’s collective experiences beyond their differences. I want the series to flow together in its mainly black and white scheme with pops of color, soft mixed media application, and it’s classic portrait composition. However, I wanted each month’s portrait to still be distinctly different “characters” from one to the other, achieved via aesthetic theme and accent colors. For this piece, I went with bold, dynamic primaries and a nod to pop art. You can view January and February from earlier posts.

In this piece for March, my goal was to take the commonplace negative stereotype of women being “emotional” and turn it on it’s head, marrying caring and empathy with strength, and sadness and despair with hope for a better future. A surreal merging of classic pop art, which often featured dramatic beautiful women sobbing,  with realistic portraiture was the perfect fit for this concept.

march.jpg

Women are constantly being told they are too much of something, despite the fact that they are often expected to wear far more different hats responsibility-wise than their male counterparts. Google searches have become an interesting way to peek into mainstream society’s views. Anyone who uses the internet knows when you begin to type something in, google will finish it with the most popular searches and subjects. A UN Women ad from 2013 was the first to make a statement using this innovative approach.

un-women-search-engine-campaign-1

I tried the same concept, only typing in the starting phrase “women are too…” What I’ve found is that women are apparently too picky, but also too easy, too intelligent and successful to find love, yet too weak and too emotional to be leaders, the president, or involved in politics at all, but at the same time also too dominant. It looks like we’ve got a Goldilocks problem here.

As one who believes that sometimes problems we assign dominantly to one gender are still just basic human being problems, I didn’t want to negate the idea that there may be similar findings for men. However, when I tried “men are too…” I got nothing. In fact, when I simply pressed enter to see what articles would come up, the main article up top was “Monkeys turn into grumpy old men, too” about aging primates and behavioral changes. While hilarious, it is clear that this whole “Be everything at once yet also be nothing at all” contradictory expectation is something that, while maybe not entirely absent for men, is something that women face more in mainstream culture.

A descriptor routinely used to discredit women’s abilities is the fact that they are “too emotional” by default of their gender. However, when men step out of their perceived box by showing any degree of emotion aside from anger, they too are often chastised and ridiculed. This shows that our revulsion towards caring at least is a societal problem on the whole, not just a women’s issue. For some reason, people seem to view caring as weakness. This can be seen clearly in the dismissive term bleeding heart, always used with a strong air of disgust. (A note to be made here… when I talk about caring I am not including people sitting behind a laptop screen typing angry, obscene responses to random articles that they don’t agree with because they get off on being offended and telling people off. Nor am I talking about people who shut down and throw a fit every time they have to hear something that they don’t agree with. This is not true caring or passion, this is an addiction to “being right” all the time and putting people in their place, and it is unhealthy.)

I recall a conversation had with a person from my past 5-ish years ago. We were discussing some political or sociological issue. The other person, whom supposedly respected me, was nevertheless making zero effort to understand my view though I myself had stopped and listened to theirs. I remember growing frustrated and stating, “I don’t know why you are refusing to try to listen and understand where I’m coming from when this is an issue that is so important to me.” Their response was given bitingly and with a wave of the hand, “Oh, everything’s “the most important thing” to you.” Though it was meant as an insult, the more I pondered it the more I thought, I’m ok with owning that. Because everything does matter, in some way large or small.

In our culture, it’s cool not to care. You can see this fact brazenly displayed in popular entertainment (The Hangover 1,2,3,4,5? They just keep going.) People are routinely being told the answer to their feelings of isolation, depression, and anxiety is to just “let go”. But is the “ignorance is bliss” model really the one we should be following? This idea in and of itself seems to admit that caring is not weakness, but strength. Experiencing emotions of concern and empathy is an active state; not caring for anything outside of your own pleasure and needs is passive. To put it simply, caring about things is hard work. It can force us to take steps towards action that may make us uncomfortable, and take up a lot of our time and resources. It can be mentally and psychologically draining.

Caring is strength. Let’s lift up our mothers, our fathers, those taking care of an adult family member, our nurses, our teachers, our home health aides, our daycare workers, our counselors, our missionaries, our activists … No matter what societal norms tells us, they are our true heroes.

 

Standard
Artist Bio

Alice-In-Wonderland-Style Crocodile Tears

This is me these past 4 weeks.

the war

“The War” 2010, Prismacolor Pencil

You remember that scene in the Disney version of Alice In Wonderland where she cries and cries until her tears fill the whole room and she floats away and almost drowns?

635927272809257803-307861984_alice_crying_so_hard

Yeah, it’s kind of like that.

I have been busy, stressed beyond belief, and not wanting to do anything remotely mentally or emotionally taxing once I finally do get a spare moment. Incidentally, I’ve been playing a lot of Civ V, planning world domination. Honestly, becoming a ruthless dictator seems like it would entail less strain sometimes than my day to day existence as of late.

