Art Discussion – “The Way I See It …”

In progress!

A rare in progress photo! I nearly never take these.

Many times I like to keep quiet about the specific message I had in mind when creating a piece, because I like my work to be allowed to speak to each viewer differently based on their own unique thoughts and experiences. At the same time, I myself am a curious individual and I hate when other artists flat our refuse to share what a piece means with their audience. So, every so often on this blog I want to pick a piece with a lot to say and explain the thoughts behind it. Today I’ve selected “The Way I See It”.

The Way I See It ... , 18x24 Watercolor, Ink, and Prismacolor Pencil

The Way I See It … , 18×24 Watercolor, Ink, and Prismacolor Pencil

In this piece, an average young woman sits, quiet and composed. She sits straight-backed, hands in her lap, legs together. The viewer can discern her reserved and unimposing nature simply based on how little space she purposefully occupies. Like many, she is probably good and bad, but mostly good. The other figure looks at her and sees evil. He can only see her shortcomings or what he views as such, and blames her for them as if any part of her person he doesn’t like was a planned attack against him. He paints her as a vampire, a monster, a whore. While she passively sits, he smears paint on her clothing and on her skin as he touches her. (An interjection, the gender choices in this piece are not significant. It is simply easier to depict the main character in this narrative as a woman so I could draw from my own perspective of when I have felt treated this way. The figures’ roles could easily be reversed, or it could be two men or two women.) The artist is delighted and proud of his portrait, his telling of her story and who she is as a person, be it true or not. Truth doesn’t matter when one is convinced they are right.

We run into serious problems when we let others be the artists or creators of our story, when we let them tell us who we are. Like the paint smears covering the young woman, as we let them sully what we think of ourselves, our own essence literally floats away before we even notice. Meanwhile, their incorrect perception creeps in like a vapor, taking its place.

Stories are tricky. We are not omnipresent, nor can we view the past or future in real time. So, when we view a situation, we are only inputting a piece of the overall story. We don’t like incompletes, it’s why in Hollywood Blockbusters everything gets hurriedly and inconceivably tied up all within the last 5 minutes of the movie, and we love it. Back to the situation we’ve just viewed, one of many in a given day: how do we complete the story we’ve caught just a chapter of? By either consciously or unconsciously inventing the rest of it in our minds. We can fit the puzzle pieces together so seamlessly that we often will even remember the inferred story as fact. We may have come close to truth … but then again there is a good chance we have not.

“What you remember is determined by what you see, and what you see depends on what you remember … a cycle that has to be broken” Tim O’Brien writes in his novel Going After Cacciato. No object or person is visually neutral. Think of our brains as a giant search engine. I’m going to get very simplified here – we see a person in a blue shirt. We “type” the input “blue shirt” and up pops images, videos, memories of all the experiences we’ve ever had with people with blue shirts. It’s hard to emotionally separate our memories from this new experience. We could see a person we’ve never even met as malicious simply because we’ve had negative interactions with others who look like them in the past. We could see a country or city as sinister, be wary of a new activity or experience because our memories literally distort our perceptions.

Chimamanda Adichie is a Nigerian novelist, and she also has a few great Ted Talks which is how I discovered her. This talk I’ve included a link to below about stories is fantastic. I was so interested when I came upon it after finishing this piece, because it deals with many of the issues I was thinking about when I came up with the artistic concept. I would highly recommend a listen.

I would also welcome any thoughts you may have on stories, perception and memory, or any different way you might have interpreted this piece. Sharing is fun, don’t be shy!

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Music to Make Stuff To

Hello all! I’ve been super busy lately so this is not going to be one of those deep, introspective posts – sorry! However, I hope it will provide some fun artistic inspiration for some of you. I constantly get asked “What do you like to listen to when you work?” I definitely have certain types of music I enjoy in the car or while cleaning the apartment or on long walks, types of music that don’t always work while creating for whatever reason (see Finnish metal bands ^_^). My brain seems to enjoy a mix of 60s-80s oldies, and drama-infused artsy indie rock to aid in the creation process, so, here are some of my constant go-tos on any Music To Make Stuff To playlist, as I like to call it.

I was obsessed with listening to 50s and 60s music as a kid and would practically cry if my parents had any station other than the oldies on in the car. They were a kid themselves in the 60s and weren’t half as into it as I even was. My heart would always get a little happier when this particular song came on, before I even knew who The Doors were. Still love it.

