Piet Mondrian – Creative Minds Art History Project

piet.mondrianI promised I’d catch up in posting all my Creative Minds art history projects from the Fall and Winter semesters!

You may not recognize the name “Piet Mondrian“, but I guarantee you’ll recognize his imagery. Mondrian was interested in simplifying art down to its basic essence, and creating a type of universal design that could be used for everything: visual art, furniture, architecture, clothing … I’d say he was pretty successful, as his primary colored designs composed out of different sized squares and rectangles bordered by bold black lines can be found covering posters, furniture, jewelry, shirts, and the pair of Nikes I would buy if I were rich.

We do a lot of painting in the Express Yourself Artshop program, so though we easily could have done the whole “make a grid on canvas with blue painter’s tape” thing, I wanted to try something more original – transferring a Mondrian design onto glass. The glass we used was just glass from the inside of an inexpensive frame. This could be done in any size. The actual frame could easily be used on a future project. We used primarily colored tissue paper for our rectangles, though we happened to have a bit of patterned and textured vellum on hand that can be found in the scrapbooking section of craft stores and is great for mixed media art. The goal is to use thin, transparent paper so light can shine through the glass. I cut a variety of different sized rectangles and squares out of scrap cardboard for students to use as a pattern. Students chose their colors, and then traced different shapes using the patterns until they had a good pile to choose from. They then laid out their shapes on the glass to create the desired pattern. After they were happy with their design, it was time to glue. We just used traditional liquid school glue, but squeezed the glue out on a piece of foil and used a crappy paint brush to paint the glue on the back of the paper so it didn’t get too saturated.

 

The front of the finished product is going to be the glass side without anything glued to it, so if you do end up using papers with a one-sided pattern, you need to glue the side you want to see face down. Once the paper dried, we trimmed any paper that was hanging off of the glass and used a ruler to draw on the glass side (NOT the side the paper was glued on to) with a black, medium tip paint marker. This sharpens and finishes the design, and also disguises any uneven edges.

These can be as simple or as intricate as you want, and are a fun project with a beautiful end result that can be completed fairly independently by all ages and abilities. My students with disabilities who struggle with dexterity were still able to do this on their own and end up with a piece of art they were proud of. Display in a clear plastic plate stand … It would be especially cool in front of a window or other lighted area. Have fun creating :)!

Alexander Calder – Creative Minds Art History Project

09e5c065d1594c85473cc0f55bc4e082I’m a bit behind on sharing my art history projects from Express Yourself Artshop … This one is from the first 5 weeks of the Fall semester! But, never fear, they will all be posted in due time! I am not really a 3D art person (love looking at it, hate creating it!) but even I enjoyed coming up with this upcycling activity based on Alexander Calder, the inventor of mobiles.

The great thing about this project is you can use scraps of literal junk that you have just sitting around the house (or if you are super cleanly and don’t let junk collect, start saving with this idea in mind 😉 ). We used primarily painted embroidery hoops, shower curtain rings, hardware odds and ends, painted toilet paper rolls, and the cardboard part that is left when you’ve finished a roll of colored duck tape!

Students were instructed to pick out a variety of small, medium, and large items that struck their fancy from the pile of supplies, and then start laying them out flat in front of them on the table so that they could plan the basic composition they wanted. Calder’s big focus was kinetic sculptures, which led to his eventual mobiles. These babies are meant to shift and move as they hang (part of why I couldn’t get very clear pictures … That and the fact that there is NO dead space to use as a backdrop in our art studio!). Once they had a layout they liked, they could start tying their most prominent “anchor” pieces together using fishing line with a dot of hot glue on the knot to secure it. After the main components were attached, they could focus on adding smaller pieces both to achieve the balance and/or movement they wanted and add visual interest.

If you have a spare hanger or anything else that you can hang your mobile on to step back and look at how it’s hanging while you create, this helps a lot. As they held it up, it bobbed and shifted and was a great opportunity to play around with some simple physics, adding different smaller weighted objects to either balance or cause purposeful imbalance to their growing mobile. Glass beads attached by making eye-hooks through them with jewelry wire made great counterweights if a student didn’t want to add anymore major elements to their design, but wanted to adjust how the mobile hung.

