Art Discussion, New Work

In A Black and White World, Be A Rainbow! New Work.

november she is entirely her own

I am still plugging along on my series that needs to be finished by mid-late Summer so that I can enter it into ArtPrize! 4 more pieces of 12 to go, wish me luck! This particular piece titled, “November: She Is Entirely Her Own” was a lot of fun, with lots of dramatic color and pattern – a true ode to creativity, independence, and expression. As it turns out, rainbow hair is as challenging to draw as it can be to create on an actual person’s head!

My series will eventually include 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods. Each will communicate a different theme, titled for each month of the year. I aim for the pieces to speak to women’s collective experiences beyond their differences. Though many of the pieces deal with difficult emotions, the overall feedback I’ve received is that viewers found the works in this series inspiring and encouraging. Over the last couple of years, I have really come into my own style as an artist. For the longest time, I thought in order for art to speak it couldn’t really be enjoyable to look at, and was so wary of my art slipping away from true art and into the category of “decoration”. However, honesty doesn’t have to mean horror and darkness, although there is certainly a time and place for that kind of art, too. You really have to just let yourself speak what naturally flows out of you as an artist, without trying to force a certain aesthetic or viewpoint just because you feel like that is what you “should” be making.

One of my all time favorite authors, David Foster Wallace, said this about creation, “In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction (or art) could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.” If this doesn’t just sum up my definite art goals, I don’t know what does.

Lastly, I will leave you with some of my recent wedding photos. Oh, you didn’t know I got married by the most highly respected robotic priest in all of Michigan on the 30th of March, my 29th birthday?

Ok, April Fool’s. I don’t think this particular marriage ceremony held at Marvin’s Marvelous Mechanical Museum is technically legally binding, and the flimsy aluminum rings we exchanged couldn’t even fit properly on our gigantic sausage fingers. But nevertheless, spending a day at the arcade followed by delicious Italian food was a good enough birthday adventure for me. Perks, now everyone can stop asking us when we’re getting married, because we kind of already did, fools ^_^.

Continue to be the rainbow in a black and white world, dear readers. Until later …

 

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Art Discussion, New Work

New Work – September: She Is An Atlas

This was one of the most challenging pieces in my series thus far, because I was working with multiple layers of meaning and thoughts. It also is the most “mixed media” of all my series installments, utilizing not just mixed fine art mediums but fabric, metal chain, tiny rhinestones, and torn book pages. I have been so into metallic accents since the collaboration with my friend and student, Heather. I also blame her for the inclusion of rhinestones – she encourages me to be sparkly.

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I’ve mentioned in previous posts that when I feel, I feel BIG or not at all. There is no other way. The sketch that inspired this piece started as a way for me to process the weight of my own emotions and feelings of powerlessness. As  I began further conceptualizing this current series, I realized the idea could fit as one of the 12 pieces. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”. The figure in this piece quite literally has “the world on her shoulders” through the pattern on her clothing, much like the mythic Atlas. Atlas the physical object is also defined as a book of maps or charts, and can signify one feeling that they alone must have all the directions and answers to all of the world’s problems, a grand and impossible responsibility.

The exposed heart necklace represents empathy, an open heart waiting to be wounded , left unprotected and raw. She leans against a bulls-eye wall, surrounded by an outline of thrown knives, a target girl like in the well known circus act. With each act of injustice and malice directed at others, she feels as if she is standing in their place, each offense a knife thrown at her, just missing. Though fearful, her face is strong and even. I’ve written before about how compassion and empathy does not equal weakness. To stick one’s head in the sand and be ignorant of the world’s ills is weakness; foolish, avoidant, and selfish.

Another way the subject can be viewed is not as the empathizer but as the victim. Some people are born into situations that are so difficult, living day to day is much like standing against a target with knives being thrown at them. It can be their geographic location, their income, the people that surround them or lack thereof, and the list goes on. Though yes, our personal choices certainly can influence outcomes, isn’t so much of life like a gigantic, living lottery when you think about it? Yet we shake our heads and wag our fingers when we see people who are struggling both around us and abroad, because certainly they must have done something wrong or things would look different? This way of thinking frees us of the responsibility to help others, and gives us a false sense of power that by doing certain things we can be 100% sure we attain the exact sort of life that we want. It all goes back to empathy and control.