Everything by the Smiths, enough said.

I think drama through song is creativity’s lifeblood.

And remember what I said about drama?

Another of my favorite oldies from childhood. My parents did actually have this tape. I included the song with clips from the film “Chungking Express” because I have hardly ever seen a song used so seamlessly as a motif throughout a film. Also, the main actress is absolutely adorable and makes the song even better.

Enter: Turkish psychedelic music. What’s that? You never knew such a thing existed? You don’t say … I have always found Middle Eastern chords to be so hauntingly beautiful, and that is especially true in this song.

Anything Michael Nyman, and I repeat, ANYTHING MICHAEL NYMAN! His pandora radio station embodies just about the most soothing art-making-friendly music known to man. If you like his piano music, check out Phillip Glass, also.

The Velvet Underground can certainly be hit and miss, but I cannot be in a bad mood when I hear this song.

First of all, this music video alone is worth a watch – it’s pretty impressive. I have found Grizzly Bear to have great calming, atmospheric music for in the background while creating.

The late 80s/early 90s had fantastic music, in quite a contrast to their clothing. I really missed out being born a bit too late. I was still listening to Disney tapes when this stuff was big.

Lastly, who doesn’t feel empowered to do great things while playing this song? I included the video from Guardians of the Galaxy because, come on, it’s Guardians of the Galaxy!

Don’t let me forget, if any of you have any particular music you love to listen to while making art feel free to share, I love suggestions! Au revoir!

The C Word – Every Artist’s Worst Nightmare

Though I’m sure many sweary virtuosos out there could come up with a laundry list of words unspeakable in polite society that begin with C (I’m pretty sure I know some of these people, quite well actually), the word I’m talking about in this case is criticism. Artists put so much emotional energy, so much of themselves into every piece, it is hard not to take “I don’t really like this” as “I don’t really like YOU, I don’t like your THOUGHTS, I don’t like your FEELINGS, YOU as a person are UNACCEPTABLE”. We have to develop a pretty thick skin.

My junior year of college, I had the opportunity to meet with a guest artist and have them review my work. I’d gotten kind of lucky up to this point, and most feedback I received went along the lines of “Whoa, this is so cool!” so I wasn’t too worried. I got there early for my scheduled appointment, and waited, and waited … and waited. I had carried my laptop bag and ultra-gigantic portfolio case packed full of stuff all the way from my apartment, through the woods, to the art building (I sound like Little Red Riding Hood). At that time I didn’t work out regularly, so I was feeling the strain on my non-existent biceps. I had also been wearing a winter coat, and seeing as I tend to sweat like a 45 year old obese man, by the time I had been standing in the heated building for more than 5 minutes I was embarrassingly drenched. I had to keep holding my stuff because I was just awkwardly standing outside a door in an incredibly narrow hallway where people were traversing, and there was no unobtrusive spot to set everything down. I thought my arms might break off. After waiting for an hour, it was my turn to meet with the visiting artist. I got 15 minutes before he dismissed me. In that 15 minutes, I was told that my art looked like it was done by mental patients or someone with no prior artistic knowledge whatsoever, but that it was “interesting and unique” (Seeing as I know many wonderful people who have needed mental health assistance at one point or another, I didn’t take the first half of his comment as an insult at all, though probably not the best choice of words.). I was also asked pointedly if I was trying to be an artist or an illustrator, the word illustrator spoken as if it was synonymous with “cocaine dealer”. I’m still not sure I understand this disdain. He also kept comparing me to the earlier student he had gone over by an hour with, to the tone of “He’s making art about important social issues and here you are drawing robots and silly cartoon animals”. The thing is, this kid and I were totally different people with totally different life experiences. To try to speak about what he was discussing with my art would be ignorant and a little offensive – I had never been close to any of those issues, why should I be spouting off about them as if I know? Even for my more whimsical pieces, I always have a message in mind that spurs me on to create the images that I do. There are different ways to speak, both in ways that are graphic, blunt, and in one’s face and also ways that are more symbolic and open to multiple interpretations. We need all types of art.

