Art Discussion

Art Discussion – “God As The Artist”

I have always loved paper dolls, although they were a bit hard to find already even when I was young. I used to get American Girl Magazine in the mail, and each issue would come with a set of punch-out paper dolls based on REAL girls, with an outfit from present day as well as 3 more from women 1,2, and 3 generations back in her family. The dolls were my absolute favorite part, and I really wish I would have kept them now. The American Girl paper doll sets were the only ones I really played with, because more than just the different outfits to try on, I was captivated by all of the different PEOPLE!

This brings me back … I definitely had this one – along with near 50 others.

I would lay them all out and marvel over all of the differences – in build, in facial structure, hair color, skin color, eye color, smile … and no two people look exactly alike, even twins; how can this be? It blew my little 8-year-old mind.

Fast forward about a decade and a half later, and I got this crazy idea – what if I made a paper doll in which the “doll” was a skeletal structure and the “clothes” were the skin that goes over them? I adore detailing internal structures of both humans and animals. I swear if computers were never invented and they still needed people to hand draw the illustrations for medical textbooks, I would be your girl (then again, I would not be typing this blog either. No lie, I love technology. Goodbye obscure dream career, definitely worth the tradeoff.).

"God As The Artist"; bristol board, ink, acrylic, corrugated cardboard

“God As The Artist”; bristol board, ink, acrylic, corrugated cardboard

At first this was just something quick I was going to do for fun for myself, but then I had to stop and think about why I was so excited about this idea. Both human beings and animals truly are moving, breathing works of art. They are living sculptures, filled with beautiful angles, textures and colors, and intricacies. We tend to idealize one type of beauty and overlook the artistry in anything that lies outside of that predetermined, narrow field. You would never walk into a gallery and say “My favorite color is violet, so I’m only going to look at the violet paintings. Any others, no matter how interesting or skillfully rendered, are completely worthless.” Yet how often do we write off other people in this same way?

Back view, depicted as a wall in an abandoned house complete with skeletal themed artwork and wallpaper print, "We are all living sculptures"

Back view, depicted as a wall in an abandoned house complete with skeletal themed artwork and wallpaper print, “We are all living sculptures”

"God As The Artist" aerial view

“God As The Artist” aerial view

I decided to include animals as well, because I really think we don’t have enough awe for how amazing they actually are. We get pumped about the unfamiliar and exotic, like lions and tigers at a zoo, but neglect to equally appreciate those living in our own backyards. In general, we kind of only notice animals when we need them for something, otherwise they are either an annoyance or just part of the furniture. I challenge you to go out for a walk on a nice day and pretend you are an alien from another planet who has never seen earth and its creatures before. Then really look, especially at the birds. Think of how tiny their skeletal system is, how it must interlock so that the framework of their wings can move as they need to in order to ascend into the air. Look at the colors and textures of their feathers. If that isn’t art, I don’t know what is. I guess that’s why I’ve never been one for hunting. There are increasingly less beautiful things in this world, why would you want to destroy something beautiful?

We are the most complex kinetic sculptures ever formed, and being alive surrounded by all this living and breathing wonder truly is a privilege. I forget that sometimes; we all do.

I still love drawing paper dolls for people to play with. Maybe every grown-up feels this way, but I’ve noticed that dolls, and the so-called “girl” sections in toy stores in general, kind of suck now. If I’m going to complain, I suppose I also have to do something about it! Since kids aren’t likely to play with skeletons, and also this crazy awkward giggling thing tends to happen when they are confronted with things like “boobs”, I have made many more child friendly sets since this one. I have two types of sets, one in which each girl has an “aspiration” theme (athlete, artist, chef, scientist …) and a pet, and another fantasy hero set in which your girl can save the world in various time periods and universes, from an imaginary world where superpowers exist to medieval Europe (Upon watching me draw the fantasy outfits, my boyfriend commented in surprise, “A girl knight?” and I swear to god, I almost clocked him. Exactly the kind of preconceptions I am trying to combat here ^_^.) Basically, I want to represent a wide variety of girls with a wide variety of personalities, styles, interests, talents, and dreams. I’m not done yet; as I touched on earlier, there are innumerable different types of people, that’s what’s so cool! But I’m working on it.

