Art Discussion, New Work

New Work: She is Sheltered By Faith

Organized religion has always had an interesting relationship with women. While many of the ways in which various religions are practiced (notice I say practiced, because often how one chooses to express their religion and how they are kind of supposed to practice it based on the basic tenants of their religion’s teachings can be quite different) have not been too kind to the ladies, even in this day and age, women on the whole are practicing their faith in greater numbers than their male counterparts. This is especially true in Christianity, the faith I will be discussing as it is the one I practice, and the one I am most familiar with.

Interested in this dichotomy, I knew I had to do a piece on women and faith for my current series surrounding women and the various themes that intertwine their lives. Thus, this art nouveau inspired piece was born, titled “April: She Is Sheltered By Faith”. The lush flowers and vines radiate in growth around the central figure, sheltering her from the rains of darkness. She is surrounded by a metallic gold halo of light, and smiling calmly and assuredly through the storm.

april she is sheltered by faith

As one who strives for equality for all, including between different genders, I often find myself in an awkward space where it comes to my Christian faith. Though Jesus himself surely stood for equality, churches don’t always do the best job carrying this message through in our everyday life today. One need look no further than the recent trending hashtag on twitter, #ThingsOnlyChristianWomenHear, to read statements that range from laughable in their utter lunacy to those that are absolutely heart wrenching.

https://twitter.com/angelamorrismua/status/855881078627852288

…And, there are many, many more. These are not made up stories or exaggerations. As thankful as I am that I grew up in the same church I attend now that I feel comfortable in for the most part, many of these messages are familiar through the stories of friends of mine and through articles and advice in Christian teen books or magazines I remember from my youth. We need to do better, and it starts with listening to others’ stories, speaking up when you do hear any of these toxic messages spoken, and knowing the truth. I used to feel so uncomfortable about being the very antithesis of what both mainstream and religious conservative media would have you believe a practicing Christian is “supposed to” be, but nowadays I kind of embrace it. I feel like I’ve finally found a lot of my purpose in life, and besides, aren’t we supposed to stay true to what’s right and not worry about “fitting in” with everyone else? Maybe, this sometimes even means not fitting in with those within our own little group.

So what draws women to faith based lives despite the challenges of organized religion? I’d say it is because the Person they follow advocated for equality way ahead of His time, and that in the stories of His teachings and examples of how He treated others, justice and love have always been at the forefront.

I didn’t want this post to turn into a theology lesson so I kept the background brief, but here are some resources concerning women and Christianity that I think are worth a read, and that definitely challenge the status quo of what Christian women are hearing from society:

On Being A Christian and Being A Feminist … and Belonging Nowhere / Sarah Bessey / (Pst! This cool lady actually started the #ThingsOnlyChristianWomenHear thread.)

15 Christian Women Get Real About The Role Of Women In The Church / Huffington Post

Women’s Faith and Power / ReThinkChurch / “We believe advocacy for the equality between women and men results in positive change that improves the world.” – Yeah!

Jesus and Women / Christianity Today / “In His treatment of women, as in many other areas, Jesus of Nazareth was a radical contrast to the standards of His times”

The Case For Women In Ministry / ReKnew

On Being ‘Divisive’ / Rachel Held Evans

10 Ways Male Privilege Shows Up In The Church / The Junia Project

 

 

Standard
Art Discussion, New Work

In A Black and White World, Be A Rainbow! New Work.

november she is entirely her own

I am still plugging along on my series that needs to be finished by mid-late Summer so that I can enter it into ArtPrize! 4 more pieces of 12 to go, wish me luck! This particular piece titled, “November: She Is Entirely Her Own” was a lot of fun, with lots of dramatic color and pattern – a true ode to creativity, independence, and expression. As it turns out, rainbow hair is as challenging to draw as it can be to create on an actual person’s head!

My series will eventually include 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods. Each will communicate a different theme, titled for each month of the year. I aim for the pieces to speak to women’s collective experiences beyond their differences. Though many of the pieces deal with difficult emotions, the overall feedback I’ve received is that viewers found the works in this series inspiring and encouraging. Over the last couple of years, I have really come into my own style as an artist. For the longest time, I thought in order for art to speak it couldn’t really be enjoyable to look at, and was so wary of my art slipping away from true art and into the category of “decoration”. However, honesty doesn’t have to mean horror and darkness, although there is certainly a time and place for that kind of art, too. You really have to just let yourself speak what naturally flows out of you as an artist, without trying to force a certain aesthetic or viewpoint just because you feel like that is what you “should” be making.

