Artists To Know

Art and Advocacy

I’m sure even non-American readers are aware of the contentious election America just experienced. We as a people are more divided than ever, individuals from every side of the culture wars are feeling more wounded and misunderstood than ever whether they have reason to or no, and no one seems to be experiencing any degree of peace – even the side who “won”. Basically, everyone is super freaking pissed right now for one reason or another.

Our two 2016 candidates were the least liked and least trusted candidates in all of history. However, one in particular seemed to have a larger issue with flat out verbal diarrhea, managing to isolate women, minorities, individuals with disabilities, and non-heterosexuals all in one fell swoop. His win caused a lot of fear and resentment among those who fall under any of the aforementioned demographics, leaving them feeling like their concerns and even their very existences literally don’t matter in this country. I’ll admit I was very angry after the election; angry for women who have been assaulted or sexually harassed and been told to get over it, angry for my non-white friends, for my gay friends, for my students who all have varying disabilities and health issues and depend on affordable health care.  At the same time, those Trump supporters who may despise the things that mindlessly fly out of his mouth, but voted on policy only are fearing being lumped in with his supporters who actually are sexist and racist simply because of who they voted for. Families aren’t speaking to each other and friendships and marriages are dissolving due to voting differences. However, as Jon Stewart so eloquently puts it in the interview below, “I don’t believe we are a fundamentally different country today than we were two weeks ago. The same country – with all its grace, and flaws, and volatility, and insecurity, and strength and resilience – exists today as existed two weeks ago. The same country that elected Donald Trump elected Barack Obama.”

Compassion and grace can still exist and thrive. Check out these artists who are using their visual voice to combat ableism, sexism, racism, and homophobia.

Ableism.

Chinese artist Jody Xiong developed a project, called “Mind Art”, through which individuals with disabilities could send electronic signals through their brain to activate detonators which would release bursts of paint, resulting in expressive abstract creations. Art, creativity, and innovation are not limited to those with traditional abilities.

Sexism.

I’ve written about Carol Rossetti before in a previous “Artists To Know” post. She tackles sexism, gender stereotyping, and societal expectations of women through her illustrations that tell real personal stories.“Everyone is entitled to self respect”.

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Racism.

I remember Mary Engelbreit being the illustrator in the 90s. I would always buy my mom one of her calendars for Christmas as a kid, and loved her colorful patterns and cheerful, whimsical style. Her children’s book style art always communicated kindness and positivity, but in more recent years she decided to use her art to communicate a more overt social statement. She illustrated the image on the right as a tribute to Michael Brown after his death, and received a lot of backlash for it. She responded to haters via the second illustration on the left, only saying, “The artwork speaks for itself,” and refusing to comment any further. It shows class to not take the bait when being insulted or criticized for your message.

Homophobia.

Akira the Hustler’s charming sculptures are inspired by the Chinese “Red String” belief that the gods tie an invisible red cord between two people who are destined to marry. What is revolutionary about his project is that he does not portray same sex couples as revolutionary at all. Viewers are not being hammered over the head with any heavy-handed political message. The sculptures are simply happy and whimsical depictions of love, each with their own unique story, each story given equal weight.

I illustrated the watercolor and ink piece below, titled “Adjoining”, a little over 5 years ago having no idea that it would actually resonate with me more today with everything going on than at its original inception. We have to break down our internal, self-imposed barriers and actually talk to people, actually hear them when they talk back. It’s hard, and it’s messy, but it is necessary.

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No one has lost their voice. No matter who you voted for, if you can’t see any good in the world right now then be that good. If someone around you makes bigoted comments, let them know you don’t appreciate that sort of talk and politely ask them to can it. If someone is being mistreated because of their religious beliefs, ethnicity, gender, ability, or orientation then stand up for them – be their friend. Our president is not responsible for how we behave. We are.

 

 

 

 

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Art Discussion

Art Discussion : Deliverance

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I have always thought of doing an art discussion post on this particular piece. Whenever I show it, everyone wants to know the story behind it as the fact that there is a symbolic visual narrative is clearer in this piece than in many of my others. Still, I have been putting it off for quite some time because explaining the concept behind this piece is very personal and would involve being really freaking transparent, so hold onto your hats. (I’m actually a big fan of transparency, but it usually manifests itself in the form of out-bursting deeply personal information in a sort of accidental social vomit, not neatly typing my feelings out for the world to see.)

This painting is a prayer.