One of the things I love about art is the way people can discern completely different meanings from a piece based on their own thoughts and experiences. Did something different strike you as you looked at this piece, did it remind you of something? Please share, don’t be shy!

 

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New Work

New Progress On My Current Series!

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Hello all! I recently finished another addition to my 12 part series I’ve been working on since late 2015. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”.

This piece is titled July: She Is An Earthshaker. I love mermaids, and really got into aquatic art after following the required theme for the Tall Ships curated exhibition at Studio 23 last summer. This was a fun piece to create, and perhaps my favorite in the series thus far. As a child I don’t know how many times I watched The Little Mermaid, and was absolutely transfixed by King Tritan’s trident (Which of course I later learned came from the myth of Poseidon). I became inspired to make a powerful Lady Poseidon if you will. Earthshaker is another way Poseidon has been referenced, but the name can also apply to those of us in the real world, ordinary people who create waves to change what needs to be changed. She wears a pretty seashell and floral crown, and her facial expression is not one of anger or even one that would imply intense power. Her strength is a quiet strength. If in her head, she can see herself like this, the waves and lightening crashing behind her as she stands firm, perhaps she can believe that she can do anything even if others may doubt her.

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This design is available for print on a variety of cool items in my Redbubble Shop, and art prints on matte photo paper may also be purchased from me Ebay Store.

Check out the other pieces I’ve finished so far! January February March June 

 

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Uncategorized

Exciting News From the MAG Annual Exhibition!

Friday was the opening reception for the Midland Artists Guild’s Annual Juried Exhibition. What’s awesome about this year is that the show actually took place at the gallery I work at as Coordinator for one of their major programs, Creative 360. The piece that was accepted into the show was “She Is Everything At Once“, the 3rd installment in my new series I’ve been working on since late 2015. There was so much amazing work this year, I truly was just excited to get into the show and did not go in expecting any further recognition… and then my name got called for an Award of Excellence. No matter how many years I spend involved in art, I don’t think I will ever lose that factor of complete surprise when something like this happens.

 

For those of you who may have missed previous posts on my new series, I will be creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year, the one featured in the MAG show being March. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected.

My goal is to get this series into this year’s ArtPrize in Grand Rapids. With the positive responses I’ve been seeing to images from this series thus far including an award for my January piece at the Greater Michigan Art Exhibition last Fall, I’m certainly feeling hopeful!

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Exhibitions and Other News

Collaborative Art, Or, I Guess I Do Work

A couple of months ago, something of a milestone in my artistic journey happened, and I cannot believe it has taken me this long to get around to sharing it. I completed a collaborative piece with another artist. Whoa, am I right?

I don’t always like working closely with others. I was the kid that dreaded group projects growing up. In college, for my huge final project I actually chose to do 4x the work of everyone else simply to avoid working with a group (Let’s be real, I always ended up doing all of the work anyway.). I like control, I like all the responsibility for either my own success or failure falling entirely on me. I have distinct memories of 5th grade in which we were tasked, in groups of 3, to build this big house out of cardboard, decorate it inside, and wire in actual working lighting with those fun little battery circuit kits you get to play around with in grade school.One of my group members was dancing around the room singing “Oops, I Did It Again” using her pencil as a fake microphone, I do not jest. The other group member  was insisting on wiring everything in such a way that none of our little ceiling bulbs would light up, and she would not take instruction. I finally couldn’t take it, and quiet mouse me who never made a peep all day told her bluntly that all her ideas were stupid. A temper tantrum by the accused ensued. I actually didn’t get into trouble because I was such a quiet kid, I think the teacher was just glad I finally spoke up and said something, anything, even if it was to berate a fellow student’s ineptitude.

Art is so personal too, to alter your vision, to compromise to allow room for someone else’s vision as well is super hard.

I first met my artist-in-crime, Heather, about 3 years ago when she took one of my Artshop classes at Creative 360. We felt a connection right away due to our similar artistic leanings and interests, and have been sharing our art and our journeys with each other ever since. There were certainly some rough patches along the way, but we’re still friends and have this adorable, girly, sad, disturbing masterpiece to show for it. So much metallic watercolor was used in the making of this art, that my sink is still sparkly.

This piece explores the idea of being taken advantage of, and seeing the best parts of you ripped away by the other’s abuse. It also conveys the idea of the sympathetic but complicit observer, who is silent as they witness harm and injustice.