The next week, my drawing professor asked how it went. When I told him an abridged version, he simply scoffed and said, “Oh, well he has no idea what he’s talking about”. But, we should never entirely dismiss a critic despite their bedside manner. We simply have to sift out what is constructive from what is just a difference of taste or opinion (also knowing that some people just have that wonderful grouchy, never satisfied personality type). At the meeting I was also told that the figures’ proportions were off in some of the ink drawings of people that I brought. It was a movement-heavy piece including quite a few people on a busy street, but instead of getting references for each different position, I collected a few references to use for the main figures and for the rest simply filled in the blanks with guesswork. Now, even if I have to pose and take them myself I get references for every detail that is going to be included in a piece. It is time consuming, but worth every moment for the stress-free creation process from then on out as well as the end result. I was also told in some of my portrait drawings that the central figure looked disjointed from the background, as if cut and pasted on top of a flat stage-set. This is because I would always detail first not what part of the drawing made sense to begin with, but what part I found the most interesting (for me, always the person). Whenever you completely detail the foreground before the background whether in drawing or painting, it is much harder to try and color around that fully detailed, finished object and therefore you end up with the cut and paste on top of the background look. Background to foreground : this is something I tell my own students to this day.

In the years since then, I’ve done solo shows where the venue wants everything BUT the one or two pieces that I had considered amongst my favorites and had been really excited about exhibiting. I’ve had pieces of mine rejected from display due to a complete misinterpretation of the message, which then ended up upsetting someone. I’ve sold hand-sewn dolls at art fairs and had a begging child’s mother say right in front of me, “No, I’m not getting you one of those dolls they’re too ugly!” Art elicits strong reactions, that’s what makes it so powerful a force for communication and inspiring thought and change. We don’t know another person’s story, what causes certain images to trigger a negative reaction inside of them. Artists can’t take these things personally. Just because someone doesn’t like a piece that we’ve done doesn’t mean it should go in the garbage, but at the same time we need to recognize when negative feedback could be absorbed into our process to teach us how to do better next time.

Yes, on the surface, this is just a personified octopus slumped over a desk. Titled "The Devastating Awareness of Absurdity", the title is a concept drawn from existentialism. This image embodies the absurdity that we as humans face when we are forced into meaningless roles in which we will never fit, and don't belong living within. It also may just amuse someone, and if it encourages a smile, then that's good too.

Yes, on the surface, this is just a personified octopus slumped over a desk. Titled “The Devastating Awareness of Absurdity”, the title is a concept drawn from existentialism. This image embodies the absurdity that we as humans face when we are forced into meaningless roles in which we will never fit, and don’t belong living within. It also may just amuse someone, and if it encourages a smile, then that’s good too.

Another one of my drawings I brought to the critique. This is why you don't get discouraged just because one person doesn't care for a piece you've done - It was so well received elsewhere that I ended up using it as the main image on my website's homepage, as well as my logo for all business cards and print material before the newest one.

Another one of my drawings I brought to the critique. This is why you don’t get discouraged just because one person doesn’t care for a piece you’ve done – It was so well received elsewhere that I ended up using it as the main image on my website’s homepage, as well as my logo for all business cards and print material before the newest one.

Creating Beautiful Decoupaged Beads and Pendants

Necklace and bracelet made with decoupaged origami paper beads - These would look amazing in a monochromatic color scheme, too, but I made this set specifically for myself and I love colors so...

Necklace and bracelet made with decoupaged origami paper beads – These would look amazing in a monochromatic color scheme, too, but I made this set specifically for myself, and I love colors so… đŸ™‚

This is a simple undertaking with beautiful results. I’ve done this wearable art project with my Artshop students and they loved it (For those new to the blog, I work with an art program for adults with special needs, and my students are the coolest).

A student's decoupaged pendant necklace (accented by fabric beads she rolled herself, too!) We share a love of all things rainbow.

A student’s decoupaged pendant necklace (accented by fabric beads she rolled herself, too!) We share a love of all things rainbow.

Any jewelry created with these handmade beads and pendants has an artsy, unique look that draws constant oohs, ahhs, and inquiries. What’s also great is you can completely customize the style based solely upon the paper you choose. You can use magazine pages (see faces on my cameo necklace) but for most beads I prefer using lightweight origami paper. This thinner paper bends and forms to the shape of the bead much easier, and once the sealer dries the wrinkles lay much flatter. Besides the paper, you will also need wooden beads (These can be bought in almost any craft section or hobby store in a bulk mixed container), mod podge for paper or any other decoupage sealer in any sheen, a large-ish cheap paint brush, wooden discs in the desired size (found amongst the other unfinished wood pieces like plaques, boxes, letters, etc. in most craft or hobby stores), and a small crafting drill (or any drill that offers smaller bit sizes) to drill a hole in your pendant. If you don’t own a drill or just don’t want to bother, you can buy pendant backs to glue on at the end. I don’t live in an area with a large array of art and jewelry supply stores, so I ordered mine online – they’re cheap.

