Tag Archives: mixed media

Artists To Know

Artists To Know: Amazing Sculptures From The FIA

My boyfriend and I visited an interesting sculpture exhibit at the Flint Institute of Art this summer titled Form, Function, and Fantasy. The exhibit was divided into 3 rooms, each embodying one of the aforementioned themes. I captured my absolute favorite pieces from the exhibit, and wanted to share them with you. I know I discovered many new favorite artists in the process. I think all of the pictures I took were from the “fantasy” section, which for me is honestly not surprising. We accidentally went through the exhibit backwards, viewing fantasy first which may also have had something to do with it. Let’s be real, in art as in life, everything’s a letdown after that ;).

Irina Zaytceva – Twins

fffsculpture1

I was actually drawn to make a trip out to this exhibit based on this image I saw on the FIA website. I love the melding of old world artistry with fairy tale mermaids. The bold red coral shapes growing off of it give this piece add an element of abstract and modernity to the piece as well, bringing one more dimension to the mix. I am personally so much more of a drawing and painting person than a sculpture person, so I think I loved the fact that the surface of this 3D form was used as a canvas for 2D art as well, incorporating both types of design.

Richard Notkin – Heart Teapot: Ironclad Hostage II

fffsculpture2

As a tea enthusiast, I absolutely adore looking at uniquely designed teapots. My absolute favorite thing about days off is my cup of tea right after I wake up in the morning, no joke, usually accompanied by doing some sketching, reading a book or the news. I am such an old person at heart at a mere 28 years on this earth. In all seriousness though, the design of this teapot inspired sculpture is flawless. Combining industrial elements with anatomy and figuring out how to transform the shape of a human heart into a vessel for tea somehow could not have been an easy task. You don’t even notice it’s a teapot at first, it just looks like an interesting sculpture. The fact that it hides its more mundane function is rather interesting.

Sergei Isupov – Zombie Fish

fffsculpture3

I love the tall, thin forms, the monochromatic color scheme, and the detail that makes this piece look like a pen and ink illustration from a children’s scary story picture book come to life in 3-dimensional form. Very fun and inventive.

Krisaya Luenganantakul – Happy House #1

fffsculpture4

As I read more about this artist, I discovered she has a whole series of these lovely, whimsical houses in vibrant colors and with floating, dreamlike, organic detail. The project is titled “Homemade – a project where the womb, the home, and the female are interpreted under a new light.” This project discusses the idea that oftentimes feminine traits are associated with weakness and fragility. However, patience, tenderness, forgiveness, and love are strengths that have made them universal protectors and caretakers for every family over time. And, important nurturing that determines the growth  and well-being of all humans takes place in both the womb and the home, centered around the female. It is interesting and different to see a project about female empowerment that is based on the value of women’s more traditional roles. I was originally drawn by the visuals, but found the idea behind the design very thought provoking as well.  

Michael Lucero – Hunter (Reclamation Series)

fffsculpture5

There is no way I could not be drawn to this piece by color alone. I absolutely love pops of bold red amongst neutral tones, and use this color scheme in my own work often as well. There are a lot of interesting details the longer you look at it, and the contrast between the style of the head and body is staggering. Yet, when you look at the piece as a whole it is unified. I myself was working on sketches for a series incorporating faces being covered in various winged things, so of course I was first drawn to the most noticeable visual element of the moth over the figure’s face.

Akio Takamori – Karako With Striped Kimono

fffsculpture6

I found this sculpture to be so incredibly calming to look at. The soft, round forms, harmonious pale colors, and flowing watercolor-like drips along with the neutral, solemn face were very peaceful to me. I think if this was in my house and I could just look at it whenever I got tense, I would never lose my temper.

Sunkoo Yuh – Horn Blower

fffsculpture7

I loved the dripping glaze application in this piece because again, it reminded me of watercolor. I also loved the totem quality it had to it,the many figures and faces stacking atop one another. Each is such a distinctive, unique character in the composition.