Zooey and Genesis Paper Doll Set

Zooey and Genesis Paper Doll Set

Fantasy Hero Layla Paper Doll Set

Fantasy Hero Layla Paper Doll Set

These paper doll sets and many more are available in my ebay store and etsy shop. If there’s a set you’d like to see, let me know! I take suggestions.

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Art Discussion

Art Discussion – “The Way I See It …”

In progress!

A rare in progress photo! I nearly never take these.

Many times I like to keep quiet about the specific message I had in mind when creating a piece, because I like my work to be allowed to speak to each viewer differently based on their own unique thoughts and experiences. At the same time, I myself am a curious individual and I hate when other artists flat our refuse to share what a piece means with their audience. So, every so often on this blog I want to pick a piece with a lot to say and explain the thoughts behind it. Today I’ve selected “The Way I See It”.

The Way I See It ... , 18x24 Watercolor, Ink, and Prismacolor Pencil

The Way I See It … , 18×24 Watercolor, Ink, and Prismacolor Pencil

In this piece, an average young woman sits, quiet and composed. She sits straight-backed, hands in her lap, legs together. The viewer can discern her reserved and unimposing nature simply based on how little space she purposefully occupies. Like many, she is probably good and bad, but mostly good. The other figure looks at her and sees evil. He can only see her shortcomings or what he views as such, and blames her for them as if any part of her person he doesn’t like was a planned attack against him. He paints her as a vampire, a monster, a whore. While she passively sits, he smears paint on her clothing and on her skin as he touches her. (An interjection, the gender choices in this piece are not significant. It is simply easier to depict the main character in this narrative as a woman so I could draw from my own perspective of when I have felt treated this way. The figures’ roles could easily be reversed, or it could be two men or two women.) The artist is delighted and proud of his portrait, his telling of her story and who she is as a person, be it true or not. Truth doesn’t matter when one is convinced they are right.

We run into serious problems when we let others be the artists or creators of our story, when we let them tell us who we are. Like the paint smears covering the young woman, as we let them sully what we think of ourselves, our own essence literally floats away before we even notice. Meanwhile, their incorrect perception creeps in like a vapor, taking its place.

Stories are tricky. We are not omnipresent, nor can we view the past or future in real time. So, when we view a situation, we are only inputting a piece of the overall story. We don’t like incompletes, it’s why in Hollywood Blockbusters everything gets hurriedly and inconceivably tied up all within the last 5 minutes of the movie, and we love it. Back to the situation we’ve just viewed, one of many in a given day: how do we complete the story we’ve caught just a chapter of? By either consciously or unconsciously inventing the rest of it in our minds. We can fit the puzzle pieces together so seamlessly that we often will even remember the inferred story as fact. We may have come close to truth … but then again there is a good chance we have not.

“What you remember is determined by what you see, and what you see depends on what you remember … a cycle that has to be broken” Tim O’Brien writes in his novel Going After Cacciato. No object or person is visually neutral. Think of our brains as a giant search engine. I’m going to get very simplified here – we see a person in a blue shirt. We “type” the input “blue shirt” and up pops images, videos, memories of all the experiences we’ve ever had with people with blue shirts. It’s hard to emotionally separate our memories from this new experience. We could see a person we’ve never even met as malicious simply because we’ve had negative interactions with others who look like them in the past. We could see a country or city as sinister, be wary of a new activity or experience because our memories literally distort our perceptions.

Chimamanda Adichie is a Nigerian novelist, and she also has a few great Ted Talks which is how I discovered her. This talk I’ve included a link to below about stories is fantastic. I was so interested when I came upon it after finishing this piece, because it deals with many of the issues I was thinking about when I came up with the artistic concept. I would highly recommend a listen.

I would also welcome any thoughts you may have on stories, perception and memory, or any different way you might have interpreted this piece. Sharing is fun, don’t be shy!

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