Tag Archives: portraits

Artist Bio, Artists To Know

Ask Me Anything Series : My Artistic Influences

I’m often asked who my biggest influences in the art world are, and who MY favorite artists are as an artist myself. The earliest piece of historical art I remember being drawn to is Starry Night by Vincent Van Gogh. A representation of this piece was printed on the windows of my elementary school’s library. I also have a vivid memory of looking at large posters of his work during “Picture Parent” day in 2nd or 3rd grade, where parents of kids in class would volunteer to give a little art history lesson once a month. We talked about his time painting in France, and got to eat Brie cheese because, France. I think the snack helped make it particularly memorable.

As I got older, I became more interested in meticulously detailed, mechanically tight artwork rather than impressionism, but I could still be grabbed by Van Gogh’s unusual use of color and pattern. To this day, I myself tend to use non-typical colors that are a bit off, but in a good way (or so it has been described by others). Many say Van Gogh’s art is only interesting because of his story, and that may be true but I think that’s ok because artists’ stories inevitably end up woven into their art. They cannot be separated. Reading his letters to his brother and his thoughts on faith, art, friendship, and the world surrounding all while struggling with various (back then untreatable) disabilities have certainly added to my appreciation of his art as I’ve grown older. Reportedly, there is a story where Van Gogh was talking to a clergy (He was quite religious and considered going into ministry, but his unpredictable temperament was a barrier.). The clergy asked, “How can you say God gave you the spiritual gift of art, when well … your paintings aren’t very good? Maybe you should try something else.” Van Gogh replied, “Maybe I’m painting for people who aren’t born yet?” Artists follow our path, even when it doesn’t look like it makes sense. As someone who feels a deep sense of purpose in what I do including my teaching, this resonates.

The surreal work of women like Frida Kahlo, Leonora Carrington, and Remedios Varo are more favorites from history. I describe most of the work I do as “surreal portraiture”.

Modern day favorite artists are so many, especially with easy access to images on demand: Sofia Bonati, James Jean, Bao Pham, Wanda Tali to name a few… Art involving people and faces is always what stands out to me first, ever since I discovered Mucha and Erte from looking through art calendars in Barnes and Noble as a teen, my go to hangout spot in a town without much to do back then.

All of these artists’ work makes me feel excited and energized, but I think even more so than other artists are influences, I am influenced by snippets of individual images. I have always had a great memory for imagery, and tend to notice and fixate on interesting shapes, colors, and patterns nestled in my surroundings. I have been ‘screenshotting’ images mentally long before smartphones, and waiting for the perfect moment to retrieve that specific pattern on my mom’s old tin recipe box that she let me play with in my pretend kitchen as a toddler, the warm color scheme of polka dots on my Great Grandpa’s Mid Century Modern juice glasses he’d use to bring us Orange-Pineapple-Banana juice and Donettes when we visited, the crazy wallpaper I once saw at a friend’s house, the interesting tree I passed in someone’s yard while on a walk … All of this ends up in an internal slideshow gallery, a collection of beautiful and interesting things. This appreciation for visuals is partially innate I think, but probably also comes from my parents who in their own way also have an appreciation for beautiful and interesting things. Both love antiques. My dad is a collector, and he would always share interesting rocks, shells, and marbles with me from his treasures growing up. My mom, an avid gardener, would get excited about showing me interesting bugs, and I had all the most premium “insect hotels” to catch and observe them before releasing them back into the wild.

Inspiration comes from everywhere, and sometimes I wonder how a person can be alive and not be constantly inspired.

If you are reading this and have any questions for me as an artist, shoot them my way and I’ll turn your answer into a post, too!

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Art Discussion, Artist Bio

2025 Reflection & The Importance Of Images

Even though I’m no longer a frequent Instagram user, I still enjoy assembling my end of the year “Top 9” photo collages because if nothing else it is fun to look back on a year in pictures, one for life and one for art. This year, I found I didn’t have nearly as many photos to comb through because I had hardly taken any, aside from a lot of ebay inventory snapshots. This year was exciting and fulfilling professionally, but I’ll be honest it was tough, and I didn’t find myself with much energy reserve to enjoy the milestones. Flying by the seat of my pants, I guess there also just wasn’t ample time to capture the ride along the way.

