Books, Music and Film

Happy Black History Month, & My Favorite American Girl Doll

In the 90s, everyone knew about the American Girl Dolls and accompanying book series. The catalogs came to every home that had a little girl, and I would spend hours pouring over the pages, taking in every detail. I had 2 favorite American Girls: Molly and Addy. I loved Molly because we were identical as you can see, and Addy specifically because we were so different. Even as a child I was fascinated by the subtle differences in eye and nose shape, hair texture, and skin tone from person to person – It’s no surprise that my favorite subject to draw or paint is still people, and when looking at other artists’ work I am heavily drawn to creations centered around figures and portraits. I never wanted any of my Barbies or other dolls to all look like me, or all look the same as each other. I was definitely NOT the girl who had a case of 5 classic blonde barbies! What was different about American girl for that time was the fact that their face sculpts and hair textures actually varied by ethnicity (first with Addy, and then later with Josefina and Kaya), whereas with Barbies and other dolls there would always be a white option or a black option, but the black doll was just the white one painted brown!

I saved up the 80 bucks for my Addy doll myself, dollars (and sometimes quarters!) at a time, doing extra chores and kid friendly odd jobs. I kept track of my progress with a special American Girl sticker chart, and when the last spot was filled I knew I’d made it!

The Addy books themselves also stood out from others in the series. The American Girls series chronicled different 10-year-old girls’ daily life as they existed during different pivotal times in American history. While they all involved a degree of challenge and hardship, Addy’s story was about her actually being held captive in slavery in the first book, and escaping with her family through the underground railroad. Though of course things were even more harrowing in real life than we could ever image, the author of Addy’s books did not hide or sugarcoat the tragedy simply because the books were aimed at children. My mom and I read them together, a chapter or two each night, and they talked about Addy being abused for not working fast enough, her older brother being whipped for speaking up for her, having to leave her baby sister behind with elderly relatives who also could not make the journey because she might make noise or cry and give them away as they were escaping. The stories honestly gave a clearer picture of injustice than lessons learned in school at the time.

American Girl still exists, though it is no longer owned by the original company. There is less focus on the history aspect, and for awhile Addy and her accompanying books and accessories were actually not available any longer, though they did bring her back by customer demand.

There is something about seeing the world through the eyes of another kid your age as they grow up in unimaginable circumstances, with problems you will never have to face. Yes, it’s just a doll and some historical fiction books but more than that it teaches empathy which is invaluable. We can hope that kids that learn how to see the world from another’s perspective will grow up to be adults with empathy as well, that aim to understand and support others through challenges that they themselves may never face, just because we are all human.

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Artists To Know

Artists To Know: Black History Month

It’s been awhile since I’ve done an Artists To Know post, and I wanted to take the opportunity for February to highlight some of my favorite black artists currently working – most new, some mentioned before. Enjoy, and be inspired!

Lina Iris Viktor

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Viktor is a British – Liberian artist based in New York who creates “queenly self portraits with a futuristic edge”. Everyone knows I’m a sucker for surreal, fantasy-like portraiture and after coming across the image above, I had an instant new favorite! Viktor studied film, photography, and design and uses all of these backgrounds to create her unique fantasy worlds that combine elements of painting, sculpture, photography, and performance. What makes her art so compelling to me is the contrast of seemingly opposite elements … Her works are detailed with a lot of pattern and texture to look at but the colors are kept minimal; many of the scenes she creates are contemporary or futuristic in appearance, but still contain elements of the classical. As well as a diverse study of art, she also had a diverse upbringing as far as culture, being raised in London by Liberian parents and also spending time living in Johannesburg, South Africa. Viktor aims to use her immersive scenes to convey a philosophical commentary on both a social and historical “preconception of blackness”. Her work is a category all its own.

Woodrow Nash

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Nash is an artist from Akron, OH who works in stoneware, earthenware, terracotta, and porcelain. He is most well known for his unique bust sculptures that capture an expression, depth, and personality that I have never felt before in this type of art. He began as an illustrator, working as a fashion illustrator in New York in the mid 70s and then returning to the Midwest to do technical illustrations. Just as he uses multiple materials for his sculptures, he also employs various firing methods from pit firing, to electric, to raku (one of my personal favorites!). He calls his style “African nouveau”, because although it is influenced by African cultural aesthetic he blends in elements of art nouveau, and his sculptures tend to appeal to a wider audience beyond just those of African heritage. Each gorgeous figure he creates has a story, and they draw you in instantly.

