Art Inspired By The Women’s Marches

A good friend and I recently talked about the series of Women’s Marches that happened in the US the day after Trump’s inauguration, she saying she supported the right to protest, but didn’t really understand how Trump’s election caused all of the things the women organizers seemed to be fighting against. I explained that to me, these weren’t “anti-Trump” rallies but a public outcry over a variety of issues affecting many different groups that make up our country, groups that wanted to remind the current leaders, “Hey, I’m here! I’m one of your citizens!” After we’d finished talking, she said that with all those issues at play, ‘I guess it seems to me why now? These marches should probably have happened a lot sooner’. And she’s right, Donald Trump didn’t cause many of the disturbing attitudes we are seeing all of a sudden pushed to the forefront of our culture. As another friend posted on facebook the other day, “Hey everyone, the world was messed up before Trump took office. Thank you and goodbye.” The comment made me mad at first, but in all honestly the statement is true. What cannot be trivialized, however, is the fact that many of our leader’s words and attitudes have given a lot of messed up people the green light to say and do things they may not have before. He has lifted the yoke of social acceptability. He is in the position to make our messed up culture worse depending on his choices. Though the marches were most definitely a reaction to Trump’s Inauguration, they were not “just an anti-Trump rally”. They were less against anything in fact, and more FOR … Gender Equality Disability Advocacy Affordable Healthcare Affordable Family Planning Options Women’s Health Racial Equality Prison Reform A Fair Living Wage Immigration Amnesty 

The original event that inspired multitudes of sister marches is known as the “Women’s March On Washington” because it was organized by women. However, the issues at stake effect everyone. Little known fact ignored by most of the media who want to paint these protesters as a bunch of crazies wearing giant vagina costumes (Seriously, the aftermath of such a positive, hopeful event has been so hateful and brutal. I know we should come to expect it, but still …), this event bridged barriers between gender, race, pro-life and pro-choice, and even between party lines!

As all historical events often do, it also inspired a lot of fantastic art. By now almost everyone has seen the more well known poster collections, but I wanted to highlight some perhaps lesser known illustrations that embodied the spirit of this important time. Apathy has all but disintegrated. Time to grow.

Penelope Dullaghan designed an awesome pin showing the ASL sign for love, the hand depicted in bold rainbow hues. The graphic is simple and eye catching, the message being immediately clear at first glance. These pins are sold through Pincause, an organization started by Kate and Nate of Ann Arbor, MI (Props to some fellow Michiganders!). For each pin purchased, a donation is made to ACLU and Planned Parenthood. Pincause is non-partisan, because, and I quote “No party has the market cornered on love.” ❤

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Lois Keller ‘s Colorful Manifest For The Women’s March On Washington is literally a portrait of the event itself and the spirit it embodied. The colorful watercolor effect is just gorgeous as well.

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Jillian Adel ‘s poster designs for the Women’s March are so bold and youthful, and capture such a riotous spirit. They have a throwback vibe, and remind me of something I would have hung on the back of my bedroom door in high school which I absolutely love. You can see the whole collection of posters in Jillian’s Behance portfolio.

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Giulia Zoavo ‘s work revolves for the most part around character design. This United We Stand illustration was made for an article on the US’s marches in Italian Women’s Magazine Cosebelle. It’s amazing how much personality is in each figure though their designs are so simple. You can even get a free download of this image as a cool banner for the top of your facebook page! Thanks, Giulia ;).

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Tamar Moshkovitz is a freelance artist and designer sending support from Berlin. This illustration certainly wins for most adorable. Who hasn’t wanted to share one body with their best gal pals? Obviously, not I – see Halloween 2007.

I think we would all do well to start listening better to other’s concerns, stop treating far right or far left leaning media as the be-all-end-all as far as perception formation, and start asking others questions rather than assuming their character. I vow to try and do the same.

 

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Art and Advocacy

I’m sure even non-American readers are aware of the contentious election America just experienced. We as a people are more divided than ever, individuals from every side of the culture wars are feeling more wounded and misunderstood than ever whether they have reason to or no, and no one seems to be experiencing any degree of peace – even the side who “won”. Basically, everyone is super freaking pissed right now for one reason or another.

Our two 2016 candidates were the least liked and least trusted candidates in all of history. However, one in particular seemed to have a larger issue with flat out verbal diarrhea, managing to isolate women, minorities, individuals with disabilities, and non-heterosexuals all in one fell swoop. His win caused a lot of fear and resentment among those who fall under any of the aforementioned demographics, leaving them feeling like their concerns and even their very existences literally don’t matter in this country. I’ll admit I was very angry after the election; angry for women who have been assaulted or sexually harassed and been told to get over it, angry for my non-white friends, for my gay friends, for my students who all have varying disabilities and health issues and depend on affordable health care.  At the same time, those Trump supporters who may despise the things that mindlessly fly out of his mouth, but voted on policy only are fearing being lumped in with his supporters who actually are sexist and racist simply because of who they voted for. Families aren’t speaking to each other and friendships and marriages are dissolving due to voting differences. However, as Jon Stewart so eloquently puts it in the interview below, “I don’t believe we are a fundamentally different country today than we were two weeks ago. The same country – with all its grace, and flaws, and volatility, and insecurity, and strength and resilience – exists today as existed two weeks ago. The same country that elected Donald Trump elected Barack Obama.”