I have always been a bit extra-fascinated with personal photos. Back before digital and before everyone shared their photos online, sometimes you’d visit a friend or relative and they’d ask if you wanted to see their vacation pictures, snapshots from their birthday, etc. (aging myself here). A stack of newly developed photos or an album would be passed, the owner offering a verbal commentary along the way. In some this would elicit internal groans, but as a kid I was always happy to be a captive audience because I just loved looking at photos, anyone’s photos at all. Remember, I’m talking about pre-daily internet access. Looking at photos of different people and environments than what I was used to allowed me to soak in more visual details to use in drawings (and yes, even as a kid bits and pieces of these visual stories would end up in my marker sketches.). I distinctly remember that I wouldn’t just look at the main focus of a photo, but would scan the entire image methodically, taking note of what objects were sitting on the counter way in the background, what pattern was engraved on the button on one of the figure’s shirts, what type of knick-knacks were sitting on the corner shelf, just blurred out of focus. To me, these were important clues to the rest of the story, more so than the expressions on people’s faces.

I still use that philosophy, that it is the small, overlooked details that reinforce a feeling and a story, in my art today. I am forever both physically and in memory collecting images to combine together to weave a story – a captivating fabric print here, an interesting nose there …

19×24″ Prismacolor Pencil and Ink

In a year as harried and chaotic as this one just passed, maybe what we choose to stop and capture says something about our story as well.

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Art Discussion, New Work

New Art – Diverse Creation

It’s been a tough year in the United States for the word “diversity”, with a mass confusion of what DEI (Diversity, Equity, Inclusion) is versus what affirmative action is resulting in unfortunate fallout, particularly for individuals with disabilities (See video below … who says autistic folks can’t be sarcastic/humorous when the need arises? You know what Oscar Wilde said, ‘If you want to tell the truth, make them laugh otherwise they’ll kill you.). Michigan Arts Access, a program I have worked with as a resident artist that provides arts education in special education classrooms, lost major funding sources for next year because their work falls under the “DEI” umbrella by including students with disabilities in elective opportunities that many other traditional students automatically receive. Unfortunately, this means their services probably won’t happen next year in less wealthy communities like mine. There was a general souring in public opinion towards the word DEI despite most people actually agreeing with the principles and practices of Diversity, Equity, and Inclusion when asked without using the acronym itself, according to research. If anything, this reveals how muddled understanding has gotten as we have access to more information than we’ve ever been expected to handle all at once, but that’s a conversation for another day. 

The thing is, while equity and inclusion are sadly optional, in America we’re stuck with diversity whether we like it or not. This may seem too obvious to need reminding, but America is unique because everyone who lives here at one point came from somewhere else, and who has been here longer may at times be surprising (i.e. my Mexican partner’s family settled in Texas long before my ancestors came here from Italy, England, Hungary.).

Diversity is built into all of creation. The differences in plants, animals, and insects both visually and in how they function serve a purpose. Similarly, our different backgrounds, cultures, genders, and brains all bring something distinct to the table, and our society runs better when all are included and their gifts nurtured. Imagine what would happen if you had a vegetable garden, but decided tomatoes were your favorite so you’re only going to water those and just let the rain take care of the rest. Rain helps, but it’s not enough, and eventually the other plants would die, and you’d get pretty tired of only eating tomatoes every day. (Apparently I’m really into garden metaphors when it comes to people – see last year’s mural.) 

We can’t marvel at the vast variety in a field of flowers or all the different patterns on the wings of butterflies, and at the same time be angry about differences in the people around us. We can’t become excited about the literal tour around the world we can take in almost any given city when picking a restaurant, but be upset that we have neighbors who came from the culture where those recipes originated. 

It may feel like diversity is ‘canceled’, but the very notion is ridiculous. I am in no way trying to downplay the significance of words and policies that communicate that certain people don’t deserve basic needs, education opportunities, or respect. However, individuals, and I daresay especially creatives, still have a choice. This new piece was recently created for an upcoming Fall show with the theme “Diversity Is Beauty And Strength”. I’ve also been working on a series of fantasy themed family portraits from a client who reached out to me from my ebay shop. She noted that she saw my series of cute angels/fairies and mermaids and noticed that I offered a bunch of different skin tone choices. She shared that her family is mixed race, and it’s difficult to find fantasy art that looks like them. Thus, one of the most fun commissions I’ve ever done was born. I enjoyed getting to know my subjects from afar through an exchange of personal stories, and channeling their joys, struggles, and dreams into these keepsakes. More still to come!

This year has been hitting creators hard, but art is communication and we creative people are in a unique position to pivot the cultural conversation. How do you think diversity enhances the way you experience your daily life and community?

