Artists To Know

Artists to Know! Installment One.

In my first installment of Artists to Know, there are actually two digital artists, still unbelievably underrepresented in this day and age. Digital artists are highly under appreciated, and wrongly viewed as art “cheaters” in the fine art world. I myself have played around with digital work, and absolutely HATED it! Take it from me, what one can do in 10 minutes with a brush seems to take 10 hours on a computer. Digital art is used to achieve a desired effect, it is by no means a shortcut. I hope you see something new today, maybe something that sparks ideas of your own.

Ray Caesar

Ray Caesar describes his art on his website as “facing something unpleasant with calm and looking beyond what you’re viewing to see the beauty within”. His work is influenced by the time he spent working as a photographer and graphic designer at a children’s hospital, many of whom were abused or suffered from serious physical deformities. After his mother’s death, he had a dream in which she appeared to him as a child. The childlike figures in his pieces aren’t really children but the manifestation of people’s souls. His work is certainly not for everyone, and I know many who find his art too  creepy or disturbing, but it goes to show that as artists, our experiences do inform what we create. He uses digital programs to create a 3D world in which he can change poses, adjust the viewpoint angle, open and close drawers … He has said there are hidden secrets that never show up in the prints such as what are in the figure’s pockets or inside closets. If you have the time, read more in depth about the process by which these digital worlds are created because it is truly amazing and eye-opening.

Ray Caesar

Catalina Estrada

This lady does everything – Besides the typical art prints, she covers greeting cards, bedroom comforters, clothing and bags, even umbrellas with her beautiful designs; prints wallpaper; has her art made into difficult 1000 piece puzzles that I would probably end up throwing across the room in frustration! She embraces the concept that art doesn’t just have to hang on a wall, and captivating designs that make people smile and feel inspired can cover every imaginable surface. She makes her work accessible, and that is awesome.

Catalina Estrada

Elena Kotliarker

From the Ukraine, Elena classifies her work as Judaic Art. The flow from one element to the next in her pieces is so spot on, the effect is calming and dynamic at the same time. I love all the tiny details within each piece, so that you keep noticing new things the longer you look at it. Also interesting is the cultural symbolism she integrates into each work. I discovered her on ebay actually, and now have a gorgeous little ACEO prints as a souvenir.

Elena Kotliarker

Camille Rose Garcia

Camille Rose Garcia is an artist you can spot immediately. I love that all her art just GOES TOGETHER to form a cohesive body of work based on her distinctive style alone. While maintaining this continuity, she continues to keep things fresh and different with widely varying genres, stories and narratives, and color schemes. Much like Ray Caesar, I feel like her work is something you get or don’t. Being the fan of almost any form of surrealism or warped storybook illustrations that I am, I am in love.

Mia Araujo

Mia Araujo is interested in the complexities that make each individual unique, and the invisible universes that thrive inside us all. Manifesting inner landscapes through art, making the invisible visible, is something I am also passionate about as I touched on in my last post. It’s no surprise why I am so drawn to her work. Each piece has an entire fantasy story within it to absorb. For lovers of portraits, you’re in luck, because within each piece are embedded innumerable portraits, from the main subject(s) to the tiny faces embedded in the background and sometimes even within the subject’s hair or clothing. Can you tell I’m into detail?

Mia Araujo

I hope you’ve enjoyed exposing yourself to some artists you may not have heard of before. I did go heavy on the surrealism as that is what I tend to be drawn towards most, but even if the subject matter or style is not your bag, there is always something to learn by observing other artists’ technique. I’m constantly finding new artists and images that inspire me, so I will definitely be sharing more in the future – be on the lookout!

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New Work

Bringing The Inside Out – Exploring Conceptual Portraits

Spring seems to be the time for exhibitions, and with many deadlines coming in mid-February, I’ve been going into hyper-drive to get pieces finished and ready. This past year has been all about conceptual portraiture. My drive to expose the subject’s thoughts and emotions through visual cues outside of themselves  came in part from my interior design study in college, where visual cues in the external environment are key, and part from a conversation I had with one of my best friends coupled with my overactive imagination. We were both at different colleges, and she had had a particularly stressful couple of weeks and was unloading over the phone because that’s what best friends do. One thing you have to know about me, as people talk, I get these vivid little reels of what they are describing playing in my head. It doesn’t mean I’m daydreaming and not listening, it’s just how my brain works. I immediately got this image of her overstuffed brain protruding from out of the ripped open top of her trademark top hat, with other random objects and various debris springing out everywhere. I told her, she burst out laughing, and we went on with our evenings. I made a concept sketch the moment we got off the phone, for future reference.

After doing a series of portraits in which visual manifestations of the subject’s emotions literally burst out of or hovered over the top of their heads (wouldn’t that make life far less more of a guessing game as far as relationships are concerned?), I began to think more about how not only literal objects but also the more subtle use of color and all over pattern could communicate about the subject’s mental state. If one’s emotions covered them like a fabric, what would it look like?

Today, my portraits are a combination of these earlier ideas. I used photos I’d taken of friends before, but now I’ve gotten really into using vintage photographs as references instead, because not knowing the people at all allows me to start with a blank slate and gives me more freedom to invent my own stories about them. Photographs of my girls are being taken, and jpegs sent or framed work dropped off to the various locations for jurying, so wish me luck in the next couple of weeks! If you’d like to see more portraits, check out my website (there is even one MAN portrait! – those of you who know me and my work know how rare this is). Prints are also for sale here!

Overaccumulation of Stimuli, Prismacolor Pencil, 2010 - The portrait that started it all.

Overaccumulation of Stimuli, Prismacolor Pencil, 2010 – The portrait that started it all.

Fight Or Flight, Prismacolor Pencil, 2011 - Through studying interior design, constructing environments for people, you learn that color and pattern SPEAK, and can affect the psychology of those who live in it (and the psychology of the viewer who looks at your art!)

Fight Or Flight, Prismacolor Pencil, 2011 – Through studying interior design, constructing environments for people, you learn that color and pattern SPEAK, and can affect the psychology of those who live in it (and the psychology of the viewer who looks at your art!)

Hopeful, 11x14 Prismacolor Pencil

Hopeful, 11×14 Prismacolor Pencil

The Peacock, 11x14 Prismacolor Pencil

The Peacock, 11×14 Prismacolor Pencil

A World To See, 11x14 Prismacolor and Mixed Media

A World To See, 11×14 Prismacolor and Mixed Media

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