Tag Archives: creativity

Techniques and Tutorials

Book Quotes Mixed Media Art

I’m an avid reader, and I used to keep a journal where I’d record favorite quotes from books, sometimes stopping every couple paragraphs to record something! When art journaling became a big new thing almost a decade ago, I started turning some of these quotes into visual journal pages as demonstrations for my art classes. I hadn’t done something like this in a very long time, but while reading ‘Census’ by Jesse Ball earlier this year, there was a phrase that really stood out to me and I decided to turn it into a small piece of art to hang on my bulletin board in my home office. I started with a light pencil sketch, then used watercolor pencils. Once that dried, I chose areas to highlight with stenciling and metallic acrylic. Last, I added details and the quote itself with paint markers. Lately I’ve been very into layering patterns into my art with stencils, and love how they can take a sketch or watercolor painting that is quite simple and basic up a level and add new dimension and meaning.

I hope you enjoy the demo. In case your auditory processing is iffy as mine can sometimes be and you prefer to read, here is the transcript for my description of why this quote stood out to me as much as it did. (One of these days I’m going to have to figure out adding captions on youtube! Definite 2026 goal!)

‘The Census by Jesse Ball is a surreal take on a wacky census taking journey in an alternate version of the US, where a dad travels on said journey with his adult son with down syndrome. This choice was made in honor of the author’s brother with down syndrome who unfortunately passed young. It’s a great book anyway, but this thought the main character has while meeting someone wearing a bunch of rings and pins of the different groups they belong to stopped me in my tracks. 

“I have always despised people who join societies. In general, I feel that groups of any kind are for the weak. The need for consensus is the most disgusting and pathetic aspect of our human world. Is there none who can simply wander alone beneath a sort of cloth tent painted with dreams?”

Yes, it’s harsh, but I don’t think this paragraph is saying community in general is bad. As one who has never been a joiner and experienced some angst over that fact, that last line awakened a sort of bubbling-over joy in my spirit. I was never part of one core friend group, rather on the periphery of several groups growing up. I had many intense interests, but never wanted to join any clubs. Even as an adult, I have been part of a few art groups but at times get easily frustrated with the politics and drama and end up quitting (all the ones I’m thinking of have already disbanded, so none currently in action haha!). I thought about joining a local hiking group, but then realized what I love about hiking is being alone and quiet in nature. I attend church but have never become a member, and though I definitely lean a certain way and am known as being quite opinionated, I will never affiliate myself with a specific political party. I like a person or group or entity until they do something I don’t agree with, and then I don’t like them anymore – simple as that (though this doesn’t seem to be very simple for many others!) I have several fantasy authors whose books I’ve tossed in the garbage even though I still like the stories because of their repugnant behavior as human beings. I don’t separate the art from the artist. People tend to seek belonging in ways that I just don’t relate to. Our society tells us to band together in pride about all sorts of ridiculous things … Pride in the location where the great cosmic lottery dropped you at the time of your birth, pride in what high school you went to which again is just the random luck of your location, pride that we have x amount of money or status without acknowledging any starting advantages that got us there or acknowledging how quickly our situation could change, pride that x # of people agree with us whether what we said was accurate or not … People offer blind loyalty and abandon their principles to fit where they think they should be. They refuse to change their mind no matter how far off the rails something goes, not wanting to grow and change lest they lose their “group”. I think I’ll stay under my tent of dreams, and remember to be content with that place. I’ll try also to always remember to leave it wide open for other tired journeyers to join me, not because we are the same but  because I choose to love them for exactly who they are right now. It’s not an easy choice and I’m not always good at it, but I think it’s the best one.

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Art Discussion

The ABCs of Creation – H Is For Heart

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

H is for Heart. Creating takes heart. It’s something you can’t quite put into words, but it’s usually obvious when a creator’s heart isn’t in something they’ve made and they are just going through the motions. That is one of the reasons I can’t get behind AI art. It isn’t measurable, but even not accounting for the goofy mistakes, something always seems like it’s missing. This is true to my eye whether it’s AI digital art, ‘photography’ or rather what is made to look like photography, or a logo design. I myself am not a fan of pure copying from a photo without making any creative changes, but even in art where the goal is to simply replicate a scene in the artist’s chosen medium, if the artist is excited about what they are observing and the process of recreation it definitely shows through.