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New Work

‘Generosity’ : Mixed Media Surrealism

In between 3 murals this summer, I recently completed my 5th part of my current Fruits Of The Spirit series, Generosity/Goodness. This is the only larger start to finish piece I’ve completed this year, so that was certainly a triumph! Along with working on my own concept based fine art, I’ve been enjoying creating art people can take home with them: comics, clothing and accessories, mini paintings, and more.

I’ve mentioned in the past that it is important to me that my art connects with people of varying backgrounds. Though my art often deals with themes that have emotional depth, I haven’t made, well, ANY spiritual or faith based art before for that reason. The Fruits Of The Spirit come from the Christian tradition, but are principles that we can all relate to.

Generosity, perhaps recently more than ever, is so countercultural to the way we function (I’m in the US right now, so I can’t speak to anywhere else.). At times there is even open scorn for generosity, as we make assumptions about why certain people may have ended up in a situation where they need help, and why they don’t deserve it. I was recently notified that Michigan Arts Access, a program I work with that provides opportunities in arts, theatre, and music education to students in special education (like the arts branch of Special Olympics), will likely not be able to continue its work next year due to funds to support inclusion opportunities for individuals with disabilities being diverted via a federal mandate to an “American Heroes Sculpture Garden” that will cost up to 40 million dollars. We are seeing in real time that a lack of generosity has nothing to do with a lack of funds. In an era where we hear and read daily phrases like “protect your peace”, and see the usually beneficial and healthy practice of boundary setting being weaponized as an excuse to be a self centered and unsupportive friend, generosity with our time and emotions is also at an all time low.

Inspired by art history and ancient pottery, I decided to convey generosity in the form of the figure’s hands being like spouts on a vessel, bountiful water pouring forth from inside. The reason I chose to depict the figure surrounded by more water, lush plants growing all around, has to do with the idea that there is enough. Our own resources may be finite, which is why we can’t do everything alone. However, when we come together as a community it is possible for everyone to get what they need without harming anyone else. Below I filmed some closeups of the finished piece, and talk a bit more about the project.

When I see struggle happening everywhere and want to do more to help but am not sure how, or feel depleted myself, I draw from my faith, my close friends and family, and the network I’ve built as a working artist that has provided me with so many opportunities to use my gifts for good. What are the sources of your renewal?

Later this Fall, I have the opportunity to volunteer in leading some mindfulness art activities to guests at a mental health festival in a nearby city. Be sure to check back as I update everyone on how it went!

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Art Discussion, New Work

Seeing Red – Finishing Abandoned Art (Or Why I Don’t Throw Anything Away)

Long ago, I’m talking nearly 10 years ago, I had an idea to explore color theory and color psychology through 5 color-themed pieces centered around the 3 primaries, and black and white. I completed the piece representing “White” first to get the most difficult one over with as exemplifying the absence of color in a piece of art is not always so easy, and white in general has to be my least favorite color – probably why I never succeeded in my original field of interior design as that seems to be all people want nowadays. But I digress …

I immediately after finishing White/’The End Is Also The Beginning’, started a piece for “Red”, much more a color to my liking. But then, the great covid catastrophe happened, life was weird, I got going on other projects, I had no clue how to finish the background, I got tired of coloring the pattern on the dress (Why oh why didn’t I just use fabric again like the first piece!), and there it sat abandoned inside an XL drawing pad for 6 years. I thought about just throwing it away as I wasn’t sure I was ever going to finish this series anyway. I know you have to be careful with this, but I am a huge advocate of not throwing old or unfinished art away because with a new perspective years later, you can make magic out of it. Behold, Red, or ‘Attachment’.

Red is without a doubt the strongest color emotionally, and the color that commands the greatest response both positive and negative. It’s no accident that stoplights and stop signs are red. Although, I remember reading the sort of bio in the front of an art book by one of my favorite artists, Ray Caesar. He mused on how he had always struggled with driving because to him red was an action color that meant “GO” rather than stop. That pretty much sums up the nature of red, commanding but conflicting.

It creates a response, but what kind of response widely varies by person and situation. Advertising uses red to create a sense of urgency, draw attention to a product or special sale, and make viewers think they HAVE to do something. Red is super stimulating especially when a bright primary but even when it’s a darker version as well, and can be overwhelming or off-putting to some. It symbolizes passion and romance, the color of the heart and of our blood. Fire is associated with red and red can also symbolize anger or rage (hence the saying “seeing red”), aggression and dominance. Red means luxury – think of the old Hollywood glamour classic red dress, red carpets, red lipstick, and the Christian Louboutin red soles.

