Artist Bio

My Daily Routine As An Independent Artist

Quite awhile ago, I discovered this fun article with the daily routines of some well-known women artists, and thought it would be interesting to share my own average day.

I am lucky to have an art related day job teaching at local nonprofits where I am able to inspire people of all ages and abilities to create, especially those who don’t know they’re artists yet.

My basic routine on days I work right away in the morning is, to be honest, getting up roughly 20-30 minutes before I have to be out the door. I value sleep, mainly because I seem to just need my exact recommended 8-9 hours or else I am either a werewolf (in temperament, not amount of hair luckily) or a zombie … either way something monstrous and not ideal.

At work, my job often involves hopping from one focus to another all under the larger umbrella of art making, but this works for me. At home I find I’m always more productive and efficient when I have several project stations going that I rotate between. Typically I’ll travel to 2-3 different cities within a 20-30 minute radius within the day, completing chunks of classes at different centers with maybe a private lesson in between. I used to hate driving, but most of that is rooted in not liking the unfamiliarity of a route and a fear of getting lost (hello Developmental Topographical Disorientation). I have some favorite youtube podcasts I listen to about psychology and sociology (Psychology In Seattle, Bryony Claire, Meg) and nostalgic 90s toys (I most recently discovered the self proclaimed Mr. American Girl) and actually enjoy this little break to have some alone time and recharge.

I currently work with 6 different programs at 5 locations that include adults with disabilities, children with disabilities, alternative high school, traditional elementary school, and beginning and intermediate adult artists. I am also currently working on a series of murals for a pediatric physician’s office, commissions, and handmade wares for my online shop.

Why freelance? Having an uncontrollable and unpredictable schedule was a huge anxiety trigger for me, one that I’d tried very hard to overcome but in the end I figured out it’s just how I’m wired. I have no problem working evenings and weekends or long days – when I consciously schedule them ahead of time for myself and know what to expect. My longest stint in the arts being a Program Coordinator (before that, a bunch of short term disaster things if you know what I mean), I also found that while I love working with my students, I did not enjoy managing other employees. I am most content being responsible only for myself, and while some people really enjoy telling others what to do, I found it incredibly taxing and uncomfortable. I also just have too many options that I am excited to be involved in! I love having my hands in so many different things, because there is equal value in each and every pursuit, and I don’t know how I could limit myself to just one. I’ve been able to say “yes!” to so many more opportunities since I transitioned into independent/contracted work. As I mentioned earlier as well, I like the variety. If I start experiencing burnout or job dissatisfaction, it is more accessible to make some tweaks since I have the opportunity to “reset” basically every quarter and make positive changes based on what I observed in previous quarters. Margin is also something I’ve really struggled with as someone whose job and hobby/passion/therapeutic activity is one and the same. Some days, I am able to build in ‘breaks’ between programs if I see that is needed.

As with any choice, there are benefits and drawbacks. Struggles have been with all the traveling, I do lose paid time. When I first started and didn’t know what to consider when scheduling everything, I was basically out of the house ‘at work’ for 12 hours but only getting paid for 6. That was NOT going to work and I had to re-evaluate when and where I was placing certain things so that I wasn’t doing as much jumping around and backtracking. You have to be ok, especially in the current US economy, with not being rich. I experience a lot of job satisfaction and this year have actually looked forward to going to work each day, which I know is rare in our society. However, there are no job provided insurance benefits, no PTO, no 401K. Doing taxes each February is super complicated. There is a lot to remember with so many different plates spinning. There will be great months and disappointing months. Also, things aren’t going to just ‘work’ instantly – I went through a period of close to 3 years where it was very hard to discern why the heck I was doing what I was doing. Each individual person is going to have to decide whether it’s worth it or not based on their own personality traits, needs, and goals.

Do I do anything at all with my time that isn’t art related is a common question … Well, when I’m not engaging creatively I enjoy puzzles, watching movies (I watch close to a movie per night … not kidding), hiking, reading, and playing Sims. I love quiet evenings at home or with one or two friends.

I always wondered if ‘little me’ would be happy if they’d have been able to look into a crystal ball and see what life looks like 30+ years in the future. I finally think the answer would be mostly YES!

The artist is always more productive while wearing her designer red carpet attire, which may or may not also be an old nightgown.

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Art Education, Techniques and Tutorials

Colors Aren’t Scary! Understanding The Color Wheel.

A new Artshop semester has started at Creative 360.  One of the biggest concerns my students bring to my attention in classes is “How do  I know which colors to use?” What colors can they mix together, and what colors basically turn to poo the moment they touch each other? Everyone probably has some vague memory of the color wheel from way back when in elementary school art class, but few remember what it actually is aside from a pretty rainbow circle.