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Art Discussion, Artists To Know

Art & Outrage – What’s Up With These Thomas Price Sculptures?

A departure from my usual posting, but some recent complaints about art opened up the opportunity to open up a discussion about the purpose of public art, how we react and interact with it, how culture views who and what “deserves” to be immortalized, and what makes public art successful. This is especially interesting to me as I have been participating more and more in public arts myself.

Thomas Price is a British sculptor who installs over-scaled sculptures of everyday figures in public spaces, centering on black women. His intent has been quoted as “I want my sculpture to be an opportunity for people to connect emotionally with an image of someone they might not have noticed before” (emphasis added by me). This is exactly the message I got out of it when I looked at it before even reading this statement. Unfortunately, not everyone is seeing or understanding the same intent, and many are flat out losing their minds over his installations.

The blurb that encapsulates the myriad of complaints best is screenshotted below:

Keep in mind, this post is intended to provoke thought and discussion. In no way am I telling you that you have to like these sculptures. We all are drawn to different things, and that is perfectly fine. However, “I don’t like new things, grumble grumble, or phones, grumble grumble, or looking at art, and for God’s sake will someone tell that woman to smile!” is not a nuanced or valid critique. There’s a lot here – let’s start at the top, shall we?

One of the reasons more communities are embracing public art is precisely because it makes art accessible. It integrates art into our everyday life so that we don’t have to set aside time (and often money) to travel to a museum to experience visual arts and culture. This could become especially important as funding to museums in the US becomes uncertain. Public art promotes tourism, boosts the local economy, and fosters cooperation and communication between people of all different backgrounds, ages, and abilities. Additionally, public art specifically designed to communicate about marginalized groups, and social and community issues has been proven to boost empathy, decrease stigma towards marginalized individuals, encourage philanthropy, and also build social trust and improved residents’ perceptions of their community. I have to see plenty of things in a day about topics I’m completely uninterested in, as do we all – Advertisements, anyone? I’m not sure why this is a huge problem.

Ah, and now we get to the classic “All art made after the 1800s is bad” argument, which I’ve never quite understood. There are many paintings featured in “classical” sections of museums that are just plain poorly painted. And yes, there is also modern art that I don’t understand and that doesn’t seem skillfully done to me personally. Again, we are all drawn to different things and typically time period has nothing to do with it. Whether you like them or not, there is no question that Price’s sculptures are skillfully created. They are incredibly realistic with every hair given texture, every wrinkle in the clothing perfectly captured, accessories and objects accompanying the figure created in identical detail to life. The only difference is that classical sculpture has been around longer. Do you know why in those old Greek statues the figures are wearing robes instead of jeans? Not because it looks more “fancy”, but because that’s what they wore when those sculptures were created! Remember, there was a time when every piece of classic art was considered “modern” as well. I remember my middle school art instructor explaining that the reason so many artists draw or sculpt nudes is because it makes them timeless. Any clothing, no matter how understated, is going to eventually look awkward and date a work of art. Something tells me the people that didn’t like these golden ladies would have been even less pleased had they been unclothed, however.

Look at this Rodin piece, art from the period when artists actually knew what they were doing! Oh wait … he looks a little, dare I say ‘gloomy’, and check out that shlumpy posture! Hm … maybe what people are telling us is the problem with these works isn’t actually the real problem.

Creating sculptures representing typical, everyday neighborhood folks and placing them throughout public spaces is not new. Even in the small communities I’ve lived in, there have been similar installations in both Midland, MI and Saginaw where I now dwell. What’s new is the accompanied outrage.