Our styles meshed super well, which I honestly wasn’t expecting. Though we favor similar subject matter at times, we have totally different approaches to drawing. Who did what, can you guess?

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Icing On The Cake, by Allise Noble (left) and Heather Deogracia (right).

Without the urging of a “Dynamic Duos” curated show at Studio 23 Gallery in which you were required to submit only art made in tandem with a fellow artist, I don’t think Heather or I would have attempted such a harrowing feat. Now that we’ve done it once, we may just try a second go around in the future… only time will tell.

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Art Discussion

Art Discussion: New Year’s Resolutions

I have to admit, I never make New Year’s resolutions; partly because if you are truly dissatisfied with something, it seems silly to arbitrarily wait until the turning of the calendar to fix it. In part also because we all tend to set the same goals, those goals that we know everyone else is setting so we can easier relate to those around us as we share that we want to find our soulmate, get a promotion, or lose weight, and we can all laugh together about how we probably won’t actually do anything to work towards most of those things. But, what would happen if we committed to doing one thing that we were truly passionate about in this new year, one thing that we didn’t over analyze to death, asking ourselves, Should I want this? Is it too silly? Too shallow? Too lofty? Too weird? No one would understand anyway … 

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During my senior year of college 7 years ago (Whoa! 7 is a big number.), I entered an art book into the Annual Student Exhibition at Central Michigan University. I asked a sampling of the people I encountered in a day, some I knew well and some I did not, to think of a couple of experiences they would like to have before their life was over, and pick the most obscure one to share with me. I chose 35 different submissions to illustrate, and Underneath was  born. This was my first experiment with creating art based on collected personal stories, something I would use to create many more projects in the future. I also ended up winning the Grand Award for this piece, which was the first time I’d ever won anything for my art aside from a coloring contest in 4th grade, and not a bad way to exit my college career ;).


As annoying as it may be that the first thing anyone asks when meeting someone for the first time after “What’s your name?” is, “So what do you do?”, we kind of are what we do. This doesn’t have to mean our day jobs, or even be workplace related at all. What we do with each day is a choice, and it is these choices that reflect what we value and shape who we will become. True goals can give immense insight into each individual’s unique personality, drive, and psyche. That is why I so enjoyed sifting through the responses I received for this project.

I was reminded of Underneath recently for an unfortunate reason. The young woman who 7 years ago submitted the far right response above took her own life in a murder-suicide earlier this month. She attended my high school, but our school was so large growing up there were tons of people who walked in graduation with me that I felt like I’d never laid eyes on my whole four years there. I never knew her well, but our paths did cross and I remembered her submission deeply affecting me back then, as the news of what occurred deeply saddened me now. A couple of my good friends had had classes and clubs with her, some even keeping up over the years at least through texting and facebook, and the news hit them even harder.

This may not be a typical resolution, but something to be mindful of in the new year is this: we do not know everyone else’s story. We have no clue about everything the people we run into in our day to day life may be going through. People learn to adapt, and to act, and to portray themselves in person, at work, and in social media as how they want others to see them. I know I do it; I think we all do to a point. I have always been fascinated with the dichotomy between individual’s alone personas versus their public personas. It is a concept that is interesting to explore. It can also be a concept that is dangerous, because it can prevent people from reaching out who need help. If you make one resolution (aside from foregoing all convention and chasing your oddest dream / within reason and lawfulness, of course), resolve to be transparent and authentic, and resolve to be someone who is willing to make that reach when someone needs support either in the form of just a listening ear or otherwise. Christmas falling on a Sunday, I attended the Christmas morning church service at MFMC with my family this year. We spoke about how there is the whole Christmas story which most of us, churchgoers or not, have known since childhood. But, we all have stories, and our story, how we live and interact, can change someone else’s story for the better if we allow it to happen. We have nothing to lose for trying.

To see the rest of my art book in order, visit the album on my website.

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Exhibitions and Other News

Super Exciting News (No, I’m Not Engaged. But Read This Anyway.)

First, I must explain the title. It’s a bit of a joke because the last time I did a post in which I professed exciting news, like everyone thought I was engaged. When I was like ‘nope, even better, I won Best 2D at an art exhibition!’ they were like, ‘Oh well, I guess that’s pretty cool too.’ I think this face of epic disbelief from the 10th Doctor sums it up pretty well.