When I started this piece, I was newly graduated from college and had been back to living in my childhood home for awhile afterward, which was super uncomfortable. I’m sorry, no matter how much you love your family it just is, unless said family adopts a sort of chill,  we are mutual adults living together almost like roommates sort of attitude, which nearly never happens.

I’d just finished training for a new job in sales that I already knew I was going to hate. Approaching tons of random people I don’t know all day and having to make forced conversation until they buy something? I might as well just get into the fetal position now for efficiency’s sake. The month long training involved driving 3 hours away and staying in a hotel with all the other trainees, and everyone was either horrifyingly mean and offensive or overtly sexually creepy. On more than one occasion, I finished a bottle of wine by myself sitting alone in my hotel room and I’m not a huge drinker. Not by any means advisable, but I honestly could not conceive of getting through this sordid affair without self medicating no matter how physically and mentally unhealthy. I’d had anxiety so bad 2 years before during my junior year of college that I had actually experienced brief hallucinations brought on by stress. I was not looking to have that be a repeat experience.

Even before I had embarked on my ill-fated new job, my emotions had been cycling out of control. I felt like my body was constantly sending off fight or flight signals, releasing chemicals that triggered the feeling that I was about to be chased by a tiger, except nothing was actually wrong. I would be elated and laughing and feeling creative and motivated one minute, and then suddenly this deep sense of dread like the sky was filled with pianos tied up on ropes that were about to all drop down on my head like I was in a Bugs Bunny cartoon would shake me to my core. I’d always been someone who felt BIG. When I feel joy, it’s intense and when I feel despair, it’s intense. I like to think it’s worth it for the times of joy, where the littlest thing can make me jump up and down like a little kid. A lot of people use that sense of celebration in the smallest details of life as they get older.

The first time I heard this song by one of my favorite artists, these lyrics really resonated with me because I think one of my biggest fears is people who never express their emotions. It’s just so foreign to me.

…But I would kill to make you feel
I’d kill to move your face an inch
I see you staring into space
I wanna stick my fist into your mouth
And twist your Arctic heart

The rapid up and down thing I was going through was something different, however. I’d always been in control of my mind and I felt like I wasn’t anymore. For someone who really likes to be in control of absolutely everything at all times, it was terrifying (I make itineraries for day trips even if I’m only traveling 20 minutes out of town. Excel spreadsheet lists are my best friends. Change plans on me at the last minute? Not unless you have a death wish. Just to give you a bit of insight…) It was also exhausting because the thing is, when your mind keeps sliding into that fight or flight state you actually feel as if you’ve just been in an extremely stressful and dangerous situation whether anything has happened or not. The fatigue is the same.

Another thing you may or may not know about me is that I am a Christian, albeit a Christian who has never felt very at home in the ofttimes bizarre sort of bubble of Christian culture (I swear people must have been able to sense it, because youth group was terrible. Maybe they could smell it like dogs smell fear.). This is mainly because it has always felt very exclusive, and also because being a female puts me in a sort of precarious situation with religion in general. It’s why the subject of “Women and Religion” actually has an entire college course of study devoted to it. Organized religion of any belief system tends to not be too kind to the ladies. (If I actually behaved how those super conservative “complementarian” advice articles advised that I do to be a “Godly woman”, never expressing a damn thought without asking “What do you think honey?” first, my current boyfriend would toss me off of our balcony. Or have me committed, one or the other. I found a keeper ;).) Basically, they just don’t seem to leave a lot of room for people actually being created with variation, people’s brains, hearts, and minds each working a little differently from the other. Luckily, Jesus doesn’t need you to be a robot that copies what everyone else in his bandwagon thinks, and He doesn’t need you to join any super special cool kids club. Also, despite how people like to twist religious truths to allow them to control others, he actually validated and lifted women up in contrast to society at the time. Don’t believe me? Some discussions on this issue can be found on God’s Word to Women, Sojourners, and a great interview on Christianity Today with one of my favorite christian writers, Sarah Bessey.

This is the first overtly faith based piece I’ve ever created, though my faith, my beliefs, and my passions inadvertently end up in all of my work in bits and pieces. I was obviously at a breaking point, and I was reluctantly praying about my struggle. I really didn’t even want to, because to be honest, I was frustrated, and I was pissed off. This was not what adult life was supposed to be like. I wasn’t supposed to still be dealing with this crap; I wasn’t supposed to still feel anxious and lost and overwhelmed; I wasn’t supposed to still feel like an outsider no matter where I put myself. Since drawing helps me focus and communicate my thoughts, I decided to draw my prayer.