Sara Lisch – Lion’s Journey

fffsculpture8

This was another piece that reminded me of a children’s book illustration come to life. I love the muted color scheme, and the stylized features of the human and animals. There is definitely a story here, and it is left to the viewer to imagine where they are all headed to.

I’d encourage you to visit the links to see more of these artists’ work. All of their pieces are just as fantastic as these. I am forever in awe of 3D artists. The best sculpture I ever made was this cardboard, modeling clay, and found object punk-diorama time-based piece pictured below.

p4281321.jpg

It was a final project for my intro to 3D class in college, a time-based assignment meaning a piece that would somehow change over time as part of it’s presentation, not lasting in its original form. Basically, the so-so sculpted clay girl in the center was all white and pristine at the beginning, and then everyone in the class got to take turns sticking the different objects to her, dumping paint on her, and otherwise altering her form. It dealt with how perceptions shape identity, and was all anti-conformity, anti-media, and all that good stuff – very much what I was thinking about at that time of my life. Of course, my best sculpture would be ephemeral. What rotten luck. At least I’ll always have the pictures.

Standard
New Work

Be My Eyes

be-my-eyes.jpg.jpg

This newly finished mixed media piece, titled “Be My Eyes”, continues along a similar theme to my last piece. I love how it turned out, but I must admit this is one of the first works in awhile that was not buckets of fun throughout the entire process. I’m lucky in that I don’t get incredibly angry with my art much anymore. Like any relationship, if things aren’t working, I can say hey, I think we need to give each other some personal space, and leave it alone for awhile and work on something else. However, this one had a quickly approaching deadline for an all-area Michigan show I wanted to enter it into, so I didn’t have that luxury. It may be freaking gorgeous, but filling in all those detailed little butterflies was a chore. Like, I almost considered taking a break from working on art at one point to go clean my kitchen – that’s how bad it was. Cleaning my kitchen was a reprieve. What’s that about blood, sweat, and tears?

img_20160713_162405.jpg

After doing the basic outline lightly in pencil, I started filling in the figure from the top down. I broke my own guideline that I always give my students about starting with the background first, mainly because to be absolutely honest, I had no clue what to do with the background yet. The hair was so swirly, and fun, and free, and so the opposite of those technical, detailed little insects. I used prismacolor pencil for the face and skin, watercolor for everything else. I made some commitment to a background by dripping orange, gold, and magenta watercolor over it – similar colors to what were used in the hair. After this, my work of art temporarily looked like a 70s album cover. The photos don’t do it justice, the colors were BRIGHT.

img_20160722_193236.jpg

After that, I went back to ignoring the background because I still had no idea what to do with it, and finished the central figure. Rules in art really are just suggestions ;). I had known from the beginning that this piece required metallic gold somewhere, and the background now seemed just the place to put it. Huzzah to dulling all those bright Barbie Dreamhouse colors! I needed to break it up with some texture, so I used a crumpled paper towel to apply the first layer of gold, but it just didn’t do it. It was reminding me of a faux finish accent wall circa 1995. In a surprisingly impulsive move (Even in art, I am so not an impulsive person.), I squirted gobs of paint right on the background, and used a toothpick to marble the colors together. I have the technique down because of how many times I’ve made these nutella brownies. Seriously, same technique to marble the nutella and peanut butter. To lighten this now very dark background (Art is always such a Goldilocks situation.), I used white watercolor and added designs of blown up butterfly wing patterns over top. The finishing touch was the gluing the bunched lace over the dress, and voila!

The reason I’ve included this 100% honest rendition of this piece’s birthing process (including the part about my background being inspired by delicious baked goods) is because I’ve learned one thing from all the different students I work with, and it is this: They think artists always know what they are doing, have an exact plan in their head, and that their piece turns out just precisely how they imagined it in the end, and that real artists never get stuck or doubt what they are doing. This is absolutely not true. Everyone’s art looks completely wonky until it is all the way finished. It’s part of the process. When art is in progress, it’s awkward looking, we don’t always know what we are going to do next, and we don’t always enjoy every single step of the process. And that’s ok. If your art is easy, you probably aren’t pushing yourself enough, or being as creative as you could be.