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But, back to my still super exciting news. I had mentioned earlier how thrilled I was about getting into the Greater Michigan Art Exhibition at Midland Center For The Arts because I had entered the 2 previous years as well and had yet to be chosen to exhibit. Well, first I found out that not just one but all three of my entered pieces would be hung in the show.

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Then, I found out that one of them had actually won an award! I feel so unbelievably honored to have one of my pieces receive a Juror’s Recognition Award.

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(I hate closeup pictures of me holding things  because I feel like I have freakishly short fingers. No wonder I could never play the piano well even after years of lessons. Well, that coupled with my total apathy towards the vocation and complete lack of practice, but thatis another sotry for another day. Despite finger length, I had to show off the snazzy brochure.)

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The fact that they chose the piece that is going to be one part of my 12 part series I am planning to enter into ArtPrize next year was a welcome sign that I am going in the right direction with this project, and creating something that will bring people joy, make them think, and spark their imagination. If you are in the general vicinity of Midland, I would suggest you make a trek over to see this show. It is a humongous exhibit, and there is so much awesome art to absorb.

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Artists To Know, Travel

Artists To Know: ArtPrize 2016 Edition

I almost thought I wasn’t going to make it to Artprize this year with everything going on, but in the end I knew I’d deeply regret it if I didn’t just make the time. I mean, even Donald Trump turned up for Artprize this year, albeit on different weekends. Apparently I went one week too early and missed him, oh darn ;).

Though my boyfriend and I missed meeting an actual candidate, the election still haunted us in the form of getting semi-lost by missing an exit due to a sociopolitical argument that escalated on the car ride over. I think election time makes all Americans go a little psycho. Otherwise, the day went off without a hitch…

Good food, good beer,

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silly photo ops,

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a sighting of my favorite Pantone color,

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and a chance to live as my favorite Peanuts character for a hot second (Lucy forever!!!).

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Granted, walking around town for one day you only end up seeing a fraction of the art that is available, but I wanted to share with you my favorites of what I was able to see.

Kathy WeaverWar Devours Us

Weaver’s intricate charcoal and mixed media pieces have so much detail, incorporating collage and  stitched elements as you zoom in closer. Weaver aims to show the strength and courage of the refugee community amidst horrifying circumstances, and often less than a warm welcome when they attempt to find peace and safety.

Saya WoofalkPose System

This piece, featuring collaged bodies and colorful details (and skulls, have to love skulls), grabbed my attention right away for it’s dynamic composition and unique style. It was so different from anything else I would see during the day, and there was so much visual movement in both the contortions of the figures and even the psychedelic dotted background.

Chadwick and SpectorMuseum Anatomy

These pieces are painted on human bodies – enough said. The concept statement said that the artists used female portraits from the Renaissance that had been either hidden, lost, or destroyed. To recreate these paintings on paper alone would be a challenge. Can you spot the eye in the second photo?

 Scott Leipski10 Thoughts On Tuesday

This artist challenged himself to create a new piece every Tuesday for 10 weeks, and this is the end result. I loved how different each piece was from the other, like an eccentric cast of characters. I had a soft spot for the Alice In Wonderland inspired piece, of course.

Joao Paulo Goncalves – Portraits of Light and Shadow

This artist created portraits of Martin Luther King Jr., Da Vinci’s Mona Lisa, and Vermeer’s Girl with the Pearl Earring using pixel art. But, this was no ordinary pixel art. The pixels are actually wooden blocks that protrude from the surface in varying degrees, and the different shades that you see are created by light and shadow from the light from the fixtures above hitting the blocks. I honestly can’t even quite wrap my head around how the artist figured all of this out to get such a rich gradation. It gives me a headache, so I think I will stop trying to figure it out and just enjoy the masterpiece :).

Zhao naIsomorphic Interpretation of the Four Seasons

These stunning paintings do one of my favorite things in art – merge living things in their environment. The detail is stunning, and the use of white space, absolutely perfect. These works incorporated a lot of symbolism, outlined by the artist on her Artprize profile, which I would encourage you to read for further insight.