One of my all time favorite authors, David Foster Wallace, said this about creation, “In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction (or art) could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.” If this doesn’t just sum up my definite art goals, I don’t know what does.

Lastly, I will leave you with some of my recent wedding photos. Oh, you didn’t know I got married by the most highly respected robotic priest in all of Michigan on the 30th of March, my 29th birthday?

Ok, April Fool’s. I don’t think this particular marriage ceremony held at Marvin’s Marvelous Mechanical Museum is technically legally binding, and the flimsy aluminum rings we exchanged couldn’t even fit properly on our gigantic sausage fingers. But nevertheless, spending a day at the arcade followed by delicious Italian food was a good enough birthday adventure for me. Perks, now everyone can stop asking us when we’re getting married, because we kind of already did, fools ^_^.

Continue to be the rainbow in a black and white world, dear readers. Until later …

 

Standard
Art Discussion, New Work

New Work – September: She Is An Atlas

This was one of the most challenging pieces in my series thus far, because I was working with multiple layers of meaning and thoughts. It also is the most “mixed media” of all my series installments, utilizing not just mixed fine art mediums but fabric, metal chain, tiny rhinestones, and torn book pages. I have been so into metallic accents since the collaboration with my friend and student, Heather. I also blame her for the inclusion of rhinestones – she encourages me to be sparkly.

she is an atlas

I’ve mentioned in previous posts that when I feel, I feel BIG or not at all. There is no other way. The sketch that inspired this piece started as a way for me to process the weight of my own emotions and feelings of powerlessness. As  I began further conceptualizing this current series, I realized the idea could fit as one of the 12 pieces. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”. The figure in this piece quite literally has “the world on her shoulders” through the pattern on her clothing, much like the mythic Atlas. Atlas the physical object is also defined as a book of maps or charts, and can signify one feeling that they alone must have all the directions and answers to all of the world’s problems, a grand and impossible responsibility.

The exposed heart necklace represents empathy, an open heart waiting to be wounded , left unprotected and raw. She leans against a bulls-eye wall, surrounded by an outline of thrown knives, a target girl like in the well known circus act. With each act of injustice and malice directed at others, she feels as if she is standing in their place, each offense a knife thrown at her, just missing. Though fearful, her face is strong and even. I’ve written before about how compassion and empathy does not equal weakness. To stick one’s head in the sand and be ignorant of the world’s ills is weakness; foolish, avoidant, and selfish.

Another way the subject can be viewed is not as the empathizer but as the victim. Some people are born into situations that are so difficult, living day to day is much like standing against a target with knives being thrown at them. It can be their geographic location, their income, the people that surround them or lack thereof, and the list goes on. Though yes, our personal choices certainly can influence outcomes, isn’t so much of life like a gigantic, living lottery when you think about it? Yet we shake our heads and wag our fingers when we see people who are struggling both around us and abroad, because certainly they must have done something wrong or things would look different? This way of thinking frees us of the responsibility to help others, and gives us a false sense of power that by doing certain things we can be 100% sure we attain the exact sort of life that we want. It all goes back to empathy and control.

One of the things I love about art is the way people can discern completely different meanings from a piece based on their own thoughts and experiences. Did something different strike you as you looked at this piece, did it remind you of something? Please share, don’t be shy!

 

Standard
New Work

New Progress On My Current Series!

august-she-is-an-earthshaker-blgr

Hello all! I recently finished another addition to my 12 part series I’ve been working on since late 2015. For new readers, here’s my blurb briefly explaining the series (If you are already in the know, feel free to skip ahead 😉 ): I am creating 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. Each of the 12 will represent a month of the year. We tend to think of time and events in terms of our own personal history or the history of the nation in which we reside. But of course, there are women everywhere living out their day to day life all over the world, with hopes, dreams, fears , relationships. Our situations and struggles are very different, but were we in some alternate reality all given a chance to meet, I suspect we would find some surprising similarities, maybe more than we ever expected. The title of each piece starts with the month it represents, followed by “She Is _______”.