I haven’t talked much about the meaning behind this piece, because I want to hear what you think. This image could definitely be open to innumerable interpretations, and that is one of the most fun things. What does it say to you?

Standard
Exhibitions and Other News

Tall Ships Show

This weekend was the opening of the annual Tall Ships exhibit at Studio 23 in Bay City. This was my first year entering, and I was excited to have both of my pieces accepted. The elements of nature in my artwork tend to be way more enchanted forest than nautical or aquatic, but I decided to challenge myself to work outside of my usual themes. The piece on the left, “Underwater Dreaming”, may be the most colorful piece I’ve ever created. It’s very tropical which is out of my norm, but maintains the elements of fashion and surrealism that I so love. The piece on the right, “An Existence Aquatic”, was created two years ago when I was in a watercolor and ink illustration phase, and has a steampunk-mermaid feel to it.

18×24″ Prismacolor Pencil and Mixed Media

For a step-by-step look at how “Underwater Dreaming” was created, please visit my previous post. These pieces are available in print form in both my eBay Store and Redbubble Shop.

Standard
New Work

Happy Staycation! + New Work Reveal

be my wings

I’ve been working on this new mixed media drawing for awhile, and with my decision to take a little staycation, I’ve finally had the time to finish it! It is titled, “Be My Wings”, and measures 18×24″. I used prismacolor pencil for the face, prismacolor markers for the ravens, watercolor for both the hair and the background with grey, black, and white chalk overlay, and fabric for the clothing covering the neck and shoulders.

Of course, I have added this design to my Redbubble collection, as well as some new designs inspired by a couple of fun, newly finished ACEO illustrations.

I love buying from all kinds of artists on Redbubble, and have a design of almost every type of product in one form or another except the throw pillows! I’m dying to get one, but it is impossible to decide which design to choose, especially since I feel like changing around all the colors and decor in my apartment yet again. It’s a yearly thing :P.

I know this is a brief post after not writing for so long, but I’ve actually been aiming to spend minimal time online over this week-long break as it is simply gorgeous outside! Lately, I’d been feeling like there was a gloomy bad-luck cloud looming over my head, skulking around and following me just about everywhere I went. However, something seems to have turned a bit in my favor, because I sure picked the right week to take off! Every day has been nothing but perfect warmth and blue skies.

IMAG3175[1]

Can’t beat swimming and a view! Now, onward to more adventures…

Standard
Art Discussion

Art Discussion : Seeing The Other

once we truly see eachother light

Once We Truly See Each Other / 2013 / 18×24 Watercolor, Ink, Embroidery Thread

At a young age, I began to notice the different ways in which men and women were viewed and treated. Ever since I first voiced confusion at this incongruity, I was answered with more questions such as “Why do you have such an issue with men?” “Why do you think men should be treated as less?” etc., etc., etc. These questions always left me with the disconcerting feeling that I’d somehow been shot into a parallel universe unbeknownst to me, where words that you spoke meant the opposite of what you’d said. How does equality mean one being treated as less than? The math just didn’t add up. Especially as one that tended to have an easier time talking to guys or tomboyish women than other “typical” ladies, was best friends with her younger brother, and generally thought men and women were equally awesome; how ever did someone get the impression that I wanted to bring anyone down?

As it turns out, social research is finding that when we as a society get used to seeing inequality for so long, any steps towards even partial equality are seen in an exaggerated light. An article from In These Times critiquing the fear of a “feminized society” , an anxiety that apparently is somehow all too prevalent, hits the nail on the head as to how this phenomenon occurs.

“So how do you get from some feminism, some of the time, to a feminized society?

The heart of the problem is one of the strangest manifestations of male privilege: It actually seems to interfere with men’s ability to count women. Specifically, it creates a tendency to actually see more women—or hear more female opinions—than are actually present at any given time.

Geena Davis Institute for Gender In Media found that, in crowd scenes, women tend to comprise about 17 percent of any given crowd. She’s argued, based on outside data and her own interpretations, that this imbalance relates to and reinforces the way men perceive the actual number of women in any given room.

