New Work

‘Generosity’ : Mixed Media Surrealism

In between 3 murals this summer, I recently completed my 5th part of my current Fruits Of The Spirit series, Generosity/Goodness. This is the only larger start to finish piece I’ve completed this year, so that was certainly a triumph! Along with working on my own concept based fine art, I’ve been enjoying creating art people can take home with them: comics, clothing and accessories, mini paintings, and more.

I’ve mentioned in the past that it is important to me that my art connects with people of varying backgrounds. Though my art often deals with themes that have emotional depth, I haven’t made, well, ANY spiritual or faith based art before for that reason. The Fruits Of The Spirit come from the Christian tradition, but are principles that we can all relate to.

Generosity, perhaps recently more than ever, is so countercultural to the way we function (I’m in the US right now, so I can’t speak to anywhere else.). At times there is even open scorn for generosity, as we make assumptions about why certain people may have ended up in a situation where they need help, and why they don’t deserve it. I was recently notified that Michigan Arts Access, a program I work with that provides opportunities in arts, theatre, and music education to students in special education (like the arts branch of Special Olympics), will likely not be able to continue its work next year due to funds to support inclusion opportunities for individuals with disabilities being diverted via a federal mandate to an “American Heroes Sculpture Garden” that will cost up to 40 million dollars. We are seeing in real time that a lack of generosity has nothing to do with a lack of funds. In an era where we hear and read daily phrases like “protect your peace”, and see the usually beneficial and healthy practice of boundary setting being weaponized as an excuse to be a self centered and unsupportive friend, generosity with our time and emotions is also at an all time low.

Inspired by art history and ancient pottery, I decided to convey generosity in the form of the figure’s hands being like spouts on a vessel, bountiful water pouring forth from inside. The reason I chose to depict the figure surrounded by more water, lush plants growing all around, has to do with the idea that there is enough. Our own resources may be finite, which is why we can’t do everything alone. However, when we come together as a community it is possible for everyone to get what they need without harming anyone else. Below I filmed some closeups of the finished piece, and talk a bit more about the project.

When I see struggle happening everywhere and want to do more to help but am not sure how, or feel depleted myself, I draw from my faith, my close friends and family, and the network I’ve built as a working artist that has provided me with so many opportunities to use my gifts for good. What are the sources of your renewal?

Later this Fall, I have the opportunity to volunteer in leading some mindfulness art activities to guests at a mental health festival in a nearby city. Be sure to check back as I update everyone on how it went!

Standard
New Work

Fruits Series : Gentleness / Mixed Media Surrealism

A year later, I have finished the second installment of my Fruits Of The Spirit series, Gentleness. (Visit this link to view my first, Peace.) I certainly don’t plan to take an year to get to each installment of this 10 part series, but I spent 2022 dipping my toe into a lot of new things career-wise, and ultimately deciding what my personal goals were and how I wanted to go forward. I was also focused a lot on teaching art and developing curricula, which helped propel what I’m doing this year forward. Having time once again to revisit my own personal art has been like going on an exciting vacation, and I think I like this 2nd installment even better than my first! Below is a video in which I give some extra background on my thoughts behind this piece and the series itself.

Ever in love with mixed media, I used colored pencil for the face and hands, acrylic for the torso, sky, and water, ink for the birds and egg, and fabric for the mountains, sun, and flowers. The face, hands, egg, and bird were all one piece on mixed media paper. I finished this first, then cut it out and traced it where I wanted it on my canvas. Next I painted all the acrylic straight on the canvas. Once the acrylic was dry, I glued the paper piece down, and following that I used tracing paper to create patterns for all my fabric pieces and glued those on last. Gluing the paper especially is really a ‘trust the process’ moment. Even though I have done mixed media work like this so many times now, I always get nervous adhering the paper bits to canvas because there is a period while it is drying that it looks VERY wavy. It inevitably settles down once it dries, but that doesn’t help my nerves! For any artists out there looking to adhere paper drawings to canvas, I’ve found Aleen’s Tacky Glue works best after trying various super glues, Elmer’s, mod podge, special paper adhesive for scrapbooking, clear sealing mediums … After gluing I lay the canvas face down on a piece of vellum paper (to prevent sticking if any of the glue seeps out from the edges), and set heavy flat objects like books, boxes, etc. inside the frame to keep it pressed overnight. I use mixed media paper because it is a great base for any drawing medium and can even withstand a moderate amount of wetness, an important quality since I know glue will be involved.

I have started my 3rd part of this series already, and will try to be better about taking video throughout the process this time. Follow me for more updates as I go forward on this series, and I’m sure some other projects in between :).

Standard
Art Education, Project Ideas

Caravaggio: Creative Minds Art History Project

Hello all!

I took a break from teaching my Creative Minds class with my Express Yourself Artshop crew over the summer since we had a bunch of other specialized activities going on, but am excited to be back! We started our new semester with a classic artist from the past, Michelangelo Merisi da Carravagio. Entertaining the masses through stories of epic violence before there were action movies, many of Carravagio’s paintings centered around religious and mythic themes and involved a lot of beheadings … Allegedly he also had to move around a lot to avoid getting his door knocked down due to a habit of “excessive brawling” – Life imitates art.

 

Though he also did the traditional commissions and practice of portraits, still life, etc., these intense and poignant scenes are what he became most well known for. One particular commission completed around the year 1597 for Cardinal Francesco Maria Del Monte, the Medici family’s agent in Rome, is what we drew inspiration from for our project. This ceremonial shield was painted with an image of Medusa just as she has been tricked into looking into a mirror, thus freezing and leaving herself open to guess what, another beheading! Students each picked a character from Greek Mythology to study images from, and drew from this to create their own image, blood and guts optional ;).

 

To achieve the atmosphere of strong shadows characteristic of Caravaggio’s work, we used black drawing paper as a base. Pastels show up bold and opaque on top of black, as do colored pencils if they are oil or wax based like Prismacolor colored pencils. This choice of black paper had a dual purpose; not only did it help us pay homage to Caravaggio’s high contrast style but it was a mental challenge in that students had to think about the process of shading in reverse. They had to think differently than with traditional drawing on white paper, adding shading with their colors to lighten an area and leaving spaces alone or coloring more lightly with their materials to “darken” them.

As always, feel free to share, steal, or try this at home for fun! Keep checking back as I will be posting more projects soon!

Standard