Tag Archives: fashion

Art Discussion, New Work

Seeing Red – Finishing Abandoned Art (Or Why I Don’t Throw Anything Away)

Long ago, I’m talking nearly 10 years ago, I had an idea to explore color theory and color psychology through 5 color-themed pieces centered around the 3 primaries, and black and white. I completed the piece representing “White” first to get the most difficult one over with as exemplifying the absence of color in a piece of art is not always so easy, and white in general has to be my least favorite color – probably why I never succeeded in my original field of interior design as that seems to be all people want nowadays. But I digress …

I immediately after finishing White/’The End Is Also The Beginning’, started a piece for “Red”, much more a color to my liking. But then, the great covid catastrophe happened, life was weird, I got going on other projects, I had no clue how to finish the background, I got tired of coloring the pattern on the dress (Why oh why didn’t I just use fabric again like the first piece!), and there it sat abandoned inside an XL drawing pad for 6 years. I thought about just throwing it away as I wasn’t sure I was ever going to finish this series anyway. I know you have to be careful with this, but I am a huge advocate of not throwing old or unfinished art away because with a new perspective years later, you can make magic out of it. Behold, Red, or ‘Attachment’.

Red is without a doubt the strongest color emotionally, and the color that commands the greatest response both positive and negative. It’s no accident that stoplights and stop signs are red. Although, I remember reading the sort of bio in the front of an art book by one of my favorite artists, Ray Caesar. He mused on how he had always struggled with driving because to him red was an action color that meant “GO” rather than stop. That pretty much sums up the nature of red, commanding but conflicting.

It creates a response, but what kind of response widely varies by person and situation. Advertising uses red to create a sense of urgency, draw attention to a product or special sale, and make viewers think they HAVE to do something. Red is super stimulating especially when a bright primary but even when it’s a darker version as well, and can be overwhelming or off-putting to some. It symbolizes passion and romance, the color of the heart and of our blood. Fire is associated with red and red can also symbolize anger or rage (hence the saying “seeing red”), aggression and dominance. Red means luxury – think of the old Hollywood glamour classic red dress, red carpets, red lipstick, and the Christian Louboutin red soles.

Asian cultures have a particular relationship with red. In India, red is their traditional wedding dress color rather than white. In Japan, red is associated with cultural values of strength and sacrifice, but also expressions of joy, signified by a prominent red circle sun graphic on their flag. In China, red is an important symbolic color for good luck and prosperity. Across the continent, red is seen again as a warning color but this time to stave off ‘evil spirits’ or unpleasant circumstances.

Red tells stories of both joy and fortune, and tragedy and violence. It creates strong reactions and emotions, but which ones may come forward can be confusing and conflicting. Red, of all the colors, seems to be the color of our living story and our relationship to others.

Who knows, maybe I will revisit this series and keep going with it when I have the time. After all, I still have my concept sketches for blue, yellow, and black – As I mentioned, when it comes to drawings I don’t throw anything away! 😉

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Artist Bio

Storytime! My First Art Job, A Very 90s-Kid Tale

The only time I ever felt 100% ‘solid’ outside of my home growing up as a kid was in art class; a real, seen person as opposed to a sort of misty vapor you may feel in the air but not give much notice – a draft that causes a door in the house to close causing a noise for just a second, this abrupt sound being the end of its impact. I wasn’t popular by any means, and though gifted academically, I had far too much social anxiety and general sense of perpetual overwhelm to be a leader. This makes it all the more curious that I managed to spearhead a short-lived fashion empire at my elementary school in my tenth year.

I didn’t have the look of an up and coming designer. I wore jeggings before there was a word for them, much to my classmates’ amusement. I suppose I was just 20 years ahead of the trends. Other than that, I typically donned a whole lot of athleisure, emphasis on the leisure part of that word because I was hopeless at sports. (Note the photo of me with my hero wearing a fake soccer uniform from the American Girl catalogue.) Despite my unassuming style, I could draw models donning original clothing that caught the eyes of the other girls in class. I drew my own fashion magazines at home all the time. When asked what I was doing one day while doodling at my desk after finishing my classwork early, I answered after a long pause, “Working on my magazine”. The next day, half the class was lining up for interviews to be on staff.

