New Work

New Work! (In Which I Present Probably The Cheeriest Art I’ve Ever Done)

Hey all! I recently finished the 4th piece I’ve added to my current 12 part series. Each piece represents a month of the calendar, and this one is June so it would actually be installment 6 but I’ve skipped around a bit. To catch up new comers, I am working on a series of 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color. They will depict women of all ages, races, and time periods, and each will communicate a different theme. I aim for the pieces to speak to women’s collective experiences beyond their differences. I give you, June: She Is Constantly Evolving.

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I think this is quite literally the happiest piece I’ve ever completed – There’s even a puppy … that is unreal. I mean, a couple years ago I actually was told by the manager of a local restaurant that I had to remove a couple of pieces from a show I’d hung there because they were afraid it might send patrons spiraling into depression. You’re not a real artist if your art has never been ousted from anywhere, or so I’m told. Not that everything I make is gloom and doom, but to have butterflies, puppies, flowers, smiling with teeth, and cotton candy clouds all together in one piece is not usually my jam. All of my work centers around people’s inner worlds, and sometimes confronts difficult or uncomfortable emotions. Even my pieces that convey overt happiness usually have some sort of edge or oddity to them.

I remember meeting my blindly assigned roommate in college for the first time. Once she found out I was an artist, she wanted me to do some large paintings for the common room, but “They have to be cute! Not scary!” Apparently she thought I was some sort of dark , twisted soul, which is quite funny as I had Sanrio posters all over my bedroom and Bart Simpson print pj’s for god’s sake. (I was to find out later that until we became friends she was afraid to put out any of her Hello Kitty themed toiletries in our shared bathroom, and also only watched America’s Next Top Model in secret when I wasn’t home for fear of my scorn.) To fulfill the cute requirement, I made a painting of a girl holding her kitten surrounded by retro, colorful power flowers. But … I gave the kitten purple dragon wings.

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This is so Museum Of Bad Art worthy in the most hilarious way, that I’m actually saddened I tossed it. It’s one of those compositions that is so bad it goes right past bad and back to good again.

All this to say, this is a rare piece to be one that conveys nothing but pure, unadulterated joy and exhilaration. It’s ironic that I created this at a time when joy and exhilaration were about the two farthest things from my mind. As seems to be the general consensus, 2016 has been more than a little trying, and it sure decided to go out with a bang in November and December.

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This piece is about transformation, as symbolized by the presence of butterflies, and maybe it was the idea that change is certainly most appealing during the most wearing of times, mixed with a bit of my love of holidays that makes it impossible for me to stay cranky around Christmastime. Either way, this piece speaks not to who we are right now but who we wish to be, and reminds us that nothing is permanent, and that sometimes that isn’t a bad thing.

See this design and more in my Redbubble Shop.

 

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Art Discussion, New Work

March: She Is Everything At Once

Obviously, though I had a fun idea of doing the whole “a drawing a month” reveal for my new 12 part series, that didn’t happen as I am on March and it is now almost September. I would like to enter this series into Art Prize next year, and decided if I have until next Fall, why impose such a crazy impossible deadline on myself simply for the sake of themed blog posts and risk the quality of the work? Impossible self-imposed deadlines are this thing I like to do that I really need to ease up on. For those who haven’t read my previous posts, my new series involves 12 mixed media, surreal, conceptual portraits in which the meaning is influenced by the use of pattern and color, one representing each month of the year. They will depict women of all ages, races, and time periods, and each will communicate a different theme and season. I aim for the pieces to speak to women’s collective experiences beyond their differences. I want the series to flow together in its mainly black and white scheme with pops of color, soft mixed media application, and it’s classic portrait composition. However, I wanted each month’s portrait to still be distinctly different “characters” from one to the other, achieved via aesthetic theme and accent colors. For this piece, I went with bold, dynamic primaries and a nod to pop art. You can view January and February from earlier posts.

In this piece for March, my goal was to take the commonplace negative stereotype of women being “emotional” and turn it on it’s head, marrying caring and empathy with strength, and sadness and despair with hope for a better future. A surreal merging of classic pop art, which often featured dramatic beautiful women sobbing,  with realistic portraiture was the perfect fit for this concept.

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Women are constantly being told they are too much of something, despite the fact that they are often expected to wear far more different hats responsibility-wise than their male counterparts. Google searches have become an interesting way to peek into mainstream society’s views. Anyone who uses the internet knows when you begin to type something in, google will finish it with the most popular searches and subjects. A UN Women ad from 2013 was the first to make a statement using this innovative approach.

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I tried the same concept, only typing in the starting phrase “women are too…” What I’ve found is that women are apparently too picky, but also too easy, too intelligent and successful to find love, yet too weak and too emotional to be leaders, the president, or involved in politics at all, but at the same time also too dominant. It looks like we’ve got a Goldilocks problem here.

As one who believes that sometimes problems we assign dominantly to one gender are still just basic human being problems, I didn’t want to negate the idea that there may be similar findings for men. However, when I tried “men are too…” I got nothing. In fact, when I simply pressed enter to see what articles would come up, the main article up top was “Monkeys turn into grumpy old men, too” about aging primates and behavioral changes. While hilarious, it is clear that this whole “Be everything at once yet also be nothing at all” contradictory expectation is something that, while maybe not entirely absent for men, is something that women face more in mainstream culture.

