Artists To Know: Beyond The Photo

It’s been awhile since my last Artists To Know post, and today I wanted to focus on photography. I have always been interested in photography, but never took the craft further than just “playing around”, and don’t really do any artistic photography anymore today. My favorite type of photography has always been work that shows us more than what we can already see in front of us, photography that is not objective but that injects part of the artist into what it is they capture (or create, as in the case of our first artist who uses found photos for collage). I hope this post gives you some Sunday afternoon inspiration, as these artists did for me!

Guy Catling

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Catling is a graphic designer from the UK who works primarily in collage. He is known for his use of old black and white photos, especially of somber subjects such as war photography, which he gives new life through the juxtaposition of jarringly bright, cheerful patterns. As someone who loves pattern, his images just plain make me happy when I look at them, and give me quite the urging to dig out a book of old wallpaper samples and go to town making something amazing!

Tawny Chatmon

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A self proclaimed “army brat”, Chatmon did a lot of traveling as a kid and had resided in 3 different continents by the age of 12. Once settled in the US, she turned more in the creative direction of theater. She didn’t start getting into photography until her early 20s, when she was gifted a camera at 19 and through self teaching and expirimentation saw an opportunity to make a living through the lens. After losing her father to a battle with cancer in 2010, Chatmon’s portrait photography became not only a career but a way to communicate and process emotions, an art. What first drew me to her work was the image above, part of her series titled “Deeply Embedded”. The composition and heavy use of pattern on the clothing reminded  me a bit of Gustav Klimt, one of my favorites from art history. Chatmon writes about this series on her website, “Deeply Embedded was created during a time where I continued to come across negativity centered around natural black hair & styles. Anger followed by frustration and sadness forced me to refocus that energy into creating work to speak for me as our words fell upon deaf ears.” There are many different forms of beauty in our world, and photography is the perfect medium to capture that fact.

Stefan Sagmeister

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Stefan Sagmeister is an Austrian graphic designer and typographer. He currently works in the US and is known for his work in advertising and album covers, for which he has won 3 Grammy awards. Much of his personal work centers around the elusive achievement of happiness, conveyed through statistics, personal experimentation, and design. Though I myself am very skeptical that there is a magical formula or set of steps that will universally make every human happy (I am a big proponent of “If it’s not true for one, it’s not true for all”.), I do enjoy art that gets viewers into the head of the artist and visually shows their thought processes.

Aydın Büyüktaş

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Aydın is a Turkish artist who combines images he captures with drones to create mind-bending multi-angle landscapes. It is evident in his portfolio that special attention is paid to the use of pattern and line as he composes his imaginary worlds. I would have never thought of using drones for art, and it is fascinating to see what can be done with this relatively new medium.

If you know an artist you’d like to be featured (or are an artist yourself!) feel free to share with me. I love discovering new creatives!

 

 

 

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Artists To Know! Installment 7 : Seeing The Unseen

I have always been the type of artist and art appreciator who tires of complete realism. I abhorred the same old make-it-look-like-the-photo landscape assignments in school growing up. I liked portraiture a bit better, but only if I made it my own, whether desired in the class assignment or not.

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Circa 2005 – Oh noes! The punk’s left eyeball has cracked and now little rainbow glass shards are floating out into the universe towards the viewers eyeballs, surely meaning to skewer them!

I always believed art should only show us what we cannot see in reality, or else what was the point? However, how much of reality do we really see, and how much simply slips from our view unnoticed? Human perception is a funny thing. You could have two people walk down the same stretch of sidewalk in a park, and if in the end you asked them to describe the scene they just participated in, I am 99.9% certain that they would each describe it completely differently. We notice what draws us, and ignore what repels us. That idea is the basis of the following artists’ work, work that shows us the marginalized and disenfranchised; the very people who often slip to the periphery of our awareness either consciously or unconsciously. Viewing these works, we are shown a reality that seems like a completely different world.