I assigned everyone departments. We even had a lingerie section, ironically drawn by the most religious girl in class. She curtly explained without being asked that the models in the hand-drawn photoshoot were married so it was ok, with a definitive huff at the end. As Editor In Chief, people were coming to me for approval and advice, and it felt good at first. They even followed my quirky rules. All text in the publication had to be written in the alien font I invented, which was a mix of Egyptian hieroglyphics and Microsoft Webdings. All were given translation keys for their convenience.

Things were going smoothly until one day, my Vice President called an emergency meeting with only the board of the Fashion Club, as we were so creatively called. A lot of members felt one of the girl’s designs just weren’t cutting it. They proposed she be ousted from the group. I gave it careful consideration, and admitted her ideas weren’t very good. She complained about having to use my specialized typography, also made clear regularly her disdain for the requirement that our designer names be our first names spelled backwards, and she lived in my neighborhood and frequently stopped over without calling first to play with my toys. I was still steamed that last time she’d visited, she spat on my Sleeping Beauty Aurora doll whose eyes close like she’s sleeping when you wet them with … well, it was supposed to be water. I’d never fired anyone before – I’d never even had a real job aside from watering the neighbor’s plants when they went on vacation. It could be fun.

The next recess, I called neighborhood girl into my office, which was behind the tallest tree on the playground. I told her directly that this wasn’t working out, expecting it to be cool. It was not cool. She called me a bitch, a word I only knew from my favorite Alanis Morrissette song, and gave me the finger, a gesture whose meaning was unclear to me at this time. Following this, she ran off sobbing uncontrollably. I felt terrible. I’d had my first real taste of power and influence, and I absolutely hated it.

The next morning, I apologized to neighborhood girl, resigned from my own publication, and faded back into obscurity as nature intended. It was way more fun spending recesses pretending to be a Pokémon anyway.

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Throwback Art

Throwback Chapter 3 : Fashion Victim

Welcome to the next part in my series using the past to delve into why I create what I do… I hope others find this interesting and entertaining, and I hope it helps readers reconnect with their past selves and realize how all of those different “us-es” had a part in creating who we are today, even those versions of us we don’t like to spend too much time with.

Though you wouldn’t know it from my own childhood attire, fashion was always a large part of my artwork and I loved imagining my own clothing designs (Note me designing Barbie clothes in our home office on Windows95. Note also, I was wearing unnecessary glasses with the lenses popped out for fashion far before mid-2000s hipsters existed.) I adored designing extravagant imaginary partywear, but was also awkward and uncomfortable in my own skin. It took me awhile to ever give a thought to actually trying to look cool myself ;). Once I got into upper elementary school, I idolized the girls in Disney channel movies who rode dirt bikes and skateboards and never seemed to be afraid of what other people thought of them. I really just wanted to be a cool tomboy but I had no athletic ability whatsoever, and I did actually care a lot at that time about what other people were thinking about me, so … I wasn’t too sure what to do with that. It didn’t stop me from rocking a soccer uniform at Disney despite the fact I’d never touched a soccer ball in my life.

My parents always encouraged art and creativity, and come to find I created my first “mixed media” project with my mom, using cutouts from scrap fabric for dresses at age 4. As I got older, my designs became a bit more sophisticated and I even began naming the pieces in my collection with such enticing titles as “Wide Country Gown”, among others.

Around 15, I finally got a clue and started developing my own personal style which also filtered its way into my artwork. I got hooked on loud, unique, alternative fashion that had a retro flair, and even became a bit interested in the whole club kid aesthetic though by happenstance of my birth year I kind of missed the whole raver trend. Below on the left is what I imagined it was probably like.

I’ve been told my interest in both fashion and interior design stand out in my work, and as I mentioned in my first throwback post people have always played a central role in my art. The way individuals choose to decorate both themselves and their external environment are central to telling part of the story of who they are.

Over this year, my passion for wearable art has jumped off the page and into reality as I began designing my own upcycled clothing. This was at first dove into as a project to help my art students with disabilities lead their own fashion show, and then for myself as I realized this is something I really enjoy.

This is also the first year I had the confidence to participate in some local modeling projects for art friends, and it was an absolute blast. Expression via how I visually adorn myself has been another way I have used art as a tool for communication over the years as someone who is an unwilling introvert due to social anxiety. People are all living sculptures, for the most part wonderful and fascinating (and yes, also challenging at times), and the ability to use how we visually present ourselves to show who we are to others before even speaking is an intriguing tool.

