Category Archives: New Work

Art Discussion, New Work

New Art – Diverse Creation

It’s been a tough year in the United States for the word “diversity”, with a mass confusion of what DEI (Diversity, Equity, Inclusion) is versus what affirmative action is resulting in unfortunate fallout, particularly for individuals with disabilities (See video below … who says autistic folks can’t be sarcastic/humorous when the need arises? You know what Oscar Wilde said, ‘If you want to tell the truth, make them laugh otherwise they’ll kill you.). Michigan Arts Access, a program I have worked with as a resident artist that provides arts education in special education classrooms, lost major funding sources for next year because their work falls under the “DEI” umbrella by including students with disabilities in elective opportunities that many other traditional students automatically receive. Unfortunately, this means their services probably won’t happen next year in less wealthy communities like mine. There was a general souring in public opinion towards the word DEI despite most people actually agreeing with the principles and practices of Diversity, Equity, and Inclusion when asked without using the acronym itself, according to research. If anything, this reveals how muddled understanding has gotten as we have access to more information than we’ve ever been expected to handle all at once, but that’s a conversation for another day. 

The thing is, while equity and inclusion are sadly optional, in America we’re stuck with diversity whether we like it or not. This may seem too obvious to need reminding, but America is unique because everyone who lives here at one point came from somewhere else, and who has been here longer may at times be surprising (i.e. my Mexican partner’s family settled in Texas long before my ancestors came here from Italy, England, Hungary.).

Diversity is built into all of creation. The differences in plants, animals, and insects both visually and in how they function serve a purpose. Similarly, our different backgrounds, cultures, genders, and brains all bring something distinct to the table, and our society runs better when all are included and their gifts nurtured. Imagine what would happen if you had a vegetable garden, but decided tomatoes were your favorite so you’re only going to water those and just let the rain take care of the rest. Rain helps, but it’s not enough, and eventually the other plants would die, and you’d get pretty tired of only eating tomatoes every day. (Apparently I’m really into garden metaphors when it comes to people – see last year’s mural.) 

We can’t marvel at the vast variety in a field of flowers or all the different patterns on the wings of butterflies, and at the same time be angry about differences in the people around us. We can’t become excited about the literal tour around the world we can take in almost any given city when picking a restaurant, but be upset that we have neighbors who came from the culture where those recipes originated. 

It may feel like diversity is ‘canceled’, but the very notion is ridiculous. I am in no way trying to downplay the significance of words and policies that communicate that certain people don’t deserve basic needs, education opportunities, or respect. However, individuals, and I daresay especially creatives, still have a choice. This new piece was recently created for an upcoming Fall show with the theme “Diversity Is Beauty And Strength”. I’ve also been working on a series of fantasy themed family portraits from a client who reached out to me from my ebay shop. She noted that she saw my series of cute angels/fairies and mermaids and noticed that I offered a bunch of different skin tone choices. She shared that her family is mixed race, and it’s difficult to find fantasy art that looks like them. Thus, one of the most fun commissions I’ve ever done was born. I enjoyed getting to know my subjects from afar through an exchange of personal stories, and channeling their joys, struggles, and dreams into these keepsakes. More still to come!

This year has been hitting creators hard, but art is communication and we creative people are in a unique position to pivot the cultural conversation. How do you think diversity enhances the way you experience your daily life and community?

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New Work

‘Generosity’ : Mixed Media Surrealism

In between 3 murals this summer, I recently completed my 5th part of my current Fruits Of The Spirit series, Generosity/Goodness. This is the only larger start to finish piece I’ve completed this year, so that was certainly a triumph! Along with working on my own concept based fine art, I’ve been enjoying creating art people can take home with them: comics, clothing and accessories, mini paintings, and more.

I’ve mentioned in the past that it is important to me that my art connects with people of varying backgrounds. Though my art often deals with themes that have emotional depth, I haven’t made, well, ANY spiritual or faith based art before for that reason. The Fruits Of The Spirit come from the Christian tradition, but are principles that we can all relate to.