I read a study, referenced earlier, about how art that communicates about marginalized groups (or depicts figures not often seen in fine art) can inspired empathy and stronger community, but it isn’t a magic aura that is going to just radiate off of a sculpture or mural and instantly transform every single person’s heart that walks past it. It takes time, and it’s messy. One of my favorite pieces I’ve created of a young woman with down syndrome was printed on a metal sign along with many other works along a walking path in a nearby community. A Neo-Nazi group slapped a number of their promotional stickers over it – thank goodness for goo-gone. It won Best Of Show at 2 different events, and not everyone was happy about it or understood the point. Many others celebrated – You will not please everyone no matter what your field.

That being said, if a public art series is almost universally disliked by the public, then can we say it’s successful, that it is achieving it’s intended goal?

If as an artist, you are trying to reach the wider community but they don’t seem to be understanding your message then yes, sometimes it is time to go back to the drawing board and make some adjustments or try something different next time. However, if you are observing that it seems the public is determined to get your message wrong no matter what you create, it may be time to be true to yourself and persist. It’s hard, and there isn’t always a clear answer. That choice is ultimately up to the artist. We don’t have to like every piece of art we see, but remember that artists are actually human beings, and if you think you have a better idea then go pitch it! Most calls for public art in all communities are looking for ideas from everyone, whether you are an “official” exhibiting artist or not. Collaboration and communication accomplish more than complaining. I’m not saying it’s easy, but it’ll certainly leave us all a heck of a lot happier and more fulfilled.

Artists and non-artists alike, what are your thoughts on these pieces, on public art in general? Inquiring minds want to know!

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Art Discussion

The ABCs of Creation – G Is For Gesture

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

G is for Gesture. I mentioned in letter E about how some of my art students with disabilities struggle with grip or coordination and how that changes their creating. Limitations can change an artist’s signature style and actually make it more recognizable. A prime example of this is a piece I own by a local artist with Parkinson’s, Patrick Humphreys. Another great example of this is renowned artist Henri Mattisse’s move from painting to collage after his dexterity was effected by illness. This new style ended up earning him a stained glass commission for the famous Rosary Chapel in France. The way we move our arms, the way we hold our tools, all of these things craft our creative voice. Our “gest” is distinctive to us as individuals, similar to how our auditory voices have different tones, speeds, and ruthyms. I was told recently that I even hold my pencil like an artist. This made me chuckle a bit as all through elementary school, I was told I hold my pencil “wrong”. The “right” way felt harder for me to control and hurt my fingers for whatever reason, so I did what came naturally to me. Imagine thinking there is only one way to hold something, or move through space, or add color to a piece of paper and that the same thing will work for everybody. The first thing I tell my students of all abilities when they say, “My art doesn’t look like yours” is GOOD! It’s not supposed to! Art can be skillfully done without looking exactly like the work of your instructor or favorite artist. 

Patrick Humphreys, Artshop Students Sarah G., Christina G., and Colleen D.

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Art Discussion

The ABCs of Creation – F Is For Folk

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

F is for Folk. According to Merriam Webster, folk art is an expression of community life distinguished as different from self-conscious or academic expression. It is a communal language. Communal and public art is an important step in the creator’s journey. Having just closed one of the largest public arts projects of my career, the eb and flow of both learning and imparting simultaneously is magical. Thinking in terms of expressing your own unique concept while making sure it is executed in a familiar enough language that others will be able to understand and even take part in the process is another push and pull that is such a catalyst for growth. Creativity will bring people together – it must.

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Artist Bio

The ABCs of Creation – E Is For Equalize

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

E is for Equalize. Creating is a great equalizer in my opinion, because there are so many different ways to go at it even with certain limitations. I work with students with disabilities, some of whom have a lot of trouble with fine motor skills or dexterity. Large, overarching strokes, wobbly lines, lopsided sculpting … Some people try to achieve these peculiarities on purpose!  There is a way to make qualities you may view as imperfections part of your signature look. How cool is it that when creating, we can take something that is typically viewed as a difficulty and transform it into something that enhances our end result.

Above are just a snapshot of the beautiful works of art my students have created over the years. I strongly believe that beginning my career as an instructor with the Express Yourself Artshop inclusive program in my hometown (as someone who wasn’t even planning to become an art instructor at that point!) made me a better teacher.