Asian cultures have a particular relationship with red. In India, red is their traditional wedding dress color rather than white. In Japan, red is associated with cultural values of strength and sacrifice, but also expressions of joy, signified by a prominent red circle sun graphic on their flag. In China, red is an important symbolic color for good luck and prosperity. Across the continent, red is seen again as a warning color but this time to stave off ‘evil spirits’ or unpleasant circumstances.

Red tells stories of both joy and fortune, and tragedy and violence. It creates strong reactions and emotions, but which ones may come forward can be confusing and conflicting. Red, of all the colors, seems to be the color of our living story and our relationship to others.

Who knows, maybe I will revisit this series and keep going with it when I have the time. After all, I still have my concept sketches for blue, yellow, and black – As I mentioned, when it comes to drawings I don’t throw anything away! 😉

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Exhibitions and Other News

New Art / Disability & Mental Health & Exciting News

One of the reasons my new series is so slow to completion is because I’ve been creating a lot of art specifically for themed exhibits. I typically only do this if the premise speaks to me, and lately a lot of the local exhibit opportunities have really resonated. This piece was created for the Midland Area Cultural Awareness Coalition’s Pop Up Exhibit with the prompt “Our differences make us better together”. I was thinking a lot about how culture doesn’t always mean our country of origin, and how some differences can be internal more than external. In “Symphony”, I aimed to show neurodiversity including both disability and mental health. I used colored pencil for the figures, fabric for their clothing, ink for the birds, and watercolor for the background. I’m typically not a bright color person with my art, but this piece called for it. After I blended every watercolor in my palette into the background, it was … well, very bright and competing a bit too much with the figures even in their high contrast black and white. Solution: a wash of pearl white acrylic overtop. I love that this kerfuffle happened in the first place because having an iridescent foil effect in the background ended up so much cooler than if it would have been left just straight pastel watercolor.

I use birds with figures for symbolism a lot, because I love the movement birds add to an image and birds have long been a visual metaphor for the soul. The different artistic depiction of the birds flowing from each figure are representations of different ways of thinking and processing. I see this all the time with my art classes I teach. In the beginner classes, we will usually create the same basic image together step-by-step, but the exciting variety I see across everyone’s artwork still is truly amazing.

The birds eventually all converge into one stream, mingling together and blending into streaks of color. I didn’t have a title for this piece until the very end, when the word “Symphony” came to mind. Our thoughts, words, ideas, personality, presence, all play a part in our community and society as a whole, and each part is important. Much like a symphony in which each instrument layers together to create the finished song, or a work of art like this one where each splash of paint or piece of fabric layers together to create a recognizable image, all of our different experiences and ways of looking at and processing the world are necessary for innovation and progress.

This piece was one of the most fun mixed media artworks to create that I’ve worked on in awhile, and I was additionally honored with the Best Of Show Award. Prints will be available soon in my online shop, so keep an eye out, or you can always contact me directly.

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Exhibitions and Other News

Summer 2024 Wrap Up & Artsy Photo Dump

This summer came and went so quickly, I wanted to do a recap. This started out as something just for myself and my personal journaling to stop and reflect, but then I thought it may be interesting to those that follow me to hear what I’ve been up to. I love sharing fascinating things related to creativity, but sometimes forget to talk about what I’ve been up to. 

This was truly an art-filled summer. I completed my first largescale mural after years of mini public arts projects. I learned a lot, and gained important experience to carry forward into future projects. I was able to integrate community participation into my design with the overarching concept being a message of inclusion, which is very important to me. The process of allowing anyone and everyone to make their mark in helping with the base coats of color made the inclusion more than just conceptual, but a reality of the artistic process.

I distributed my art and handmade wares into 4 gallery shops covering Midland (Creative 360), Saginaw (Gingerblue), and Bay City (Catworks, Studio 23). I work between these 3 cities as well as an arts educator, and they are all within 30 minutes of each other which makes replenishing sold items something I can do with ease and not a lot of arduous travel or pre-planning. Sometimes I get overly focused on “elsewhere” and while expansion is important, working close by may be what is best for my busy schedule and self care right now. 

I stretched myself and did my first live painting at a wedding. Making a photo-realistic portrait to memorialize someone’s once in a lifetime (or that’s the goal anyway!) day is a lot of pressure. I also had a very limited time, and I’m not usually a wedding person even with people I know well since these sorts of events are typically a social anxiety doozy for me. The experience ended up being a much needed bright spot in what happened to have been a very tough week. It was beautiful, vibrant, inspiring, and uplifting in all the best ways, and was another opportunity that added to my repertoire of services I can offer.