Dealing with intense anxiety cages you. You aren’t able to function as your normal self, or even interact with others in the same way because every ounce of your energy goes into self care and basically trying to not feel like garbage all the time. This painting is a right to left narrative. A death version of the theatrical comedy/tragedy masks are embedded into this girl’s torso near the location of where her heart would normally rest. Hands are coming up from behind her and touching her shoulder in an act of comfort, you are not alone. The hands represent God, but they are not passive like a pat on the back or a “there there, everything will be ok”. They are active and forceful, saying “No, I will not let you continue to suffer.” A suffocating darkness creeps up from below. In the next part of the narrative, those same hands are breaking the mask in two, and out of the center, though still tangled, falls the girl; her true inner self, out of the cage. She is holding a watering can. In the final part on the far right, she is fully escaped from the prison inside the mask and water flows from the watering can she is holding, while silhouettes of human figures with flowers at their hearts stand in it’s spray. She is “watering” their souls, symbolized by the flowers.

When we go through tough things, we can use our experiences to better connect with and support others. No, that doesn’t mean the trials we go through are “good” (Seriously, “everything happens for a reason” has to be my least favorite platitude, and I really, really hate platitudes), but it means we can use something that was bad for good later on. Because of the struggles with anxiety I have experienced, I am able to better relate to a lot of my Artshop students and their mental health struggles which are oftentimes far more severe than what I have dealt with. I am better able to help them when they are going through a panic attack situation, better able to understand why on some days it bothers them to have a lot of noise during class when they are already on edge, better able to understand and empathize with the fact that they were fine an hour ago, and now are very upset even though nothing tangible has changed. I am able to be someone who says, “I hear you. Your feelings are legitimate. And you are not alone”.

A week or so passed afterward, and I ceased experiencing the out of the ordinary, rapid ups and downs.

No, my anxiety has not magically “poof!” disappeared, but over time  I have become far better at managing it and breaking out of its cage using a variety of learned techniques. For some, engaging in their faith and educating themselves on emotional management techniques isn’t enough and they may need to additionally seek counseling or medication. Everyone is different, and there should be no judgement.

Also, everyone should read this post about high functioning anxiety. I have never been able to articulate an experience so well, and it is a must read for all in my opinion, because I do not think this experience is uncommon. I think people just are apprehensive, like I was, to talk about it. I guarantee someone in your life right now needs you to know this.

What are some things you do to recenter yourself when everything around you feels out of control?

 

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Artists To Know, Travel

Artists To Know: ArtPrize 2016 Edition

I almost thought I wasn’t going to make it to Artprize this year with everything going on, but in the end I knew I’d deeply regret it if I didn’t just make the time. I mean, even Donald Trump turned up for Artprize this year, albeit on different weekends. Apparently I went one week too early and missed him, oh darn ;).

Though my boyfriend and I missed meeting an actual candidate, the election still haunted us in the form of getting semi-lost by missing an exit due to a sociopolitical argument that escalated on the car ride over. I think election time makes all Americans go a little psycho. Otherwise, the day went off without a hitch…

Good food, good beer,

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silly photo ops,

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a sighting of my favorite Pantone color,

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and a chance to live as my favorite Peanuts character for a hot second (Lucy forever!!!).

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Granted, walking around town for one day you only end up seeing a fraction of the art that is available, but I wanted to share with you my favorites of what I was able to see.

Kathy WeaverWar Devours Us

Weaver’s intricate charcoal and mixed media pieces have so much detail, incorporating collage and  stitched elements as you zoom in closer. Weaver aims to show the strength and courage of the refugee community amidst horrifying circumstances, and often less than a warm welcome when they attempt to find peace and safety.

Saya WoofalkPose System

This piece, featuring collaged bodies and colorful details (and skulls, have to love skulls), grabbed my attention right away for it’s dynamic composition and unique style. It was so different from anything else I would see during the day, and there was so much visual movement in both the contortions of the figures and even the psychedelic dotted background.

Chadwick and SpectorMuseum Anatomy

These pieces are painted on human bodies – enough said. The concept statement said that the artists used female portraits from the Renaissance that had been either hidden, lost, or destroyed. To recreate these paintings on paper alone would be a challenge. Can you spot the eye in the second photo?

 Scott Leipski10 Thoughts On Tuesday

This artist challenged himself to create a new piece every Tuesday for 10 weeks, and this is the end result. I loved how different each piece was from the other, like an eccentric cast of characters. I had a soft spot for the Alice In Wonderland inspired piece, of course.