I work with adults with disabilities and some have dexterity issues and needed a bit of help from time to time with the knots, but this project is for the most part something that all ages can do relatively independently.  When you are done, you will have a dynamic piece of modern art that you’d never guess was made out of castaways!

On Creativity & Leadership: New Year New Perspective

Though new year’s resolutions can be cliche and oft forgotten, using the turning of a year as an opportunity to refocus can’t hurt. My ongoing goal for this year is to not let the fear of others’ perceptions make me question my decisions either in art or as a leader. Not that I should never question why I am doing what I’m doing; questioning oneself is healthy and necessary, but only if done for the right reasons.

A quick background blurb for those new to the blog – My day job is running an inclusive creative classes program geared towards adults with disabilities and mental health, and I am also a freelance artist.

I was hit with this the other day when I came home from the first week of the program’s new semester on a high, because a new student had taken me aside and let me know that they had not been out in public to participate in group activities in a long time, and that I had been a stabilizing presence that kept them calm and made them feel safe. As I was browsing through facebook while waiting for dinner to cook, I came across an article (mainly aimed at women) that stated that being called reliable, stabilizing, nice, or accommodating were not compliments and were basically code for being a complete doormat. As an independent minded person, this horrified me. Immediately, every time I’d been called any of those adjectives by others rushed through my head and halfway through creating a plan to deconstruct and rebuild my entire personality, I suddenly stopped and asked myself why I was doing this. I don’t know the person who wrote this article personally, nor do they know me. Why does this opinion suddenly hold so much weight? Should I instead be unkind, stubborn, leave a path of division and stress in my wake? It makes no sense for either women or men to live their life that way.

wonder-woman-superman

Though it may not be fierce or glamorous or fit neatly within an awe-inspiring superhero persona, I don’t really want to be the leader who is kicking ass and taking names ;). I don’t want to be the leader that refuses to see the progress and can only focus on past mistakes in the people I work with. I don’t want to be the leader that kicks an employee when they’re down; I don’t want people to come to me with vulnerability, saying “Hey, I may need some extra support this week because I’m having a tough time with____________, or this hard thing just happened in my life, or I’m having this mental health struggle right now,” etc. and my response is, “That’s not my problem, leave your issues at home.” I can still hold people accountable without tearing down their self worth, and I don’t need the approval of those that are on the outside looking in that don’t know my group like I do.

I realized that without knowing it, I’d slipped into these same bad habits with my art … I’ve mentioned before how it was hard knowing what direction to go in after completing my last big 12 part series I’d worked on for around 2 years. When trying to come up with new concepts, I found myself constantly questioning myself based on how a new project may be perceived, and getting nowhere. If I start using more bright colors than usual will people think I’ve lost my edge, if I use my more dark imagery will I come across as an aging Hot Topic shopper, Will men feel left out since I draw mostly women, If I draw men will they think I’m trying to speak for them … ??? I’d gotten a lot of commissions done in the time since and some just-for-fun personal projects, but nothing with a strong direction.

When beginning your next creative endeavor for 2019, whether on your own or leading/educating a group, keep yourself in check by asking the right questions:

What kind of creator do I want to be? This question sounds simple, but is an ongoing process. I remember taking a fascinating hybrid philosophy/law class in college to fulfill one of my freshman year gen eds, and we started by discussing the tombstone question, basically when you’re gone, what do you want written on your tombstone? How do you want to be remembered? Now let that answer be in the back of your mind and guide your decisions, because our daily choices determine who we will become. Once you decide what kind of creator you want to be, the steps you need to take as a creative, the events you need to participate in, the programs you need to donate your time to, will no longer seem so up in the air, and won’t be so susceptible to changing with the wind the minute you hear a bit of noise.

Who am I trying to reach with this project? Oftentimes creative projects won’t be all about you, so there are indeed times you need to consider others’ possible responses to your work. But, if you are trying to appease everyone you will end up running yourself in circles, leading to a sub-par result that in trying to say everything to everyone, says nothing. Think of who you want to speak to with your project – It’s ok for you to create something that isn’t intended to resonate with everyone. Chances are, there will be others outside of your target that will end up getting something out of it, too.