Hope Network Neuro RehabilitationUnmasking Brain Injury

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I love love love the concept of this project. I work with a program that provides opportunities for expression through art for individuals with physical and mental challenges, so this was right up my alley. Using masks to create a visual representation of each artist’s personal story, 28 artists who attend the Hope Network’s rehabilitation program joined together to express how brain injury has affected them personally, and how they have triumphed. This project, featuring not only the mask itself but each individual’s accompanying personal story, was one of the most meaningful and powerful pieces I saw. I love art that visually represents personal stories. I have previously talked about the power of telling people’s stories through art, and also about shining light on the truth through telling your personal story. Stories are a powerful force for both recording history, erasing prejudices and misconceptions, and personal therapy, letting go of the burden of things you cannot change.

Has anyone else gone to Artprize this year? What were some of your favorites?

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Exhibitions and Other News, Travel

Adventure and Inspiration

Sometimes things get tough. Sometimes it seems to take every modicum of energy to perform the most minute of daily tasks, from getting dressed in the morning to remembering that you’re supposed to say hello to people as you walk into work at 9 am. Sometimes you can’t even detect why everything suddenly seems so hard.

September has been a tumultuous month, but it has also been a month filled with excitement and events, travel and possibility. These little adventures, no matter how minor, are most needed when you are tired, ready to give up, and just want to stay at home sitting on your couch playing Sims.

Creative 360 had been preparing for its Artshop, Do-Art, and VSA Exhibition and Showcase for over a year, and it finally came together in the beginning of this month. It was so amazing to see the students I, as Program Coordinator, along with our many gifted instructors, had worked with finally get to perform their music, dances, and monologues as well as display their beautiful artwork in a gallery setting. For many, it was their first time showing their art to anyone other than friends and family.

I had to “entertain” guests in between performances, a challenge because I don’t think I am an overly entertaining person except for when I am not meaning to be. However, I lived to tell the tale, and was told I said many wonderful things although after the fact I could not for the life of me remember what they were :P. When having to speak publicly I tend to enter a sort of fugue state. Luckily, it is a brilliant one. There were a few kerfuffles along the way, but the whole show really came together in the end. (Kerfuffle is one of my favorite words, as it can be used to describe such a wide variety of daily societal occurrences.)

Our special highlighted projects made a splash as well. We had a 3’x4′ canvas composed of 80 squares in which each student filled in a square or 2 with the media and subject matter of their choosing to create an expressive patchwork. If you like what you see, it’s available in print form in Artshop’s Redbubble Shop.

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Another project by artist Heather-Dawn Deogracia was another that expressed the unique personalities of the students taking part in our show. Heather-Dawn asked students to write down their favorite colors and something about themselves. She used this information to create blind contour drawings for each, resulting in a series of vibrant abstract portraits.

There was another opening shortly thereafter at Studio 23 in Bay City, MI for their All Area Michigan show. I got 3 of my pieces in; Be My Eyes, I’d Have Been Happier As A Bird, and Be My Wings; which needless to say was ridiculously exciting. I also got into the Midland Center For The Arts Greater Michigan Art Exhibition which I applied to the last 2 years and didn’t get in. I almost didn’t apply this year but last minute decided, what the heck. That just goes to show … never give up and all that good stuff ;).

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My last recent adventure was a trip to New Orleans with my boyfriend. The first adventurous moment of this trip was traveling with nothing but a “personal bag” and a carry on between the 2 of us. I like to be prepared for any possible occurrence (or “kerfuffle” if you will, there’s that word again!), so this was a struggle. I’m so type A I made an excel spreadsheet listing everything I needed to pack with accompanying check boxes.

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Literally everything was rainbow colored, and everywhere we went there was music playing. It was like having your own theme music as if you were a fictional TV character, so basically amazing. It was so weird to return at the end of the week to shades of brown and grey, and peace and quiet.

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There was this great band that played Sinatra and Louie Armstrong covers  we discovered on the first night that we revisited every night afterward until we left.

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I also got to see a Warhol painting in person. Even though he seems like he was kind of an ass and didn’t actually do his own work, I must admit it still felt awesome.

Next up, Art Prize 2016! Check back for my “Artists To Know” Art Prize 2016 Edition post, where I will share my top picks from the art I was able to see over the weekend.