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Primary colors are like the color gods and goddesses. They are colors you don’t mix anything to get, they just are, and they are used to create all other color life. See the starred sections above, red yellow and blue. In between the primary colors, the color wheel shows you what will happen if you mix two of them together. For example, in between the red and blue space are various shades of purple, depending on if you mix in more red or more blue. If you mix all 3 primaries together, you get a neutral color (brown or grey/black depending whether there is more warm red or yellow, or more cool blue present).

Contrasting colors are colors that are opposite each other on the color wheel, note the black connecting line. Contrasting colors as a rule look amazing together due to how boldly they play off of each other (There are a lot of sports teams I can think of whose colors are blue and orange for example, and I don’t even follow sports!). However, if you mix them to try to make a new color, they will completely neutralize each other into a grayish or brownish color. Remember how all 3 primaries mixed together make a neutral? Well, think of why this would happen when you mix orange and blue, contrasting colors, together… Orange is made with red and yellow, add the blue, and you have all 3 primaries mixing.

Complementary colors are colors that are right next to each other on the color wheel. Because they are very similar, these colors always look pleasing together as well.

Look familar? The artwork on the left uses a contrasting color scheme of red and seafoam green. On the right a complementary color scheme is used with all different shades of purple, and some pink and dark red accents.

These color pairings aren’t just for artwork, they work well in interiors and clothing as well. Below is an interior idea based on my watercolor painting “If The Ocean Dreamed” that I mocked up on Polyvore, which is a really fun interior and style designing website to play around on. All items you can add to your “set” include links where they can be purchased as well.

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Once you’ve got the gist of it, you can become a C O L O R  M A S T E R and even get tricky and combine both contrasting AND complementary color schemes in one, like below. This is another fun set I put together on Polyvore using clothing I am selling on zazzle covered in my original artwork. This tank top features my piece, “Be My Eyes”. In styling this outfit, I used the contrasting color scheme of yellow and purple with the gold and plum apparel, but also added in some pink with the accessories as pink is a reddish hue that would be next to purple on the color wheel.

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The last type of basic color scheme is triadic. A triadic color scheme uses three colors that are equidistant from each other on the color wheel. Using only the primary colors red, yellow, and blue would be a triadic scheme as they are spaced equally apart on the color wheel. Another triadic scheme is green, orange, and purple, which I’ve used in the interior below.

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Appropriate that I will be going on an adventure to Lowe’s to collect paint chips shortly after I post this as my boyfriend and I will be moving from an apartment into a new home by mid June, and this means …. I can paint the walls! 

I have to end this post like a proud art-parent with a selection of my Artshop students’ work from my watercolor class last semester. Looking forward to teaching another great class!

 

 

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Uncategorized

I’m Not The Only One Who’s Been Busy This Summer …

The summer flew by, and while I think this summer for me has been the most productive yet as far as art making, I am not the only one who has been hard at work. My Express Yourself Artshop students really applied themselves creatively, and pumped out a lot of amazing art over this past semester. Hard to believe what one can accomplish in only 6 weeks! I’ve shared some of the highlights here.

Grace, Watercolor

Grace, Watercolor

Nancy, Ink Drawing

Nancy, Ink Drawing

Brenda, Handmade Tote Bag

Brenda, Handmade Tote Bag

Lacey, Acrylic

Lacey, Acrylic

For those who haven’t read my blog before, Express Yourself Artshop is an art program I work with that is open to those of all abilities, and is an accepting, friendly and safe environment to artists with physical and mental disabilities. I know myself how important creating can be as a tool for expressing what you feel like you can’t with words, and how it has the ability to calm the mind and soul out of tumult and provide a reprieve from the stress and sometimes heavy weight of everyday life. One of my students loves owls, and so we collaborated on some trippy, colorful owls done in my go-to style for these birds (shown below). I drew in pencil, she outlined and painted. Along with an affinity for owls, we also share a love of Deco Art’s Glamour Dust craft paints – a win-win.

Look familiar? So glad to share my enthusiasm for quirky, surrealist owls!

Look familiar? So glad to share my enthusiasm for quirky, surrealist owls!

Anne Marie, Ink and Acrylic With Glamor Dust

Anne Marie, Ink and Acrylic With Glamor Dust

I love these people, and the unfamiliar environment of being in a truly judgement-free space … Everyone simply accepts and embraces each other as they are. I feel so loved in return while I am there, and it is one of the few places I don’t feel pressured to put on an act (Convenient, as I’ve never quite mastered the art of situationally adjusting my personality. For better or for worse, I just can’t seem to grasp that particular life skill.). I can’t wait for next semester. I’m going to be channeling my inner Mark Montano and doing a really cool DIY decor class, so hopefully that gets some interest. I am right on the cusp of finishing two new projects that will be going up with a selection of other pieces at Espresso Milano coffee shop in Midland in September, so I will be sharing that soon.

Montano, seriously, what a snazzy guy.

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