This piece is titled July: She Is An Earthshaker. I love mermaids, and really got into aquatic art after following the required theme for the Tall Ships curated exhibition at Studio 23 last summer. This was a fun piece to create, and perhaps my favorite in the series thus far. As a child I don’t know how many times I watched The Little Mermaid, and was absolutely transfixed by King Tritan’s trident (Which of course I later learned came from the myth of Poseidon). I became inspired to make a powerful Lady Poseidon if you will. Earthshaker is another way Poseidon has been referenced, but the name can also apply to those of us in the real world, ordinary people who create waves to change what needs to be changed. She wears a pretty seashell and floral crown, and her facial expression is not one of anger or even one that would imply intense power. Her strength is a quiet strength. If in her head, she can see herself like this, the waves and lightening crashing behind her as she stands firm, perhaps she can believe that she can do anything even if others may doubt her.

img_20170226_161143_661

This design is available for print on a variety of cool items in my Redbubble Shop, and art prints on matte photo paper may also be purchased from me Ebay Store.

Check out the other pieces I’ve finished so far! January February March June 

 

Standard
New Work

New Work! (In Which I Present Probably The Cheeriest Art I’ve Ever Done)

Hey all! I recently finished the 4th piece I’ve added to my current 12 part series. Each piece represents a month of the calendar, and this one is June so it would actually be installment 6 but I’ve skipped around a bit. To catch up new comers, I am working on a series of 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. I give you, June: She Is Constantly Evolving.

she-is-constantly-evolving

I think this is quite literally the happiest piece I’ve ever completed – There’s even a puppy … that is unreal. I mean, a couple years ago I actually was told by the manager of a local restaurant that I had to remove a couple of pieces from a show I’d hung there because they were afraid it might send patrons spiraling into depression. You’re not a real artist if your art has never been ousted from anywhere, or so I’m told. Not that everything I make is gloom and doom, but to have butterflies, puppies, flowers, smiling with teeth, and cotton candy clouds all together in one piece is not usually my jam. All of my work centers around people’s inner worlds, and sometimes confronts difficult or uncomfortable emotions. Even my pieces that convey overt happiness usually have some sort of edge or oddity to them.

I remember meeting my blindly assigned roommate in college for the first time. Once she found out I was an artist, she wanted me to do some large paintings for the common room, but “They have to be cute! Not scary!” Apparently she thought I was some sort of dark , twisted soul, which is quite funny as I had Sanrio posters all over my bedroom and Bart Simpson print pj’s for god’s sake. (I was to find out later that until we became friends she was afraid to put out any of her Hello Kitty themed toiletries in our shared bathroom, and also only watched America’s Next Top Model in secret when I wasn’t home for fear of my scorn.) To fulfill the cute requirement, I made a painting of a girl holding her kitten surrounded by retro, colorful power flowers. But … I gave the kitten purple dragon wings.

2006_0910art0037retouchnew

This is so Museum Of Bad Art worthy in the most hilarious way, that I’m actually saddened I tossed it. It’s one of those compositions that is so bad it goes right past bad and back to good again.

All this to say, this is a rare piece to be one that conveys nothing but pure, unadulterated joy and exhilaration. It’s ironic that I created this at a time when joy and exhilaration were about the two farthest things from my mind. As seems to be the general consensus, 2016 has been more than a little trying, and it sure decided to go out with a bang in November and December.

920x920

This piece is about transformation, as symbolized by the presence of butterflies, and maybe it was the idea that change is certainly most appealing during the most wearing of times, mixed with a bit of my love of holidays that makes it impossible for me to stay cranky around Christmastime. Either way, this piece speaks not to who we are right now but who we wish to be, and reminds us that nothing is permanent, and that sometimes that isn’t a bad thing.

See this design and more in my Redbubble Shop.