Joao Paulo Goncalves – Portraits of Light and Shadow

This artist created portraits of Martin Luther King Jr., Da Vinci’s Mona Lisa, and Vermeer’s Girl with the Pearl Earring using pixel art. But, this was no ordinary pixel art. The pixels are actually wooden blocks that protrude from the surface in varying degrees, and the different shades that you see are created by light and shadow from the light from the fixtures above hitting the blocks. I honestly can’t even quite wrap my head around how the artist figured all of this out to get such a rich gradation. It gives me a headache, so I think I will stop trying to figure it out and just enjoy the masterpiece :).

Zhao naIsomorphic Interpretation of the Four Seasons

These stunning paintings do one of my favorite things in art – merge living things in their environment. The detail is stunning, and the use of white space, absolutely perfect. These works incorporated a lot of symbolism, outlined by the artist on her Artprize profile, which I would encourage you to read for further insight.

Hope Network Neuro RehabilitationUnmasking Brain Injury

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I love love love the concept of this project. I work with a program that provides opportunities for expression through art for individuals with physical and mental challenges, so this was right up my alley. Using masks to create a visual representation of each artist’s personal story, 28 artists who attend the Hope Network’s rehabilitation program joined together to express how brain injury has affected them personally, and how they have triumphed. This project, featuring not only the mask itself but each individual’s accompanying personal story, was one of the most meaningful and powerful pieces I saw. I love art that visually represents personal stories. I have previously talked about the power of telling people’s stories through art, and also about shining light on the truth through telling your personal story. Stories are a powerful force for both recording history, erasing prejudices and misconceptions, and personal therapy, letting go of the burden of things you cannot change.

Has anyone else gone to Artprize this year? What were some of your favorites?

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Exhibitions and Other News, Travel

Adventure and Inspiration

Sometimes things get tough. Sometimes it seems to take every modicum of energy to perform the most minute of daily tasks, from getting dressed in the morning to remembering that you’re supposed to say hello to people as you walk into work at 9 am. Sometimes you can’t even detect why everything suddenly seems so hard.

September has been a tumultuous month, but it has also been a month filled with excitement and events, travel and possibility. These little adventures, no matter how minor, are most needed when you are tired, ready to give up, and just want to stay at home sitting on your couch playing Sims.

Creative 360 had been preparing for its Artshop, Do-Art, and VSA Exhibition and Showcase for over a year, and it finally came together in the beginning of this month. It was so amazing to see the students I, as Program Coordinator, along with our many gifted instructors, had worked with finally get to perform their music, dances, and monologues as well as display their beautiful artwork in a gallery setting. For many, it was their first time showing their art to anyone other than friends and family.

I had to “entertain” guests in between performances, a challenge because I don’t think I am an overly entertaining person except for when I am not meaning to be. However, I lived to tell the tale, and was told I said many wonderful things although after the fact I could not for the life of me remember what they were :P. When having to speak publicly I tend to enter a sort of fugue state. Luckily, it is a brilliant one. There were a few kerfuffles along the way, but the whole show really came together in the end. (Kerfuffle is one of my favorite words, as it can be used to describe such a wide variety of daily societal occurrences.)

Our special highlighted projects made a splash as well. We had a 3’x4′ canvas composed of 80 squares in which each student filled in a square or 2 with the media and subject matter of their choosing to create an expressive patchwork. If you like what you see, it’s available in print form in Artshop’s Redbubble Shop.

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Another project by artist Heather-Dawn Deogracia was another that expressed the unique personalities of the students taking part in our show. Heather-Dawn asked students to write down their favorite colors and something about themselves. She used this information to create blind contour drawings for each, resulting in a series of vibrant abstract portraits.

There was another opening shortly thereafter at Studio 23 in Bay City, MI for their All Area Michigan show. I got 3 of my pieces in; Be My Eyes, I’d Have Been Happier As A Bird, and Be My Wings; which needless to say was ridiculously exciting. I also got into the Midland Center For The Arts Greater Michigan Art Exhibition which I applied to the last 2 years and didn’t get in. I almost didn’t apply this year but last minute decided, what the heck. That just goes to show … never give up and all that good stuff ;).