Compassion and grace can still exist and thrive. Check out these artists who are using their visual voice to combat ableism, sexism, racism, and homophobia.

Ableism.

Chinese artist Jody Xiong developed a project, called “Mind Art”, through which individuals with disabilities could send electronic signals through their brain to activate detonators which would release bursts of paint, resulting in expressive abstract creations. Art, creativity, and innovation are not limited to those with traditional abilities.

Sexism.

I’ve written about Carol Rossetti before in a previous “Artists To Know” post. She tackles sexism, gender stereotyping, and societal expectations of women through her illustrations that tell real personal stories.“Everyone is entitled to self respect”.

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Racism.

I remember Mary Engelbreit being the illustrator in the 90s. I would always buy my mom one of her calendars for Christmas as a kid, and loved her colorful patterns and cheerful, whimsical style. Her children’s book style art always communicated kindness and positivity, but in more recent years she decided to use her art to communicate a more overt social statement. She illustrated the image on the right as a tribute to Michael Brown after his death, and received a lot of backlash for it. She responded to haters via the second illustration on the left, only saying, “The artwork speaks for itself,” and refusing to comment any further. It shows class to not take the bait when being insulted or criticized for your message.

Homophobia.

Akira the Hustler’s charming sculptures are inspired by the Chinese “Red String” belief that the gods tie an invisible red cord between two people who are destined to marry. What is revolutionary about his project is that he does not portray same sex couples as revolutionary at all. Viewers are not being hammered over the head with any heavy-handed political message. The sculptures are simply happy and whimsical depictions of love, each with their own unique story, each story given equal weight.

I illustrated the watercolor and ink piece below, titled “Adjoining”, a little over 5 years ago having no idea that it would actually resonate with me more today with everything going on than at its original inception. We have to break down our internal, self-imposed barriers and actually talk to people, actually hear them when they talk back. It’s hard, and it’s messy, but it is necessary.

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No one has lost their voice. No matter who you voted for, if you can’t see any good in the world right now then be that good. If someone around you makes bigoted comments, let them know you don’t appreciate that sort of talk and politely ask them to can it. If someone is being mistreated because of their religious beliefs, ethnicity, gender, ability, or orientation then stand up for them – be their friend. Our president is not responsible for how we behave. We are.

 

 

 

 

Artists To Know! Installment 7 : Seeing The Unseen

I have always been the type of artist and art appreciator who tires of complete realism. I abhorred the same old make-it-look-like-the-photo landscape assignments in school growing up. I liked portraiture a bit better, but only if I made it my own, whether desired in the class assignment or not.

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Circa 2005 – Oh noes! The punk’s left eyeball has cracked and now little rainbow glass shards are floating out into the universe towards the viewers eyeballs, surely meaning to skewer them!

I always believed art should only show us what we cannot see in reality, or else what was the point? However, how much of reality do we really see, and how much simply slips from our view unnoticed? Human perception is a funny thing. You could have two people walk down the same stretch of sidewalk in a park, and if in the end you asked them to describe the scene they just participated in, I am 99.9% certain that they would each describe it completely differently. We notice what draws us, and ignore what repels us. That idea is the basis of the following artists’ work, work that shows us the marginalized and disenfranchised; the very people who often slip to the periphery of our awareness either consciously or unconsciously. Viewing these works, we are shown a reality that seems like a completely different world.

Aaron Draper

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For his “Underexposed” series, Aaron Draper captures lit photos of the homeless, aiming to portray them in the most pleasant, visually appealing way possible. Draper sites author John Steinbeck as an inspiration, and admires how he used his craft to highlight the plight of the poor, and expose social issues and inequities.  With this series, Draper is using lighting to draw viewers towards the person shown, causing the subject to be viewed with humanity and compassion. Draper says, “When it comes to social activism, you achieve greater public awareness by communicating hope as opposed to hopelessness”.

Diane Arbus

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Famed photographer Diane Arbus takes almost the complete opposite approach to the previous artist. The black and white photographs of her subjects seem to be developed in such a way as to accentuate each imperfection, every wrinkle, blemish, and flaw. Her work turns its lens on society’s outsiders : those with physical abnormalities, nudists, transgender individuals, those with extreme tattooing or body modification, and rarities such as twins. Unlike Draper’s work, there is a darkness to it and a definite surreal quality (One of her photographs of twins actually inspired Stanley Kubrick’s iconic “The Shining twins”.).  She is certainly a disputed artist. Some argue she was voyeuristic and exploitative , her photos no better than the circus “freak shows” that thankfully no longer exist in this day and age. Her motives and connection to her subjects have been called into question since her photographs were not necessarily being used to communicate a social purpose or to inspire a change in the treatment of the individuals, but more for striking visual interest. Additionally, her series in which she photographed individuals living in group homes for those with mental challenges, of which the above is a part, brings up a consent issue. Since the photographs were taken between 1969 and 1971, a time when individuals at such institutions were given little to no rights, the permission to photograph the residents was not given by the individuals themselves but the institution. Such a project would not be allowed publication by today’s standards. Others argue she is possibly one of the most misunderstood artists of the 20th century. Consent between photographer and subject is important, and I cannot speak to the validity of the permission she received. However, to me, Arbus wasn’t looking at her subjects with revulsion and disgust. They don’t appear isolated or lonely but confident, happy and uninhibited. They are comfortable in their own skin and are completely unaware of how they appear to others. Arbus had a great respect for her unusual subjects she sought out, saying “Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.” (though I do flinch at the way she throws around the “f-word”.) If anything, it was the so called “normal people” Arbus portrayed as lonely and disconnected and silly.