(Psst! We do have a Redbubble Shop as well, if you want to show some love.)

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Artist Bio

The ABCs of Creation – D Is For Dreams

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

D is for Dream. Creating allows us to show others things they could never see in real life. It transports us. The art I appreciate the most takes ideas from reality but uses innovation to present it in a new way. This is the kind of art that makes creation valuable; we can’t just look out the window and see what it is showing us. Not to say realistic things like landscapes can’t show us a new reality, Look at Van Gogh! Creating invites us into the mind of someone else, a place we can’t usually go.

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Art Discussion

The ABCs of Creation – C Is For Craft

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

C is for craft. Another word for creating something is to craft this or that object. This may be an unpopular opinion in the art world, but I get frustrated when I am pulled into conversations about “art vs. craft”, what pursuits are fine art and what is “just” crafting. I sure can’t make a quilt. Why should that be considered a lesser skill, especially with the amount of math and attention to detail that is involved? I love when gallery artists give the middle finger to what is supposed to be sophisticated materials, and add glitter, beads, paper ephemera, buttons, and other craft supplies into their work. Without craft, we are excluding an entire discipline that could teach us new ways to approach our art.

Above is a closeup from one of the piece’s in an inspiring Mark Messersmith exhibit I was lucky enough to catch last Fall while visiting family in Ohio – I’m detecting some GLITTER!

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Art Discussion

The ABCs of Creation – B Is For Beauty

An artist friend recently shared with me an article they wrote titled “The ABCs of Underground Art”. I really enjoyed it, and they encouraged me to write my own ABC’s of the type of art that I do as a fun journaling prompt to use to unwind and organize your thoughts. Those that have followed me for awhile know that I don’t typically stick to just one type of art, so to open up the limits I decided to make my “alphabet” the ABC’s of Creation. I have assigned a word to each letter, along with a video of my illustrating a cool little ACEO sized letter inspired visual to go with each word. Read, listen, or both – whatever works! 

B is for Beauty. Of course, when we create something we hope others will want to look at it (or listen, or watch, or read …) Beauty means different things to everyone. The great thing about that is, there is a pretty good chance that someone out there will find your creation beautiful, even if it doesn’t fit the norm of how beauty is typically defined. 7 years ago now, I created one of my favorite pieces of a young woman with down syndrome looking joyful, confident, and gorgeous. When it was shown for the first time at an exhibit and awarded, some viewers were confused, did not approve, or were even angry. (How did I know this? I have very acute hearing and was even playfully called “elephant ears” by my parents as a kid because I heard EVERYTHING.) Though the lack of openness towards diversity in portraiture or a disdain towards people with disabilities is definitely not ok, it is ok for us to not all agree on one definition of beauty. Many more people have adored this same mixed media drawing. We each get to define what beauty is for ourselves.

If you want to see the other letters all the way to Z, be sure to subscribe!

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Artist Bio

5 Things I’ve Learned As A Working Artist

These last two years have been tough for a lot of people, but especially tough for creators. As we are just now shifting towards some degree of normalcy, I wanted to share 5 things I’ve learned as a creative over this strange journey.

Your reason for creating and metric for success needs to be something you can control.

Reasons that depend on the public’s reaction and choices that are completely out of our control, such as money and popularity, will ultimately lead to a whole lot of frustration and angst. Making money off of what you do is valid and necessary, we all have bills. However, it is nearly impossible to be happy if this is the core reason you are creating. Many people create for self expression or therapy. Not everyone creates for themselves, and that’s ok too. For some, just the act of creating itself doesn’t do it; their work is meant to be shared, seen, and heard in order for the process to be complete. Reasons for creating along this vein can be to inspire others to look at the world in a new way, to make other think about x, to connect with and speak to x group of people, to spread joy, to educate. Everyone’s reason is going to be different. My reason is a combination of public and private, which makes sense for me as a hybrid INTROextrovert. I create for self expression and as a form of communication, but also to share the joy of art with others. When I teach, I especially like reaching those who have previously felt limited. I love releasing untapped potential and work a lot with adults with disabilities and older adults beginning artistic journeys late in life. You can control outreach and expression by actively seeking opportunities. You can’t always control fame and fortune.