I took a break from my ongoing series I’d been working on to finish a piece for a summer gallery show coming up in June, and must admit that I have no further updates since then. To once again recap my free-time allotment over the last month, gaming>drawing.

It’s been a crazy ride, but there have been some bright spots amongst all the weeping and gnashing of teeth – like one of my best friends from junior high and high school’s wedding reception! She got married in India back in December, and her and her sister picked out these beautiful dresses for us to wear to the spring reception. I love my shocking pink and silver, Barbie Dreamhouse number ;). IMAG2772[1]

I also continue to be blown away by my Express Yourself Artshop students. Check this out!

I have no room in my apartment for a fantasy creature sculpture (a bummer, since I used to collect dragon stuff – no joke.), but I couldn’t resist buying a cool box! Each one is so unique. Here is mine in its happy little home.

IMAG2827

Now that so many of the students are selling their artwork, I swear they are going to be getting half my paycheck. I have no self control. Our current Virtual Gallery is for local purchasers only, so I’ve added a couple of paintings and jewelry pieces to my ebay shop under the category “Artshop” to give others outside of the Saginaw/Midland/Bay City area a chance to own some awesome art. Go check it out!

My next post will be a lot more informative, and filled with some new in-progress shots of the continuation of my series, PINKY-SWEAR! ❤ you all, signing off.

Standard
Artist Bio

Redefining Pride, And The Daily Battle Of Artists.

From "One Thing To Say", 2013, Colored Pencil and Ink

From “One Thing To Say”, 2013, Colored Pencil and Ink

As someone who has always been interested in perception, how it is formed, and generally what makes people tick, I sometimes have to turn the tables on myself and question why I have the knee-jerk reactions to certain things that I do. It all started when I saw a little girl wearing a t-shirt that said “I love me” across the front in gigantic, metallic gold block letters.Wow, that’s obnoxious. I would never let my non-existent imaginary future-children wear something like that, went the immediate dialogue in my head. I’d seen shirts with variations of it, “I’m awesome”, etc at the stores lately and had a similar internal reaction. But the more I thought about it, couldn’t I have used a reminder at that age that I was pretty awesome? Most definitely.

I was very shy as a kid, anxious around new people and sometimes even around familiar people depending on the day. At about a .05 on the confidence scale, I constantly worried that if I did or said the wrong thing, the whole earth would explode (or something equally horrible would happen). By upper elementary, I felt like I wasn’t even worthy to talk to others in my class who were more outgoing or had a lot of friends. I felt like most people flat out didn’t like me, and it caused a lot of unnecessary heartache because really, I can count the times a fellow classmate said something bad about me on one hand. The only time I ever felt comfortable was in art class. I finally got to feel like a star, and I wasn’t afraid to mess up, like I was certain that I would everywhere else.

Most artists rage a daily battle with confidence. In order to get others’ excited about your art, you have to project the fact that you believe in the art form you are presenting, and that you know you’ve created something amazing. You have to exude excitement to share your craft with others before you can ever expect them to care about what you’re doing. Yet at the same time, real art, good art, is an extension of the artist themselves and a reflection of how their brain works and who they are as a person. Getting excited about ourselves can be really awkward. I cringed when I first saw that in the write up for one of my new classes I had been described as “The instructor, award-winning artist Allise Noble…” Why did I feel so uncomfortable being described that way? It’s not a lie, I have won awards. Why was I so embarrassed to be publicized? I’ve mentioned the book by Amanda Palmer, “The Art of Asking”, before. It deals a lot not only with asking for help and the journey of an artist; but with the struggle to recognize, yes, have the confidence, to call yourself an artist. She writes, “When you’re an artist, nobody ever tells you or hits you with the magic wand of legitimacy. You have to hit your own head with your own handmade wand. And you feel stupid doing it.” – isn’t that the truth? You’re not an artist until you say you are, and often times our own minds are the hardest to convince. It doesn’t help that pride is even, what, one of the 7 deadly sins or something? Yikes. Thanks a lot past humans, you guys have done a really good job at making confidence seem like a flaw rather than an asset. Now, no one likes an obtuse, conceited braggart who thinks they are better than everyone else (I’m looking at you, Kanye West). That is in no way what I’m advocating here, balance is always key. However, I think that the idea of pride being something so heinous and despicable, something to avoid at all costs, pervades our culture in a myriad of negative ways. Just look at the comments on any body positivity blog or human interest article where people submit instagram photos of themselves feeling beautiful. The fact that a bunch of women have the audacity to take a photo of themselves and say “Hey, I look damn good today,” is apparently shocking enough to send multitudes of normal folks into a blind, troll-y rage.