“If there’s 17 percent women, the men in the group think it’s 50-50,” she told NPR. “And if there’s 33 percent women, the men perceive that as there being more women in the room than men.” ” (By the way, love Geena Davis. I watched and re-watched A League of Their Own I don’t know how many times as a kid, and I hate all sports, especially baseball.)

This same phenomenon happens where speech is concerned as well. You know that whole perception of “Hoo boy, women sure like to talk, yak yak yak!” Turns out it is just that, a perception. In mixed company, and especially in a workplace setting, women may be hard pressed to fit a word in edgewise according to a PBS series on language myths.

This same thing happens when it comes to race as well. People are always in self-preservation mode, and fear that by lifting one group  up the scales will be tipped so that they lose out. Or, I wonder if some don’t subconsciously fear that when we are all on an even playing field, they may sometimes get treated how they have treated the other for so long.

In reality, we are not living by the rules of the animal kingdom in this modern age. We are human beings with pretty solid cognitive and reasoning abilities when we choose to use them, and there is no rule that someone always has to be underneath the others’ foot. We need 100% of our society working together, and we need a collaboration of everyone’s ideas, not just 50% of the population’s ideas. By seeing each other for who we truly are, without the guise of archaic preconceived notions based on gender, everyone is lifted to a higher playing field.

This piece, titled “Once We Truly See Each Other”, is about support, and it involves men too. When striving for equality not just in our own backyards but across the world, it is a mistake to leave out men because they can be some of our biggest allies, and they are effected negatively by rigid gender expectations also. If you are ever in doubt of this fact, check out  the completely eye opening documentary, The Mask You Live In.

In my piece, women of all ages and ethnicity are illustrated as doctors, moms, members of the corporate world, musicians … Men are depicted as businessmen, athletes, artists, stay-at-home dads… The 3 cliffs are symbolic. Sure, men have started out on a historically higher platform as far as societal advantages are concerned. But, notice that third platform, the third and best option of all. In the piece, men are partnering to pull the women up. From there, the women are also helping the men up to reach their full potential. Equality requires that we invest in the lives of our fellow human beings, men and women both.

To me, equality is about allowing every individual to reach his or her full potential, whatever that may look like. No, women are not “settling” by choosing to be stay-at-home moms if that is their dream and what is important to them. They should have that option. No, the woman who wishes to rise to the top of her company and expects to be respected the same as her male colleagues is not an angry pink Godzilla hoping to kick every man in the balls with her shiny metal foot. She should have the chance to prove herself free of prejudices. And by the way, the same goes for men.

mecha_godzilla_individual_layouts___hello_kitty_by_nobackstreetboys-d5tf2np

Standard
New Work

New Work – Underwater Dreaming

I had some time yesterday morning before I had to leave for the Art Clash (more about that in a soon-to-come post), and I was determined to get this piece finished. There is nothing more daunting than smearing dark blue chalk all over a pretty much finalized piece you’ve been working on for months, but it was necessary to make the scene look like it was truly underwater, and also to balance out the areas of dark that were screaming out from a sea of pastel colors. For a progression of in-progress photos, check out my previous post.

Underwater Dreaming

I had originally intended to go with all blues, grays, and purples. I normally stick to a very limited palette in my pieces, but those crazy little plants in the background are in reality shockingly colorful, and I felt I had to do them justice. After I added the pink hair, it was color explosion time. It really makes the piece feel tropical, and I like that it’s way different from what I usually do. I have posted the design for sale in my Redbubble Shop on a variety of products, and it is also for sale in print form in my Ebay Store.

Redbubble recently added these new flowy chiffon tops to their available products that are just too cool.

ctr,x1350,front,white-c,65,0,789,730-bg,f8f8f8.4u3

As promised, more about Art Clash later, with pictures! I have another art event to attend this afternoon (this one conveniently 5 minutes from home 🙂 ), so time to get out of my PJs! This weekend spent absorbed in art has been so wonderful, and necessary after many a stressful day this month. So long, April! You were great, but here’s to hoping things calm down from here on out.