 

Standard
Art Discussion, New Work

March: She Is Everything At Once

Obviously, though I had a fun idea of doing the whole “a drawing a month” reveal for my new 12 part series, that didn’t happen as I am on March and it is now almost September. I would like to enter this series into Art Prize next year, and decided if I have until next Fall, why impose such a crazy impossible deadline on myself simply for the sake of themed blog posts and risk the quality of the work? Impossible self-imposed deadlines are this thing I like to do that I really need to ease up on. For those who haven’t read my previous posts, my new series involves 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color, one representing each month of the year. They will depict women of all ages, races, and time periods, and each will communicate a different theme and season. I aim for the pieces to speak to women’s collective experiences beyond their differences. I want the series to flow together in its mainly black and white scheme with pops of color, soft mixed media application, and it’s classic portrait composition. However, I wanted each month’s portrait to still be distinctly different “characters” from one to the other, achieved via aesthetic theme and accent colors. For this piece, I went with bold, dynamic primaries and a nod to pop art. You can view January and February from earlier posts.

In this piece for March, my goal was to take the commonplace negative stereotype of women being “emotional” and turn it on it’s head, marrying caring and empathy with strength, and sadness and despair with hope for a better future. A surreal merging of classic pop art, which often featured dramatic beautiful women sobbing,  with realistic portraiture was the perfect fit for this concept.

march.jpg

Women are constantly being told they are too much of something, despite the fact that they are often expected to wear far more different hats responsibility-wise than their male counterparts. Google searches have become an interesting way to peek into mainstream society’s views. Anyone who uses the internet knows when you begin to type something in, google will finish it with the most popular searches and subjects. A UN Women ad from 2013 was the first to make a statement using this innovative approach.

un-women-search-engine-campaign-1

I tried the same concept, only typing in the starting phrase “women are too…” What I’ve found is that women are apparently too picky, but also too easy, too intelligent and successful to find love, yet too weak and too emotional to be leaders, the president, or involved in politics at all, but at the same time also too dominant. It looks like we’ve got a Goldilocks problem here.

As one who believes that sometimes problems we assign dominantly to one gender are still just basic human being problems, I didn’t want to negate the idea that there may be similar findings for men. However, when I tried “men are too…” I got nothing. In fact, when I simply pressed enter to see what articles would come up, the main article up top was “Monkeys turn into grumpy old men, too” about aging primates and behavioral changes. While hilarious, it is clear that this whole “Be everything at once yet also be nothing at all” contradictory expectation is something that, while maybe not entirely absent for men, is something that women face more in mainstream culture.

A descriptor routinely used to discredit women’s abilities is the fact that they are “too emotional” by default of their gender. However, when men step out of their perceived box by showing any degree of emotion aside from anger, they too are often chastised and ridiculed. This shows that our revulsion towards caring at least is a societal problem on the whole, not just a women’s issue. For some reason, people seem to view caring as weakness. This can be seen clearly in the dismissive term bleeding heart, always used with a strong air of disgust. (A note to be made here… when I talk about caring I am not including people sitting behind a laptop screen typing angry, obscene responses to random articles that they don’t agree with because they get off on being offended and telling people off. Nor am I talking about people who shut down and throw a fit every time they have to hear something that they don’t agree with. This is not true caring or passion, this is an addiction to “being right” all the time and putting people in their place, and it is unhealthy.)

I recall a conversation had with a person from my past 5-ish years ago. We were discussing some political or sociological issue. The other person, whom supposedly respected me, was nevertheless making zero effort to understand my view though I myself had stopped and listened to theirs. I remember growing frustrated and stating, “I don’t know why you are refusing to try to listen and understand where I’m coming from when this is an issue that is so important to me.” Their response was given bitingly and with a wave of the hand, “Oh, everything’s “the most important thing” to you.” Though it was meant as an insult, the more I pondered it the more I thought, I’m ok with owning that. Because everything does matter, in some way large or small.

In our culture, it’s cool not to care. You can see this fact brazenly displayed in popular entertainment (The Hangover 1,2,3,4,5? They just keep going.) People are routinely being told the answer to their feelings of isolation, depression, and anxiety is to just “let go”. But is the “ignorance is bliss” model really the one we should be following? This idea in and of itself seems to admit that caring is not weakness, but strength. Experiencing emotions of concern and empathy is an active state; not caring for anything outside of your own pleasure and needs is passive. To put it simply, caring about things is hard work. It can force us to take steps towards action that may make us uncomfortable, and take up a lot of our time and resources. It can be mentally and psychologically draining.