Like with my other art, with my wearables I hope to inspire, make people smile, and help them feel confident and comfortable in who they are. My pieces are available for purchase via ebay, etsy, and facebook so pick your poison ;). Let me know what types of colors, patterns, or images make you feel the most inspired and powerful!

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Artist Bio, New Work

Art And Outreach

I know I’ve lapsed lately on my writing … since Mother’s Day actually, and I only realized how long it has been when I was preparing a Father’s Day project post for Sunday ;). I’ve been continuing to spend a lot more time teaching and working on some unique commissions, but I certainly haven’t been sacrificing my own creative spirit for “work” as some might assume. I have enjoyed the shift as a way to recharge and do some new and different things, and stretch my own personal style into new avenues.

The bulk of the first quarter of this year was spent preparing for a Fashion Show with my Express Yourself Artshop Program. The theme was upcycling thrift store clothing, perfect for the big reveal on Earth Day. The majority of my students are adults with disabilities, and I was amazed to see how they took to this project. Some who struggled to create imagery on canvas or paper created breathtaking designs when given a piece of suede to paint on or a pair of jeans. Fashion shows and pageants for people with physical and intellectual disabilities have definitely come into the spotlight more as our society has begun to demand more diversity in the bodies we see in fashion, film, and advertising. What I especially loved about our show is the fact that the focus was on what our students made, not just “looking pretty” (although our students did look fabulous showing off the clothing they created!). It was very ‘come as you are’, models didn’t have to wear makeup or fancy shoes if they didn’t want to, or do their hair a certain way. Everyone was invited to show up as their authentic selves and just have fun. This was a huge leap of confidence for our student ladies that participated along with our staff and some models from the community, and I could not be more proud and impressed.

The second big workplace project that is still in progess was planning a community mural incorporating themes from the students’ artwork. It was difficult for super detail oriented me to put together a design that would be accessible enough for community members of all ages and abilities with little to no art experience to come and paint and not have it look crazy ;). I payed homage to my love of retro illustration to come up with a design that was very simplistic, but still had an artsy vibe.

My life has been filled with color lately as I also progress on a very unique commission, a cosplay sword and shield accented in PINK leather! Just a teaser for now, I will share the finished products soon!

Though art is an intrinsic expression of the artist who creates it, oftentimes it is about so much more than the individual artist. We all have preferences for how and what we prefer to create, but sometimes art is about lifting others up into the spotlight. Sometimes art is about using our skills to help someone else’s talent and creativity grow. Sometimes art is about helping someone else’s vision come true that may be creative, but doesn’t have the tools to make their idea a reality. Sometimes art is about creating in isolation and baring your own unique soul, but sometimes art is also about outreach. As one who has often been the former, I’m enjoying this exciting new chapter.

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New Work, Techniques and Tutorials

Happy 2021! Pantone COTY Inspo

Finding out Pantone’s Color Of The Year is always one of my favorite things about New Year’s Day (dork, I know). This year is a combination of 2 colors … Ultimate Gray and Illuminating. I’m not a big yellow person on its own, but love it paired with gray or black so I’m digging this theme (See my bathroom). To celebrate, I created a fun 9×12″ mixed media artwork using ink and water on watercolor paper, and some fabric scraps and old book pages for the background.

What’s interesting is I also started a new project late this year in collaboration with a supporter of the inclusive arts program I run, Express Yourself Artshop that ended up in this same color scheme. The project celebrates the independence and unique homes and lifestyles of adults with disabilities. My friend Ric LOVES yellow. More on this to come at a later date!

What do you think of this year’s colors? What kinds of videos would you like to see me share in 2021?

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New Work, Techniques and Tutorials

Hand Drawn Damask Print Demo

I am a big fan of damask print. I know the design had a big moment about half a decade ago, but I’ve always loved it, especially since under the pattern umbrella there is so much variety. I always thought a snake would lend itself well to the curving, scrolled shape of a damask print but could never quite find exactly what I was looking for. When you can’t find the print you want, it’s time to make your own!

I used metallic ink and prismacolor pencils on black pastel paper that has a visible cross hatched texture to the surface. Since this sort of print only has one element to it that is repeated in an offset pattern, this was a relatively simple one to try for someone who is newer to creating all-over print.