Standard
New Work

There Is An Aquarium In My Brain – New Work Preview!

So, this new piece is as of yet untitled (hence the goofy title of this post). But in all seriousness, I have drawn so many colorful fishies and detailed aquatic plants that I do indeed feel like there is an aquarium inside my brain. Not finished yet, but getting there! I still have to further detail the fish, complete the run of aquatic plants over to the right side of the scene, and add some shading with chalk over top to give the piece a truly “underwater” feel.

I think my favorite part so far is her jellyfish inspired hair-do … I’m jealous. On another interesting side note, my boyfriend fell down the internet rabbit hole one evening as we are all apt to do from time to time, and discovered that there is an actual fear of tiny holes, or even images that look like tiny holes such as patterns of contrasting circles within circles, called trypophobia. Oh-oh! My colorful little sea plants definitely fall into that category. Apparently it is quite common, and thought to be an innate protective mechanism since many dangerous animals are covered in such patterns. If my whimsical little plants horrify and disgust you, I suppose I will apologize in advance ;). I do not share this phobia in the least and actually love small, brightly colored circular patterns, and therefore am grateful I live in 2016 Michigan rather than a primitive hunter-gatherer society hundreds of years ago in the Amazon, or I would have had a rather short and sad life. Mainly because I would have tried to pet one of these …

In other news, Art Clash tomorrow! You know I’ll have pictures, so be sure to check back :).

Standard
Exhibitions and Other News

Exciting News From Midland Artists Guild Exhibition 2016

Time has been flying, and I can’t believe the Midland Artists Guild annual juried exhibition has already came and went as of last night. There was such a diverse collection of amazing work. I think the shows get better every year, and if you are in the Midland area it is worth stopping by the Grace A Dow Memorial Library mezzanine to check it out. I was beyond excited to find out my piece “On My Mind” won one of the Merit Awards!

IMG_0440r

spaceedit3

 

This art nouveau inspired mixed media was so much fun to work on, and you can visit one of my previous posts to view the  step by step process .

My two other pieces that made it into the show were “Wonderland” and “January: She Is Far Away“.

11×14 Prismacolor Pencil and Mixed Media

All of these designs are available as art and ACEO prints in my ebay store, and prints on mugs, bags, pillows, notebooks, and all kinds of fun stuff in my redbubble shop. Next up, the Express Yourself Artshop fundraiser show and the Saginaw Township annual juried exhibition! Of course there will be many, many pictures :). Follow to stay in the loop!

Enjoy the rest of your weekend. I know I will be enjoying the rest of mine by drinking copious amounts of tea and not leaving the house.It may be Spring everywhere else, but not in Michigan! In fact, we’ve had four snow days in the last two weeks :P. So long for now!

Standard
Techniques and Tutorials

10 Ways to Make Your 2D Art More Interesting

I have always been a 2D based artist, not for lack of trying to branch out. I can make a 2-dimensional plane on paper look 3-dimensional, but when it comes to actually constructing a 3-dimensional object … my brain just does not work that way.

vernacularvillageroofI studied interior design in college, and I remember dreading the 3D model portion of each semester-long project. This is the one and only photograph I have of any of my models, and it is taken in aerial view because that was literally the only acceptable angle I could manage. At least this one wasn’t cut out of a Lucky Charms cereal box. Yes, I really turned in a model covered in pictures of colorful, Leprechaun themed marshmallows. Yes, it was sad. Now they have 3D printers for this crap.

For other artists out there who only travel in the world of 2D, it can be easy to feel stuck in a rut materials-wise. After all, you can make sculptures out of anything. 

0fb57244bef63cbbd90a127239d15868

No, really, I mean ANYTHING …

 

If you think outside the box, “flat” art on paper or canvas doesn’t have to be limiting. Here are 10 ways I’ve found that can spice up your current drawings or paintings, no matter what style you enjoy working in.