An overview of materials needed

An overview of materials needed

The process is the same for both the pendants and beads. Once you choose your paper or combination of different papers (mixing and matching can look cool for the pendants, but the beads are so small I recommend sticking to one design only.), tear them into pieces between 1 and 3 cm in size. You can paint the sealer on the back of the paper at this point, or just dip the paper in the goo and then smooth it onto the surface of the bead/pendant with your fingers to make sure all wrinkles are flattened down, and there are no air bubbles. The more soaked the paper is, the more malleable it will become, allowing you to form it flat to the surface. Your fingers WILL get messy. It’s ok, just roll with it. A bowl of water nearby to rinse off every so often will stop them from getting too sticky as you work. With both the beads and pendants, don’t worry about the hole. Once the entire surface is covered with paper you can use a toothpick to poke the hole back through before it dries. Set the beads and pendants on wax paper to dry so they won’t stick. Once they are dry, coat them 1-2 more times with mod podge using the paint brush. Once again, mod podge or any thick sealer is really hard on brushes so I recommend a cheap brush. Voila! Making these beads can be surprisingly therapeutic after a long day. Turn on the television or your favorite music and get cracking!

Look! She even has a hair bow. What could be better?

Look! She even has a hair bow. What could be better?

Part 2 : Since I enjoy sharing other creators I am in love with, I wanted to show another option of what to do with those blank, unimposing little wooden discs. This artist I discovered on etsy turns these wooden circles into a unique cast of adorable characters with a little acrylic paint, gloss sealer, and mad detailing skills. Her shop even has some recognizable femmes like Katniss and Cinderella, but I like her original characters best myself.

I hope some of you try this out when you have a day off. Who knows, you may even come up with some of your own unique tricks for turning these wooden blank canvases into awesome wearable art!

Artists To Know! Installment Two.

James Jean

James Jean is a double threat Taiwanese American artist – known equally well for both his commercial (DC Comics, ESPN, Prada, and Atlantic Records to name a few) and fine art gallery work. I know James Jean most from his arresting illustrations that grace the covers of Bill Willingham’s “Fables” graphic novel series. I am not one to ever keep up with series, but I cannot stop adding more of these books to my collection. Not only is the art obviously exquisite, but the stories are gripping, and the very reason I just cannot get into that “Once Upon A Time” TV show everyone is freaking out over – Same idea, but “Fables” is just so much better. Jean’s illustrations range from the ultra colorful to the monochromatic as featured below, but they all have a transparent, ghost-like quality to them that is just made for depicting fantasy characters, not fully “real” themselves. His website features a lot of his non-fables work, which was fascinating to see since I wasn’t as acquainted with it.

James Jean

Madge Gill

Madge Gill is not a current artist, being born in the late 1800s and passing in 1961. Though I usually highlight artists still working today, her primitive ink drawings drew me in the moment I first saw them. One of my workplaces had a couple-month-long focus on outsider art over the fall, which prompted me to want to learn more about the genre. Outsider art is literally art created by outsiders or untaught artists, art created outside the boundaries of official culture. I watched a documentary about outsider artists on youtube one evening, and Madge was one of the artists highlighted. She had a life filled with more hardship than many have to face. After delivering a stillborn child in 1920, one more painful life event, Madge claimed she had become inhabited by a spirit guide named Myrninerest. This connection continued throughout her life, and she would often go into trance like states, withdrawing more and more into herself. Though her detailed drawings of characteristic females; most of which took her only minutes at a time; continue to captivate viewers, it seems she never found peace. Near the end of her life, even her art-making had become a burden, more an obsessive-compulsion than a therapy. The biography on her website asks, “Are these in a sense self-portraits, or rather: attempts to stabilize her own fragile being, as it were through fleeting snapshots? Another reading equates the faces with Myrninerest, envisaged as the artist’s otherworldly alter ego, immune to the traumas of actual life.” (In the documentary, I noticed the alter ego’s name was pronounced as “My inner rest”, which would seem to suggest that the alter ego created as an escape or explanation for behavior she could not control is a plausible hypothesis). Her story is a sobering realization that although art helps us in coping with difficult emotions and can be a vital form of self-expression to those whose voices are stifled, creation alone is sometimes not enough, especially in isolation.