What experiences am I drawing my ideas from? Creation flows most easily when it comes from the fount of something that the creator is passionate or knowledgeable about. Think about what in the world gets you stirred up, either positively or negatively. Think about what experiences you’ve had that have impacted you, that you remember every detail of; again, positive or negative. There may be an artist out there whose aesthetic and ideas you really admire, an artist you wish you could create exactly like, but it likely isn’t possible since they have a different story than you. Find your own voice rather than trying to retell another person’s story. And, if in the end you do want to use your voice to tell the stories of others, make sure you do your research and ask questions!

How would I want to be guided? Methods of leadership or teaching aren’t one size fits all as different styles are more effective for certain personality types, but this question is a good starting point. It pretty much boils down to the golden rule, and asking in each situation, “How would I want to be treated?” I’ve heard horror stories of art instructors sending students away in tears after a critique of their work. Yes, the work of a student or a fellow artist you are collaborating with may not meet your expectations, but how is destroying their enthusiasm for creation or any hope in them that they can improve going to help them get to where you want them to be? In leadership, treat others how you would hope they’d treat you, it’s really that simple.

What is distracting me from my purpose right now? Be mindful of what is going on when you feel yourself getting derailed like I described happening to me earlier … Stop yourself and note what activity was going on when the switch occurred, and what stimuli you were taking in. Is it criticism from toxic people in your life, comparing yourself to others on social media, taking opposing views personally without the lens of evaluation, forcing yourself into a box that is antithetical to who you are … Write it down if you have to, and when you start to notice a pattern do your best to remove or lessen that thing in your life, whether it means taking a break from certain friends or family members or spending less time putzing about online.

I have to decide for myself what kind of leader, and what type of creator I want to be… and so do you!

 

Happy New Year! ArtSnacks Unboxing

Happy New Year everyone! I got a couple more months of ArtSnacks for Christmas this year, so let the unboxing begin! I will be honest, I hate the art journal page I created for the Artsnacks Challenge this month, which is too bad as it revolves around one of my favorite literary quotes :-/. No judging!

In this box I received a:

Starting with the fineliner – So sad, but I hated this pen. It comes down to personal preference, but I felt the tip did not allow for fine details, and as you can tell from my end result below, it cannot be used with liquid media without bleeding really badly. I had to go over a lot of lines again because they had nearly disappeared after I applied paint, and the bleeding and smudging is still visible. The ink was definitely dry, as I outlined one day and came back the next to finish the journal page. I feel like it would be better suited for writing than drawing.

As for the paints, I have heard of Golden Acrylics because many of the artists I know will only use this brand exclusively. These paints lived up to their reputation for sure – smooth to work with, nice blending, bold colors that keep their rich look after drying, and great coverage. If anything, this exercise reinforced the fact that I need to sign up for that acrylic painting class I’d been debating taking next month. I mainly use acrylics on crafts or for small scale accents in my mixed media work, and my skills are pretty rusty. I kept trying to use the paints like watercolors, and ironically this line of Golden paints is a great option for acrylic painters crossing over from watercolor due to their intentional transparency.

I also had good luck with the paintbrush. I adore fine line brushes since when I do use acrylics, as mentioned previously, it is mainly just for adding subtle outlines or small details to enhance a larger project in other mediums. Taklon is the material I prefer for my acrylic brushes, and I could tell that this was a quality brush that was going to last. It was the perfect Goldilocks brush – not too soft, not too firm. I haven’t replaced my paintbrush collection since… probably about 10 years ago, so I will definitely be keeping these in mind when I need to get some new brushes.

I found the paper included very interesting as well. The surface is like watercolor paper, but the weight is like painting on a board. It’s a great option for acrylics when you don’t want to use a canvas, and I’d love to try it with watercolors as well … I feel like it wouldn’t ripple as much as traditional watercolor paper.

artsnacks jan 19

As I said, I really don’t like how this image turned out but, nevertheless … I apologize, Mr. Vonnegut, for besmirching your memory with this so-so art. So it goes … 😉

Watch out for another unboxing next month! I also will have some new art and project ideas in queue for posting, so keep your eyes peeled!