Kehinde Wiley

If you can’t already tell, creative portraiture is my thing. I love portraits that transport the viewer to a new place of the artists’ making, where every pattern that is used is not only decorative, but an element that is used to speak to the subject’s unique psychology. I have been a fan of Wiley’s unique, powerful style of portraiture for a long time, and was excited when he was chosen to do Obama’s official portrait. Possessing a MFA from Yale, he combines contemporary figures with aesthetic elements from the past, giving his portraits a surreal, timeless feel. One of his most recent projects for the Saint Louis Art Museum featured oil paintings of black men and women dressed in their own clothing, styled for their usual everyday, posed in traditional poses from European and American art history to make a comment about under-representation. The photographic realism coupled with ornate pattern and creative approach make it no wonder his work has garnered the acclaim it has. His art is a testament to the fact that it is possible for an artist to stay true to themselves and not follow the crowd, and still be successful.

Tawny Chatmon

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A self proclaimed “army brat”, Chatmon did a lot of traveling as a kid and had resided in 3 different continents by the age of 12. Once settled in the US, she turned more in the creative direction of theater. She didn’t start getting into photography until her early 20s, when she was gifted a camera at 19 and through self teaching and experimentation saw an opportunity to make a living through the lens. After losing her father to a battle with cancer in 2010, Chatmon’s portrait photography became not only a career but a way to communicate and process emotions, an art. What first drew me to her work was the image above, part of her series titled “Deeply Embedded”. The composition and heavy use of pattern on the clothing reminded  me a bit of Gustav Klimt, one of my favorites from art history. Chatmon writes about this series on her website, “Deeply Embedded was created during a time where I continued to come across negativity centered around natural black hair & styles. Anger followed by frustration and sadness forced me to refocus that energy into creating work to speak for me as our words fell upon deaf ears.” There are many different forms of beauty in our world, and photography is the perfect medium to capture that fact.

Pierre Jean-Louis

 

I love art that plays with the merging of people and their environments, which is why I found this 26 year old artist’s work so inspiring. This self taught artist from New Jersey grew up in a deeply conservative religious household, but also a deeply creative one being the son of successful Haitian painter Bonaventure Jean-Louis. He moved beyond his roots with multimedia approaches, taking his inspiration from the beauty of the natural world that God has created, and with his series “Black Girl Magic”, explores specifically the beauty of natural hair. Models’ hair is transformed into forest, flowers, and galaxies, making a comment against exclusionary beauty standards.

I hope you will take the time to explore more of these artists’ amazing work. It was so hard to pick just one or two images to highlight!

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Artsnacks Unboxing

February ArtSnacks Unboxing!

Hey guys! So, I was very candid about hating the end result of my ArtSnacks Challenge from last month, and this month threw me another curve ball with a medium I have consistently avoided when at all possible, even in high school and later college art classes: chalk pastels!

In my February box, I received a:

As I eluded to, I have never been a fan of pastels, charcoal, or any chalky medium mainly because I struggle to get the fine detail I want as someone who also likes to work small; I can’t keep it from getting where I don’t want while I’m working (messy, messy, messy!); and I have a weird thing where I just hate the feeling of it on my hands as well. Still, I did enjoy using these more than most. The quality is great even for one like me who doesn’t know what they’re doing as far as pastels, the colors were rich, and they did stay put on the paper much better than lower quality soft pastels. I’m going to skip ahead to the Kraft Paper, because this paired perfectly with the pastels. Comparing the feel and ease of blending on the swatch of Kraft Paper compared to the mixed media paper in my journal, there was no contest. It just goes to show that the right paper can do wonders! The brown tone really made my colors pop too, and lent such a finished, harmonious look especially with my earthtoned set.

I’ve mentioned before I almost exclusively use mechanical pencils, and the Zebra DelGuard is another nice one! I’ve never been disappointed by a mechanical pencil sent in my ArtSnacks box. The led was smooth and dark, and I love the fact that there is a built in mechanism to keep leds from breaking! Though I don’t usually use kneaded erasers most of the time, the eraser that came in my box was also quite nice and will come in handy when I am doing commission requests that are entirely in graphite.

Last but certainly not least, the artist pen that came in this box was my absolute favorite item! With white paint pens, oftentimes it takes 2 coats but this India Ink based pen had perfect coverage with one go-over. I was also shocked at how well it wrote over the pastel! The tip didn’t even get much discoloration … It hardly absorbed any of the pastel and just needed a little scribble on a scrap piece of paper to clean it off at the end. I could see how a lot of neat effects could be created with this in much of my mixed media work, and will definitely be getting more of these.

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As mentioned, I am NOT a pastel artist by any stretch of the imagination, but I let the pencil outlining help me out and I do like this month’s result better than January’s! February being black history month, I chose to illustrate a portrait of Haben Girma with a powerful quote of hers that has stuck with me. Girma is a deaf-blind graduate of Harvard Law School, and a fierce advocate for disability rights which is an issue close to my heart, especially given that my day job is running an inclusive creative arts program open to adults with varying disabilities. I’d encourage you to read more about this amazing lady, and watch some of her talks.

“Fear causes people to lose so much. Lose potential knowledge, lose potential friends. I wish people would stop living in fear and start asking questions so that they can learn. “

 

 

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