 

 

 

 

 

 

1. Add Text
transformation

Transformation, 18×24 Mixed Media, Do-All of Bay City’s Annual Art Clash Award Winner

Adding pattern based text, small print from books, magazines, or the newspaper, automatically adds not physical but visual texture to a piece. It is a simple, intriguing way to add the appearance of greater detail to your piece, whether it is ripped and layered in the background or cut into shapes to fill in focal objects in the foreground.730a10c1435c579f6052846f164896a9

The meaning of the words don’t have to be important. Or, you can choose theme appropriate text and emphasize certain words to add to your piece’s meaning. This is a popular technique borrowed from art journaling and found text poetry.

 

2. Include Texture
the dance

The Dance, Awarded Best 2D in Creative 360’s Piece By Piece Exhibition 2015; 18x 24 prismacolor pencil, ink, watercolor, fabric, book pages, embroidery thread

2D doesn’t have to mean completely smooth and flat. Oftentimes painters paint with a palette knife, slathering on thick layers of paint to create an uneven surface that raises and dips to create visual interest. Gesso can also be used to build up an uneven surface on canvas. Another option is applying mixed media elements to paper to create a textured surface. In the piece above, I crumpled white fabric and dipped it in glue, applying it to the surface for the ground. I crinkled and rolled strips of book pages for the raised texture in the tree trunks and branches.

3. Accent With Metallics
the peacock

The Peacock, Awarded Best 2D in The Midland Artists Guild 2015 Juried Exhibition, 11×14 prismacolor pencil

Varying the surface sheen in a piece is a way to once again increase the visual interest, thus drawing viewer’s eyes and keeping their attention. Metallics are definitely something you want to use with restraint, but when not overdone they can really elevate a piece. It is harder to tell in a photo but in the drawing above, I used silver prismacolor for both the sleeves on her dress and the streaks in the pattern on the brim of her hat.

4. Include Pops of Color
hopeful

Hopeful, Award of Merit in The Midland Artists Guild 2015 Juried Exhibition. 11×14 Prismacolor Pencil 

Adding elements of color amongst an image of mostly black and white is a technique inspired by photo-manipulation. Photographers have been tinting black and white photos since long before Photoshop was ever conceived.

902fa847868c397eded214cf4c8fee5f

Our eyes are naturally drawn to contrast, and including a bright color or two within a sea of black and white provides a “surprise” for the viewer.

5. Draw Viewers To The Eyes
11×14″ Prismacolor Pencil
Possibility Uncovered, Acrylic

I may be a bit biased because eyes are my favorite part of the face to draw or paint, but then there is that famous saying, “eyes are the windows to the soul”. There are quite a few articles floating around online about a scientific study that found that staring into someone’s eyes for 10 minutes straight can even cause hallucinations. All this suggests that eyes themselves are something of an intense element. Whether depicting people or animals, using visual elements in your piece that guide the viewer’s eye to meet the eyes of your subject is sure to keep viewers locked on your piece longer, and to create a more dynamic composition.

6. Don’t Ignore The Background.
Her Laughter Was Intricate As Lace, 2011, 8×10 Prismacolor Pencil
I’d Have Been Happier As A Bird , 2014, 11×14 Prismacolor Pencil

I used to be guilty of being a huge background-ignorer. Now, you don’t want a fully fleshed out, detailed, photo-realistic background all the time, and in some pieces there is a lot to be said for white space. But, there is a difference between a background looking purposefully understated to emphasize the main focus and a background looking incomplete, like the artist just ran out of ideas and didn’t want to bother. There are two pieces shown above, one from 5 years ago on the left and one from 2 years ago on the right. Notice the difference something as simple as some softly outlined trees makes. The background is still mostly white, but it looks complete.

7. Collaborate With Other Artists
Untitled, 2011, Mixed Media
Connect, 2011, Mixed Media

This is a hard one for me, because I honestly hate collaborating. I’m the kid in school who dreaded partner assignments. I always wanted to work on projects alone, even if it meant I had to do triple the work. I have a hard time letting go of control and not getting to make all the creative decisions myself. However, you learn so much from working with other artists, especially if their style is the complete opposite of yours as was the case in the two collaborations above. Do I necessarily like the collaborative pieces above better than the work I traditionally do on my own? To be honest, nope, but that’s not the point. I practiced techniques and styles I never would have attempted otherwise, which has given me ideas in other pieces I’ve done on my own.