Generosity, perhaps recently more than ever, is so countercultural to the way we function (I’m in the US right now, so I can’t speak to anywhere else.). At times there is even open scorn for generosity, as we make assumptions about why certain people may have ended up in a situation where they need help, and why they don’t deserve it. I was recently notified that Michigan Arts Access, a program I work with that provides opportunities in arts, theatre, and music education to students in special education (like the arts branch of Special Olympics), will likely not be able to continue its work next year due to funds to support inclusion opportunities for individuals with disabilities being diverted via a federal mandate to an “American Heroes Sculpture Garden” that will cost up to 40 million dollars. We are seeing in real time that a lack of generosity has nothing to do with a lack of funds. In an era where we hear and read daily phrases like “protect your peace”, and see the usually beneficial and healthy practice of boundary setting being weaponized as an excuse to be a self centered and unsupportive friend, generosity with our time and emotions is also at an all time low.

Inspired by art history and ancient pottery, I decided to convey generosity in the form of the figure’s hands being like spouts on a vessel, bountiful water pouring forth from inside. The reason I chose to depict the figure surrounded by more water, lush plants growing all around, has to do with the idea that there is enough. Our own resources may be finite, which is why we can’t do everything alone. However, when we come together as a community it is possible for everyone to get what they need without harming anyone else. Below I filmed some closeups of the finished piece, and talk a bit more about the project.

When I see struggle happening everywhere and want to do more to help but am not sure how, or feel depleted myself, I draw from my faith, my close friends and family, and the network I’ve built as a working artist that has provided me with so many opportunities to use my gifts for good. What are the sources of your renewal?

Later this Fall, I have the opportunity to volunteer in leading some mindfulness art activities to guests at a mental health festival in a nearby city. Be sure to check back as I update everyone on how it went!

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Art Discussion, New Work

Seeing Red – Finishing Abandoned Art (Or Why I Don’t Throw Anything Away)

Long ago, I’m talking nearly 10 years ago, I had an idea to explore color theory and color psychology through 5 color-themed pieces centered around the 3 primaries, and black and white. I completed the piece representing “White” first to get the most difficult one over with as exemplifying the absence of color in a piece of art is not always so easy, and white in general has to be my least favorite color – probably why I never succeeded in my original field of interior design as that seems to be all people want nowadays. But I digress …

I immediately after finishing White/’The End Is Also The Beginning’, started a piece for “Red”, much more a color to my liking. But then, the great covid catastrophe happened, life was weird, I got going on other projects, I had no clue how to finish the background, I got tired of coloring the pattern on the dress (Why oh why didn’t I just use fabric again like the first piece!), and there it sat abandoned inside an XL drawing pad for 6 years. I thought about just throwing it away as I wasn’t sure I was ever going to finish this series anyway. I know you have to be careful with this, but I am a huge advocate of not throwing old or unfinished art away because with a new perspective years later, you can make magic out of it. Behold, Red, or ‘Attachment’.

Red is without a doubt the strongest color emotionally, and the color that commands the greatest response both positive and negative. It’s no accident that stoplights and stop signs are red. Although, I remember reading the sort of bio in the front of an art book by one of my favorite artists, Ray Caesar. He mused on how he had always struggled with driving because to him red was an action color that meant “GO” rather than stop. That pretty much sums up the nature of red, commanding but conflicting.

It creates a response, but what kind of response widely varies by person and situation. Advertising uses red to create a sense of urgency, draw attention to a product or special sale, and make viewers think they HAVE to do something. Red is super stimulating especially when a bright primary but even when it’s a darker version as well, and can be overwhelming or off-putting to some. It symbolizes passion and romance, the color of the heart and of our blood. Fire is associated with red and red can also symbolize anger or rage (hence the saying “seeing red”), aggression and dominance. Red means luxury – think of the old Hollywood glamour classic red dress, red carpets, red lipstick, and the Christian Louboutin red soles.

Asian cultures have a particular relationship with red. In India, red is their traditional wedding dress color rather than white. In Japan, red is associated with cultural values of strength and sacrifice, but also expressions of joy, signified by a prominent red circle sun graphic on their flag. In China, red is an important symbolic color for good luck and prosperity. Across the continent, red is seen again as a warning color but this time to stave off ‘evil spirits’ or unpleasant circumstances.