Don’t include others by limiting yourself.

In other words, don’t do less to make others comfortable – take them alongside you. Creating is so personal, it can be devastating when your work is getting overlooked. Creative fields are also so niche and not as prevalent as other pursuits, so that creators often feel like they are in constant competition with over creatives. It can get weird when a fellow artist starts having a ton of success and you feel like you’ve been working just as hard. I’ve been in both places. I’ve felt like a fool for devoting my life to the hard work I am doing to see things keep falling into place for everyone else. I’ve also recently been in the place where certain things finally began to come together, and I’ve felt some pushback. At times I’ve questioned whether I should move out of the way for other emerging creators. Especially if creating is life-giving for you, do not do less because someone else is asking why not me? Take them along for the ride, collaborate, invite them to share a space with you at shows or festivals. They may end up saying nah, and that’s ok, but don’t crush your own momentum that you’ve worked so hard for. Everything is an eb and flow, up and down like much of life. If you sense a jealous vibe, reach out as a mentor because you know how it is – you’ve been there. Don’t be inclusive by holding yourself back.

There’s nothing wrong with grabbing onto trends that are fun, but follow trends because you want to not because you think it will make your art better. It won’t.

The thing with trends is, the market ends up becoming oversaturated with copies. There is no guarantee your watercolor paintings of Pokémon will take off more than the other 5000 artist on Instagram doing the same thing. (As you can see, I tend to not be so great at following trends. I’m pretty sure Pokémon is over, but I just started playing Pokémon Go last year. Late to the party as always!) If it’s fun and makes you happy, then that’s reason enough to go for it. But, don’t struggle through trying to force your work into a shape it doesn’t fit just to be trend aligned.

Doing art you aren’t good at isn’t a waste of time.

As working creatives, it’s important to set aside time for art to be play as well as work. I recently took a clay hand building class after putting it off for the longest time because my head kept telling me, “In school clay was the only time you ever got Bs in art class, it’s not like you’re ever going to go buy a kiln and start doing this professionally so what’s the point”. The point is to play. For me, it is the same thing with piano. As I plunk along on my little keyboard learning the same song I started trying to play a year ago, do I ever think I’m going to play for a crowd or write my own music? Absolutely not. But in that moment, am I feeling relaxation, joy, and a sense of growth? Certainly.

Going digital isn’t all bad.

Social media and now especially Covid has changed how artists are expected to interact with the public. It can get tedious to constantly curate online media and feel like it is taking away from important time that could be spent creating. Virtual classes can feel impersonal and lacking an important social and experiential element. Virtual exhibits can flatten work and we all know viewing a tiny jpeg on a phone screen can’t compare with standing in front of a largescale work immersed in it. Neither is the experience being at a venue hearing live music the same as watching a livestream. Valid points, but all artists should be excited about the increased accessibility technology provides. I saw an artist I love post a discussion about how harmful it is to consider digital art to be just as valid as traditional art, because an important element of emotional connection with art is the artist physically touching the materials, moving their hands to create. As an advocate for creators with disabilities, the first thought that popped into my head is, what if an artist can’t move their hands the same way as everyone else? Why is art invalid because it uses a different process? What if a person doesn’t have access to transportation but would like to take an art class? What if a person gets anxiety in crowds but wants to experience a live concert or theatrical performance? What if a person can’t afford to travel to a big name art museum but wants to become inspired by some of the world’s most famous masterworks? I get it, change is hard for me too and I truly don’t enjoy creating digitally as much as I do traditionally. Creating video content doesn’t come naturally to me, and it’s not perfect. Inspiring others to create who live on the opposite side of the country and will never attend one of my in-person art classes? That’s amazing regardless.

Other creatives – what is something you’ve learned recently?

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