Madge Gill

Yayoi Kusama

I first saw Yayoi Kusama’s work at The Mattress Factory on a school trip to Pittsburgh (shown in the photo below). Though I wasn’t familiar with her at the time, this installation was my absolute favorite. Same as with Madge Gill, I learned about Yayoi Kusama through my outsider art documentary binge. A clip of a similar installation to the one I saw was shown in the film, and I suddenly realized “Oh my gosh, I’ve walked around inside her work before!” Also similar to Madge Gill, Yayoi Kusama has wrestled with psychological issues throughout her life, though her story has a far happier ending. Kusama began creating art with polka dot motifs as early as 10 years old, one of her first pieces a drawing of her mother with dots emanating from her portrait (Her mother was physically and emotionally abusive). She also began suffering hallucinations at an early age, seeing these dots everywhere, flowing towards her, in her own words trying to “obliterate” her. To date, many of her works include the words and themes of “self-obliteration”. In 1973, she checked herself into Seiwa Hospital for the Mentally Ill and still lives there to this day by choice, her studio nearby. Kusama has reached out, and come to enjoy the residents and staff and art continues to be a source of joy and purpose in her life. A creator of all trades (and master as well), she creates paintings, sculpture, installations, clothing and accessories, fashion editorials, films, and poetry and short stories all cloaked in her trademark surreal, ultra colorful, polka dot covered world.

Yayoi Kusama

Yayoi Kusama

Martine Johanna

Martine Johanna is a Dutch artist who started out in fashion design, but left the industry desiring more freedom to devote to her own work. The fashion influence is evident in her figure’s pose, gaze, and design. What I love most is how she sometimes leaves areas of pieces less developed to draw the viewer’s eyes to where she wants them to rest. If you look through the rest of her work as well, you will also see how she uses bold, bright colors you wouldn’t think of using for skin tones like blues and yellows to render her figures’ flesh. Bringing these natural undertones to the forefront gives her work an otherworldly quality that it is impossible to look away from, and highlights her imaginative nature.

Martine Johanna

Arabella Proffer

Google+ is a great place to discover artists as far as social media goes, and that is where I found Arabella Proffer. She was born in Ann Arbor, Michigan (woohoo, shout out to my home state, where I still reside) and now lives in Ohio (second shout out to where my parents are from and where most of my extended family still lives. I guess some cool art CAN come out of the midwest, huh?) – I thought that was pretty cool. Her work combines old school, aristocratic portraiture with pure 1980s punk rock and gothic culture. She also has an interest in medical history, remnants of which find their way into her work. The contrast of all these elements creates a tension that makes me want to get to know the fabulous women in her pieces, sit down and have a cup of coffee with them in their imaginary, velvet curtained living rooms – they all seem like so much fun.

Arabella Proffer

Back From Chicago With Amazing News!

My boyfriend and I spent the last 4 days in Chicago as a “Hooray, we don’t suck at relationships!” 3 year anniversary celebration trip. Though he’s been to Chicago far more often than I have, he had never seen The Bean so we had to rectify that immediately. It was a very educational trip – we went on a museum frenzy and probably absorbed 100x the daily recommended amount of visual stimuli. We lucked out that Rotofugi Gallery was having an opening for a show paying tribute to Tim Burton Friday night, and the night before we caught a theatrical, acrobatic rendition of “Through The Looking Glass” – it’s like they knew I was coming.