I’m thrilled with how my snake damask turned out, and can’t wait to order a skirt or shirt for myself. To see more of my designs, visit my Redbubble Shop. Redbubble’s products are all reasonably priced and excellent quality – these art-covered wares make perfect holiday gifts. If you enjoyed the video showing how I created my print, please give me a follow! I will be posting some fun palette knife painting tutorials in the coming weeks as the weather gets colder and we find ourselves needing more indoor forms of entertainment.

For all my American friends out there, enjoy your Thanskgiving week, and thanks for stopping by my creative little corner of the world :).

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Techniques and Tutorials

Make A DIY Bib Necklace

I’ve shared my fun mixed media necklaces I’ve been creating in the past, inspired by a class project the week my Creative Minds students learned about artist Sonia Dealunay. Today I wanted to show you the creative process firsthand!

I use a lot of castoffs and odds and ends like scraps of jewelry chain and fabric, discontinued upholstery samples, and pieces from broken jewelry. Antique stores, thrift shops, garage sales, and ebay are all great resources!

I love how fun and unique you can make these necklaces, collaging in any shape you want though I’ve stuck with the classic bib collar design for now. Most of mine are very nature inspired but again, you could take something like this in a whole different direction. The possibilities are endless! I hope some of you are inspired to play around, but for those who’d rather just buy one I do sell the necklaces I make in my ebay shop.

As always, if you have any questions shoot them my way. Happy creating!

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Artists To Know, New Work

New Projects and Oddities

I feel like I’ve been sharing more class projects than studio projects lately, and wanted to update everyone on what I’ve been up to. I am still continuing to work on my series based on the symbolism of color, but have been trying to complete some smaller projects in between that are less about some complex visual metaphor and more focused on the interplay of pattern and things that I just plain find visually interesting. If I become to singularly focused on only one specific project I’ve found it makes me more susceptible to artist block, and I’ve also had a mentally and emotionally taxing last couple weeks that left me needing some of that creation therapy I’m always urging my students towards (nothing serious, never fear! This too shall pass and all that jazz…).

 

 

12×16 Prismacolor Pencil and Mixed Media
8×10 Prismacolor Pencil and Watercolor

The amazing news is that all 3 of these projects from watercolor to mixed media to a doll repaint not only provided a bit of sunlight in my miniature storm, but also found good homes with art appreciators!

 

 

For a lot of my teens and early-mid 20s I felt like I didn’t have a cohesive aesthetic because I appreciate so many different types of visuals. Even when I get dressed in the morning, am I going to be goth, street style, barbie, androgynous, hippie, stepford wife, some odd hybrid of them all … It entirely depends on my mood for the day. I feel like in the last 5 years I’ve finally been able to marry my inspirations of nature and living things, the fashion world, vintage and antique, graphic patterns, and eerie elegance into a specific style without getting repetitive and monotonous.

Though I am not a very techy person and resisted bothering with both instagram and pinterest for longer than most, I have to admit I am now completely addicted to both for the constant stream of visual inspiration. To me though, at least looking at art and design on social media is a positive force, so long as you aren’t using it to compare yourself negatively to the journey of other creators! Today I wanted to share the current visuals I am feeling connected to right now. All are photography and fashion, which is an idea I feel like I try to bring into my drawings. I had a huge interest in pursuing photography for the longest time in college, but one can only focus on so much and eventually drawing won out! I also would have loved to go into fashion design but alas, I hate sewing machines!

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Creepy Kids by Ukrainian fashion artist Dina Lynnyk.

Lynnyk collaborated with photographer Roma Pashkovskiy to make this aptly titled series of disconcerting fashion collages happen. The mainly monochromatic yet still surprising color palettes, detail in the wardrobe and accessorizing, and the incorporation of wildlife in the form of winged friends in many of the images drew me into this project right away (I’ve long been a fan of matching birds to clothing). Also, the pale stares! It makes you stop, and it is undoubtedly creepy but there is still such an elegance to it, like these children are some evolved form we have just discovered.

97d1ee4d4d8547cb3083b34a19013a47Gareth Pugh Spring and Summer 2015 Collection.

Gareth Pugh is an English fashion designer, and though my favorite image was from his Spring collection a couple of years ago, the inclusion of all-absorbing optic-art geometric prints are just as present in his current Spring collection for 2019. Many of his models are obscured in some way or completely covered by the designs, demonstrating garments’ power to quite literally transform the wearer into something or someone completely new. His hard edged, high contrast designs when photographed almost look like an ink drawing or painting, making the model a living work of art. 