Red tells stories of both joy and fortune, and tragedy and violence. It creates strong reactions and emotions, but which ones may come forward can be confusing and conflicting. Red, of all the colors, seems to be the color of our living story and our relationship to others.

Who knows, maybe I will revisit this series and keep going with it when I have the time. After all, I still have my concept sketches for blue, yellow, and black – As I mentioned, when it comes to drawings I don’t throw anything away! 😉

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Art Discussion, New Work

Exhibiting My First Sculpture: God As The Artist

My spirituality and faith resonate with me the most when I think of God as an artist. I don’t feel closest to God in the practices of church, though I do pop in occasionally for the community aspect. I’ve never been much of one for traditions, or groups, or organized religion in general even growing up raised as a Christian in childhood/teenhood. I hated the forced socializing of youth group after already draining my battery at school all day. As someone with about a two-note singing range, and who is also picky about the style of music I like, I never understood why singing was the only way I was able to celebrate faith. Can’t I stand in the back and draw or paint??? No, it is when I am outside alone in nature, taking in all the details of the sky, the tiny veins on a leaf, the beauty and intricacy of moss and mold, the teensy tiny legs of scuttling insects, the many colors (in Michigan, mostly many shades of black, yellow and brown but still!) of a bird feather, that I feel my faith bloom.

No matter what your beliefs are, we can all agree that we are blessed to be surrounded by so much vibrant beauty in our natural world. The plants and living creatures we share our lives with are so detailed and unique in color, pattern, and personality – the most amazing works of art! Our surroundings could have been all gray, streamlined, and plain and still function – but instead, we have been given the greatest gift. We are lucky to be surrounded by such diversity. Meditating on this thought helps me remember gratitude, and feel a connection to the world around me and my place in it.

I am primarily a 2D artist, but was opened up to the possibilities of clay hand building when I took a beginner class with Artshop, the inclusive program I am the lead instructor for. I later ended up as a long term sub now and again for this very same class. Though I never made anything notable out of traditional kiln fired clay, I discovered I could do the mini, picky little detailed things I wanted to with polymer clay, and even better for me I wouldn’t need the use of a kiln. Part clay, part assemblage, I sculpted all of the animals, and combined them with wooden drawing model hands, a sacrificed paint brush of mine that was past its prime, and a miniature picture frame left over from the tiny reliefs I first started creating when getting into polymer clay (The first on the left is still available in my shop, so take a look!).

3D art was always such a struggle for me in class throughout grade school and college, so I never dreamed my first real attempt as an official artist would be accepted into a juried show! My mind is turning over all the possibilities for the future, and I am excited to continue lifelong learning in arts.

Last year’s entry for the Animals In Art juried show was the largest painting I’ve ever completed … This annual January show seems to be one for firsts!

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New Work

‘Patience’ : Mixed Media Surrealism

Chugging along rather slowly, I’ve finished the 4th installment of my current Fruits Of The Spirit series, Patience. This is an apt theme, as this series is one of the slowest yet, and I am not used to working slow! Sometimes it really irks me that I’m over halfway through 2024 and have just this month been finishing up some of my started pieces, being used to finishing 15-20 new artworks a year sometimes. This comes with the territory of working larger, and accepting more opportunities outside of my studio like public art and murals, live painting at events, and vendor markets. The 2 works below were started way back in 2021!

Patience is a loaded concept for me, and a lot of reflection went into this piece as there were a number off different directions it could take.

I’m told I have a lot of patience with “difficult” people, and that I have unconditional patience with my students when I’m teaching. I’ve found my particular flavor of patience through working with individuals with disabilities and mental health issues in some of the art programs I teach through, but for most of my life I would not describe myself as a patient person. Though typically considered advanced academically, I was perpetually late to the party where anything else was concerned growing up, or at least it felt that way. Whether completely accurate or partially a perception based on comparison to my friends or peers, this cultivated a lot of internalized anger; last to learn how to ride a bike, last to get invited to parties or social gatherings, last to go on a date, last to see their favorite band live, last to land a ‘real’ job, last to … I know this is a relatable feeling for many, but to the individual in the moment it feels like life is just passing by. When these typical milestones that may seem insignificant individually keep cumulatively falling by the wayside, it chips away at your self worth – especially when you don’t know why you can’t just ‘get it together’. I always find it funny that when I catch up with people I haven’t seen in a long time, they are amazed by all the things I HAVE done, because I sure don’t see it that way. Sometimes when we don’t reach all those wonderful but pretty bland, typical milestones we end up feeling so singled out that we miss all the unique, interesting milestones we have reached. 