Aaron Draper

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For his “Underexposed” series, Aaron Draper captures lit photos of the homeless, aiming to portray them in the most pleasant, visually appealing way possible. Draper sites author John Steinbeck as an inspiration, and admires how he used his craft to highlight the plight of the poor, and expose social issues and inequities.  With this series, Draper is using lighting to draw viewers towards the person shown, causing the subject to be viewed with humanity and compassion. Draper says, “When it comes to social activism, you achieve greater public awareness by communicating hope as opposed to hopelessness”.

Diane Arbus

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Famed photographer Diane Arbus takes almost the complete opposite approach to the previous artist. The black and white photographs of her subjects seem to be developed in such a way as to accentuate each imperfection, every wrinkle, blemish, and flaw. Her work turns its lens on society’s outsiders : those with physical abnormalities, nudists, transgender individuals, those with extreme tattooing or body modification, and rarities such as twins. Unlike Draper’s work, there is a darkness to it and a definite surreal quality (One of her photographs of twins actually inspired Stanley Kubrick’s iconic “The Shining twins”.).  She is certainly a disputed artist. Some argue she was voyeuristic and exploitative , her photos no better than the circus “freak shows” that thankfully no longer exist in this day and age. Her motives and connection to her subjects have been called into question since her photographs were not necessarily being used to communicate a social purpose or to inspire a change in the treatment of the individuals, but more for striking visual interest. Additionally, her series in which she photographed individuals living in group homes for those with mental challenges, of which the above is a part, brings up a consent issue. Since the photographs were taken between 1969 and 1971, a time when individuals at such institutions were given little to no rights, the permission to photograph the residents was not given by the individuals themselves but the institution. Such a project would not be allowed publication by today’s standards. Others argue she is possibly one of the most misunderstood artists of the 20th century. Consent between photographer and subject is important, and I cannot speak to the validity of the permission she received. However, to me, Arbus wasn’t looking at her subjects with revulsion and disgust. They don’t appear isolated or lonely but confident, happy and uninhibited. They are comfortable in their own skin and are completely unaware of how they appear to others. Arbus had a great respect for her unusual subjects she sought out, saying “Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.” (though I do flinch at the way she throws around the “f-word”.) If anything, it was the so called “normal people” Arbus portrayed as lonely and disconnected and silly.

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Asa Johannessen

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The subjects of Johannessen’s “Looking Out, Looking In” series are individuals who don’t identify with any gender, male or female. An article in Independent about her show describes the portraits as “challenging the onlooker defiantly to try and categorize them”. All photographs are untitled, the subjects unnamed. The goal is to draw the viewers in to whom each individual is as a person, rather than the viewers obsessing over the single facet of “Are they male or female?” This is an interesting concept to me as someone who has always felt gender is about the last thing I notice about someone. This has led to some interesting social kerfuffles in the form of myself ending up on dates I never knew I was on. I pretty much am this comic below anyway, only with brown hair and zero barista skills.

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All that aside, the point is once again using art to bring humanity to those who are often misunderstood or ignored. Everyone struggles with identity crises from time to time, but most of us can’t even imagine feeling that such a basic component of our personhood is alien to us. Many of us can’t imagine the feelings of confusion, isolation, and despair such a conflict would bring. Individuals like the ones in Johannesson’s photographs often get treated like unicorns, an interesting idea, but they don’t really exist. This series confronts those misconceptions head on. No matter what we each individually believe, empathy and above all love is possible, and I daresay required.

Debbie Rasiel

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The goal of photographer Debbie Rasiel’s “Picturing Autism” series is to explore what autism looks like across language and cultural barriers. The series spans New York, Mexico, Peru, Indonesia and Iceland.”I wanted to offer those not familiar with autism an opportunity to see what autism looks like, a safe space where social mores would not prevent them from staring,” Rasiel stated in an article for The Huffington Post. Again, art has urged people to lock eyes with and confront images of individuals from whom they normally may avert their gaze due to unfamiliarity or uncertainty.

Art not only has the ability to show us things we can’t see in real life, but it has the ability to force us to see the unseen, and that is a wonderful and magical thing.