I’m going to start off by saying I used to be really bad at painting anything outside of my quite narrow areas of interest. I went through a phase where I was putting dragon wings on everything, for example, and only did fantasy or surrealism inspired art. I remember my roommate freshman year of college asking me to paint a picture of a teenage girl holding a cat surrounded by flowers after she found out I was an artist (She was the opposite of me, into all pastel cutesy stuff). Hence, this dead eyed girl and cat with guess what, dragon wings, was born. If I still had it, I’d consider submitting it to The Museum Of Bad Art.
Over the years and especially through teaching, I’ve learned to enjoy the process of creating itself and not just the end result, so that even if I’m making something that isn’t necessarily my go-to aesthetic, I can still harness the therapeutic benefits of creativity. This makes accepting commissions a lot easier, and creating art for loved ones that may not fancy surrealism and oddity as much as I do. I have literally never painted tulips in my life, but my mom loves them and while we were recently out walking remarked on the beauty of a particular variety planted at Dow Gardens. I hope you enjoy this visual walkthrough of the process!
I’m back with another mid-century modern spring illustrations tutorial! Moving on to my next teacup, today I’m doing butterflies. Similar to my last tutorial, you can create any of these designs the same way on paper with any drawing or painting materials you may have on hand. If painting on glass, keep in mind you will need multiple coats if you want solid coverage, but you may also like the transparency – it’s up to you. To keep your designs permanent, they need to be heated in a conventional oven. Put glass pieces in a cold oven, then set to 350 degrees for 30 minutes. Turn off the heat and LEAVE the glass in the oven until completely cooled down.
For this design, you are going to start with 4 teardrop shapes for your butterfly wings. The top 2 should be tilted at a downward diagonal, and the bottom 2 at an upward diagonal. Try to smooth out your paint as flat and even as possible, spreading out any “globs”. I used a flat brush rather than a round, pointed brush to achieve more even coverage. For the flowers, add some upward facing bell or “cup” shapes at different heights. Once the orange dried on my butterfly wings, I chose to streak some yellow over as well with a smaller round brush.
Next, I added some accents over my solid shapes in white. I painted a smaller identical teardrop shape inside each of my wings. I also added an elongated almond shape to the top of each of my bells which will be the opening of each flower.
I also added the leaves by painting green teardrop shapes tilting diagonally upward centered under each of my flower heads. I dipped the opposite end of my paintbrush in paint and stamped dots down the center of each leaf as an added decoration.
The last addition after the leaves was a small orange diamond in between the bottom butterfly wings. This will start the body. The rest of the body will be added with line work.
Next, I added one more set of teardrop shapes inside the white on the wings in yellow. I also used a fine detail brush to add yellow stripes across the small diamond shape in between my wings.
Last is the line work that brings everything together and makes it pop. For this part, you can either use a black paint marker or a small detail brush with a pointed tip. Outline Your outer bell shape, white flower opening, and leaves. Add a line connecting the flower head to the leaves. To finish the flower, I then used the tip of my brush and a light touch, hardly pressing on the surface, to add 4 streaks radiating up from the base of the flower head. I also added 5-6 short lines inside each flower opening, and then used the opposite end of my brush to stamp tiny dots on the end of each of these lines on the inside of the flower. For the butterfly, I outlined each teardrop shape that make up the wings, as well as the small diamond shape.
The last detail was adding a line down the center of the wings, with two curved antennae branching off at the top.
It’s amazing what you can do with simple shapes! I will be doing 4 designs in all with different flowers and insects, check back for more! The final set will be available for sale in Express Yourself Artshop’s Virtual Gallery, an ongoing fundraiser for the arts and wellness program I direct.
The Mid-Century modern design style has been having a moment for awhile now, and while I’m not usually one to latch onto trends I have always liked the geometric, retro aesthetic of this period.
Illustrations from this period are colorful and based on combinations of simple shapes and lines, which make them accessible to even those who don’t consider themselves “artists”. In this series, I am going to show you how to create some cute mid-century modern inspired bugs and flowers in honor of Spring. I will be painting on glassware (I’ve been dying to do something with these clear tea mugs!), but you can create any of these designs the same way on paper with any drawing or painting materials you may have on hand.
Start with a red vertical oval for your ladybug, and scatter some different large polka dots around it for our flower heads. Paint goes onto glass differently than on paper because it can’t absorb into the surface, so you will need to let your shapes dry and add another coat or two for solid coverage. Try to smooth out your paint as flat and even as possible, spreading out any “globs”.
Once we have our red oval, we are done with our ladybug for awhile. Focusing on the flowers, I added two sets of concentric circles to the bottom of my large dots in different colors, letting the paint dry in between each addition.
After that, it’s time for the leaves! Our leaves will just be simple teardrop shapes, placed next to each other at an angle centered underneath our flower heads. Once the green was dry, I added some white dots down the center of my leaves for some extra decoration. You can add a dotted pattern by dipping the end of your paint brush in paint, and touching it to your glass (or paper) using the paint brush end like a stamp.