My first art show where I won an award was my college showcase senior year at CMU (Grand prize, baby!). I took to the streets /slash/ internet and asked people what their most obscure goal was, and then illustrated the results and made them into a book. Deep down, I knew that there was no such thing as a “typical” timeline and that we define our own milestones, and I think that’s why that concept so appealed to me.

Patience is knowing that seed you hold can become a forest. Patience is deeply integrated within faith, and there are many times when I think that both patience and faith are just the goofiest things ever. But then I feel a cool shade overhead and suddenly realize that my tiny seed has become a tall, strong tree and I didn’t even notice it was growing. I think my younger self thought certain things would have happened in my life by now that haven’t, BUT I also think my younger self never thought other things would have happened by now that did. 

If you want to see some of the process, a closeups of the actual piece, and hear the symbolism behind the different elements of “Patience” please check out the video below.

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Art Discussion, New Work

New Art Discussion : Belonging

I had the opportunity end of last year to create a largescale piece of art for an animal themed show at one of the galleries where I teach. When the call was made, I already had a canvas prepped and had been planning to do something centered around a jungle scene anyway. I decided to take the original idea further and come up with a concept that would fit the upcoming exhibit. From the beginning I’d wanted to represent all of my “big cats” in the jungle scene as female, and have the piece exude an essence of feminine strength, power, and courage. In the end, I had a lot of trouble coming up with a title when suddenly the word “Belonging” popped into my head and just wouldn’t leave.

So, I ended 2023 completing a piece about strength and courage, and in the first half of 2024 I had two people lend me the same book within the same week, The Gifts Of Imperfection by Brene Brown. I supposed that meant I should probably read it! Within the first 30 pages, I learned the important fact that I am actually courageous, a quality I may see in the characters in my art but that was never, ever a word I would have thought to apply to myself. The introductory chapter explains the root of the word courage in the original latin as deriving from cor, meaning heart – courage originally meant ‘to speak one’s mind by telling one’s heart’. As the chapter went on to delve deeper into that concept, I came to the realization that I have been courageous all along and just didn’t know it because I was defining courage by cinema standards.

I have often joked with people that I don’t do small talk, I only do big talk. I love being around people, but I have anxiety and some sensory issues (the main reason why I never thought the word courageous could ever apply to me by default), and so my social reserves get depleted quicker than maybe the average person. I need regular intervals of alone time to recharge. I’m not going to waste my precious reserve talking about whether it’s sunny or cloudy outside when you could just look out the window or stick your hand out the door and feel it. I don’t feel like describing the minutia of what I did all day, or answering any questions that only require one word like “fine”. I’m not opposed to being friendly and polite, but for the most part I don’t understand spending energy in conversation that adds nothing edifying to either person’s life. At times, this tendency has backfired. Some people don’t want to hear about the interesting dream you had last night and what you think it means, or to be asked what was the most fascinating thing they’ve thought about today, what was the most surprising thing they’ve seen this week – and that’s ok. Some people are uncomfortable hearing about anything that isn’t sunshine and rainbows, and seeing the raw emotions of the people around them. That’s where the courage part comes in I suppose, going deeper you risk rejection and ridicule.

