New Projects and Oddities

I feel like I’ve been sharing more class projects than studio projects lately, and wanted to update everyone on what I’ve been up to. I am still continuing to work on my series based on the symbolism of color, but have been trying to complete some smaller projects in between that are less about some complex visual metaphor and more focused on the interplay of pattern and things that I just plain find visually interesting. If I become to singularly focused on only one specific project I’ve found it makes me more susceptible to artist block, and I’ve also had a mentally and emotionally taxing last couple weeks that left me needing some of that creation therapy I’m always urging my students towards (nothing serious, never fear! This too shall pass and all that jazz…).

 

 

The amazing news is that all 3 of these projects from watercolor to mixed media to a doll repaint not only provided a bit of sunlight in my miniature storm, but also found good homes with art appreciators!

 

 

For a lot of my teens and early-mid 20s I felt like I didn’t have a cohesive aesthetic because I appreciate so many different types of visuals. Even when I get dressed in the morning, am I going to be goth, street style, barbie, androgynous, hippie, stepford wife, some odd hybrid of them all … It entirely depends on my mood for the day. I feel like in the last 5 years I’ve finally been able to marry my inspirations of nature and living things, the fashion world, vintage and antique, graphic patterns, and eerie elegance into a specific style without getting repetitive and monotonous.

Though I am not a very techy person and resisted bothering with both instagram and pinterest for longer than most, I have to admit I am now completely addicted to both for the constant stream of visual inspiration. To me though, at least looking at art and design on social media is a positive force, so long as you aren’t using it to compare yourself negatively to the journey of other creators! Today I wanted to share the current visuals I am feeling connected to right now. All are photography and fashion, which is an idea I feel like I try to bring into my drawings. I had a huge interest in pursuing photography for the longest time in college, but one can only focus on so much and eventually drawing won out! I also would have loved to go into fashion design but alas, I hate sewing machines!

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Creepy Kids by Ukrainian fashion artist Dina Lynnyk.

Lynnyk collaborated with photographer Roma Pashkovskiy to make this aptly titled series of disconcerting fashion collages happen. The mainly monochromatic yet still surprising color palettes, detail in the wardrobe and accessorizing, and the incorporation of wildlife in the form of winged friends in many of the images drew me into this project right away (I’ve long been a fan of matching birds to clothing). Also, the pale stares! It makes you stop, and it is undoubtedly creepy but there is still such an elegance to it, like these children are some evolved form we have just discovered.

97d1ee4d4d8547cb3083b34a19013a47Gareth Pugh Spring and Summer 2015 Collection.

Gareth Pugh is an English fashion designer, and though my favorite image was from his Spring collection a couple of years ago, the inclusion of all-absorbing optic-art geometric prints are just as present in his current Spring collection for 2019. Many of his models are obscured in some way or completely covered by the designs, demonstrating garments’ power to quite literally transform the wearer into something or someone completely new. His hard edged, high contrast designs when photographed almost look like an ink drawing or painting, making the model a living work of art. 

 

ab830156054015.5609a2c8de3fcElisa Lazo de ValdezFrench Postcards Photography.

Elisa Lazo de Valdez is a portrait photographer who specializes in surreal, dreamlike, fairy-tale images. Many of her costumes, makeup, and props are detailed and elaborate. Though it was these images that drew me to her work in the first place, I was struck by how simple this incredibly creative photograph was as far as decoration, yet the strong impact that results. I’ve been including butterflies in a lot of my new art since Spring began, which is probably another reason why this particular piece attracted me.

 

9b514eda1ec08bca74b6f8bfb9466475Matières Fécales.

I saved the most out-there for last. Montreal-based couple Hannah Rose Dalton and Steven Raj Bhaskaran make up the design duo whose name translates in English to, well, Fecal Matter. Everything sounds more elegant in French …  The couple are their art, appearing in public with no hair or eyebrows and alien-like makeup on the regular. Their designs are futuristic and slightly painful looking, but then there are nods to Victorian fashion at times, and every so often surprising botanical motifs will show up like in this favorite image of mine. Of their name, the couple says it is a comment on the relationship humans have with material possessions, their disposable nature. They also claim the unpleasant brand name forces the buyer to purchase one of their garments because they actually like it, not because they just want to own or advertise a certain name-brand. To me, some of their work seems like it’s more focused on shock value than creating art, but nevertheless there have been creations of theirs that have intrigued and inspired me, and that is no small thing.

Be sure to check out my Pinterest if you want to see more curated images of bizarre fashion and surreal portraits, as well as some really killer pescatarian recipes ;).

 

 

 

 

 

 

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Be My Eyes

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This newly finished mixed media piece, titled “Be My Eyes”, continues along a similar theme to my last piece. I love how it turned out, but I must admit this is one of the first works in awhile that was not buckets of fun throughout the entire process. I’m lucky in that I don’t get incredibly angry with my art much anymore. Like any relationship, if things aren’t working, I can say hey, I think we need to give each other some personal space, and leave it alone for awhile and work on something else. However, this one had a quickly approaching deadline for an all-area Michigan show I wanted to enter it into, so I didn’t have that luxury. It may be freaking gorgeous, but filling in all those detailed little butterflies was a chore. Like, I almost considered taking a break from working on art at one point to go clean my kitchen – that’s how bad it was. Cleaning my kitchen was a reprieve. What’s that about blood, sweat, and tears?

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After doing the basic outline lightly in pencil, I started filling in the figure from the top down. I broke my own guideline that I always give my students about starting with the background first, mainly because to be absolutely honest, I had no clue what to do with the background yet. The hair was so swirly, and fun, and free, and so the opposite of those technical, detailed little insects. I used prismacolor pencil for the face and skin, watercolor for everything else. I made some commitment to a background by dripping orange, gold, and magenta watercolor over it – similar colors to what were used in the hair. After this, my work of art temporarily looked like a 70s album cover. The photos don’t do it justice, the colors were BRIGHT.

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After that, I went back to ignoring the background because I still had no idea what to do with it, and finished the central figure. Rules in art really are just suggestions ;). I had known from the beginning that this piece required metallic gold somewhere, and the background now seemed just the place to put it. Huzzah to dulling all those bright Barbie Dreamhouse colors! I needed to break it up with some texture, so I used a crumpled paper towel to apply the first layer of gold, but it just didn’t do it. It was reminding me of a faux finish accent wall circa 1995. In a surprisingly impulsive move (Even in art, I am so not an impulsive person.), I squirted gobs of paint right on the background, and used a toothpick to marble the colors together. I have the technique down because of how many times I’ve made these nutella brownies. Seriously, same technique to marble the nutella and peanut butter. To lighten this now very dark background (Art is always such a Goldilocks situation.), I used white watercolor and added designs of blown up butterfly wing patterns over top. The finishing touch was the gluing the bunched lace over the dress, and voila!

The reason I’ve included this 100% honest rendition of this piece’s birthing process (including the part about my background being inspired by delicious baked goods) is because I’ve learned one thing from all the different students I work with, and it is this: They think artists always know what they are doing, have an exact plan in their head, and that their piece turns out just precisely how they imagined it in the end, and that real artists never get stuck or doubt what they are doing. This is absolutely not true. Everyone’s art looks completely wonky until it is all the way finished. It’s part of the process. When art is in progress, it’s awkward looking, we don’t always know what we are going to do next, and we don’t always enjoy every single step of the process. And that’s ok. If your art is easy, you probably aren’t pushing yourself enough, or being as creative as you could be.

I haven’t talked much about the meaning behind this piece, because I want to hear what you think. This image could definitely be open to innumerable interpretations, and that is one of the most fun things. What does it say to you?