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My last recent adventure was a trip to New Orleans with my boyfriend. The first adventurous moment of this trip was traveling with nothing but a “personal bag” and a carry on between the 2 of us. I like to be prepared for any possible occurrence (or “kerfuffle” if you will, there’s that word again!), so this was a struggle. I’m so type A I made an excel spreadsheet listing everything I needed to pack with accompanying check boxes.

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Literally everything was rainbow colored, and everywhere we went there was music playing. It was like having your own theme music as if you were a fictional TV character, so basically amazing. It was so weird to return at the end of the week to shades of brown and grey, and peace and quiet.

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There was this great band that played Sinatra and Louie Armstrong covers  we discovered on the first night that we revisited every night afterward until we left.

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I also got to see a Warhol painting in person. Even though he seems like he was kind of an ass and didn’t actually do his own work, I must admit it still felt awesome.

Next up, Art Prize 2016! Check back for my “Artists To Know” Art Prize 2016 Edition post, where I will share my top picks from the art I was able to see over the weekend.

 

 

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Art Discussion, New Work

March: She Is Everything At Once

Obviously, though I had a fun idea of doing the whole “a drawing a month” reveal for my new 12 part series, that didn’t happen as I am on March and it is now almost September. I would like to enter this series into Art Prize next year, and decided if I have until next Fall, why impose such a crazy impossible deadline on myself simply for the sake of themed blog posts and risk the quality of the work? Impossible self-imposed deadlines are this thing I like to do that I really need to ease up on. For those who haven’t read my previous posts, my new series involves 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color, one representing each month of the year. They will depict women of all ages, races, and time periods, and each will communicate a different theme and season. I aim for the pieces to speak to women’s collective experiences beyond their differences. I want the series to flow together in its mainly black and white scheme with pops of color, soft mixed media application, and it’s classic portrait composition. However, I wanted each month’s portrait to still be distinctly different “characters” from one to the other, achieved via aesthetic theme and accent colors. For this piece, I went with bold, dynamic primaries and a nod to pop art. You can view January and February from earlier posts.

In this piece for March, my goal was to take the commonplace negative stereotype of women being “emotional” and turn it on it’s head, marrying caring and empathy with strength, and sadness and despair with hope for a better future. A surreal merging of classic pop art, which often featured dramatic beautiful women sobbing,  with realistic portraiture was the perfect fit for this concept.

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Women are constantly being told they are too much of something, despite the fact that they are often expected to wear far more different hats responsibility-wise than their male counterparts. Google searches have become an interesting way to peek into mainstream society’s views. Anyone who uses the internet knows when you begin to type something in, google will finish it with the most popular searches and subjects. A UN Women ad from 2013 was the first to make a statement using this innovative approach.

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I tried the same concept, only typing in the starting phrase “women are too…” What I’ve found is that women are apparently too picky, but also too easy, too intelligent and successful to find love, yet too weak and too emotional to be leaders, the president, or involved in politics at all, but at the same time also too dominant. It looks like we’ve got a Goldilocks problem here.

As one who believes that sometimes problems we assign dominantly to one gender are still just basic human being problems, I didn’t want to negate the idea that there may be similar findings for men. However, when I tried “men are too…” I got nothing. In fact, when I simply pressed enter to see what articles would come up, the main article up top was “Monkeys turn into grumpy old men, too” about aging primates and behavioral changes. While hilarious, it is clear that this whole “Be everything at once yet also be nothing at all” contradictory expectation is something that, while maybe not entirely absent for men, is something that women face more in mainstream culture.

A descriptor routinely used to discredit women’s abilities is the fact that they are “too emotional” by default of their gender. However, when men step out of their perceived box by showing any degree of emotion aside from anger, they too are often chastised and ridiculed. This shows that our revulsion towards caring at least is a societal problem on the whole, not just a women’s issue. For some reason, people seem to view caring as weakness. This can be seen clearly in the dismissive term bleeding heart, always used with a strong air of disgust. (A note to be made here… when I talk about caring I am not including people sitting behind a laptop screen typing angry, obscene responses to random articles that they don’t agree with because they get off on being offended and telling people off. Nor am I talking about people who shut down and throw a fit every time they have to hear something that they don’t agree with. This is not true caring or passion, this is an addiction to “being right” all the time and putting people in their place, and it is unhealthy.)

I recall a conversation had with a person from my past 5-ish years ago. We were discussing some political or sociological issue. The other person, whom supposedly respected me, was nevertheless making zero effort to understand my view though I myself had stopped and listened to theirs. I remember growing frustrated and stating, “I don’t know why you are refusing to try to listen and understand where I’m coming from when this is an issue that is so important to me.” Their response was given bitingly and with a wave of the hand, “Oh, everything’s “the most important thing” to you.” Though it was meant as an insult, the more I pondered it the more I thought, I’m ok with owning that. Because everything does matter, in some way large or small.