[There is bad language in this comedy sketch so if that will cause you unhappiness, I’d suggest not clicking play. My aim is not too offend anyone, but this clip made me laugh out loud when I first watched it because it so accurately pokes fun at the philosophy I’d just been thinking about. For those who don’t watch, I’ll summarize. You know that moment when you compliment someone i.e. “You look really nice today!” and they respond with “Oh, you’re so nice, I look like I just walked out of a smelly, steaming dumpster!” Have you ever gone against this unwritten social code and when someone compliments you simply said, “Thank you. This is my favorite outfit,” and seen the complimenter now give you the dirtiest look ever? That’s the gist. For some reason, this seems to mostly happen amongst women. Ugh, women… I know I am one, but seriously!]

Human beings are really good at creating false dichotomies. After all, if I see one more film where a main character that has ambition and cares about or *gasp!* actually gains fulfillment from their job portrayed as a greedy, heartless ice-queen/king I’m going to lose it. Not that that never happens, but it shouldn’t be treated as the norm because it isn’t. You can love your family, and love your job! Similarly, we all actually have the capacity to love ourselves and still love other people! The definition of self-love isn’t self-centered, because our love is not a pie chart where we only have so much to give and if we give too great a percentage of love to ourselves, there will be less left for other people. Actually, someone who goes around saying “I wish I was somebody different, I’m a failure, I’m worthless …” is going to be the worst at reaching out to other people and forming healthy relationships. More wisdom from “The Art of Asking”; “When you’re afraid of someone’s judgment, you can’t connect with them. You’re too preoccupied with the task of impressing them.” Pride may be a dirty word, but it shouldn’t be. There is nothing wrong with saying, “Hey, I love who I am. I’m pretty darn awesome!” Whether it needs to be emblazoned across a shirt is a matter of opinion ;).

Standard
New Work

Bringing The Inside Out – Exploring Conceptual Portraits

Spring seems to be the time for exhibitions, and with many deadlines coming in mid-February, I’ve been going into hyper-drive to get pieces finished and ready. This past year has been all about conceptual portraiture. My drive to expose the subject’s thoughts and emotions through visual cues outside of themselves  came in part from my interior design study in college, where visual cues in the external environment are key, and part from a conversation I had with one of my best friends coupled with my overactive imagination. We were both at different colleges, and she had had a particularly stressful couple of weeks and was unloading over the phone because that’s what best friends do. One thing you have to know about me, as people talk, I get these vivid little reels of what they are describing playing in my head. It doesn’t mean I’m daydreaming and not listening, it’s just how my brain works. I immediately got this image of her overstuffed brain protruding from out of the ripped open top of her trademark top hat, with other random objects and various debris springing out everywhere. I told her, she burst out laughing, and we went on with our evenings. I made a concept sketch the moment we got off the phone, for future reference.

After doing a series of portraits in which visual manifestations of the subject’s emotions literally burst out of or hovered over the top of their heads (wouldn’t that make life far less more of a guessing game as far as relationships are concerned?), I began to think more about how not only literal objects but also the more subtle use of color and all over pattern could communicate about the subject’s mental state. If one’s emotions covered them like a fabric, what would it look like?

Today, my portraits are a combination of these earlier ideas. I used photos I’d taken of friends before, but now I’ve gotten really into using vintage photographs as references instead, because not knowing the people at all allows me to start with a blank slate and gives me more freedom to invent my own stories about them. Photographs of my girls are being taken, and jpegs sent or framed work dropped off to the various locations for jurying, so wish me luck in the next couple of weeks! If you’d like to see more portraits, check out my website (there is even one MAN portrait! – those of you who know me and my work know how rare this is). Prints are also for sale here!

Overaccumulation of Stimuli, Prismacolor Pencil, 2010 - The portrait that started it all.

Overaccumulation of Stimuli, Prismacolor Pencil, 2010 – The portrait that started it all.

Fight Or Flight, Prismacolor Pencil, 2011 - Through studying interior design, constructing environments for people, you learn that color and pattern SPEAK, and can affect the psychology of those who live in it (and the psychology of the viewer who looks at your art!)

Fight Or Flight, Prismacolor Pencil, 2011 – Through studying interior design, constructing environments for people, you learn that color and pattern SPEAK, and can affect the psychology of those who live in it (and the psychology of the viewer who looks at your art!)

Hopeful, 11x14 Prismacolor Pencil

Hopeful, 11×14 Prismacolor Pencil

The Peacock, 11x14 Prismacolor Pencil

The Peacock, 11×14 Prismacolor Pencil

A World To See, 11x14 Prismacolor and Mixed Media

A World To See, 11×14 Prismacolor and Mixed Media

Standard