I am an open book and always have been. I honestly think I don’t know how to be un-authentic so I don’t always even have a choice, it’s just how I work! Over the last 5 years especially I have been candid with people in my life about the inevitable beauty of life, and the accompanying chaos. Through virtual communication like this and other means I’ve shared my experiences even with those I don’t know that well. I don’t shy away from letting others know how I am doing, including when I am struggling. I have been open and honest about what I need when I’m not getting it, about the tough choices I’ve made that everyone might not like, about how my relationships are going. I’ve learned to be mindful, and to allow my openness to be paired with purpose and deliberation after some communication missteps. At the end of the day though, my sharing something uncomfortable that I’ve experienced can help others going through similar things, and also open the eyes of people who may never have given that experience a thought so that they can look at situations around them with compassion and curiosity, not judgement and condemnation. Reaching out and saying, I am struggling because I have been working so hard and still don’t feel like I belong anywhere is the only way there will be any hope of someone else reaching back and saying, ‘hey, I may know a place where you would!’.

I believe that is why that word “Belonging” was stuck in my mind after I stepped back and looked at my finished painting. I don’t think you can make a true connection with anyone if you aren’t willing to show all the parts of you. Belonging takes courage.

At the opening reception, a fellow artist came up to me and shared that her child had looked at my painting and said ‘That girl looks like she would play with me’. Sometimes our art knows what it wants to say before we do.

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New Work

Fruits Series : Gentleness / Mixed Media Surrealism

A year later, I have finished the second installment of my Fruits Of The Spirit series, Gentleness. (Visit this link to view my first, Peace.) I certainly don’t plan to take an year to get to each installment of this 10 part series, but I spent 2022 dipping my toe into a lot of new things career-wise, and ultimately deciding what my personal goals were and how I wanted to go forward. I was also focused a lot on teaching art and developing curricula, which helped propel what I’m doing this year forward. Having time once again to revisit my own personal art has been like going on an exciting vacation, and I think I like this 2nd installment even better than my first! Below is a video in which I give some extra background on my thoughts behind this piece and the series itself.

Ever in love with mixed media, I used colored pencil for the face and hands, acrylic for the torso, sky, and water, ink for the birds and egg, and fabric for the mountains, sun, and flowers. The face, hands, egg, and bird were all one piece on mixed media paper. I finished this first, then cut it out and traced it where I wanted it on my canvas. Next I painted all the acrylic straight on the canvas. Once the acrylic was dry, I glued the paper piece down, and following that I used tracing paper to create patterns for all my fabric pieces and glued those on last. Gluing the paper especially is really a ‘trust the process’ moment. Even though I have done mixed media work like this so many times now, I always get nervous adhering the paper bits to canvas because there is a period while it is drying that it looks VERY wavy. It inevitably settles down once it dries, but that doesn’t help my nerves! For any artists out there looking to adhere paper drawings to canvas, I’ve found Aleen’s Tacky Glue works best after trying various super glues, Elmer’s, mod podge, special paper adhesive for scrapbooking, clear sealing mediums … After gluing I lay the canvas face down on a piece of vellum paper (to prevent sticking if any of the glue seeps out from the edges), and set heavy flat objects like books, boxes, etc. inside the frame to keep it pressed overnight. I use mixed media paper because it is a great base for any drawing medium and can even withstand a moderate amount of wetness, an important quality since I know glue will be involved.

I have started my 3rd part of this series already, and will try to be better about taking video throughout the process this time. Follow me for more updates as I go forward on this series, and I’m sure some other projects in between :).

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New Work

Happiest Places

Happy Spring, a time of new beginnings and new art! I had been working on this 3’x3′ piece since the beginning of the year, inspired by a photograph I took at the Japanese Cultural Center in town when I first moved to Saginaw. I used both metallic and traditional acrylics and fabric. Like my other mixed media landscapes, I chose colors that captured what I feel within the place I am painting, not necessarily the true colors from nature.

Most of my art is very heavy in symbolism and story. Those pieces are invigorating to work on, but every so often I need to draw or paint something where the process is more relaxing, and simply celebrates one of my happy places.