8. Carry Around A Sketch Journal
devotional gag reflex

Devotional Gag Reflex, 2011, Ink

Not only is keeping a sketch journal super stress relieving (the above was me relieving some of my fun relational stress by comically depicting how I felt in the moment), but it provides an arsenal of recorded ideas and references to use and combine in future pieces. Life is busy, and I strongly believe we forget most of our best ideas because they happen spontaneously when we are in the middle of doing something, and we think oh I’ll remember it later and of course that never happens. Making yourself carve out a specific time to sit down and sketch may be good practice, but it isn’t when you’ll get your best ideas.

9. Draw From A Collage
collagepen_0001

Oceans Away, 9×12 Ink

One of my assignments in Drawing 101 way back in freshman year of college was to create a collage, and then draw straight from it. This technique is a great way to organize the elements in a piece, and visually construct your conceptual vision. You end up with juxtapositions of disparate elements that you may never have placed together otherwise.

10. Be Purposefully Imperfect
wonderlandlt

Wonderland, 18×24 Mixed Media

This comes back to one of those things I learned through reluctant artist collaboration. I am a clean edged, smooth lines kind of person and I always used to look at smudges and drips as mistakes, not a tool an artist could use on purpose. Now, I am in love with it and every piece I create that includes watercolor has dripping or bleeding somewhere in it. For the longest time throughout art history, the purpose of creating a drawing or painting was to fool the eye into thinking what it was looking at was real, especially before photographs. The informality of declaring to the world, “Look! This is made out of paint, see the brushstrokes, see the dripping?” shakes up a piece, and the viewer’s expectation. In this particular piece above, the surrounding world was supposed to look as it would through the eyes of the subject, a child. The sketchy, imperfect outline of the colorful buildings behind help emphasize that.

Step out of that artistic rut and try something new. Other 2D artists out there, what do you do to add interest to your own work? What draws you to a piece when looking at a 2D work?

Standard
Art Education

The Art of Surprising Oneself

As many of you may know, I have a love affair with redbubble. Of all the print on demand platforms I’ve tried, they seem the most user friendly, visually appealing, and reasonably priced. For the past couple months I’ve been collecting photographs of my Express Yourself Artshop students’ work in preparation of opening our own shop, and the time has finally come!

Artist: Colleen D.
Artist: Colleen D.
Artist: Joan S.

I actually went to school for interior design, and the former furniture salesperson in me is so psyched about these throw pillows, because a good looking pillow really makes or breaks a sofa (even though they end up thrown on the floor 99% of the time).

Artist: Heather D.
Artist: Heather D.
Artist: Tracey S.
Artist: Heather D.
Artist: Colleen D.
Artist: Colleen D.
Artist: Heather D.
Artist: Christina G.
Artist: Colleen D.
Artist: Colleen D.

I’d recommend that anyone in arts education do this, whichever platform you end up choosing. Many of the students have made the same surprised comment to me, “Wow, I feel like a real artist now!” And many of us can relate to that feeling – I know I can. A piece of art almost doesn’t feel real until it’s shared with the world, no matter how big or small that “world” may be. A drawing or painting on a loose piece of paper is one thing, but when it is matted and framed or transformed into a print product, treated and presented like the work of art that it is, it can take the new artist aback at first – “you mean I  really did that?” Whether an artist cares about making money off of their art or not, there is something to knowing that other people are seeing the images they have created, that people even want to take something the artist has created home with them so they can look at it every day! Some artists make art their business, some may donate their art to auctions or causes or give it away to people. Still, the art has a life, it is being touched and seen, not in hibernation in some dark basement or storage closet.

If you’d like to see more, please visit our new shop celebrating artists of all abilities, artists that continue to surprise themselves as they learn that yes, they definitely are real artists!

Standard