Caring is strength. Let’s lift up our mothers, our fathers, those taking care of an adult family member, our nurses, our teachers, our home health aides, our daycare workers, our counselors, our missionaries, our activists … No matter what societal norms tells us, they are our true heroes.

 

Standard
New Work

New Series Re-Imagines Childhood Drawings

Now that I got all of my work finished for the upcoming Michigan all area shows I am entering, I wanted to take the opportunity to spend some time on a new project that I’d done sketches for about 2 years ago and never revisited after getting distracted by mountains of other projects. Working with kids and youth over the summer at Creative 360 while Artshop was on break,  we did lots of acrylic painting. Acrylics is a medium I’d abandoned over the last couple of years, and it made me miss it.

I had a teacher once who said you will always be who you were when you were 8. You may drift in the in-between teen years; who doesn’t go through an identity crisis at least once in high school or within early young adult age; but you will always come back to the most basic facets of personality you exhibited as child. At your core, you are who you were at eight years old and will still be at 80.

When I think about it, at 28 I do share many of the same traits with my 8 year old self. I still adore books, I still have my own distinctive and at times highly experimental fashion sense (I was wearing sun glass frames with the lenses popped out far before hipsters ever existed.), I am still always actively finding ways to meld creativity with vocation, I still am obsessed with all things design oriented (Look how pumped I am about my digital runway show I’ve put together on that snazzy Windows 95), and I still can’t sleep unless buried under 3+ layers of blankets even in summer :P.

Luckily for me, and this project, my mother is amazing and has the best of my childhood drawings from each year of my life archived in a neat, chronological little binder, so finding artwork examples was no big thing. I have chosen a drawing from each year, 2-10 (nothing for year 1, I’m not that amazing.) I will be using the same subject matter, colors, and proportions to re-imagine these childhood drawings as fine art acrylic paintings. Here is the first piece I’ve completed for age 4.

Kid drawings aren’t all the same when you really look at them, and you truly can tell a lot about someone from what they create, same as with adults. Here are some other fun projects people have done taking inspiration from kids’ drawings.

Bored Panda / Go Monster Project

Cafe Mom / Parents Turn Their Kids’ Art Into Tattoos

Huffington Post / Mom-Toddler Painting Collaborations

Busy Mockingbird / Artist Collaborates With 4-Year-Old Daughter

Doodle Your Toys / Custom Handmade Plush Toys

 

Standard
New Work

Be My Eyes

be-my-eyes.jpg.jpg

This newly finished mixed media piece, titled “Be My Eyes”, continues along a similar theme to my last piece. I love how it turned out, but I must admit this is one of the first works in awhile that was not buckets of fun throughout the entire process. I’m lucky in that I don’t get incredibly angry with my art much anymore. Like any relationship, if things aren’t working, I can say hey, I think we need to give each other some personal space, and leave it alone for awhile and work on something else. However, this one had a quickly approaching deadline for an all-area Michigan show I wanted to enter it into, so I didn’t have that luxury. It may be freaking gorgeous, but filling in all those detailed little butterflies was a chore. Like, I almost considered taking a break from working on art at one point to go clean my kitchen – that’s how bad it was. Cleaning my kitchen was a reprieve. What’s that about blood, sweat, and tears?

img_20160713_162405.jpg

After doing the basic outline lightly in pencil, I started filling in the figure from the top down. I broke my own guideline that I always give my students about starting with the background first, mainly because to be absolutely honest, I had no clue what to do with the background yet. The hair was so swirly, and fun, and free, and so the opposite of those technical, detailed little insects. I used prismacolor pencil for the face and skin, watercolor for everything else. I made some commitment to a background by dripping orange, gold, and magenta watercolor over it – similar colors to what were used in the hair. After this, my work of art temporarily looked like a 70s album cover. The photos don’t do it justice, the colors were BRIGHT.