I officially expanded my online shop to not just art, but art and fun fashion and cute collectible things I like in an effort to declutter and simplify life (starting with my wardrobe!) and have a greater customer reach. As we get closer to the holidays, might I suggest you check out the shop for unique wares ;).  

I took a break from some things I consistently do in order to make room for new experiences. I chose not to participate in any art fairs until mid-September, put off any little home repair projects until Fall, didn’t book myself solid with classes or alternatively plan a bunch of trips. I gardened, journaled, did lots of reading, spent time just being outside, increased physical-activity-related hobbies, and cooked at home a lot. It may sound like a boring summer, but it was so regenerative and allowed me to get ready for a busier Fall.

Since it’s not technically Fall yet, I ended my Summer with a wonderful surprise … I was awarded 2nd Place at Studio 23’s Michigan All-State Juried Exhibition for my piece “Breathe” – and it sold the evening of the show! I get very attached to my art so it’s always satisfying yet bittersweet when one sells, but honestly I could not be more excited.

16×20″ Prismacolor Pencil and Mixed Media

What are some memorable moments from your Summer of 2024?

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New Work

‘Patience’ : Mixed Media Surrealism

Chugging along rather slowly, I’ve finished the 4th installment of my current Fruits Of The Spirit series, Patience. This is an apt theme, as this series is one of the slowest yet, and I am not used to working slow! Sometimes it really irks me that I’m over halfway through 2024 and have just this month been finishing up some of my started pieces, being used to finishing 15-20 new artworks a year sometimes. This comes with the territory of working larger, and accepting more opportunities outside of my studio like public art and murals, live painting at events, and vendor markets. The 2 works below were started way back in 2021!

Patience is a loaded concept for me, and a lot of reflection went into this piece as there were a number off different directions it could take.

I’m told I have a lot of patience with “difficult” people, and that I have unconditional patience with my students when I’m teaching. I’ve found my particular flavor of patience through working with individuals with disabilities and mental health issues in some of the art programs I teach through, but for most of my life I would not describe myself as a patient person. Though typically considered advanced academically, I was perpetually late to the party where anything else was concerned growing up, or at least it felt that way. Whether completely accurate or partially a perception based on comparison to my friends or peers, this cultivated a lot of internalized anger; last to learn how to ride a bike, last to get invited to parties or social gatherings, last to go on a date, last to see their favorite band live, last to land a ‘real’ job, last to … I know this is a relatable feeling for many, but to the individual in the moment it feels like life is just passing by. When these typical milestones that may seem insignificant individually keep cumulatively falling by the wayside, it chips away at your self worth – especially when you don’t know why you can’t just ‘get it together’. I always find it funny that when I catch up with people I haven’t seen in a long time, they are amazed by all the things I HAVE done, because I sure don’t see it that way. Sometimes when we don’t reach all those wonderful but pretty bland, typical milestones we end up feeling so singled out that we miss all the unique, interesting milestones we have reached. 

My first art show where I won an award was my college showcase senior year at CMU (Grand prize, baby!). I took to the streets /slash/ internet and asked people what their most obscure goal was, and then illustrated the results and made them into a book. Deep down, I knew that there was no such thing as a “typical” timeline and that we define our own milestones, and I think that’s why that concept so appealed to me.

Patience is knowing that seed you hold can become a forest. Patience is deeply integrated within faith, and there are many times when I think that both patience and faith are just the goofiest things ever. But then I feel a cool shade overhead and suddenly realize that my tiny seed has become a tall, strong tree and I didn’t even notice it was growing. I think my younger self thought certain things would have happened in my life by now that haven’t, BUT I also think my younger self never thought other things would have happened by now that did. 

If you want to see some of the process, a closeups of the actual piece, and hear the symbolism behind the different elements of “Patience” please check out the video below.

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Artist Bio

Breaking Free Of False Dichotomies

It’s interesting to see how this blog has changed since its early stages, the one constant being a celebration of creativity and self expression. At the start I was focused on sharing current artists I’d discovered, and easy lesson plan ideas. Now, I find more of the focus to be on the journey of living this life as a creative person, mental health, and authenticity. I like that what I share has evolved to become more relatable to all folks, not just artists.

I don’t think I ever realized growing up that life would literally be just constant change. I was the kid growing up that wanted to know everything that was going to happen the next day, and had to be warned well in advance if any part of the “itinerary” happened to change, no matter how miniscule. As I am confronted with another unavoidable period of uncomfortable change, sometimes I wonder why I don’t seem to fit into any of the categories laid out before me, like a multiple choice exam where all of the answers appear to be wrong and there is no “none of the above” option.