2023 has been all about finding my happiest places, not just physically but mentally as well. I had a series of consecutive high stress years that I didn’t even fully recognize as such until I reached severe, shutdown level burnout. I don’t think even the closest people in my life aside from my parents know how truly bad it got. Part of this stress was circumstantial and completely out of my control, but some of it came from the fact that I was trying to make certain parts of my life fit together that were just never going to, like that toy we give to toddlers where they have to fit the different shaped plastic pieces into the corresponding holes. No matter how long they try to push a moon shape into a star opening, it is not going to fit. One of the most valuable things I took away from therapy over the last 3 years was “Don’t live in the land of shoulds”. I had a constant internal dialogue of guilt and shame going, “___ shouldn’t bother me, I shouldn’t be so tired, I shouldn’t be getting overwhelmed, I should have ___ by now, I shouldn’t react like ___ …” There is really not much point ruminating over what should or shouldn’t be, because reality still exists and that energy is better spent doing what we can to change what we don’t like about it rather than chastising ourselves for how we are wired.

Starting in January, I made the big scary decision to make a career transition to entirely contracted and freelance work focusing mainly on different avenues of teaching, as well as other art and design related services. I read a short blurb I happened upon while scrolling before bed the other night that said we as humans basically operate under the assumption that everything is supposed to suck (“work isn’t supposed to be fun!” “life is hard!” “everyone is tired!” “no one gets to do what they want!”), but who decided that? Is this really the best way?

Don’t ever accept a life devoid of joy, but don’t run from struggle either. Yes, life is hard but we get to choose what kind of hard. Not in all circumstances but in many, we get to pick the “hard” that we want to deal with. I made a lot of pretty serious changes around how I spend my time this year, not only with the career switch but in the way I spend time socially as well. I’m an introvert/extrovert blend for sure but I do get some serious communication fatigue. I am no longer giving time to people out of feelings of obligation, and I am no longer wasting time on outings I’m not interested in just to please others. Never fear, I have actually not become a hermit! I still go out and do fun things and socialize, but I have a lot more energy and am a lot less stressed now when I choose to do so. These changes aren’t magic, things are still hard, but it is the right type of hard (for me) and that makes all the difference.

I love teaching in person, but not everyone that wants to learn some of my techniques lives in an area where this is possible so I am open to teaching private or group lessons virtually! If this is of interest, don’t hesitate to reach out.

What changes have you made lately that made you feel more joyful?

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New Work

Misunderstood Monsters & The Ugly Phase Of Art Making

Fragile, 16×12″

Being a lifelong lover of reptiles, I was always drawn to the figure of Medusa. Back in 1992 when Matchbox put out these fun little mini monster figures aptly titled “Pocket Monsters” that you could get inside cereal boxes, the Medusa figure was always my personal favorite.

Unfortunately, it wasn’t so fun being the real Medusa, cursed by Athena because Athena’s husband couldn’t keep it in his pants. I’ve always had an affinity for those fantastical beings that can’t be understood by a story told only in black and white.

In the pose I chose for her, she is attempting to shield others from that dangerous part of herself, but only halfway. Butterflies turned to stone hang in her chamber. Is it easier to be surrounded by lovely, inanimate things after what had happened to her than real living beings? Is there a hesitation before punishing others in her misery?

Over the last couple of months, I’ve been thinking a lot about anger. Do we ever have a right to be angry? Can anger be constructive? When we unleash said anger, where is the line? Does the motive behind our expression matter? These thoughts as well as another unrelated project prompted me to finally dig out this piece that I started a little over 2 years ago that almost ended up in the garbage. I had the background done which I loved, and also had shaded in the figure. The page was filled with color and the piece was supposedly “almost done”, but for such a powerful subject there was no feeling coming out of it, none of that indescribable “spark” that makes me love art. So, in my portfolio it sat.

Over this summer I was chosen to participate in an art exhibit titled “The Chair Project” for my local United Way. Each artist was given a subject for their piece that fell into one of the major areas United Way services, with a real story from a community member. I was assigned mental health, and ended up using a lot of this similar reptilian imagery in the final project. For more details on my process and the thoughts behind my design, please check out the short video.

I spent a lot of hours outlining tiny, detailed little scales in metallic paint marker and the process became quite meditative honestly. This prompted me to give my Medusa a second look, and at least finish out her hair. The metallic accents had done so much to bring my chair design to life, that I knew it would do the same for the Medusa. Enter, silver foil and jewelry findings to the rescue!