In our culture, it’s cool not to care. You can see this fact brazenly displayed in popular entertainment (The Hangover 1,2,3,4,5? They just keep going.) People are routinely being told the answer to their feelings of isolation, depression, and anxiety is to just “let go”. But is the “ignorance is bliss” model really the one we should be following? This idea in and of itself seems to admit that caring is not weakness, but strength. Experiencing emotions of concern and empathy is an active state; not caring for anything outside of your own pleasure and needs is passive. To put it simply, caring about things is hard work. It can force us to take steps towards action that may make us uncomfortable, and take up a lot of our time and resources. It can be mentally and psychologically draining.

Caring is strength. Let’s lift up our mothers, our fathers, those taking care of an adult family member, our nurses, our teachers, our home health aides, our daycare workers, our counselors, our missionaries, our activists … No matter what societal norms tells us, they are our true heroes.

 

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New Work

New Series Re-Imagines Childhood Drawings

Now that I got all of my work finished for the upcoming Michigan all area shows I am entering, I wanted to take the opportunity to spend some time on a new project that I’d done sketches for about 2 years ago and never revisited after getting distracted by mountains of other projects. Working with kids and youth over the summer at Creative 360 while Artshop was on break,  we did lots of acrylic painting. Acrylics is a medium I’d abandoned over the last couple of years, and it made me miss it.

I had a teacher once who said you will always be who you were when you were 8. You may drift in the in-between teen years; who doesn’t go through an identity crisis at least once in high school or within early young adult age; but you will always come back to the most basic facets of personality you exhibited as child. At your core, you are who you were at eight years old and will still be at 80.

When I think about it, at 28 I do share many of the same traits with my 8 year old self. I still adore books, I still have my own distinctive and at times highly experimental fashion sense (I was wearing sun glass frames with the lenses popped out far before hipsters ever existed.), I am still always actively finding ways to meld creativity with vocation, I still am obsessed with all things design oriented (Look how pumped I am about my digital runway show I’ve put together on that snazzy Windows 95), and I still can’t sleep unless buried under 3+ layers of blankets even in summer :P.

Luckily for me, and this project, my mother is amazing and has the best of my childhood drawings from each year of my life archived in a neat, chronological little binder, so finding artwork examples was no big thing. I have chosen a drawing from each year, 2-10 (nothing for year 1, I’m not that amazing.) I will be using the same subject matter, colors, and proportions to re-imagine these childhood drawings as fine art acrylic paintings. Here is the first piece I’ve completed for age 4.

Kid drawings aren’t all the same when you really look at them, and you truly can tell a lot about someone from what they create, same as with adults. Here are some other fun projects people have done taking inspiration from kids’ drawings.

Bored Panda / Go Monster Project

Cafe Mom / Parents Turn Their Kids’ Art Into Tattoos

Huffington Post / Mom-Toddler Painting Collaborations

Busy Mockingbird / Artist Collaborates With 4-Year-Old Daughter

Doodle Your Toys / Custom Handmade Plush Toys

 

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Artists To Know

Artists To Know: Amazing Sculptures From The FIA

My boyfriend and I visited an interesting sculpture exhibit at the Flint Institute of Art this summer titled Form, Function, and Fantasy. The exhibit was divided into 3 rooms, each embodying one of the aforementioned themes. I captured my absolute favorite pieces from the exhibit, and wanted to share them with you. I know I discovered many new favorite artists in the process. I think all of the pictures I took were from the “fantasy” section, which for me is honestly not surprising. We accidentally went through the exhibit backwards, viewing fantasy first which may also have had something to do with it. Let’s be real, in art as in life, everything’s a letdown after that ;).

Irina Zaytceva – Twins

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I was actually drawn to make a trip out to this exhibit based on this image I saw on the FIA website. I love the melding of old world artistry with fairy tale mermaids. The bold red coral shapes growing off of it give this piece add an element of abstract and modernity to the piece as well, bringing one more dimension to the mix. I am personally so much more of a drawing and painting person than a sculpture person, so I think I loved the fact that the surface of this 3D form was used as a canvas for 2D art as well, incorporating both types of design.