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Asa Johannessen

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The subjects of Johannessen’s “Looking Out, Looking In” series are individuals who don’t identify with any gender, male or female. An article in Independent about her show describes the portraits as “challenging the onlooker defiantly to try and categorize them”. All photographs are untitled, the subjects unnamed. The goal is to draw the viewers in to whom each individual is as a person, rather than the viewers obsessing over the single facet of “Are they male or female?” This is an interesting concept to me as someone who has always felt gender is about the last thing I notice about someone. This has led to some interesting social kerfuffles in the form of myself ending up on dates I never knew I was on. I pretty much am this comic below anyway, only with brown hair and zero barista skills.

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All that aside, the point is once again using art to bring humanity to those who are often misunderstood or ignored. Everyone struggles with identity crises from time to time, but most of us can’t even imagine feeling that such a basic component of our personhood is alien to us. Many of us can’t imagine the feelings of confusion, isolation, and despair such a conflict would bring. Individuals like the ones in Johannesson’s photographs often get treated like unicorns, an interesting idea, but they don’t really exist. This series confronts those misconceptions head on. No matter what we each individually believe, empathy and above all love is possible, and I daresay required.

Debbie Rasiel

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The goal of photographer Debbie Rasiel’s “Picturing Autism” series is to explore what autism looks like across language and cultural barriers. The series spans New York, Mexico, Peru, Indonesia and Iceland.”I wanted to offer those not familiar with autism an opportunity to see what autism looks like, a safe space where social mores would not prevent them from staring,” Rasiel stated in an article for The Huffington Post. Again, art has urged people to lock eyes with and confront images of individuals from whom they normally may avert their gaze due to unfamiliarity or uncertainty.

Art not only has the ability to show us things we can’t see in real life, but it has the ability to force us to see the unseen, and that is a wonderful and magical thing.

 

Artists To Know: ArtPrize 2015 Edition

My boyfriend and I visited ArtPrize in Grand Rapids this past Friday. Though I had a piece in it last year, I didn’t have a *big* project ready this year that I wanted to enter so I decided to attend simply as an art appreciator. With inspiration quite literally around every corner, I came back impressed and invigorated, as always. I wanted to share some of the pieces that really stopped me in my tracks. Keep in mind, I was only in Grand Rapids perusing for a day, and as any of you who have attended in the past know, this gave me but a small cross section of ArtPrize 2015. If any of you have been over to ArtPrize, feel free to share other artists/pieces you saw that I may have missed! I definitely left wanting more, but am glad I got to make it to the event this year, even if just for a day. I encourage you to visit these artists’ personal websites I’ve linked to and learn more about their work and the story behind why they create what they do. They explore a variety of poignant themes in a unique and engaging way.

Kristi Lynn Studios – One Hundred Faces

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Ahni Sallaway – I Am You

Kate Askegaard – A Breakthrough

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Little did I know until visiting her website myself, her piece in ArtPrize last year, “A Plea, Remember Me”, was also one of my favorites. Miss Kate has a new fan!

Candace Compton Pappas – 200+

Each bird represents one of the over 200 school girls that remain missing after they were kidnapped from their school in Nigeria by the terrorist group Boka Haram.

Jacqueline Baerwald – Melondy, Issues of Adolescence (You can read her like a book, or can you?)

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Monica Stegeman – In Her Place

John Leben – Back To Nature

Another thing about ArtPrize I always look forward to is the installation art and large scale outdoor sculpture. Red seems to be a popular color, and so by happenstance I matched all the art.

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Dream home?

Dream home?

This yarn room reminded me of one of those nightmares wear something about your surroundings is not quite right, but you can't seem to figure it out...

This yarn room reminded me of one of those nightmares where something about your surroundings is not quite right, but you can’t seem to figure it out…

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I love the contrast between my giggling face and that none too pleased look in the eyes of my fierce dragon companion.

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Eating delicious food is almost (or maybe equally as?) as exciting as looking at amazing art, and my boyfriend and I enjoyed dinner and Violin Monster at The Green Well, as well as vegan gelato from Love's Ice Cream which is so amazing it haunts my dreams.

Eating delicious food is almost (or maybe equally as?) as exciting as looking at amazing art, and my boyfriend and I enjoyed dinner and Violin Monster at The Green Well, as well as vegan gelato from Love’s Ice Cream which is so amazing it haunts my dreams.