 

 

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Art Discussion, New Work

March: She Is Everything At Once

Obviously, though I had a fun idea of doing the whole “a drawing a month” reveal for my new 12 part series, that didn’t happen as I am on March and it is now almost September. I would like to enter this series into Art Prize next year, and decided if I have until next Fall, why impose such a crazy impossible deadline on myself simply for the sake of themed blog posts and risk the quality of the work? Impossible self-imposed deadlines are this thing I like to do that I really need to ease up on. For those who haven’t read my previous posts, my new series involves 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color, one representing each month of the year. They will depict women of all ages, races, and time periods, and each will communicate a different theme and season. I aim for the pieces to speak to women’s collective experiences beyond their differences. I want the series to flow together in its mainly black and white scheme with pops of color, soft mixed media application, and it’s classic portrait composition. However, I wanted each month’s portrait to still be distinctly different “characters” from one to the other, achieved via aesthetic theme and accent colors. For this piece, I went with bold, dynamic primaries and a nod to pop art. You can view January and February from earlier posts.

In this piece for March, my goal was to take the commonplace negative stereotype of women being “emotional” and turn it on it’s head, marrying caring and empathy with strength, and sadness and despair with hope for a better future. A surreal merging of classic pop art, which often featured dramatic beautiful women sobbing,  with realistic portraiture was the perfect fit for this concept.

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Women are constantly being told they are too much of something, despite the fact that they are often expected to wear far more different hats responsibility-wise than their male counterparts. Google searches have become an interesting way to peek into mainstream society’s views. Anyone who uses the internet knows when you begin to type something in, google will finish it with the most popular searches and subjects. A UN Women ad from 2013 was the first to make a statement using this innovative approach.

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I tried the same concept, only typing in the starting phrase “women are too…” What I’ve found is that women are apparently too picky, but also too easy, too intelligent and successful to find love, yet too weak and too emotional to be leaders, the president, or involved in politics at all, but at the same time also too dominant. It looks like we’ve got a Goldilocks problem here.

As one who believes that sometimes problems we assign dominantly to one gender are still just basic human being problems, I didn’t want to negate the idea that there may be similar findings for men. However, when I tried “men are too…” I got nothing. In fact, when I simply pressed enter to see what articles would come up, the main article up top was “Monkeys turn into grumpy old men, too” about aging primates and behavioral changes. While hilarious, it is clear that this whole “Be everything at once yet also be nothing at all” contradictory expectation is something that, while maybe not entirely absent for men, is something that women face more in mainstream culture.

A descriptor routinely used to discredit women’s abilities is the fact that they are “too emotional” by default of their gender. However, when men step out of their perceived box by showing any degree of emotion aside from anger, they too are often chastised and ridiculed. This shows that our revulsion towards caring at least is a societal problem on the whole, not just a women’s issue. For some reason, people seem to view caring as weakness. This can be seen clearly in the dismissive term bleeding heart, always used with a strong air of disgust. (A note to be made here… when I talk about caring I am not including people sitting behind a laptop screen typing angry, obscene responses to random articles that they don’t agree with because they get off on being offended and telling people off. Nor am I talking about people who shut down and throw a fit every time they have to hear something that they don’t agree with. This is not true caring or passion, this is an addiction to “being right” all the time and putting people in their place, and it is unhealthy.)

I recall a conversation had with a person from my past 5-ish years ago. We were discussing some political or sociological issue. The other person, whom supposedly respected me, was nevertheless making zero effort to understand my view though I myself had stopped and listened to theirs. I remember growing frustrated and stating, “I don’t know why you are refusing to try to listen and understand where I’m coming from when this is an issue that is so important to me.” Their response was given bitingly and with a wave of the hand, “Oh, everything’s “the most important thing” to you.” Though it was meant as an insult, the more I pondered it the more I thought, I’m ok with owning that. Because everything does matter, in some way large or small.

In our culture, it’s cool not to care. You can see this fact brazenly displayed in popular entertainment (The Hangover 1,2,3,4,5? They just keep going.) People are routinely being told the answer to their feelings of isolation, depression, and anxiety is to just “let go”. But is the “ignorance is bliss” model really the one we should be following? This idea in and of itself seems to admit that caring is not weakness, but strength. Experiencing emotions of concern and empathy is an active state; not caring for anything outside of your own pleasure and needs is passive. To put it simply, caring about things is hard work. It can force us to take steps towards action that may make us uncomfortable, and take up a lot of our time and resources. It can be mentally and psychologically draining.

Caring is strength. Let’s lift up our mothers, our fathers, those taking care of an adult family member, our nurses, our teachers, our home health aides, our daycare workers, our counselors, our missionaries, our activists … No matter what societal norms tells us, they are our true heroes.

 

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