Richard Notkin – Heart Teapot: Ironclad Hostage II

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As a tea enthusiast, I absolutely adore looking at uniquely designed teapots. My absolute favorite thing about days off is my cup of tea right after I wake up in the morning, no joke, usually accompanied by doing some sketching, reading a book or the news. I am such an old person at heart at a mere 28 years on this earth. In all seriousness though, the design of this teapot inspired sculpture is flawless. Combining industrial elements with anatomy and figuring out how to transform the shape of a human heart into a vessel for tea somehow could not have been an easy task. You don’t even notice it’s a teapot at first, it just looks like an interesting sculpture. The fact that it hides its more mundane function is rather interesting.

Sergei Isupov – Zombie Fish

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I love the tall, thin forms, the monochromatic color scheme, and the detail that makes this piece look like a pen and ink illustration from a children’s scary story picture book come to life in 3-dimensional form. Very fun and inventive.

Krisaya Luenganantakul – Happy House #1

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As I read more about this artist, I discovered she has a whole series of these lovely, whimsical houses in vibrant colors and with floating, dreamlike, organic detail. The project is titled “Homemade – a project where the womb, the home, and the female are interpreted under a new light.” This project discusses the idea that oftentimes feminine traits are associated with weakness and fragility. However, patience, tenderness, forgiveness, and love are strengths that have made them universal protectors and caretakers for every family over time. And, important nurturing that determines the growth  and well-being of all humans takes place in both the womb and the home, centered around the female. It is interesting and different to see a project about female empowerment that is based on the value of women’s more traditional roles. I was originally drawn by the visuals, but found the idea behind the design very thought provoking as well.  

Michael Lucero – Hunter (Reclamation Series)

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There is no way I could not be drawn to this piece by color alone. I absolutely love pops of bold red amongst neutral tones, and use this color scheme in my own work often as well. There are a lot of interesting details the longer you look at it, and the contrast between the style of the head and body is staggering. Yet, when you look at the piece as a whole it is unified. I myself was working on sketches for a series incorporating faces being covered in various winged things, so of course I was first drawn to the most noticeable visual element of the moth over the figure’s face.

Akio Takamori – Karako With Striped Kimono

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I found this sculpture to be so incredibly calming to look at. The soft, round forms, harmonious pale colors, and flowing watercolor-like drips along with the neutral, solemn face were very peaceful to me. I think if this was in my house and I could just look at it whenever I got tense, I would never lose my temper.

Sunkoo Yuh – Horn Blower

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I loved the dripping glaze application in this piece because again, it reminded me of watercolor. I also loved the totem quality it had to it,the many figures and faces stacking atop one another. Each is such a distinctive, unique character in the composition.

Sara Lisch – Lion’s Journey

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This was another piece that reminded me of a children’s book illustration come to life. I love the muted color scheme, and the stylized features of the human and animals. There is definitely a story here, and it is left to the viewer to imagine where they are all headed to.

I’d encourage you to visit the links to see more of these artists’ work. All of their pieces are just as fantastic as these. I am forever in awe of 3D artists. The best sculpture I ever made was this cardboard, modeling clay, and found object punk-diorama time-based piece pictured below.

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It was a final project for my intro to 3D class in college, a time-based assignment meaning a piece that would somehow change over time as part of it’s presentation, not lasting in its original form. Basically, the so-so sculpted clay girl in the center was all white and pristine at the beginning, and then everyone in the class got to take turns sticking the different objects to her, dumping paint on her, and otherwise altering her form. It dealt with how perceptions shape identity, and was all anti-conformity, anti-media, and all that good stuff – very much what I was thinking about at that time of my life. Of course, my best sculpture would be ephemeral. What rotten luck. At least I’ll always have the pictures.

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New Work

Be My Eyes

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This newly finished mixed media piece, titled “Be My Eyes”, continues along a similar theme to my last piece. I love how it turned out, but I must admit this is one of the first works in awhile that was not buckets of fun throughout the entire process. I’m lucky in that I don’t get incredibly angry with my art much anymore. Like any relationship, if things aren’t working, I can say hey, I think we need to give each other some personal space, and leave it alone for awhile and work on something else. However, this one had a quickly approaching deadline for an all-area Michigan show I wanted to enter it into, so I didn’t have that luxury. It may be freaking gorgeous, but filling in all those detailed little butterflies was a chore. Like, I almost considered taking a break from working on art at one point to go clean my kitchen – that’s how bad it was. Cleaning my kitchen was a reprieve. What’s that about blood, sweat, and tears?