 

ab830156054015.5609a2c8de3fcElisa Lazo de Valdez, French Postcards Photography.

Elisa Lazo de Valdez is a portrait photographer who specializes in surreal, dreamlike, fairy-tale images. Many of her costumes, makeup, and props are detailed and elaborate. Though it was these images that drew me to her work in the first place, I was struck by how simple this incredibly creative photograph was as far as decoration, yet the strong impact that results. I’ve been including butterflies in a lot of my new art since Spring began, which is probably another reason why this particular piece attracted me.

 

9b514eda1ec08bca74b6f8bfb9466475Matières Fécales.

I saved the most out-there for last. Montreal-based couple Hannah Rose Dalton and Steven Raj Bhaskaran make up the design duo whose name translates in English to, well, Fecal Matter. Everything sounds more elegant in French …  The couple are their art, appearing in public with no hair or eyebrows and alien-like makeup on the regular. Their designs are futuristic and slightly painful looking, but then there are nods to Victorian fashion at times, and every so often surprising botanical motifs will show up like in this favorite image of mine. Of their name, the couple says it is a comment on the relationship humans have with material possessions, their disposable nature. They also claim the unpleasant brand name forces the buyer to purchase one of their garments because they actually like it, not because they just want to own or advertise a certain name-brand. To me, some of their work seems like it’s more focused on shock value than creating art, but nevertheless there have been creations of theirs that have intrigued and inspired me, and that is no small thing.

Be sure to check out my Pinterest if you want to see more curated images of bizarre fashion and surreal portraits, as well as some really killer pescatarian recipes ;).

 

 

 

 

 

 

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Project Ideas

Sonia Delaunay – Creative Minds Art History Project

I live in Michigan, and we have been having some wild weather over the past couple of weeks, including over 10 snow days! Since I teach a couple art classes in the program I run in addition to coordinating all the goings on, I still have to get work done on snow days, just without my fun project break :(. I was excited to finally get to host my classes again this week and share a long awaited project with my group! This week’s artist was Sonia Delaunay.

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Sonia Delaunay was an abstract artist and designer who not only painted but worked in fabric and costume design, and in 1964 became the first living female artist to have a retrospective exhibition at The Louvre in Paris!

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The literal geometry she brought to her most famous costume work for the play The Gas Heart by avante garde poet Tristan Tzara is just fabulous.

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You know you’ve got a good thing going if David Bowie is on board! He wore a getup inspired by her cubist suit when he performed on Saturday Night Live in 1979.

Remembered most for her paintings, a lot of her fashion work gets glazed over which is a shame, because it is her fashion and costumes that I personally find the most interesting. Delaunay’s fashion work was revolutionary at the time because she didn’t just take her paintings and hang them on bodies… Her designs for clothing were specifically configured to work with women’s body shapes, and the clothing themselves was functionally designed for movement, not decoration. Come to think of it, this may still be considered revolutionary today! Given this, it was only fitting that our class project be something wearable. Inspired by Delaunay’s colorful, geometric art and design, my class created fabric collage necklaces.

I am all for any chance to upcycle! Discarded leather upholstery samples were cut into boomerang shapes to be used as a base for the collage bib necklaces. I pre-selected fabric for the students to choose from that meshed with the inspiration artist’s colorful, abstract style. All of my students have some form of disability, and a couple struggle with dexterity. Providing prepared shapes cut from matte board for the students to trace gave them a helpful guide to encourage project success and allow them to be able to work independently. They were also encouraged to look for shapes in the fabrics’ patterns that they could follow, as one did with a large red flower. Regular ballpoint ink pens can be used to trace the shapes on the back of the fabric. Fabric scissors were used to then cut out the shapes. Shapes were arranged on the base, and then students used a junky brush to paint tacky glue on the back of their fabric pieces and press them down. Once dry, holes were punched in the ends and jewelry chain attached and voila! Ready to wear!

Lesson planning has been so inspirational to me in my own art and handmade journey, and has pushed me to think outside of the box and come up with ideas I never would have otherwise. Creating this project inspired me to work on my own statement necklaces using not only fabric but my velvet vintage millinery florals I love to collect from ebay and local antique fairs. These necklaces are for sale in my own ebay shop for $25. More designs coming soon!