img_20160722_193236.jpg

After that, I went back to ignoring the background because I still had no idea what to do with it, and finished the central figure. Rules in art really are just suggestions ;). I had known from the beginning that this piece required metallic gold somewhere, and the background now seemed just the place to put it. Huzzah to dulling all those bright Barbie Dreamhouse colors! I needed to break it up with some texture, so I used a crumpled paper towel to apply the first layer of gold, but it just didn’t do it. It was reminding me of a faux finish accent wall circa 1995. In a surprisingly impulsive move (Even in art, I am so not an impulsive person.), I squirted gobs of paint right on the background, and used a toothpick to marble the colors together. I have the technique down because of how many times I’ve made these nutella brownies. Seriously, same technique to marble the nutella and peanut butter. To lighten this now very dark background (Art is always such a Goldilocks situation.), I used white watercolor and added designs of blown up butterfly wing patterns over top. The finishing touch was the gluing the bunched lace over the dress, and voila!

The reason I’ve included this 100% honest rendition of this piece’s birthing process (including the part about my background being inspired by delicious baked goods) is because I’ve learned one thing from all the different students I work with, and it is this: They think artists always know what they are doing, have an exact plan in their head, and that their piece turns out just precisely how they imagined it in the end, and that real artists never get stuck or doubt what they are doing. This is absolutely not true. Everyone’s art looks completely wonky until it is all the way finished. It’s part of the process. When art is in progress, it’s awkward looking, we don’t always know what we are going to do next, and we don’t always enjoy every single step of the process. And that’s ok. If your art is easy, you probably aren’t pushing yourself enough, or being as creative as you could be.

I haven’t talked much about the meaning behind this piece, because I want to hear what you think. This image could definitely be open to innumerable interpretations, and that is one of the most fun things. What does it say to you?

Standard
New Work

Happy Staycation! + New Work Reveal

be my wings

I’ve been working on this new mixed media drawing for awhile, and with my decision to take a little staycation, I’ve finally had the time to finish it! It is titled, “Be My Wings”, and measures 18×24″. I used prismacolor pencil for the face, prismacolor markers for the ravens, watercolor for both the hair and the background with grey, black, and white chalk overlay, and fabric for the clothing covering the neck and shoulders.

Of course, I have added this design to my Redbubble collection, as well as some new designs inspired by a couple of fun, newly finished ACEO illustrations.

I love buying from all kinds of artists on Redbubble, and have a design of almost every type of product in one form or another except the throw pillows! I’m dying to get one, but it is impossible to decide which design to choose, especially since I feel like changing around all the colors and decor in my apartment yet again. It’s a yearly thing :P.

I know this is a brief post after not writing for so long, but I’ve actually been aiming to spend minimal time online over this week-long break as it is simply gorgeous outside! Lately, I’d been feeling like there was a gloomy bad-luck cloud looming over my head, skulking around and following me just about everywhere I went. However, something seems to have turned a bit in my favor, because I sure picked the right week to take off! Every day has been nothing but perfect warmth and blue skies.

IMAG3175[1]

Can’t beat swimming and a view! Now, onward to more adventures…

Standard
New Work

New Work – Underwater Dreaming

I had some time yesterday morning before I had to leave for the Art Clash (more about that in a soon-to-come post), and I was determined to get this piece finished. There is nothing more daunting than smearing dark blue chalk all over a pretty much finalized piece you’ve been working on for months, but it was necessary to make the scene look like it was truly underwater, and also to balance out the areas of dark that were screaming out from a sea of pastel colors. For a progression of in-progress photos, check out my previous post.

Underwater Dreaming

I had originally intended to go with all blues, grays, and purples. I normally stick to a very limited palette in my pieces, but those crazy little plants in the background are in reality shockingly colorful, and I felt I had to do them justice. After I added the pink hair, it was color explosion time. It really makes the piece feel tropical, and I like that it’s way different from what I usually do. I have posted the design for sale in my Redbubble Shop on a variety of products, and it is also for sale in print form in my Ebay Store.

Redbubble recently added these new flowy chiffon tops to their available products that are just too cool.

ctr,x1350,front,white-c,65,0,789,730-bg,f8f8f8.4u3

As promised, more about Art Clash later, with pictures! I have another art event to attend this afternoon (this one conveniently 5 minutes from home 🙂 ), so time to get out of my PJs! This weekend spent absorbed in art has been so wonderful, and necessary after many a stressful day this month. So long, April! You were great, but here’s to hoping things calm down from here on out.

Standard