As a woman, we hear the term “having it all” a lot. This all means that you have kids, a husband, family, maybe a pet, AND a career. That’s it. That’s what all means … 2 things. Yes those are two BIG DEAL things that take up a lot of time and energy, but still, that’s all we get is 2 choices? That’s absolutely crazy to me. I’ve known for a long time I didn’t want my own kids (though I sure do enjoy when I get to visit my new-ish niece!). At the moment, my career is a bit up in the air and I’m finding that I may not have the ‘boss babe’ personality or the workaholic drive I assumed I must have since I didn’t want kids. Doesn’t everyone get one or the other? I’ve discovered what I thought was career ambition was just hyperfocus tendencies in general directed towards an area of interest. If that interest is missing, then poof the vigilance is unfortunately gone. I get a lot of anxiety when my entire schedule and life’s structure is beholden to the whim of some other entity, and when I was working as a non-profit Program Coordinator though I liked being able to tell people I run something ;), I ended up super burned out on a regular basis. So, if I’m not a career woman and not an aspiring wife and mother am I nothing at all? [Don’t get me wrong, I’m sure men face a lot of these either/or black and white fallacies as well but I’m not going to presume to speak about something I’ve not experienced. If you’re a guy that wants to share an example you’ve run up against, feel free to share in the comments!]

Life is rarely clear, but I find it interesting that I can often find clues even within my own art. I see 2 mature ladies created in 2017 and 2020 that are confident, joyful, and at peace, on their own, within themselves. I identify with them, and think that could be me one day. I see a woman whose tears are butterfly wings (The original is currently hanging at Studio 23!), created in 2019 during one of my toughest periods of significant change, pain and evolution hand in hand. I even noticed the concept sketch for my newest installment in my current series, titled “Patience”. Seeds to a great tree are in hand, as the figure imagines what may one day be.

I’m finding that in order to successfully manage change, growth, and any sort of patience I can’t try to look at myself through the generic lens our society tries to use to discern who belongs where, or I just end up seeing myself distorted and confused like looking in a funhouse mirror.

If the answers don’t fit, sometimes I have to use a giant purple crayon to write in a new one, or at least that is how I like to imagine it.

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New Work

Fruits Series : Gentleness / Mixed Media Surrealism

A year later, I have finished the second installment of my Fruits Of The Spirit series, Gentleness. (Visit this link to view my first, Peace.) I certainly don’t plan to take an year to get to each installment of this 10 part series, but I spent 2022 dipping my toe into a lot of new things career-wise, and ultimately deciding what my personal goals were and how I wanted to go forward. I was also focused a lot on teaching art and developing curricula, which helped propel what I’m doing this year forward. Having time once again to revisit my own personal art has been like going on an exciting vacation, and I think I like this 2nd installment even better than my first! Below is a video in which I give some extra background on my thoughts behind this piece and the series itself.

Ever in love with mixed media, I used colored pencil for the face and hands, acrylic for the torso, sky, and water, ink for the birds and egg, and fabric for the mountains, sun, and flowers. The face, hands, egg, and bird were all one piece on mixed media paper. I finished this first, then cut it out and traced it where I wanted it on my canvas. Next I painted all the acrylic straight on the canvas. Once the acrylic was dry, I glued the paper piece down, and following that I used tracing paper to create patterns for all my fabric pieces and glued those on last. Gluing the paper especially is really a ‘trust the process’ moment. Even though I have done mixed media work like this so many times now, I always get nervous adhering the paper bits to canvas because there is a period while it is drying that it looks VERY wavy. It inevitably settles down once it dries, but that doesn’t help my nerves! For any artists out there looking to adhere paper drawings to canvas, I’ve found Aleen’s Tacky Glue works best after trying various super glues, Elmer’s, mod podge, special paper adhesive for scrapbooking, clear sealing mediums … After gluing I lay the canvas face down on a piece of vellum paper (to prevent sticking if any of the glue seeps out from the edges), and set heavy flat objects like books, boxes, etc. inside the frame to keep it pressed overnight. I use mixed media paper because it is a great base for any drawing medium and can even withstand a moderate amount of wetness, an important quality since I know glue will be involved.

I have started my 3rd part of this series already, and will try to be better about taking video throughout the process this time. Follow me for more updates as I go forward on this series, and I’m sure some other projects in between :).

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