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Artists To Know

Artists To Know: Black History Month

It’s been awhile since I’ve done an Artists To Know post, and I wanted to take the opportunity for February to highlight some of my favorite black artists currently working – most new, some mentioned before. Enjoy, and be inspired!

Lina Iris Viktor

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Viktor is a British – Liberian artist based in New York who creates “queenly self portraits with a futuristic edge”. Everyone knows I’m a sucker for surreal, fantasy-like portraiture and after coming across the image above, I had an instant new favorite! Viktor studied film, photography, and design and uses all of these backgrounds to create her unique fantasy worlds that combine elements of painting, sculpture, photography, and performance. What makes her art so compelling to me is the contrast of seemingly opposite elements … Her works are detailed with a lot of pattern and texture to look at but the colors are kept minimal; many of the scenes she creates are contemporary or futuristic in appearance, but still contain elements of the classical. As well as a diverse study of art, she also had a diverse upbringing as far as culture, being raised in London by Liberian parents and also spending time living in Johannesburg, South Africa. Viktor aims to use her immersive scenes to convey a philosophical commentary on both a social and historical “preconception of blackness”. Her work is a category all its own.

Woodrow Nash

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Nash is an artist from Akron, OH who works in stoneware, earthenware, terracotta, and porcelain. He is most well known for his unique bust sculptures that capture an expression, depth, and personality that I have never felt before in this type of art. He began as an illustrator, working as a fashion illustrator in New York in the mid 70s and then returning to the Midwest to do technical illustrations. Just as he uses multiple materials for his sculptures, he also employs various firing methods from pit firing, to electric, to raku (one of my personal favorites!). He calls his style “African nouveau”, because although it is influenced by African cultural aesthetic he blends in elements of art nouveau, and his sculptures tend to appeal to a wider audience beyond just those of African heritage. Each gorgeous figure he creates has a story, and they draw you in instantly.

Kehinde Wiley

If you can’t already tell, creative portraiture is my thing. I love portraits that transport the viewer to a new place of the artists’ making, where every pattern that is used is not only decorative, but an element that is used to speak to the subject’s unique psychology. I have been a fan of Wiley’s unique, powerful style of portraiture for a long time, and was excited when he was chosen to do Obama’s official portrait. Possessing a MFA from Yale, he combines contemporary figures with aesthetic elements from the past, giving his portraits a surreal, timeless feel. One of his most recent projects for the Saint Louis Art Museum featured oil paintings of black men and women dressed in their own clothing, styled for their usual everyday, posed in traditional poses from European and American art history to make a comment about under-representation. The photographic realism coupled with ornate pattern and creative approach make it no wonder his work has garnered the acclaim it has. His art is a testament to the fact that it is possible for an artist to stay true to themselves and not follow the crowd, and still be successful.

Tawny Chatmon

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A self proclaimed “army brat”, Chatmon did a lot of traveling as a kid and had resided in 3 different continents by the age of 12. Once settled in the US, she turned more in the creative direction of theater. She didn’t start getting into photography until her early 20s, when she was gifted a camera at 19 and through self teaching and experimentation saw an opportunity to make a living through the lens. After losing her father to a battle with cancer in 2010, Chatmon’s portrait photography became not only a career but a way to communicate and process emotions, an art. What first drew me to her work was the image above, part of her series titled “Deeply Embedded”. The composition and heavy use of pattern on the clothing reminded  me a bit of Gustav Klimt, one of my favorites from art history. Chatmon writes about this series on her website, “Deeply Embedded was created during a time where I continued to come across negativity centered around natural black hair & styles. Anger followed by frustration and sadness forced me to refocus that energy into creating work to speak for me as our words fell upon deaf ears.” There are many different forms of beauty in our world, and photography is the perfect medium to capture that fact.

Pierre Jean-Louis

 

I love art that plays with the merging of people and their environments, which is why I found this 26 year old artist’s work so inspiring. This self taught artist from New Jersey grew up in a deeply conservative religious household, but also a deeply creative one being the son of successful Haitian painter Bonaventure Jean-Louis. He moved beyond his roots with multimedia approaches, taking his inspiration from the beauty of the natural world that God has created, and with his series “Black Girl Magic”, explores specifically the beauty of natural hair. Models’ hair is transformed into forest, flowers, and galaxies, making a comment against exclusionary beauty standards.

I hope you will take the time to explore more of these artists’ amazing work. It was so hard to pick just one or two images to highlight!

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