There can be a wisdom to knowing when to let go of projects that just aren’t working, but as I always tell my art students, you have to push through that ugly phase. Every piece of art has a period in the dead center or even late middle – almost complete where it looks like a complete failure. However, sometimes even the smallest adjustment can fulfill your original vision or even surprise you with a new one. In my case, this at times can happen years later. Perseverance and faith are huge parts of creativity. So, I implore you, keep that ugly art! – At least for a little while longer.

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Exhibitions and Other News, New Work

New Art Series : Peace

It’s been awhile since I’ve done a series … since Unlimited from way back in 2017 to be exact. This new one is going to be on 22×28″ canvases and will be completely multimedia. I love mixed media because it allows the artist to use the best tool for each component of their composition. I draw people better than I paint them still at this point, so figures will be in colored pencil. Interesting silhouettes or clothing … fabric it is! Skies and birds? Acrylics of course, and why not palette knife paint the birds ;).

This series is going to be a way different theme than I’ve explored before. I always like to include deeper messages in my work, but have never done an explicitly spiritual message because it is important to me that my art is able to speak to viewers coming from all different places. Each work in this series will represent one of the fruit of the spirit, and though this idea comes from the Christian tradition, these principles are positive to cultivate in everyone’s life.

I started with Peace, maybe because this is something I have been desperately needing to grow in my own life over the last couple of years.

Peace is active. Peace is a verb, it is not simply the absence of noise. Peace takes work, and it involves risk and often involves stepping out and becoming uncomfortable. Making the changes necessary to grow peace are often painful. To truly be at peace our view of life’s value cannot be determined solely by circumstance, because external circumstances will undulate up and down completely out of our control, leaving us to be in emotional chaos, completely sucked beneath the waves.

Being a bringer of peace in others’ lives and in society as a whole is equally difficult. It means listening when we would rather shout over someone, it means sticking your neck out to protect or defend someone else even at personal risk of how others may view you or treat you afterwards, it means setting strong boundaries.

In this image, a woman is guarding a crowd of people that are behind her, blocking them from the shadows of chaos. These shadows have tried to grab her and drag her down, her arm is marked. However, the shadows cannot penetrate. Doves circle around her head which symbolize an inner strength and calm within her spirit, and can also symbolize her halo of protection that shields her just as she is protecting others.

The source from which we draw our peace protects us. The source can be sturdy and formidable, or … not so much. I am reminded of a speech one of my favorite authors, David Foster Wallace (who was actually an atheist), gave that really had an impact on me when I was floundering in the waves. “Everybody worships. The only choice we get is what to worship”. I’d encourage you to check out the entire speech discussed here. Another author that probably has about as opposite a personality from me as you can get but has really made me think, Mark Manson, writes in his self help book perfect for people who hate self help books, “True happiness occurs only when you find the problems you enjoy having and enjoy solving”. Much of life is composed of struggle, which is why if we wait for the perfect external circumstances to be at peace, we will never have it. Similarly, he discusses the importance of choosing the right metrics to determine what makes us and our life “good”. Faulty metrics used to define our life’s success and value are anything we don’t have control over, such as money, social standing, etc. which DFW also cited in his speech as destructive forces to worship. He calls worshiping these forces slipping into our “default mode”. They are the things we chase after and value when we are living without reflection, consideration, or deeper evaluation. They represent our base human nature, so to speak, and we all slip into this mode from time to time especially when under considerable strain.

Where does your peace spring from? What creates your circle of protection as you brave life’s trials? Are you more often a bringer of peace or of chaos to the people whose paths you cross in your day to day life? These are all questions I considered while creating this work. I strongly believe this series is going to be true art therapy for me as I work, and that my eyes will be opened throughout the process. I truly hope I am able to impart something of value to viewers as well.

There are layers of meaning, as I am a big believer in the fact that art should make people think. I’d love to hear what others see in this image, so please share if you are so inclined!

PS … I am so honored this first installment won an Award of Excellence at the Midland Artists Guild’s Annual Juried Exhibition last night, especially amongst such a fabulous collection works! Click here to view the entire show virtually. And yes, I made my jacket and paintbrush necklace! More on the inspiration for my wearable art creating spree soon.

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