Next comes the good news part! That same Friday back in Midland, the “Piece By Piece” exhibit was debuting – one of the shows I was talking about getting ready for. I missed a call later that evening, and as I gave the voicemail a listen I was informed that I’d won Best 2D for my mixed media piece I’d entered, “The Dance”. The news was particularly exciting and surprising because this was a piece I’d struggled with. Like all mixed media works, the environment built literally “piece by piece” of book pages and fabric and thread and ink … it didn’t look too great when it was still in progress. About halfway through, the image just wasn’t coming out how I’d envisioned and I freaked out. I’d put way too much time into the project to abandon it, so I instead decided to step away for a couple of days, covering up the offender laying on my drafting table with a blank sheet of paper so that I wouldn’t even look at it. Once I decided to go back to work, I only added a tiny bit of alteration per day; I stepped back from the piece to see where it needed more texture for balance, where the colors in the background needed to be darkened, and where I needed to add more detail so parts of the piece didn’t look unfinished. Not abandoning “The Dance” paid off. What art actually looks awesome in the middle of the process, anyway? Although we expect it to, it’s impossible – it’s not yet finished! Even if you start completely despising a project, never send it straight to the bin on impulse. Walk away for a couple days and let it sit. Oftentimes you’ll come back with a fresh perspective and realize it’s not the mess you made it out to be.

“The Dance” is currently available as an 8×10 print and a numbered, limited edition ACEO print in my shop.

The view from the mirrored surface of the bean! No, my boyfriend is not imaginary. Though quite handsome I assure you, he does not like his photo being posted online, so you'll have to be content with this one of just me.

The view from the mirrored surface of the bean! No, my boyfriend is not imaginary. Though quite handsome I assure you, he does not like his photo being posted online, so you’ll have to be content with this one of just me.

From the Aquarium - I had no idea sea creatures like this even existed! Living things truly are moving, breathing sculptures - complete works of art.

From the Aquarium – I had no idea sea creatures like this even existed! Living things truly are moving, breathing sculptures – complete works of art.

The Dance, Awarded Best 2D; prismacolor pencil, ink, watercolor, fabric, book pages, embroidery thread

The Dance, Awarded Best 2D; prismacolor pencil, ink, watercolor, fabric, book pages, embroidery thread

No Canvas, No Problem! – Using Unexpected Materials

I first discovered my love of corrugated cardboard when the movie “The Science of Sleep” came out. If you haven’t watched it, it’s an extremely visually fun movie and you should check it out. If you have, the various imaginary cardboard-based sets depicting the main character’s dream worlds, such as the car chase sequence or the cardboard cityscape, attracted me to corrugated cardboard’s simple, whimsical, DIY charm. I started using it for projects in college not only for the charm itself but for utilitarian reasons. After having to buy so many canvases and large pieces of illustration board for studio assignments, by the time I got around to my own personal projects I simply didn’t want to have to buy another damn thing! It was light and easy to transport for painting outdoors on nice days, and was readily available at no cost.

Cardboard also offers more easy textural options than canvases simply by layering or ripping away at its surface. Tearing away at the cardboard’s outer layer reveals the interesting ribbed texture beneath to be used as a design component. Layering torn edges automatically gives your piece an industrial, time weathered feel like the monochromatic cityscape below. Scraps can even be used to roll, crinkle, and fold 3D elements, such as the rosettes at the bottom of my fish bride piece. There is a story to this one; my roommates and I had 2 feeder goldfish we rescued from the tank at the grocery: Mr. Mustache and Mistress Bouffant. This is why I don’t have pets. Even the death of this tiny, normally dinner to bigger fish, goldfish caused distress, and I decided I needed to immortalize her. I used broken glass as bubbles due to the clear, reflective nature of the pieces. I still remember smashing bottles with a hammer on the front porch of our apartment. A neighbor asked what I was up to, to which my quick answer was, “Our fish just died.” I only realized in retrospect how that must have appeared, me furiously hammering away with that statement as my only explanation. No wonder they were never too chatty with us.

I’ve included some photos of my own experiments as well as some cardboard art by other artists as inspiration. The next time you get a package in the mail and have some extra cardboard laying around, I’d encourage you to give a project like these a try.

RIP Mistress Bouffant, Mr. Mustache will morn your absence. (A side note, the other goldfish really did have a black marking above his lip that looked exactly like a drawn on mustache.)

RIP Mistress Bouffant, Mr. Mustache will morn your absence. (A side note, the other goldfish really did have a black marking above his lip that looked exactly like a drawn on mustache.)

Painting on layered cardboard, using the texture of the corrugation as part of the design.

The flawless, traditional black and white portrait contrasts with a work surface left rough; with dents, tears, and even leftover paint smeared here and there as if the artist was cleaning off their brush.

Valery Koshlyakov – High-rise on Raushskaya Embankment (2006) – Tempera on Cardboard

Retro Barbies, acrylic on cardboard

My retro Barbies, acrylic on cardboard