Last is the line work that brings everything together and makes it pop. For this part, you can either use a black paint marker or a small detail brush with a pointed tip. Outline all of the shapes that make up your flower in black. I added a teardrop shape to the very center of my flower, but you can also just outline the concentric circles and leave the center alone. I added a line connecting the head to the leaves to finish our flowers. For the ladybug, I put a line down the center of my oval and outlined around the entire shape. I then added a half circle in black sticking up from the top, with two short lines for antennae. I used the end of my paintbrush to add a dot to the end of each antennae. If you have some larger paintbrushes, you can also use the end to stamp the larger dots on the ladybug’s body. Otherwise, just use a round brush with a pointed tip to outline a circle shape in the size you want and then fill it in.
Voila! See, that wasn’t so hard :). You can make some beautiful Spring designs to cover anything your heart desires once you learn the basics of how to build forms with simple shapes. I will be doing 4 designs in all with different flowers and insects, check back for more!
First, I must explain the title. It’s a bit of a joke because the last time I did a post in which I professed exciting news, like everyone thought I was engaged. When I was like ‘nope, even better, I won Best 2D at an art exhibition!’ they were like, ‘Oh well, I guess that’s pretty cool too.’ I think this face of epic disbelief from the 10th Doctor sums it up pretty well.
But, back to my still super exciting news. I had mentioned earlier how thrilled I was about getting into the Greater Michigan Art Exhibition at Midland Center For The Arts because I had entered the 2 previous years as well and had yet to be chosen to exhibit. Well, first I found out that not just one but all three of my entered pieces would be hung in the show.
Then, I found out that one of them had actually won an award! I feel so unbelievably honored to have one of my pieces receive a Juror’s Recognition Award.
(I hate closeup pictures of me holding things because I feel like I have freakishly short fingers. No wonder I could never play the piano well even after years of lessons. Well, that coupled with my total apathy towards the vocation and complete lack of practice, but thatis another sotry for another day. Despite finger length, I had to show off the snazzy brochure.)
The fact that they chose the piece that is going to be one part of my 12 part series I am planning to enter into ArtPrize next year was a welcome sign that I am going in the right direction with this project, and creating something that will bring people joy, make them think, and spark their imagination. If you are in the general vicinity of Midland, I would suggest you make a trek over to see this show. It is a humongous exhibit, and there is so much awesome art to absorb.
Now that I got all of my work finished for the upcoming Michigan all area shows I am entering, I wanted to take the opportunity to spend some time on a new project that I’d done sketches for about 2 years ago and never revisited after getting distracted by mountains of other projects. Working with kids and youth over the summer at Creative 360 while Artshop was on break, we did lots of acrylic painting. Acrylics is a medium I’d abandoned over the last couple of years, and it made me miss it.
I had a teacher once who said you will always be who you were when you were 8. You may drift in the in-between teen years; who doesn’t go through an identity crisis at least once in high school or within early young adult age; but you will always come back to the most basic facets of personality you exhibited as child. At your core, you are who you were at eight years old and will still be at 80.
When I think about it, at 28 I do share many of the same traits with my 8 year old self. I still adore books, I still have my own distinctive and at times highly experimental fashion sense (I was wearing sun glass frames with the lenses popped out far before hipsters ever existed.), I am still always actively finding ways to meld creativity with vocation, I still am obsessed with all things design oriented (Look how pumped I am about my digital runway show I’ve put together on that snazzy Windows 95), and I still can’t sleep unless buried under 3+ layers of blankets even in summer :P.
Luckily for me, and this project, my mother is amazing and has the best of my childhood drawings from each year of my life archived in a neat, chronological little binder, so finding artwork examples was no big thing. I have chosen a drawing from each year, 2-10 (nothing for year 1, I’m not that amazing.) I will be using the same subject matter, colors, and proportions to re-imagine these childhood drawings as fine art acrylic paintings. Here is the first piece I’ve completed for age 4.
Kid drawings aren’t all the same when you really look at them, and you truly can tell a lot about someone from what they create, same as with adults. Here are some other fun projects people have done taking inspiration from kids’ drawings.
Behold! In progress photos from instagram (allisenoble)! It’s been quite a journey.
This piece was inspired first by the cockatoos. I then based the figure off of what I thought this bird’s matching human counterpart would look like. I wanted to use primarily pinks because pink is a color that is hardly ever found in serious art (i.e. not pretty-little-princess-time children’s picture books), and you know, it’s just light red so I don’t know what everyone is so afraid of ;). I used ink for the birds and branches, pencil for the figure’s face and hair, watercolor for the background, and accented in metallic silver acrylic. The figure is mysterious and enchanting. The word “enchantress” is often cast in a negative way, as either a fantasy villain or else scheming heart-breaker. The dictionary definition of an enchantress is a “charming, irresistible woman”. It goes on to give examples such as “dangerous, sexually exploits innocent men”. Oh really? [insert facepalm here]. A woman can be powerful and captivating, mesmerizing and awe-inspiring, without being discredited as somehow “untrustworthy” or “dangerous” because of her strengths. It’s all in how you use the power that you radiate. I wanted to show a softer, positive side to the descriptor as a beautiful, intelligent and thoughtful, creative soul that shines a light wherever she goes. Let me know what you think!