A descriptor routinely used to discredit women’s abilities is the fact that they are “too emotional” by default of their gender. However, when men step out of their perceived box by showing any degree of emotion aside from anger, they too are often chastised and ridiculed. This shows that our revulsion towards caring at least is a societal problem on the whole, not just a women’s issue. For some reason, people seem to view caring as weakness. This can be seen clearly in the dismissive term bleeding heart, always used with a strong air of disgust. (A note to be made here… when I talk about caring I am not including people sitting behind a laptop screen typing angry, obscene responses to random articles that they don’t agree with because they get off on being offended and telling people off. Nor am I talking about people who shut down and throw a fit every time they have to hear something that they don’t agree with. This is not true caring or passion, this is an addiction to “being right” all the time and putting people in their place, and it is unhealthy.)

I recall a conversation had with a person from my past 5-ish years ago. We were discussing some political or sociological issue. The other person, whom supposedly respected me, was nevertheless making zero effort to understand my view though I myself had stopped and listened to theirs. I remember growing frustrated and stating, “I don’t know why you are refusing to try to listen and understand where I’m coming from when this is an issue that is so important to me.” Their response was given bitingly and with a wave of the hand, “Oh, everything’s “the most important thing” to you.” Though it was meant as an insult, the more I pondered it the more I thought, I’m ok with owning that. Because everything does matter, in some way large or small.

In our culture, it’s cool not to care. You can see this fact brazenly displayed in popular entertainment (The Hangover 1,2,3,4,5? They just keep going.) People are routinely being told the answer to their feelings of isolation, depression, and anxiety is to just “let go”. But is the “ignorance is bliss” model really the one we should be following? This idea in and of itself seems to admit that caring is not weakness, but strength. Experiencing emotions of concern and empathy is an active state; not caring for anything outside of your own pleasure and needs is passive. To put it simply, caring about things is hard work. It can force us to take steps towards action that may make us uncomfortable, and take up a lot of our time and resources. It can be mentally and psychologically draining.

Caring is strength. Let’s lift up our mothers, our fathers, those taking care of an adult family member, our nurses, our teachers, our home health aides, our daycare workers, our counselors, our missionaries, our activists … No matter what societal norms tells us, they are our true heroes.

 

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Interior Design

Retro Tile Bathrooms Before and After

Even though I studied interior design in college and ended up going in a different direction afterward, I still love it. From time to time, I do still assist friends/family/acquaintances with their designing woes, and I’ve had a couple of fun opportunities over the last year or two to work with my parents in updating my childhood home. I worked with them to choose fixtures, finishes, and furnishings for the home’s guest and master bath, and they used a kitchen and bath design business and a remodeling contractor from the local Midland area to bring the project to completion.

My parents and I have pretty different design styles. They can be a little uneasy at times about bold colors, and favor timelessness. My mother definitely has a traditional style, and is not one of those people who wants to change a design up every other year (or even every 5). She especially wants more “permanent” aspects such as tile and cabinetry to be something neutral so that the space can be updated in the future if need be with not much more than a different color of paint on the walls.

The house’s original bathrooms were done up in (now vintage) tile, as were many in the neighborhood when originally built. My best friend down the street actually had an identical guest bathroom to ours, only accented in white instead of grey and sans crazy wallpaper. We decided to pay homage to the origins and stay with the idea of retro, bold, fun tile, but this time in black and white.

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Before: I may have mentioned the original guest bathroom was pink. In fact, this bathroom was just so into being pink that even the door and the window molding is pink. This is basically Dolores Umbridge‘s dream bathroom. It’s so odd and distinctly vintage, however, that it did have a certain charm and I was a little bummed to see it go. Yes, the ceiling is wallpapered – pretty trippy.

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After: Saying bye-bye to the original vintage was so worth it, however, for the end result. Since we didn’t have to worry about the guest bathroom transitioning into a bedroom like we did for the master bath, we could go with a fun color not present anywhere else in the house, and chose a cheerful pool blue. Being the only color present that isn’t a neutral, the room is pleasant even for those who don’t like to be surrounded by rainbows 24/7. The white is broken up by pops of black in the striping and the textile accents. The ceiling is still kind of fun, though certainly not wallpapered! I chose a paler shade of blue rather than just going with a stark white to balance the already ever present, high contrast, bold blue- to – bright white transitions. My parents also love antiques, and there is a variety of vintage glassware and decor scattered throughout. We also chose some unique vintage inspired hardware that further adds to the little air of whimsy in this room. The artwork on the wall is a print of one of my watercolor and ink pieces, The Idealist.

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Before: The master bath had already been through one soft redo in the 90s due to some cabinetry that was not faring too well. It had mainly been done for utilitarian reasons, and had pretty much the opposite problem of the guest bathroom … it was very, very bland.

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After: Hello, gold! Black and gold play off of each other so well, so a lot more black was incorporated into this bathroom. The cabinetry and shower are opposite each other, so to balance all the white tile with the dark counters we outlined the shower itself and the inset shelf in black tile, and used a more concentrated floor tile. The photography on the walls are photos of birds my dad took, one of his hobbies being hiking and “collecting” birds on his journeys via snapshots. And, of course, more vintage glassware (I have an addiction! Luckily, they love it too).

Another fun project completed! Next, my parents will be picking my brain about the living room. Maybe I can talk them into more brightly colored walls … maybe even purple! Only time will tell ;). (Mom, if you are reading this, I promise I’m joking).

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