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After doing the basic outline lightly in pencil, I started filling in the figure from the top down. I broke my own guideline that I always give my students about starting with the background first, mainly because to be absolutely honest, I had no clue what to do with the background yet. The hair was so swirly, and fun, and free, and so the opposite of those technical, detailed little insects. I used prismacolor pencil for the face and skin, watercolor for everything else. I made some commitment to a background by dripping orange, gold, and magenta watercolor over it – similar colors to what were used in the hair. After this, my work of art temporarily looked like a 70s album cover. The photos don’t do it justice, the colors were BRIGHT.

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After that, I went back to ignoring the background because I still had no idea what to do with it, and finished the central figure. Rules in art really are just suggestions ;). I had known from the beginning that this piece required metallic gold somewhere, and the background now seemed just the place to put it. Huzzah to dulling all those bright Barbie Dreamhouse colors! I needed to break it up with some texture, so I used a crumpled paper towel to apply the first layer of gold, but it just didn’t do it. It was reminding me of a faux finish accent wall circa 1995. In a surprisingly impulsive move (Even in art, I am so not an impulsive person.), I squirted gobs of paint right on the background, and used a toothpick to marble the colors together. I have the technique down because of how many times I’ve made these nutella brownies. Seriously, same technique to marble the nutella and peanut butter. To lighten this now very dark background (Art is always such a Goldilocks situation.), I used white watercolor and added designs of blown up butterfly wing patterns over top. The finishing touch was the gluing the bunched lace over the dress, and voila!

The reason I’ve included this 100% honest rendition of this piece’s birthing process (including the part about my background being inspired by delicious baked goods) is because I’ve learned one thing from all the different students I work with, and it is this: They think artists always know what they are doing, have an exact plan in their head, and that their piece turns out just precisely how they imagined it in the end, and that real artists never get stuck or doubt what they are doing. This is absolutely not true. Everyone’s art looks completely wonky until it is all the way finished. It’s part of the process. When art is in progress, it’s awkward looking, we don’t always know what we are going to do next, and we don’t always enjoy every single step of the process. And that’s ok. If your art is easy, you probably aren’t pushing yourself enough, or being as creative as you could be.

I haven’t talked much about the meaning behind this piece, because I want to hear what you think. This image could definitely be open to innumerable interpretations, and that is one of the most fun things. What does it say to you?

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Exhibitions and Other News

Tall Ships Show

This weekend was the opening of the annual Tall Ships exhibit at Studio 23 in Bay City. This was my first year entering, and I was excited to have both of my pieces accepted. The elements of nature in my artwork tend to be way more enchanted forest than nautical or aquatic, but I decided to challenge myself to work outside of my usual themes. The piece on the left, “Underwater Dreaming”, may be the most colorful piece I’ve ever created. It’s very tropical which is out of my norm, but maintains the elements of fashion and surrealism that I so love. The piece on the right, “An Existence Aquatic”, was created two years ago when I was in a watercolor and ink illustration phase, and has a steampunk-mermaid feel to it.

For a step-by-step look at how “Underwater Dreaming” was created, please visit my previous post. These pieces are available in print form in both my eBay Store and Redbubble Shop.

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New Work

Happy Staycation! + New Work Reveal

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I’ve been working on this new mixed media drawing for awhile, and with my decision to take a little staycation, I’ve finally had the time to finish it! It is titled, “Be My Wings”, and measures 18×24″. I used prismacolor pencil for the face, prismacolor markers for the ravens, watercolor for both the hair and the background with grey, black, and white chalk overlay, and fabric for the clothing covering the neck and shoulders.

Of course, I have added this design to my Redbubble collection, as well as some new designs inspired by a couple of fun, newly finished ACEO illustrations.

I love buying from all kinds of artists on Redbubble, and have a design of almost every type of product in one form or another except the throw pillows! I’m dying to get one, but it is impossible to decide which design to choose, especially since I feel like changing around all the colors and decor in my apartment yet again. It’s a yearly thing :P.

I know this is a brief post after not writing for so long, but I’ve actually been aiming to spend minimal time online over this week-long break as it is simply gorgeous outside! Lately, I’d been feeling like there was a gloomy bad-luck cloud looming over my head, skulking around and following me just about everywhere I went. However, something seems to have turned a bit in my favor, because I sure picked the right week to take off! Every day has been nothing but perfect warmth and blue skies.

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Can’t beat swimming and a view! Now, onward to more adventures…

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